Tag: The Whispers And The Beat Goes On

Comprised of Ella Thompson and Graeme Pogson, GL is a Melbourne, Australia-based electronic music production and artist duo, who with the release of 2013’s Love Hexagon EP and their full-length debut Touch developed a reputation for specializing in a sound that’s very much a contemporary take on disco, funk, boogie, soul and house music, and as a result the Australian electronic music duo quickly earned international attention from The Guardiani-DThe FADERV Magazine, XLR8R and others, as well as played sets at New Zealand’s St. Jerome’s Laneway Festival and Splore Festival while nationally they’ve opened for Nick Murphy fka Chet Faker and played a successful headlining national tour to support their full-length debut.

Building upon a growing national and international profile, which resulted in a busy touring schedule, the duo locked themselves away in the studio to write and record the double A-sided single “Destiny”/”Reflect,” and as the duo explain “‘Reflect’ is an extended jam we made at TFS Studio in North Fitzroy, Melbourne. We wanted to try a long form exploration piece. Listen out for the delightful keyboard solo by Harvey Sutherland! Lyrically, it’s about searching inward, when the outside gets a bit much.” Interestingly enough, the song while being decidedly introspective manages to be joyous, suggesting that searching inward can be a profound solace in a cruel world or as George Clinton once wisely sung “The kingdom of heaven is within.” Of course, sonically, the song will further cement the duo’s reputation for crafting a sound that draws so much  from 80s and 90s house music and 80s synth soul that it brings to mind The WhispersIt’s A Love Thing,” “And The Beat Goes On,” and “Rock Steady,” Evelyn “Champagne” King’s “Love Come Down” and Cherelle‘s “Saturday Love” as Pogson pairs a production featuring layers of shimmering and cascading synths, a sinuous bass line, tribal drumming, bursts of shimmering keys and a soaring hook with Thompson’s self-assured vocals. Simply put, it’s arguably one of the most DJ-leaning, club rocking tracks I’ve written about in several months; in fact, if I were DJ’ing, I’d make sure to fit this one into a set.

 

 

 

 

 

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New Video: The Retro-futuristic 80s Visuals and Synth Funk Sounds of Aida’s “Let’s Ride”

Aida is a French-born singer/songwriter who with the release of “Let’s Ride” off her soon-to-be released debut EP, My Retrospective has received attention for a neon bright, funk sound reminiscent of 80s synth funk — i.e., The Whispers “And The Beat Goes On,” “It’s A Love Thing,” and “Rock Steady,” Tuxedo’s self-titled debut, Dam-Funk, Blood Orange, Chaka Khan’s “I Feel For You” and others; in fact, “Let’s Ride” which features a slick, dance floor-friendly electro funk production by Fresco Klüb consisting of cascading and propulsive arpeggio synth chords, enormous, tweeter and woofer rocking beats from Fresco Klüb paired with Aida’s effortlessly soulful and coquettish vocals.

Directed by Xavier Cantin-Lemieux of La Maison Bald Man, the recently released music video consists of pitch-perfect 80s-inspired visuals that cut between Aida going to a local bodega to make a phone call, where she watches a music video featuring three bathing suit-clad dancers on a studio-designed beach, and Aida riding her scooter through a Tron-like landscape; but as the video gets to the hook, it becomes darker, suggesting that Aida is an assassin on an important mission — and she does so with a cool, detached, efficiency.

New Video: Check Out the Roll Bounce-Inspired Video for Chicago-based Soul act The Main Squeeze’s New Single “Angelus”

Over the past couple of years, the Chicago-based neo-soul and funk quintet The Main Squeeze have become something got a mainstay act on this site as I’ve written about them on a handful of occasions. The quintet originally […]

Comprised of long-time friends and collaborators, the Sydney, Australia-born, Los Angeles-based multi-instrumentalist production duo Intergalactix have a long-held reputation behind the scenes producing material for a number of renowned artists including Jason Mraz, Heart, Earth, Wind, and Fire, Kelis, Allen Stone, Ariana Grande, The Fugees‘ Pras MichelCool & Dre, fellow countrymen Jimmy Barnes and PNAU, as well as  Cash Money Records.

Last year, the production duo began to establish themselves as artists  with the release of their debut EP I.W.S.O.M, which featured the single “Tuesday.” Building upon an already growing national profile, the duo toured extensively to support the EP — and it included a set at Firefly Music Festival. (Interestingly, the festival may have had one of the biggest and most star-studded lineups of this past year’s festival season as Intergalactix played a bill that included Paul McCartney, Kings of Leon, Snoop Dogg, The Killers, Morrissey, and several others.)

Thursday marks the release of the Australian-born, Los Angeles-based duo’s sophomore EP S.T.S. – R.N.D.  and the EP’s latest single “Right Next Door” featuring Capital Cities‘ Spencer Ludwig will further cement Intergalactix’s reputation for sleek, retro-futuristic synth pop that channels The Gap Band‘s “You Dropped A Bomb On Me” and “Outstanding,Rick James and The TemptationsStanding On The TopThe WhispersAnd The Beat Goes On” and “Rock Steady,” and Cameo‘s “Word Up,”as well as more contemporary fare including Dam-Funk, Rene Lopez‘s most recent return to all things funk, Boulevards, ISHI, and a growing list of others.

Growing up listening to a ton of synth funk back in the 80s, it isn’t surprising that a number of contemporary artists have revived that sound — both eras specialize in slick production based around sinuous bass lines, shimmering arpeggio synths, four-on-the-floor drumming (or drum programming), anthemic hooks paired with an incredible sense of memorable melody and sensual vocals. You can’t help but recognize how sexy the song is — but it’s also a certified club banger, that should make you get up out of your seat and to the dance floor.

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New Video: Dam-Funk Brings Uplifting 80s-Inspired G Funk to the 21st Century with “We Continue”

Over the past couple of years, Dam-Funk has seen his profile grow exponentially for a sound that simultaneously channels late Parliament/George Clinton solo work, 80s synth-based funk and R&B, and Parliament-inspired G funk and for his collaborations […]