Tag: Thundercat

New Audio: Thundercat Teams Up with WILLOW on Atmospheric, Quiet Storm-like “ThunderWave”

Acclaimed JOVM mainstay Thundercat will be releasing his fifth studio album — and first album in over six years — Distracted through Brainfeeder on April 3, 2026. Distracted was created in close collaboration with super producer Greg Kurstin with additional production from Flying LotusKenny Beats and The Lemon Twigs. The new album also features contributions from an all-star cast that includes A$AP RockyWILLOWTame Impala, Channel TresLil Yachty and a previously unreleased collaboration with Mac Miller

Thematically, the album vividly captures the uneasy tension between overstimulation and introspection. Thundercat is deeply skeptical of technological “progress,” especially the way it has narrowed our collective imagination instead of expanding it. He jokes about Star Trek and childhood dreams of space travel, then pivots to the horrible anticlimax of reality: drones without lasers, phones that only feature upgraded cameras, innovation reduced to spying and access. The disappointment isn’t about just gadgets; it’s about a vision of the world we were promised versus what we got right now. Sure, some forms of deep space travel may be difficult, if not impossible, but we don’t have flying cars or smart-alecky robots. We barely have high-speed trains or anything else. 

While the drawbacks of constant distraction are evident in today’s attention deficit economy, a true idiosyncratic like Thundercat can identity the ways in which it used to one’s advantage. You can’t spell “daydreams,” without dreams. “Sometimes you need to be distracted to focus in a different way,” Thundercat says. What the JOVM mainstay wants listeners to take from the album is remarkably, disarmingly simple: Just enjoy it and have fun and just know that the struggle is real and changes shape, but just to keep pushing forward.” 

Rather than instant and constant commentary, the JOVM mainstay offers something quieter, more radical, and maybe something more empathetic: The permission to be confused, tired and distracted — and yet still make something beautiful and necessary out of the noise. 

Distracted will include the previously released “I Did This To Myself,” feat. Lil Yachty “She Knows Too Much,” feat. Mac Miller, and the album’s latest single, “ThunderWave” feat. WILLOW. “ThunderWave” features Thundercat and WILLOW’s seamless harmonies floating and bobbing over Greg Kurstin’s ambient production, a slick synthesis of Peter Gabriel-like art pop, Jaco Pastorious-era jazz fusion/jazz funk and Quiet Storm soul, which includes the sound of waves lapping gently on the shore. The result is a moonlit-like scene between two seemingly doomed, endlessly yearning lovers.

Thundercat shared some thoughts about creating the track: “Willow, the weeping, the whimsy, the whispy, the wizard. Grateful for the opportunity to create and spend time with such a beautiful human. Our journey together has been quite a fun one. Creating this song together, felt very much like the real us. So happy to be able to share.”

New Video: Thundercat Shares Posthumously Released Breezy Collab with Mac Miller “She Knows Too Much”

Acclaimed JOVM mainstay Thundercat will be releasing his fifth studio album — and first album in over six years — Distracted through Brainfeeder on April 3, 2026. Distracted was created in close collaboration with super producer Greg Kurstin with additional production from Flying LotusKenny Beats and The Lemon Twigs. The new album also features contributions from an all-star cast that includes A$AP RockyWILLOWTame Impala, Channel TresLil Yachty and a previously unreleased collaboration with Mac Miller

Thematically, the album vividly captures the uneasy tension between overstimulation and introspection. Thundercat is deeply skeptical of technological “progress,” especially the way it has narrowed our collective imagination instead of expanding it. He jokes about Star Trek and childhood dreams of space travel, then pivots to the horrible anticlimax of reality: drones without lasers, phones that only feature upgraded cameras, innovation reduced to spying and access. The disappointment isn’t about just gadgets; it’s about a vision of the world we were promised versus what we got right now. Sure, some forms of deep space travel may be difficult, if not impossible, but we don’t have flying cars or smart-alecky robots. We barely have high-speed trains or anything else. 

While the drawbacks of constant distraction are evident in today’s attention deficit economy, a true idiosyncratic like Thundercat can identity the ways in which it used to one’s advantage. You can’t spell “daydreams,” without dreams. “Sometimes you need to be distracted to focus in a different way,” Thundercat says. What the JOVM mainstay wants listeners to take from the album is remarkably, disarmingly simple: Just enjoy it and have fun and just know that the struggle is real and changes shape, but just to keep pushing forward.” 

Rather than instant and constant commentary, the JOVM mainstay offers something quieter, more radical, and maybe something more empathetic: The permission to be confused, tired and distracted — and yet still make something beautiful and necessary out of the noise. 

Distracted will include the previously released “I Did This To Myself,” feat. Lil Yachty and the album’s latest single “She Knows Too Much,” feat. Mac Miller. Although posthumously released, “She Knows Too Much” captures the two long-time friends and frequent collaborators easy-going, carefree chemistry within their most natural element: Miller spits bars about desperately trying to win over someone, who he knows is out of his league and may be only into him for his fame and money, over a strutting neo-soul arrangement bolstered by Thundercat’s muscular “Superstition“-like bass line and his ethereal falsetto.

While working on Distracted, Thundercat felt it could be a great fit for the album and received permission from the Mac Miller Estate to complete work on the song, which he did with producer Greg Kurstin, adding final touches to the production so fans may now hear the ultimate vision of it. “I’m grateful to have spent my time on this planet with Mac,” Thundercat shares. “What an artist, what a spirit, what a joy to have experienced.”

Directed by Léa Esmaili, the accompanying video employs both claymation and traditional animation to convey the playfulness and the deep bond of their friendship, followed by the reality of loss.

“First of all, making this music video is a huge honor, as I grew up with these two artists and have admired their universe since I was a teenager,” Esmaili says. “I wanted to create, within a single video, a fun animated moment by mixing styles either it’s 2D animation or 3D. Beyond that, I wanted to build a burlesque narrative around two friends who spend a completely crazy day together, tied to their friendship and to anime of this kind.”

New Audio: Thundercat Teams Up with Lil Yachty and Flying Lotus on Strutting and HIlariously Awkward “I Did this To Myself”

Acclaimed JOVM mainstay Thundercat will be releasing his fifth studio album — and first album in over six years — Distracted through Brainfeeder on April 3, 2026. Distracted was created in close collaboration with super producer Greg Kurstin with additional production from Flying Lotus, Kenny Beats and The Lemon Twigs. The new album also features contributions from an all-star cast that includes A$AP Rocky, WILLOW, Tame Impala, Channel Tres, Lil Yachty and a previously unreleased collaboration with Mac Miller.

Thematically, the album vividly captures the uneasy tension between overstimulation and introspection. Thundercat is deeply skeptical of technological “progress,” especially the way it has narrowed our collective imagination instead of expanding it. He jokes about Star Trek and childhood dreams of space travel, then pivots to the horrible anticlimax of reality” drones without lasers, phones that only feature upgraded cameras, innovation reduced to spying and access. The disappointment isn’t about just gadgets; it’s about a vision of the world we were promised versus what we got right now. Sure, some forms of deep space travel may be difficult, if not impossible, but we don’t have flying cars or smart-alecky robots. We barely have high-speed trains or anything else.

While the drawbacks of constant distraction are evident in today’s attention deficit economy, a true idiosyncratic like Thundercat can identity the ways in which it used to one’s advantage. You can’t spell “daydreams,” without dreams. “Sometimes you need to be distracted to focus in a different way,” Thundercat says. What the JOVM mainstay wants listeners to take from the album is remarkably, disarmingly simple: Just enjoy it and have fun and just know that the struggle is real and changes shape, but just to keep pushing forward.”

Rather than instant and constant commentary, the JOVM mainstay offers something quieter, more radical, and maybe something more empathetic: The permission to be confused, tired and distracted — and yet still make something beautiful and necessary out of the noise.

Anchored around a strutting and ridiculously funky Thundercat bass line, thumping beats and twinkling Rhodes “I Did This To Myself,” feat. Lil Yachty, Distracted‘s lead single features the two acclaimed collaborators trying to holler at very busy baddie, who has no time for either Thundercat or Lil’ Yatchy, despite their desperate pleas to be treated better. They feel like complete fools. And at the core of the song, both artists seem acutely aware that they’ve placed themselves in the song’s ridiculously awkward yet all too human predicament. The song also features additional production from longtime collaborator and friend Flying Lotus.

New Audio: JOVM Mainstay Thundercat Tackles A Diana Ross Smash Hit

Since the release of 2020’s critically applauded It is What It Is, the acclaimed JOVM mainstay Stephen “Thundercat” Bruner has remained quite busy. Attention grabbing collaborations with Tame Impala, Gorillaz, Silk Sonic, Kaytranada and Justice have maintained his presence in the music realm. But he’s also branded out into acting with a role in Star Wars: The Book of Boba Fett.

Continuing his foray into the realm of television, the JOVM mainstay appeared as a featured musical guest on the rebooted Yo Gabba Gabbaland on Apple TV+. He joined Yo Gabba Gabba! for a NPR Tiny Desk concert. And he appeared at the show’s Coachella set both weekends.

Adding to a large and growing profile, he’s appearing and playing in GAP ads — and he has joined Steve Lacy and Red Hot Chili Peppers on stage.

This year, the acclaimed artist has released two standalone tracks, “I Didn’t Wish I Didn’t Waste Your Time,” and “Children of the Baked Potato” feat. Remi Wolf. His third and latest single sees him tackling the Diana RossNile Rodgers and Bernie Edwards penned 1980 smash hit “Upside Down,” arguably one of the sexiest pop songs ever written. Anchored around Thundercat’s muscular, Jaco Pastorious-styled bass lines, the JOVM mainstay’s take on the beloved tune is simultaneously woozy and ethereal while retaining elements of the dance floor friendly original.

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Summer Festival season is coming, y’all! And that means festival announcements. So let’s get to it, right? 

Newport Jazz Festival will be returning to Rhode Island’s Fort Adams State Park for its 69th edition. This year’s edition will continue the festival’s long-held tradition of hosting once in a lifetime performances that can only come as a result of Newport’s unique alchemy of intimacy and artistic community. 

The 69th Edition will take place August 4, 2023 – August 6, 2023 and will feature an eclectic and acclaimed lineup of artists including the legendary Herbie HancockDiana KrallCharles LloydVijay IyerJon Batiste, and Kamasi Washington, as well as a collection of Grammy-nominated and-winning artists including Samara JoyDOMi and JD Beck. The lineup also includes Big FreediaThundercatDJ Pee .Wee (a.k.a. Anderson .Paak), Big Gigantic, Alfa MistCautious ClayDurand Jones, and The War and Treaty

It’s an annual tradition for the festival to host special ensembles. And this year’s festival will include Newport Jazz artistic director Christian McBride’s annual Jam Dawn, MoodSwing, Scary Goldings featuring John ScofieldSuperblueOrrin Evans Quintet and the Bill Charlap Trio

With Memorial Day Weekend right around the corner, Newport Jazz Festival organizers announced some exciting new additions to the lineup that include JOVM mainstays The Soul Rebels featuring Rakim and Talib Kweli, Adi Oasis, Angel Bat Dawid & Tha Brothahood, Claudia Acuña, and more. A full list of the complete lineup is below.

3-day, 2-day and single-day tickets, as well as 3-day, 2-day and single-day parking passes are currently available through DICE. Full pricing is listed below. Children under 10 are free with a maximum of 2 children attending per ticketed adult. Children 10 and over will need to purchase a full priced admission ticket. For more information go to https://dice.fm/promoters/3gng

TICKET PRICING

3-Day Full Price General Admission: $281.19 (includes fees)

2-Day Saturday & Sunday General Admission: $193.64 (includes fees)

Single-Day General Admission: $100.94 (includes fees)

3-Day Parking: $69.01 (includes fees)

2-Day Parking: $46.35 (includes fees)

Single-Day Parking: $25.75 (includes fees)

NEWPORT JAZZ 2023 LINEUP

Friday

Joe Russo’s Almost Dead with Kamasi Washington

Kamasi Washington 

DJ Pee .Wee (Anderson .Paak)

Soulive  

DOMi & JD Beck

Immanuel Wilkins Quartet 

Big Freedia 

Alfa Mist 

Butcher Brown 

Endea Owens & The Cookout 

Lakecia Benjamin and Phoenix 

Julius Rodriguez 

Saturday 

Jon Batiste 

Thundercat 

Big Gigantic Does Jazz 

Christian McBride’s Jam Jawn 

Charles Lloyd New Quartet 

Arooj Aftab, Vijay Iyer, Shahzad Ismaily 

Julian Lage

Superblue: Kurt Elling & Charlie Hunter with Nate Smith & Huntertones Horns 

Orrin Evans Quintet

The War and Treaty 

Keyon Harrold 

James Brandon Lewis 

Sunday 

Herbie Hancock 

Diana Krall 

Samara Joy 

Redman, Mehldau, McBride, Blade: A Moodswing Reunion 

Scary Goldings featuring John Scofield 

Cimafunk

Cautious Clay 

Somi 

Pedrito Martinez 

Bill Charlap Trio

Charles McPherson Quintet

NEW ADDITIONS

The Soul Rebels featuring Rakim & Talib Kweli

Marcus Miller

Dave Holland New Quartet

Adi Oasis

Derrick Hodge

Armstrong Now: Louis at Newport

Angel Bat Dawid & Tha Brothahood

Bobby Watson All-Star Quintet

Jennifer Hartswick & Nick Cassarino Duo

Claudia Acuna

Melvis Santa & Jazz Orishas

Lauren Sevian’s LSQ

Camille Thurman with The Darrell Green Quartet

Matthew Whitaker

Ticket information is available here.

Stephen “Thundercat” Bruner is a Grammy Award-winning singer/songwriter, bassist, JOVM mainstay and highly respected and much in-demand artist, who has worked with Kendrick Lamar, Pharrell, N.E.R.D., Erykah Badu, Herbie Hancock, Childish Gambino, Mac Miller, Anderson .Paak, Janelle Monáe, BADBADNOTGOOD. Moses Sumney, Micheal McDonald, Kenny Loggins, Wiz Khalifa, Robert Glasper, Kamasi Washington, Travis Scott, Little Simz, Louis Cole, Shabazz Palaces, and his longtime collaborator Flying Lotus.

Kevin Parker is a highly-acclaimed, Grammy Award-winning singer/songwriter, multi-instrumentalist and producer, best known as the creative mastermind behind the Aussie-based JOVM mainstay outfit Tame Impala. He has released four Gold-certified full-length albums, 2010’s InnerSpeaker, 2012’s Lonerism, 2015’s Currents and 2020’s The Slow Rush, making him one of the most commercially successful and perhaps influential artists of the past decade. Additionally, as a songwriter and producer, Parker has collaborated with The Weeknd, SZA, Lady Gaga, Travis Scott, Gorillaz, Mark Ronson, Kali Uchis, 070 Shake, Miguel, A$AP Rocky and a growing list of others.

The two JOVM mainstays have finally teamed up for “No More Lies,” the first new bit of material from Thundercat since 2020’s It Is What It Is. The new single is a slick synthesis of the pair’s remarkably complementary styles: Parker’s dense layers of twinkling and cascading synths are paired with Bruner’s wobbling wah-wah pedaled bass lines and skittering beats and the duo’s unerring knack for catchy hooks serving as a silky bed for the duo to trade verses lamenting a doomed relationship that they’ve royally fucked up — and for which Bruner takes responsibility The song culminates with a monologue from the bassist questioning the old adage of honesty being the best policy in relationships. You may tell the truth because you care about someone, but on occasion you might have to lie someone because you care.

“I’ve wanted to work with Kevin since the very first Tame Impala album,” Bruner says. “I feel that I knew that us working together would be special. I’ve been excited about this song for a long time and hope to create more with Kevin in the future.”

The new single arrives ahead of a huge string of tour dates for the JOVM mainstay, who will play dates with Red Hot Chili Peppers and The Strokes before heading to Australia, Asia and Europe later this summer.

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Summer Festival season is coming, y’all! And that means festival announcements.

So let’s get to it, right?

Newport Jazz Festival will be returning to Rhode Island’s Fort Adams State Park for its 69th edition. This year’s edition will continue the festival’s long-held tradition of hosting once in a lifetime performances that can only come as a result of Newport’s unique alchemy of intimacy and artistic community.

The 69th Edition will take place August 4, 2023 – August 6, 2023 and will feature an eclectic and acclaimed lineup of artists including the legendary Herbie Hancock, Diana Krall, Charles Lloyd, Vijay Iyer, Jon Batiste, and Kamasi Washington, as well as a collection of Grammy-nominated and-winning artists including Samara Joy, DOMi and JD Beck. The lineup also includes Big Freedia, Thundercat, DJ Pee .Wee (a.k.a. Anderson .Paak), Big Gigantic, Alfa Mist, Cautious Clay, Durand Jones, and The War and Treaty.

It’s an annual tradition for the festival to host special ensembles. And this year’s festival will include Newport Jazz artistic director Christian McBride’s annual Jam Dawn, MoodSwing, Scary Goldings featuring John Scofield, Superblue, Orrin Evans Quintet and the Bill Charlap Trio.

Specially priced 3-day tickets went on yesterday through DICE. Special pricing will be available for 24 hours ending today at 1:00pm EST. All full-prince 3-day, 2-day and single-day tickets will go on sale today at 1:00pm

Full pricing is listed below. Children under 10 are free with a maximum of 2 children attending per ticketed adult. Children 10 and over will need to purchase a full priced admission ticket. Current students aged 10-25 are eligible for student tickets. College students are required to show a student photo ID. Middle and high school students are not required to show ID. All students must enter through the student gate only. For more information go to https://dice.fm/promoters/3gng

TICKET PRICING

3-Day Limited Special Priced General Admission: $239.99 (includes fees)

3-Day Full Price General Admission: $281.19 (includes fees)

3-Day Student Admission – $142.14 (includes fees)

2-Day Saturday & Sunday General Admission: $193.64 (includes fees)

2-Day Saturday & Sunday Student Admission: $91.67 (includes fees)

Single-Day General Admission: $100.94 (includes fees)

Single-Day Student Admission: $47.38 (includes fees)

3-Day Parking: $69.01 (includes fees)

2-Day Parking: $46.35 (includes fees)

Single-Day Parking: $25.75 (includes fees)

NEWPORT JAZZ 2023 LINEUP

Friday

Joe Russo’s Almost Dead with Kamasi Washington

Kamasi Washington 

DJ Pee .Wee (Anderson .Paak)

Soulive  

DOMi & JD Beck

Immanuel Wilkins Quartet 

Big Freedia 

Alfa Mist 

Butcher Brown 

Endea Owens & The Cookout 

Lakecia Benjamin and Phoenix 

Julius Rodriguez 

Saturday 

Jon Batiste 

Thundercat 

Big Gigantic Does Jazz 

Christian McBride’s Jam Jawn 

Charles Lloyd New Quartet 

Arooj Aftab, Vijay Iyer, Shahzad Ismaily 

Julian Lage

Superblue: Kurt Elling & Charlie Hunter with Nate Smith & Huntertones Horns 

Orrin Evans Quintet

The War and Treaty 

Keyon Harrold 

James Brandon Lewis 

Sunday 

Herbie Hancock 

Diana Krall 

Samara Joy 

Redman, Mehldau, McBride, Blade: A Moodswing Reunion 

Scary Goldings featuring John Scofield 

Cimafunk

Cautious Clay 

Somi 

Pedrito Martinez 

Bill Charlap Trio

Charles McPherson Quintet

More artists will be announced in the future. But in the meantime, ticket information is available here.

New Video: Brandon Coleman Shares Soulful and Swooning Ballad

Brandon Coleman is a South Central Los Angeles-born and-based singer/songwriter, multi-instrumentalist, producer, arranger, and composer. Coleman’s older brother put him on to Miles Davis at a very early age. “There would be a lot of times kids at school would be singing a popular song and I wouldn’t know it. Instead, I was blasting Kenny Kirkland and Chick Corea and they’d all think I was speaking another language,” Coleman recalls.

When he was 16, Coleman taught himself piano. By the time he turned 17, he landed his first touring gig with Brian McKnight and since then, he has toured with Babyface, Roy Hargrove, Stanley Clarke, Alicia Keys, and Childish Gambino. Coleman has also been a member of the Brainfeeder crew, contributing his talents to albums by Kamasi Washington, Thundercat, and Flying Lotus among others. He also opened for Flying Lotus back in 2019.

Coleman’s sophomore album Interstellar Black Space is slated for a May 20, 2022 release through Brainfeeder. The album features an incredibly talented cast of guests including Kamasi Washington, Patrice Quinn, Ryan Porter, Keyon Harrold, Ben Williams, and Marcus Gilmore. The album’s second and latest single, the slow-burning, classic soul inspired “Be With Me” exemplifies the label’s cosmic approach towards music: violin, cello and sitar are paired with strummed guitar, a sinuous bass line and Coleman’s expressive tenor to create a song that’s trippy yet swooningly earnest.

“There’s a culture of music that I grew up with that I’ve always loved and it’s always spiritually spoken to my soul: the lyrics of The Delfonics, Four Tops, Manhattans… groups like that motivated me to want to write a truly inspired song,” Coleman explains. “I wrote this in 30 minutes. We recorded it in one take. It’s soul music through the mind of synthesizers!”

Directed by Lauren Desberg, the accompanying video for “Be With Me” is split between footage of Coleman in a sparsely set studio, and a story following a madly in love anime couple on an alien planet. After being proposed to, the woman, who’s also a NASA astronaut tearfully returns back to Earth — and the video is in many ways a heartbreaking trip through what was and what would have been.

New Video: Funk and Soul Legend Releases a Powerful Visual for Uplifting “Make a Difference”

Dayton, OH-born and-based singer/songwriter and drummer Steve Arrington got his start as a member of the legendary Dayton-based funk and soul act Slave in the 70s, eventually becoming known for contributing lead vocals on smash hits like “Watching You,” and “Just a Touch of Love.” Continuing upon the success he attained with Slave, Arrington went solo recording a handful of albums before leaving the secular music world in 1991 to focus on spiritual and ministerial work.

Since 1991, an impressive and eclectic array of artists including Jay-Z, A Tribe Called Quest, Pharrell, 2Pac, Snoop Dogg, LL Cool J, Mariah Carey, N.W.A. and a lengthy list of others sampling his work in Slave and as a solo artist. Interestingly, after nearly two decades away from professional secular music, Arrington returned in 2009 with the release of that year’s Pure Thang, which he followed up with 2013’s collaborative album with Dam-Funk, Higher, released through Stones Throw Records. And in the decade or so since the release of Pure Thang, the Dayton-born and-based legend has collaborated with old-schoolers and youngbloods alike, working with Snoop, , Kool Moe Dee, George Clinton, and Thundercat.

Released earlier this year, Down To The Lowest Terms: The Soul Lessons is Arrington’s first solo album in 11 years, and the album’s material sees the funk and soul legend finding peace with himself and God while casting an easygoing yet still razor-sharp critical eye on the world around him. The album also captures an old schooler, who’s still restlessly creative and as vital as ever. As a 40-something that kind of thing is inspirational to me.

Produced by DJ Harrison, “Make a Difference,” Down To The Lowest Terms: The Soul Sessions‘ third and latest single continues a run of strutting and sinuous pimp struts featuring a a shimmering arrangement of twinkling and reverb-drenched Rhodes, a sinuous bass line, sunny horn lines and a stuttering boom-bap like beat. But unlike its immediate predecessor, the Quiet Storm-like “Soulful I Need That In My Life,” “Make a Difference” is centered around a proud and defiantly hopeful message: we haven’t achieved Martin’s dream of the promise land yet but we’re making much progress towards it. And while things are difficult, we can’t give up the hope that Black folks will be free — and that America will live up to its ideals. There’s just too much to lose for all of us.

“Make a Difference” address “the current state of things in this country,” Arrington says. “As far as the racial tensions . . . so much of it is being promoted by politicians with agendas. And you have moments like Black Lives Matter, and different races coming together to say: ‘We’re not going back. We’re not stepping back into the forties and fifties.’ This song speaks to that. The great John Lewis — the message that he left for all of us, to understand and move forward, not making a difference for a few months, but a lifetime of living.”

Shot in a gorgeous and cinematic black and white, the recently released video for “Make a Difference” sees Arrington as a musical community elder, gently instructing the listener and viewer on Black history, putting the struggles and triumphs in a proper historical context, with Black Lives Matter being a continuation of a generations-long struggle for equality. And while we see the photography and footage of the talented and brave Black folk, who have influenced the world and have pushed for justice, the video also finds Arrington blessing the younger generation.

Live Footage: JOVM Mainstay Thundercat Performs “Them Changes” at Adult Swim Festival with Ariana Grande, JD Beck, and DOMi

Throughout the course of this site’s decade-plus history, I’ve mangled to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a cornerstone of the Brainfeeder Records universe, releasing an incredibly prolific amount of critically applauded material including 2011’s Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP, 2017’s Drunk and this year’s It Is What It Is. Along with that, Bruner has established himself as a highly sought-after collaborator, contributing to Kamasi Washington’s aptly titled, critically applauded 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. He also worked with Flying Lotus to compose an original score for a 2018 episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Because of the pandemic, concerts and festivals as we remember and love them aren’t possible -and as a result, this year’s Adult Swim Festival was a virtual event — but still chock full of awesome music, comedians and never-before-seen Adult Swim exclusives. Recently, the critically acclaimed JOVM mainstay played a stomping and strutting rendition of one of my favorite songs off 2015’s The Beyond/Where Giants Roam EP “Them Changes” with Ariana Grande, and JD Beck and DOMi that also features an extensive acid jazz fusion break.

“It feels like Ariana and I are forever connected through Mac [Miller] and this is part of the healing process,” Thundercat says.

New Audio: Funk Legend Steve Arrington Releases a Shimmering and Much-Needed Bit of Spiritual Uplift

Dayton, OH-born and-based singer/songwriter and drummer, Steve Arrington got his start with the acclaimed Dayton-based funk and soul act Slave in the 70s, eventually becoming known for singing lead vocals on the act’s smash hits “Watching You,” and “Just a Touch of Love.” Continuing an incredible run of professional success, Arrington went solo, releasing a handful of albums before leaving the secular music world in 1991 to focus on spiritual and ministerial work.

As Arrington focused on the spiritual matters, an impressive and eclectic array of artists have been influenced by his work, with artists like Jay-Z, A Tribe Called Quest, Pharrell, 2Pac, Snoop Dogg, LL Cool J, Mariah Carey, N.W.A. and a lengthy list of others sampling his work in Slave and as a solo artist.

After nearly two decades away, Arrington returned to secular music in 2009 with the release of that year’s Pure Thang, which he followed up with 2013’s collaborative album with Dam-Funk, Higher, released through Stones Throw Records. Since then the Dayton-born and-based funk legend has had a number of attention-grabbing guest spots and collaborations with Snoop Dogg, Kool Moe Dee, George Clinton, and Thundercat.

The funk legend’s first solo full-length album in 11 years, Down To The Lowest Terms: The Soul Sessions is slated for a Friday release through Stones Throw Records, and the album reportedly sees Arrington finding peace with himself and God, while casting an easygoing yet razor-sharp critical eye on the world around him. Now, if you’ve been frequenting this site over the past few months, you may recall that I’ve written about two of the album’s previously released singles: the slow-burning Quiet Storm-like pimp strut “Soulful I Need That In My Life,” a song that offered prescriptive advice for listeners in a time of heightened anxiety, uncertainty, stress and despair — and proud and defiantly hopeful and shimmering “Make a Difference,” which reminds the listener that while we have achieved so much, we still have a lot of hard work to do to achieve Martin Luther King’s and John Lewis’ vision of America.

“The Joys of Love,” Down to the Lowest Terms’ fourth and latest single is a shimmering, neo-soul strut, centered around twinkling Rhodes, boom bap-like drumming, an infectious two step-inducing hook and Arrington’s imitable crooning. Considering the bleak and unending Kafkaesque hellscape that is our current world, this song is frankly a much-needed blast of spiritual uplift.

New Audio: Funk Legend Steve Arrington Returns with an Upbeat and Positive New Anthem

Steve Arrington is a Dayton, OH-born and-based singer/songwriter and drummer, who got his start with the acclaimed Dayton-based funk and soul act Slave in the 70s, eventually becoming known for being the lead singer on the act’s smash hits “Watching You,” and “Just a Touch of Love.” Continuing an incredible run of success, Arrington went solo, releasing a handful of albums before leaving the secular music world in 1991 to focus on spiritual and ministerial work.

An impressive and eclectic array of artists have drawn influence from Arrington’s work with artists like Jay-Z, A Tribe Called Quest, Pharrell, 2Pac, Snoop Dogg, LL Cool J,Mariah Carey, N.W.A. and a lengthy list of others sampling his work in Slave and as a solo artist.

After nearly two decades away, Arrington returned to secular music in 2009 with the release of that year’s Pure Thang, which he followed up with 2013’s collaborative album with Dam-Funk, Higher, released through Stones Throw Records. Additionally during the past decade, the Dayton-born and-based has had a number of attention-grabbing guest spots with the aforementioned Snoop Dogg, Kool Moe Dee, George Clinton, and Thundercat.

Down To The Lowest Terms: The Soul Sessions is the funk legend’s first solo full-length album in 11 years, and the album. which is slated for a September 18. 2020 release though Stones Throw Records reportedly sees Arrington finding peace with himself and God while casting an easygoing but still razor-sharp critical eye on notes world around him. Last month, I wrote about the album’s second single “Soulful I Need That In My Life,” a slow-burning, Quiet Storm-like pimp strut centered around twinkling and gurgling synths, a sinuous bass line, plucked bursts of guitar and Arrington’s sultry crooning. And while bearing a resemblance to his work in Slave, the song offered some advice for listeners in a time of uncertainty, stress and despair — “downshift,” slow down and take it easy. 

Produced by DJ Harrison, “Make a Difference,” Down To The Lowest Terms: The Soul Sessions’ third and latest single continues a run of strutting and sinuous pimp struts  featuring a a shimmering arrangement of twinkling and reverb-drenched Rhodes, a sinuous bass line, sunny horn lines and a stuttering boom-bap like beat. But unlike its immediate predecessor, the track is centered by a proud and defiantly hopeful message: at its core, the song reminds us that although we haven’t quite achieved Martin’s promised land yet, we’ve made a lot of progress towards that — and we can’t let that go. That bright and glorious future is coming and we all need to work our asses off to get there. 

“Make a Difference” address “the current state of things in this country,” Arrington says. “As far as the racial tensions . . . so much of it is being promoted by politicians with agendas. And you have moments like Black Lives Matter, and different races coming together to say: ‘We’re not going back. We’re not stepping back into the forties and fifties.’ This song speaks to that. The great John Lewis — the message that he left for all of us, to understand and move forward, not making a difference for a few months, but a lifetime of living.”