Tag: Simian Mobile DIsco

Late last month, I wrote about Kalli Ma, an up-and coming, London-based electro pop production and artist duo, who with the release of their debut single  “Promises,,” quickly received attention across the UK and elsewhere, as the single revealed that the duo’s signature sound has been largely inspired by  techno, minimal wave and post punk. And as you may recall, their latest single “High Shot” found the duo employing both analog and digital synthesizers in a propulsive and kaleidoscopic, club banger, reminiscent of Soft Metals‘ Lenses, Factory Floor, Simian Mobile Disco, The Chemical Brothers and others, complete with layers of arpeggiated synths, tweeter and woofer rocking beats and a sinuous and sultrily sung hook.

Building upon the buzz they’ve received across the UK and elsewhere, the duo enlisted British producer Bird of Paradise to remix the song and while retaining the propulsive, tweeter and woofer rocking beats and arpeggiated synths and sultry hook of the original, the remix turns the song into an industrial house-leaning track full of the enormous clang and clatter of Kraftwerk’s “Metal on Metal” while expanding the song’s motorik-like groove and adding some cosmic ray bursts to the proceedings.

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New Video: Up-and-Coming, British, Electronic Duo Kalli Ma Releases Kaleidoscopic Visuals for Propulsive, Club Banger “High Shot”

Kalli Ma is an up-and-coming, London-based electro pop production and artist duo, who have received attention across the UK with the release of their debut single “Promises,” an attention grabbing single that revealed that the British duo’s signature sound inspired by techno, minimal wave and post punk. The duo’s latest single “High Shot,” which sees the band employing the use of both analog and digital synthesizers in a propulsive, kaleidoscopic and club banger that’s reminiscent of Soft Metals’ Lenses, Factory Floor, Simian Mobile Disco, The Chemical Brothers and others, complete with layers of arpeggiated synths, tweeter and woofer rocking beats and a sinuous and sultrily sung hook. 

Directed by Katia Ganfield, the recently released video follows actor Alexander Arnold, best known for roles in British shows like Skins, My Cousin Rachel and The Salvation through a wild and trippy day around London with stops at several bars and pubs, including one where he just misses encountering the members of Kalli Ma. 

Born and raised in Paris, the currently Los Angeles-based keyboardist, singer/songwriter and electronic music artist Morgane Lhote has had quite an impressive musical career, which includes stints in several different locales throughout the years. When Lhote was 20, she moved to London where she spent 12 — and during that period in the UK, between 1995-2001, Lhote was a member of Stereolab contributing on several of the band’s most beloved and critically applauded efforts, including Dots and Loops and Emperor Tomato Ketchup.  From 2002-2004, Lhote was a member of The Projects and she followed that project with a Garden, a side project featuring members of Simian Mobile Disco, before she started her own solo recording project, Hologram Teen.

Citing an incredibly diverse array of influences including MF DOOM, Francois De Roubaix, The GZAJudee Sill, ABBA, John Carpenter, Goblin, Gene Clark, E.L.O., Harpers Bizarre, King Tubby, Michel Legrand, Hot Chip, Supertramp, Luke Vibert, Martha and the Muffins, Soft Machine, Suzanne Ciani, Greg Kurstin and Chic, Lhote has described her latest project, Hologram Teen as “electronic music that’s playful and groovy (mostly influenced by disco and Italian horror soundtracks) with loads of diverse samples. This is a soundtrack to a movie where John Carpenter and Boris Karloff hang out at Studio 54 with German zombies dancing to ‘Thriller’ in the background.” She’s also jokingly described her sound as being “. . . like Fabio Frizzi meets Grandmaster Flash.”

Small, renowned label Deep Distance Records, a sister imprint of The Great Pop Supplement Records released Lhote’s most recent 7 inch “Post-Apocalyptecakes”/”Tracksuit Minotaur” earlier this month. “Tracksuit Minotaur” pairs layers of glimmering, undulating synths reminiscent of Giorgio Moroder, Kraftwerk‘s “Trans Europe Express” and John Carpenter soundtracks, skittering and stuttering drum programming, ominously swirling electronics and horror movie samples to craft a song that’s tense, danceable and sweepingly cinematic — while evoking dancing your cares away in a dystopian, post-apocalyptic world. “Post-Apocalypteacakes,” featuring Buddy Cop pairs a sinuous bass line reminiscent of Chic, skittering drum programming, layers of undulating synths and horror movie samples and industrial clang and clatter to craft a song that sounds equally inspired by Depeche Mode, Kraftwerk,  LCD Soundsystem‘s 45:33, and Snap!‘s “Rhythm Is A Dancer.”

Lhote specializes in what may arguably be some of the most unique electronic music I’ve heard in some time — it’s relentlessly difficult to pigeonhole into any particular subgenre and it meshes different genres and periods in an effortless and seamless fashion.