Tag: Sampa The Great

Certainly, if you’ve been frequenting the site over the past 12-18 months or so you’ve come across a handful of posts on Melbourne, Australia-based emcee REMI  and his producer and collaborator Sensible J. The duo rose to national prominence in their homeland with 2014’s critically and commercially successful  Raw X Infinity, an album that was named Triple J‘s Album of the Week and the Independent Hip Hop Album of the Year by the Australian Independent Record Association, a well as receiving international attention from OkayAfricaJUICE, laut.deNPR‘s All Things Considered among others. And adding to a growing profile, the duo were named “Australian Breakthrough Artist of the Year,” and followed that up with touring nationally and across both the UK and EU with Danny BrownVic MensaDe La SoulJoey Bada$$ and Damon Albarn.

Last year saw the release of the duo’s critically applauded sophomore full-length effort, Divas and Demons, which paired their strengths — an incredibly adept lyricist and storyteller, whose stories possessed an uncommonly earnest, soul-baring honesty and an incredibly dope and soulful producer, whose sound and production nods at the great J. Dilla, DJ Premier and others; in fact, you’d probably recall “For Good,” a charmingly coquettish love song in which its male and female narrators have misunderstandings, bicker and fight, cheat and drive each other insane in a youthfully dysfunctional relationship featuring a guest spot from Sydney, Australia-based poet, visual artist and singer/songwriter Sampa The Great rhyming and singing over a warm and soulful production that nodded at The Roots and Erykah Badu‘s “You Got Me;” “Substance Therapy,” the album’s second single featured Remi rhyming honestly about how drinking, drugging and womanizing as an escape from himself and his depression only managed to further mire him in depression paired with a production that emphasizes the rapid vacillation of self-loathing, self-doubt, fear, anger, and desperate escapism of the severely depressed; “Lose Sleep” was a deeply personal song that drew from REMI’s own experiences a mixed race man in Australia and in the world — and in some way, he wanted the song to be a message to other mixed race kids about that weird feeling of feeling as though you could never quite fit in; but that his experience and story, as of those of others matters in a much larger story; and the last single I wrote about “Contact Hi/High/I” featured REMI along with a guest spot from  Hiatus Kaiyote‘s Silent Jay rhyming and singing about what seems to be a permanent state of adolescence, which constantly validates itself through vice and excess.

Interestingly enough, this year marks Sensible J’s solo debut — and his first single “Fire Sign” is a a collaboration with his friends and frequent collaborators REMI and Sampha the Great, which features the two rhyming over a thumping and swaggering, soulful groove, reminiscent of the aforementioned J. Dilla, thanks to a production featuring twinkling keys, boom bap-like drum programming and a ridiculous, anthemic hook; in fact, in a playful turn, the trio pay homage to A Tribe Called Quest — and it shouldn’t be surprising because much like the legendary Tribe and De La Soul, the Melbourne-based trio specialize in an overwhelmingly soulful, thoughtful hip-hop, serving as a reminder that the genre and its practitioners have always been wildly diverse; after all, NWA, Tribe, De La, Public Enemy, Kid ‘N’ Play, MC Lyte and others all existed simultaneously.

 

 

 

Born in Zambia, raised in Botswana and currently based in Sydney, Australia, the 23 year old poet, visual artist, emcee, singer/songwriter and pop artist Sampa the Great, who publicly has cited Mos Def, Nina Simone, Lauryn Hill, Nneka, and others, as influences. And since the release of The Great Mixtape and collaborations with fellow Australians, pop artist Wallace on the skittering and jazzy single “Beauty” and internationally acclaimed Australian emcee Remi on the neo-soul and conscious hip-hop influenced “For Good,” the Sydney, Australia-based artist has quickly built up a growing internationally recognized profile as she’s opened for the likes of Kendrick Lamar, Thundercat, Hiatus Kaiyote, Ibeyi, Little Simz and Fat Freddy’s Drop, as well as played sets at Golden Plains, Sugar Mountain, Laneway, WOMAD and Vivid LIVE. However, 2017 may arguably be the Sampa the Great’s breakout year as her Rakhi-produced HERoes Act 2 was released yesterday through Red Bull Sound Select, and features the Sydney, Australia-based artist collaborating with Estelle. And while further cementing her reputation for a ridiculously dexterous flow that draws from spoken word performances, old school, hip-hop lyricism, with complex inner rhyme and multisyllabic rhyme schemes, old school soul and the blues and jazz, her latest single “The Plug” features Estelle and Sampa doing their thing with a swaggering, self-assuredness over a Timbaland-like production featuring futuristic bleeps and bloops, industrial clang and clatter, glitchy and shuffling beats and swirling electronics.

HERoes Act 2 is the second part of a two part narrative series of songs and genre-defying collaborative projects with Act being a spoken-world video, 2 track exploration into self-discovery and inner strength within a world that’s gone mad with uncertainty, racism and fear. “The Plug,” like the two other songs on the EP continue in a similar vein while continuing her reputation for crafting material based around her own personal experiences as an outsider, her desire and need to create, and the recognition that as individuals and as a society, that we need to value the strength and abilities of the individual; but in terms of this particular song, the song leans towards recognizing and championing the god-given talents of the individual, while brushing away haters and nay-sayers, with your desire to make a name for yourself at what you can do.

 

 

 

 

 

 

 

 

 

 

 

 

 

New Video: REMI Teams Up with Sampa The Great on Wild, Surreal and Heartbreaking Night in Melbourne

Remi is a 23 year-old Melbourne, Australia-based emcee and along with collaborator and producer Sensible J, the duo have quickly risen to national and international prominence with 2014 being the duo’s breakthrough year as their Raw X Infinity was critically […]

Remi is a 23 year-old Melbourne, Australia-based emcee and along with collaborator and producer Sensible J have quickly risen to national and international prominence with 2014 being the duo’s breakthrough year as their Raw X Infinity was critically and commercially successful. The album was named Triple J‘s Album of the Week, the Independent Hip Hop Album of the Year by the Australian Independent Record Association and received praise from internationally recognized media outlets and tastemakers including OkayAfrica, JUICE and laut.de, NPR‘s All Things Considered, and others. Adding to a rapidly growing national and international profile, the duo were named “Australian Breakthrough Artist of the Year,” toured nationally and across both the UK and Continental Europe and have shared stages with the likes of Danny Brown, Vic Mensa, De La Soul, Joey Bada$$ and Damon Albarn.

Divas and Demons is the Australian duo’s forthcoming full-length effort, and the album’s first single “For Good” is a collaboration that features Sydney, Australia-based poet, visual artist and singer/songwriter Sampa The Great adding soulful backing vocals to the song’s infectious hook and spitting a few bars herself during the song’s shimmering and cosmic bridge. Now, if you were frequenting this site over the the last half of 2015, Sampa The Great might be familiar to you, as she collaborated with a fellow Sydney-based singer/songwriter Wallace on the skittering and jazzy single “Beauty” and interestingly enough, this particular track has Sampa The Great channeling both Macy Gray and Lauryn Hill. Remi’s husky vocals and cool, effortless flow is reminiscent of LL Cool J, Q-Tip and Snoop Dogg with a distinctly Australian accent. Lyrically speaking, the song is a charming and coquettish love song in which its male and female narrators finally committing to each other after a childish and dysfunctional relationship in which they fuss and fight, cheat and drive each other nuts — and yet they both realize that they can’t possible dream of a life apart. This back and forth duet is paired with a buoyant and swooningly soulful Sensible J. production consisting of Nile Rodgers-like funk guitar and boom bap drum programming and Simon Mavin’s cosmically shimmering and jazzy keyboard chords. Although incredibly contemporary, the song sounds as though it could have been released sometime between 1997 and 2002 — and in some way sounds as though it draws from The Roots and Erykah Badu‘s “You Got Me,” and others.

Certainly, much like Monikker‘s debut single “Heaven on Earth (Gotta Go),” Remi’s latest track is a testament to the power and influence of hip-hop’s beloved golden era while reminding the listener of two things — that hip-hop truly is the linga franca of anyone under about 45 or so and that in the age of mainstream, conglomerate radio stations shilling soulless and prepackaged bullshit that you can find meaningful and thoughtful music if you’re willing to put in some work.

 

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New Audio: Introducing Up-and-Coming Sydney-based Singer/Songwriter Wallace’s Charming and Effortlessly Soul on New Single “Beauty” feat. Sampa The Great

Wallace Gollan, who performs under the mononym Wallace, is a Sydney, Australia-based singer/songwriter, whose expressive and soulful vocals are paired with a sound that draws heavily from blues, soul, jazz and pop, and as a result […]