Tag: The Cure

Comprised of John Gill (vocals, bass, guitar and synth), Greg Tebbano (lead guitar, lead synth and backing vocals), David Octal (bass), and Ben Patten (drums), the Saratoga Springs, NY-based post punk quartet The Black Ships derive their name from the Western vessels that sailed to Japan during the 16th to 19th centuries. And with the forthcoming release of their latest effort, Dead Empires, slated for a December 4 release, the Upstate New York-based quartet hope to prove that Saratoga Springs is the home of a burgeoning wave music scene  — in particular, a burgeoning shoegaze/dark wave/chill wave scene — as the town is best known as the home of blogosphere darlings Phantogram.

Dead Empires‘ latest single album title track “Dead Empires” sounds as though it owes a major sonic debt to Joy Division, The Cure and 4AD Records —  while also channeling contemporaries like The Harrow, Dead Leaf Echo and others, as the song is comprised of atmospheric synths, slashing, angular bass and shimmering guitar chords and four-on-the-floor drumming paired ethereal vocals. If you’re a child of the 80s as I am, the Saratoga Springs-based quartet’s sound will be familiar — it’s a darkly seductive and danceable sound. But interestingly enough, what will set the band apart from their contemporaries is the fact that the band’s frontman John Gill is a self-proclaimed avid history buff, and Dead Empires lyrics concern themselves with how history’s course and flow affects and influences everything. And as Gill explains in press notes “Looking back on historical events of the past adds a romantic tinge to things and a certain yearning for past times and traditions.” In some way, it gives the material a swooning Romanticism that belies its brooding nature.

The Danish quartet Communions have received international attention across the blogosphere for shimmering and plaintive pop songs about youthful naivety that sound as though they were released in 1983. And the forthcoming release of their […]

A Q&A with The Harrow

Comprised of Vanessa Irena (vocals, synths and programming), Frank Deserto (bass, synth and electronics), Barrett Hiatt (synth, programming), and Greg Fasolino (guitar), the Brooklyn-based quartet of The Harrow can trace their beginnings to 2008 when the project […]

Comprised of Shelby Gaudet (vocals, guitar), Amber Kraft (drums, percussion), Christopher Laramee (guitar), Sonia Dickin (bass, vocals), and Elsa Gebremichael (keys and vocals), the Saskatoon, Saskatchewan-based shoegazer rock quintet of Powder Blue gained international attention […]

The Brooklyn-based quintet of Tyburn Saints have a sound that owes quite a debt to atmospheric 80s synth pop and 80s synth rock with earnestly sung lyrics – when you hear “With the Night In […]

Comprised of John Morosi (drums and lead vocals), Chris Kehoe (bass, synths and backing vocals), and Jake Harris (guitars, lead vocals), the New Paltz, NY-based trio of What Moon Things were formed in Morosi’s dark, moldy […]

Jef Barbara’s English language debut, Soft to the touch quickly became one of my favorite albums of the past year or so, as the material manages a sly, winking wit backed by a slickly produced, shimmering glam […]

Tristram Burden and his girlfriend J.E. Seuk founded the South Korean band Language of Shapes back in 2010 over their mutual love of the mandolin and lying around Korean beaches playing Leonard Cohen covers. And […]

VPI Harmony is the debut effort from the Atlanta, GA-based quintet Mood Rings. And the album bears a similarity to Cut Copy’s incredible In Ghost Colours in the fact that it reveals a band with a sound that’s […]

Brooklyn-based electronic rock artist Jake Courtouis performs under the moniker Koortwah, and he recently produced a forthcoming EP titled, The Wilderness with Matt Thornley of LCD Soundsystem at DFA Studios. Courtouis enlisted the help of two […]