Tag: video

Throwback: Happy 65th Birthday, Chad Smith!

JOVM’s William Ruben Helms celebrates Red Hot Chili Peppers’ drummer Chad Smith’s 65th birthday.

New Video: Trentemøller and The Raveonettes’ Sune Rose Wagner Team Up on Stormy “Your Love Walks Alone”

Anders Trentemøller’s self-titled eighth Trentemøller album is slated for a November 13, 2026 release through his In My Room Records. The self-titled album will include the previously released “Terrified” feat. Mew‘s Jonas Bjerre and the album’s latest single “Your Love Walks Alone” feat. The Raveonettes‘ Sune Rose Wagner.

“Your Love Walks Alone” is a stormy touch song featuring Wagner’s imitable delivery expressing despair, confusion, heartache and anger set to a brooding goth-inspired soundscape of scorching industrial-meets-shoegaze like fuzz, thunderclap-like beats. “A depiction of pure love slowly winding down and how it affects you in those moments where you realise you’re being ‘replaced,” Wagner says.

Trentemøller traces this collaboration back to an earlier collaboration: “Ever since Sune sang on my track ‘Deceive,’ we’d been talking about doing another song together. This time I had an instrumental that felt right for his voice, so I sent it over. He loved it, and pretty quickly came back with that great vocal that’s unmistakably Sune / The Raveonettes. With ‘Your Love Walks Alone,’ I feel like he hit the mood of the music perfectly. What I love is how the vocal melody is kind of ‘happy’ in a way, when the lyrics are actually pretty dark. It makes for a good contrast against the more brooding, insistent sound underneath. “

The accompanying video by DACU features brightly colored child-like, hand-drawn animation that captures the sentiment of the song while being simultaneously trippy and menacing.

New Video: JOVM Mainstay Super Plage Shares Breezy “MINI CLUB”

Jules Henry is a Montréal-based singer/songwriter, electronic music producer and creative mastermind behind the acclaimed, JOVM mainstay recording project and Super Plage. Founded back in 2019, Super Plage sees Henry crafting slickly produced, dance floor friendly electro pop that draws from house and nu-disco. He frequently collaborates with local French Canadian artists to create a playful, fun-loving and escapist universe, where it feels good to party. 

Since 2019, Henry has released a handful of albums including 2023’s Magie á minuit, which received an ADISQ Félix Award-nomination for Electronic Album of the Year. Building upon a growing profile, Henry has made a run of both the provincial and international festival circuits, playing sets at Francos de Montréal, FME and Festival d’été de Québec, SXSW, Wide Days and others. He has opened for Miel de Montagne, Juilen Granel, Bon Entendeur, MYD and more. 

Last year’s GROSSE MAISON featured a sleek and daring blend of house, disco and French touch anchored around catchy, downright funky grooves, much like on album single “Tip Top.” 

The French Canadian JOVM mainstay’s fourth album MINI CLUB was just released today through his longtime label home, Lisbon Lux. MINI CLUB sees Henry solidifying his place within Québec’s electronic music scene while bridging the project’s multiple sonic identities throughout its history — the electro pop of MINI CLUB track “PARIS” the house music of last year’s GROSSE MAISON and a decided shift towards tech house of “SÉOUL” feat. Zéa Calla. Rooted in synth and digital driven textures, there is more than enough room for organic textures throughout — including everyday sounds recorded in the studio and on Montréal’s streets. The album’s material sonically is suited for both the club and chilling in the park, but lyrically, it’s rooted in observations and thoughts on everyday life.

MINI CLUB is arguably one of Henry’s most collaborative efforts to date — fellow JOVM mainstay Virignie B.; Zéa Calla, a childhood friend, who he reconnected with; and Hawa B have contributed both vocals and songwriting to the album.

The album includes the previously released “POOL PARTY” featuring longtime collaborator Virginie B. and the album’s latest single, album title track “MINI CLUB.” “MINI CLUB” is a club and lounge friendly that nods a bit at Larry Levan-era house with a looping whistled melody, twinkling and bubbling synths, wobbling bass and skittering beats beneath Henry’s ethereal cooing and crooning.

Directed by Henry, the recently released accompanying video follows Henry as he’s barbecuing in a Montréal park and lounging by a pool — all while playing the song. With fall in full effect in the Northern Hemisphere, the video and the song are a fond reminder of summer — and of summers to come.

New Video: London’s Black Doldrums Shares Broodingly Cinematic “Echoes”

London-based post punk trio Black Doldrums founding duo Sophie Landers (vocals, drums) and Kevin Gibbard (vocals, guitar) with newest member Matt Holt (bass) — will be releasing their third studio album Repetition Compulsion on November 13, 2026 through Fuzz Club. Deriving its title from a psychological concept first explored and named by Freud, the recently announced album is the final part of the London-based band’s State of Mind Trilogy, a three-album exploration of the psychological forces that shape identity, memory and human connection which began with their debut, 2022’s Dead Awake and 2024’s In Limerence. At the heart of all of their work is the creative and personal relationship between the band’s founding duo of Gibbard and Landers, whose relationship forms the emotional foundation for the forthcoming album — and the lens through which its themes are explored. As Gibbard explains, “These songs are either about Sophie, for Sophie, or inspired by her.” 

Thematically, the 11-song album reportedly sees the London-based trio exploring how repetitive patterns and behaviors shape intimate relationships, collective memory, politics and wellbeing in a way that’s both deeply personal and quietly universal. Through evocative songwriting and cinematic production, Gibbard says “the album invites listeners to confront the echoes of the past while questioning whether those patterns can ever truly be broken.” 

Inspired by 80s gothic post punk, synth pop, darkwave and the film scores of John Carpenter and Vangelis, Black Doldrums build on the emotional and sonic foundations of these influences to create something cinematic, modern and completely their own. Each of Repetition Compulsion‘s 11-songs has been crafted with intention, with the band balancing darkness with beauty to create a sod that’s melodic, broodingly atmospheric and with emotional depth. Listeners should expect to hear layers of analog synths, chorus pedal-soaked guitar and driving rhythms paired with an expansive production that gives each arrangement a sense of massive, cinematic scale. Rather than relying on nostalgia, the album presents post-punk as a living, ever-evolving form, with the band embracing atmosphere without sacrificing melody, introspection without loss of momentum and darkness without abandoning hope. 

Repetition Compulsion will feature the previously released “Repetition” “Compulsion” and the album’s latest single “Echoes.” “Echoes” is broodingly cinematic tune that’s seemingly a blend of Joy Division, Cocteau Twins and contemporaries like JOVM mainstays PLOHO and Molchat Doma as Gibbard’s remarkably Ian Curtis-like delivery glides over angular guitar attack, a relentless mototrik groove and glistening and arpeggiated synth figures.

Written in one go while the band was on tour, “Echoes” captures a rare moment of inspiration on the road. “This track was finally completed while touring and playing a show in Belgrade, Serbia, where the city’s warmth, creativity and discussions about local history inspired the song’s lyrics,” Black Doldrums’ Kevin Gibbard says. “Our time spent there won’t be forgotten. It’s one of those special moments and opportunities you wouldn’t have got if we weren’t in a band. I’ve never written a song whilst on tour before. Realistically, it never happens, but this one came out in one go, sat in the van.”

Directed by the band’s Sophie Landers, and filmed by Landers and Gibbard, the accompanying video for “Echoes” features the band playing in a hauntingly goth-like forest, and an abandoned, graffiti-strewn Cold War-era structure and the members of the band broodingly posing for the camera. It harkens back to the imagery of MTV‘s early days.

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New Video: Lisa LeBlanc Shares Strutting and Funky “Too Many Cooks”

Acclaimed Rosaireville, NB-born, Montréal-based singer/songwriter, multi-instrumentalist and Acadian icon Lisa LeBlanc will be releasing her sixth album Patchwork on February 5, 2027 through Bonsound. The roots of the album stretch from Moncton, New Brunswick to Lafayette, LA, two cities separated by about 2,200 miles/3,5000 kilometers, a distance that LeBlanc traveled in her van during a two month road trip. In the years leading up to the recording of Patchwork, Leblanc also spent time in Corsica, where she was struck by the rugged landscapes and in Ireland, where the cliffs and traditional music festivals brought her a new creative spark.

While nature plays a significant role for the album, LeBlanc channels her long-held love for 60s and 70s folk and rock to create a lush and rich tapestry of melodies, harmonies and grooves. The album also sees her drawing inspiration from traditional Cajun and Acadian music. The result is a sound that’s original, timeless — and singular. The album’s title is a nod to her grandmother, who, for over 50 years, has been making quilts meticulously from fabric scapes that weren’t originally meant to be sewn together.

Thematically, much like a travel journal, the new album offers observations of everyday life set to music with both sensitivity and humor.

Patchwork will include the previously released, rollicking “Whole Lotta Talkin‘” and the album’s second and latest single, the LeBlanc, Benoit Morier and Eric Heigle co-produced “Too Many Cooks.” A strutting and seamless blend of disco country, folk and Muscle Shoals-era soul “Too Many Cooks” may arguably the most playful and funky song LeBlanc has released to date, featuring contributions from Alabama Shakes‘ Ben Tanner and Dr. John‘s and Social Distortion‘s Ben Alleman on keys and piano; Sébastian Michaud on brass; Les Hôtesses d’Hilaire‘s Mico Roy on guitar; and Maxime Gosselin on drums. Based on the idiomatic phrase “too many cooks in the kitchen . . .,” “Too Many Cooks” points out what would happen when you’d have too many cooks in the kitchen: indecision, confusion, arguments, some sabotage, a wildly disgusting, poorly cooked meal and pissed off dinner guests.

“The music video for ‘Too Many Cooks’ is inspired by a reality cooking show where contestants host the other participants in their homes,” explains LeBlanc. “I’m competing against little mischievous puppets who are trying to sabotage my chances to win. Based on the turn of phrase ‘Too many cooks in the kitchen,’ it’s a quirky, kinda funky, kinda country fun tune!”

New Video Helena Deland Shares Shimmering “Tip of My Tongue”

2020’s debut studio album, Someone New, which was released by Luminelle Recordings introduced Montréal-based singer/songwriter and musician Helana Deland as a new and resonant voice to both the local and national indie scenes. She explored new soundscapes by teaming up with fellow Montréaler Ouri in the collaborative project Hildegard, which released two albums, 2021’s self-titled debut and 2024’s Jour 1596. And adding to a growing profile, Deland has collaborated with Men I Trust, JPEGMAFIA, Jonah Yano, Sam Evian, claire rousay and a lengthy list of others. During a remarkably busy period, Deland released her acclaimed sophomore solo album, 2024’s Goodnight Summerland through Chivi Chivi.

After opening for Weyes Blood, Andy Shauf, Connan Mockasin, Soccer Mommy and Iggy Pop, Deland supported her sophomore album with touring across North America and Europe.

Her highly anticipated third album, Eternity Shrugs is slated for a January 22, 2027 release through Chivi Chivi. Produced by Deland with longtime bandmates Francis Ledoux and Alexandre Larin, as well frequent collaborators Lysandre Ménard and Cedric Martel, Eternity Shrugs was recorded in rural Québec in bursts over four seasons. Piano, bass, organ, viola and woodwinds gather around her vocal and guitar in patient arrangements anchored by finely textured percussion. The result are songs that feel sparse one moment and subtly ornate the next. Deland imagines the album’s palette in browns — wood, leather, smoke. Warm and inhabited, the music never entirely settles.

Eternity Shrugs will include the previously released “How Do You Like Me Now,” and the album’s latest single “Tip of My Tongue.” “Tip of My Tongue” is a shimmering, dream pop-like tune featuring Deland’s breathy and expressive delivery floating over an vibey, autumnal arrangement of jangling acoustic guitar, bursts of shimmering synths, a gently chugging rhythm section driven by a simple yet propulsive drum pattern. But at its core is something left unsaid, an inner conversation between people with an intimate connection that has become a bit awkward yet still deeply familiar.

“I’m thinking of a long-awaited, momentous run-in, the kind that has kept a part of the mind alert,” Deland says. “Maybe you need to privately navigate how up-to-date on the other person’s life you’ve remained since the last time you spoke, or maybe you know a former version of them so well that the present-day one feels entirely, surprisingly familiar. The song was arranged with that feeling of familiarity in mind, like something that has been on the tip of my tongue for a long time.”

Directed by Jodi Heartz and Alex Blouin, the accompanying video for “Tip of My Tongue” is a dreamily surreal scenario that features Deland and her bandmates playing cards on a Montréal rooftop at a table set for 5. We see Deland as she delicately slides between both sides of the table, glancing at her hand of cards.

Lyric Video: Philadelphia’s Soul Glo Teams Up with Tunde Adebimpe on Bruising Yet Vulnerable “Ppl Worried”

Since forming in Philadelphia back in 2014, rising punk outfit Soul Glo — currently Pierce Jordan (vocals, bass), GG Guerra (guitar, bass, vocals, programming) and TJ Stevenson (drums) — was dubbed the “future of hardcore” by Pitchfork after the release of 2022’s breakout effort, Diaspora Problems, a culmination of nearly a decade of playing basements, small clubs and DIY spaces and creative development.

Diaspora Problems has amassed over 14 million streams and critical praise from the likes of BrooklynVegan, who called it “. . . one of the best punk albums released in recent memory” and Pitchfork lauding its mix of ” . . . radical, actionable rhetoric, absurdist humor, and breathtaking vulnerability.” And building upon a rapidly growing profile, the band has been touring extensively, including opening for My Chemical Romance, paying Coachella’s Sonora Stage in 2023 — and they played the first hardcore set at NPR Tiny Desk.

The Philadelphia punks are currently on your with Chat Pile, Virga and Shallowater. The tour includes a November 10, 2026 stop at Brooklyn Steel, a hometown show on November 11, 2026 at Union Transfer, and more. Tour dates are below. And for more information, including tickets, check out: https://soulglophl.com/tour

The band’s newest album, NA I’M GON GRAB ALLAT is slated for a January 15, 2027 release through Epitaph Records. Simultaneously more intense and more approachable than Diaspora Problems, Recorded at Philadelphia-based Foto Club, NA I’M GON GRAB ALLAT isn’t all guitar-driven wth frenetic drum patterns and heavy hip-hop beats. The album features guest appearances from Commitment’s Tati Salazar, Mannequin Pussy’s Bear, New York-based experimental rapper MIKE, Chattanooga-based genre-defying rapper BbyMutha, Whipping Boy, OXBOW, and Buñuel frontman Eugene Robinson, and TV On The Radio frontman Tunde Adebimpe. But the band retains the familiar elements of their sound: fast, frantic playing, Jordan’s mile-a-minute delivery and Stevenson’s imitable drumming. The result is more than just a collection of 14 songs, but a profound and compelling journey through the complexities of surviving modern existence — hopefully with your dignity and sanity intact.

Throughout the album’s runtime, community is front of mind on the album’s lyrics, which the band’s Jordan Pierce describes as being “largely about failures, mine and others, in my relationships with different men in my life.” Having a long-held reputation as a vulnerable, funny and soul-baring lyricist, Pierce’s lyrics explores the idea that men live “constantly at the expense of everyone” while speaking of the Black experience within the punk and hardcore scene and everything life, resentment, relationship anxieties, drug abuse, self-discovery and breaking down the “male loneliness epidemic.” Pierce dedicates the album to “everyone, who has known the joy and pain of loving a man. All different types of love: platonic, romantic, familial, self.’

NA I’M GON GRAB ALLAT‘s latest single “Ppl Worried” feat. Tunde Adebimpe is frantic, swaggering and bruising, mosh pit friendly ripper anchored around the lived-in, deeply confessional thoughts of a dysfunctional yet very human narrator, wrestling with losing oneself in grief and heartbreak, the numbing solitude of addiction and cycles of self-sabotage with a vulnerable, self-awareness that’s unvarnished and all too real.