Formed by founding members Barrance Whitfield, Peter Greenberg, who has also played with Lyres and DMZ and Phil Lenker in the mid 80s, the Boston-based blues and soul act Barrence Whitfield and The Savages quickly developed a reputation for crafting primal and soulful blues, centered around Whitfield’s full-throttle soul screaming (in the spirit of Little Richard, Solomon Burke, and others), and for sweaty, dance party-like live shows. With their original lineup, the band released several attention grabbing records through Rounder Records, and as a result they toured with Bo Diddley, Tina Turner and George Thorogood, were a favorite of BBC DJ Andy Kershaw and won seven Boston Music Awards. The band reunited in 2011 with a new lineup that features Whitfield, along with Andy Jody (drums) and Tom Quartulli (sax), which has released three albums Savage Kings, Dig Thy Savage Soul and Under the Savage Sky and building upon their long held reputation, the band has toured with The Sonics, played at SXSW and have played on the BBC’s Later . . . with Jools Holland.
Released earlier this year, Soul Flowers of Titan is Barrence Whitfield and The Savages fourth full-length album since reforming after a 25 year hiatus, and the album, which derives its name from the largest moon of Saturn, a planet which astrologically symbolizes pain and struggle was recorded in Ultrasuede Studio in Cincinnati, a town that was home to a number of classic and somewhat unknown independent labels, including King Records and Federal Records that were best known for a fostering a frayed and raucous sound during the 50s and 60s. Of course, knowing that history, the band couldn’t resist the urge to celebrate and expand on that legacy — with the album finding the band sonically meshing blues, punk, rock, garage rock and soul while thematically, the album’s material focuses on people shooting guns, separating, coming home (someday), falling in love, running around, leaving earth in search of someplace better, going crazy, drinking way too much coffee and thinking about the legendary Sun Ra. As a result, the material features a much heavier sound, B3 and Rheem organ playing from the band’s newest member Brian Olive and a live-in-the-studio urgency.
Soul Flowers of Titan’s latest single “Let’s Go To Mars” is centered around a boozy, and shuffling power chord riff that brings Howlin’ Wolf and George Thorogood to mind but paired with lyrics inspired by an early 70s documentary on Sun Ra that its songwriters Peter Greenberg and Phil Lenker saw multiple times, and as a result there’s a mischievous yet plaintive ache to go off someplace that may be better than Earth — or least someplace, where you can live freely and not be bothered by the cruelty and viciousness of humanity. Directed by Eric Baconstrip, the recently released, animated video further emphasizes the song’s mischievous vibes while nodding at classic, silent films.