Tag: Washed Out

Danny Murcia is a Los Angeles-based singer/songwriter, founding member and creative mastermind of Los Angeles-based bilingual indie rock act El Mañana. As an English major in college, Murcia immersed himself in magical realism, a major tenet of modernist and post-modernist Latin American literature, and after graduating, he was able to marry his loves for language and music as a songwriter. Interestingly, the Los Angeles-based singer/songwriter wound up penning a number of songs that were recorded by mainstream radio and as a result of the attention he received as a go-to songwriter, Murcia wound up as part of the major label system, signing a record deal with a major label that released a single; however, it didn’t take long for Murcia to to realize that he was a commodity in a machine that wanted to exploit his Colombian heritage — and that the label was actively trying to mold him into a white person’s version of a Latino pop star. At the end of the experience, he felt as though is creative energy was sapped.

El Mañana finds Murcia returning to his original dream of what he wanted his sound and music to be: insightful, earnestly emotional and bilingual rock driven by enormous power chords and plaintive vocals. As the story goes, Murcia who suffers from bipolar disorder began writing material for this new project while he was battling cancer, having to undergo multiple surgeries before the cancer went into remission. During his recovery, he read the works of Pablo Neruda and Gabriel Garcia Marquez, which long informed his own work.

“Gota En El Mar,” the Los Angeles-based band’s latest single sonically manages to bridge the dreamy psych pop of Tame Impala and Washed Out with enormous Siamese Dream Smashing Pumpkins-era like  power chords fed through distortion and other effects pedals, thumping drumming and arena rock friendly hooks — but most importantly, the song is a swooningly urgent and earnest song.

 

 

 

 

 

 

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New Video: Acclaimed German Synth Pop Artist Roosevelt Releases a Breezy and Nostalgic, Club Banger

Over the past few months, I’ve written a bit about the Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, Marius Lauber, who writes, records and performs Roosevelt. Now, as you may recall its the release of Elliot,” the lead single and EP title track of his 2013 debut EP Elliot, Lauber received praise from the likes of Pitchfork, who named the track one of their “Best New Tracks.” 2015 saw the release of the double A side single “Night Moves”/”Hold On,” which was released through Greco-Roman Records and further cemented his reputation for crafting  material with warm, synth-led Euro-disco sound. Building upon a growing profile, Lauber’s 2016 full-length debut featured standout tracks  “Colours” and “Moving On,” and has led to attention-grabbing tours with the likes of Hot Chip, Totally Enormous Extinct Dinosaurs, Crystal Fighters, as well a remixes of singles by Glass Animals, Jax Jones,Truls, Sundara Karma, Luca Vasta and Kakkmaddafakka and others.
Building upon a growing international profile, Lauber’s recently released sophomore Roosevelt album Young Romance finds the acclaimed German singer/songwriter and multi-instrumentalist, electronic music artist and electronic music producer making a decided move away from the slickly produced EDM of his previously released material to a warmer, hook-driven, guitar and synth-based sound, complete with a wistful escapism. Thematically, Young Romance fittingly focuses on — well, young romance, including the trials, tribulations and frustrations of falling in and out of love, and of desperately trying to find some semblance of home and life while on the road. As Lauber says of the writing process for the album “I ended up processing a lot of emotions that I felt during my youth. Faded relationships that haunted me for years, being on the road for what seemed like forever and the constant search for a place to call home.”

Album single “Forgive,” featured Lauber collaborating with Ernest Green, a.k.a. Washed Out, who contributes his ethereal and imitable vocals to a shimmering, disco-like production centered by a Chic-era Nile Rodgers groove, African percussion and an infectious hook that sounds as though it could have been a Paracosm B-side.  “Shadows,” continues in a similar, breezy yet disco-inspired vein, as it’s centered around a buoyant two-step friendly groove, arpeggiated synths, Lauber’s plaintive vocals, an incredibly tight, infectious hook that recalls Miami Horror, Washed Out and Random Access Memories-era Daft Punk to mind — but somehow even lighter. Young Romance’s latest single “Under The Sun” will further cement Lauber’s reputation for crafting hook-laden, and breezy pop centered around the German singer/songwriter, multi-instrumentalist and producer’s yearning vocals, thumping beats, a sinuous disco-inspired bass line, twinkling keys and ethereal electronics — and while continuing to nod at the likes of Miami Horror, Washed Out, Random Access Memories-era Daft Punk and St. Lucia, the song much like its predecessor reveals an ambitious songwriter and producer, who has put a unique and urgent take on a familiar and beloved sound.

The recently released video for “Under The Sun” is a cinematic and fittingly nostalgic visual that features Lauber yearning singing the song and playing guitar on the beach, reflecting on a past relationship. 

 

Earlier this month, I wrote about Liam Brown, an up-and-coming Liverpool, UK-based singer/songwriter, multi-instrumentalist, producer and electro pop artist, best known as Pizzagirl, and with the release of his debut EP An Extended Play earlier this year, Brown was championed by the likes of Huw StephensAnnie Mac and Lauren Laverne, and received praise from DIYHighsnobietyWonderlandThe Line of Best Fit and others for an 80s synth pop inspired sound. And adding to a growing profile, Brown opened for acclaimed British act Her’s during their most recent UK tour.

Building upon the growing buzz surrounding him, Brown’s sophomore Pizzagirl effort season 2 is slated for a November release, and as you may recall EP single “highschool” was an achingly wistful and pensive synth pop track centered around arpeggiated synths, thumping beats and a sinuous hook that immediately brought Washed OutSt. Lucia and classic 80s synth pop to mind. “gymnasium,” season 2‘s latest single continues on a similar vein — swooningly heartfelt and oversized teenaged sentiment paired with a breezy yet decidedly DIY production featuring twinkling keys, thumping beats, Brown’s plaintive vocals, a Tears for Fears-like bridge and incredibly infectious hooks. Just as important, Brown manages to accurately capture and evoke what it feels like to be a high schooler and desperately in love.

 

 

New Video: Acclaimed German Electro Pop Artist Roosevelt Releases Summery 80s-Inspired Visuals for Buoyant Single “Shadows”

Marius Lauber is a Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, who writes records and performs with his solo recording project Roosevelt. Now as you may recall, with the […]

Throughout this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, best known for his solo electro pop/dream pop recording project Summer Heart. Now, as you may recall Alexander has received attention for being among the first wave of Sweden’s contemporary electro pop and dream pop movement with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park,as well as for a sound that has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others.
Over the past year, I’ve written about a handful of singles from Alexander’s 12 Songs of Summer, a single of the month series that according to the Swedish-born singer/songwriter, multi-instrumentalist and producer allows him to “show people what I am currently working on instead do what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!” Interestingly, 12 Songs of Summer‘s latest single “Ace of Pentacles” finds Alexander collaborating with Chicago-based electronic music artist and producer Elias Abid on a slow-burning and percussive production centered around ethereal vocals (which are chopped up at points), shimmering synths and a sinuous yet radio friendly hook — and while recalling Washed Out, the song manages to feel like the bitter come down of a love affair gone horribly wrong. While further cementing Alexander’s long-held reputation for crafting breezy synth pop, the song possesses an uncanny sober quality.
As the story goes, Abid and Alexander caught up in Abid’s new home of Chicago, the duo bonded over a mutual appreciation and admiration of each other’s work — and unsurprisingly, the duo quickly took the opportunity to bounce ideas off each other.  Speaking about their collaboration in press notes, Alexander said, “Both hanging out and working with Elias Abid was extremely inspiring. We shared the same work ethics and had similar ideas both when it came our craft but also in general. In a creative situation it’s worth a lot when you can comfortably put everything aside and focus on what’s important; the music. To me ‘Ace Of Pentacles’ ended up being about being open-minded and confident in yourself. About daring taking opportunities that are right in front of you.”
Abid adds “Besides creating some amazing ideas, what I appreciated the most out of hosting Summer Heart for his week in Chicago were the conversations we had between sessions. There was something that felt really familiar about the way he looked at life, relationships, music, art, etc.. His energy and approach as a creative person was inspiring and instilled a lot of confidence in my own process as a new artist. Not only did we create something we’re both proud of, we started a new friendship that I’m very grateful for!”

Liam Brown is an up-and-coming, Liverpool, UK-based singer/songwriter, multi-instrumentalist, producer and electro pop artist, best known as Pizzagirl — and with the release of his debut EP An Extended Play earlier this year, Brown was championed by the likes of Huw Stephens, Annie Mac and Lauren Laverne, and received praise from DIY, Highsnobiety, Wonderland, The Line of Best Fit and others for an 80s synth pop inspired sound. And adding to a growing profile, Brown opened for acclaimed British act Her’s during their most recent UK tour.

Building upon a growing profile, Brown’s sophomore Pizzagirl effort season 2 is slated for a November release, and the EP’s latest single “highschool,” will further cement Brown’s reputation for crafting achingly wistful and pensive, synth pop centered around shimmering, arpeggiated synths, thumping beats and sinuous hooks — while recalling Washed Out, St. Lucia and classic 80s synth pop, complete with enormous, painfully sincere teenaged sentiment, as the song’s narrator is worried about losing his cool over someone he digs immensely.

 

 

Comprised of Dexy Valentine (vocals, guitar), Coleman Moore (bass) and Phil Galloni (synths, programming), the Los Angeles, CA-based dream pop trio My Ultra Violet can trace their origins to when the trio met at a gig and exchanged numbers — and since their formation, they’ve received some attention for crafting elegant yet moody dream pop. Interestingly, the trio’s latest single, “Wilde As Me” finds the act collaborating with producer Adam Greenspan, who has worked with Nick Cave, Supergrass and Band of Skulls and drummer Malcolm Cross on a decidedly 80s-inspired synth pop jam centered around shimmering and arpeggiated synths, Valentine’s ethereal vocals and rousing, radio friendly hooks within a hypnotic song that nods at Washed Out, Summer Heart and others.

Valentine takes up the space of a two-dimensional character within the track to highlight the internal irony of the lyrics of pop songs in general, noting that they generally can be shallower and more blatant — and as she admits in press notes, it’s a nod towards Oscar Wilde, one of her famous poets, who once quipped that “only the shallow know themselves.”

 

 

 

Marius Lauber is a Viersen, Germany-born, Cologne, Germany-based singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer, who writes records and performs with his solo recording project Roosevelt. With the release of “Elliot,” the lead single and EP title track of his 2013 debut EP Elliot, Lauber received praise from the likes of Pitchfork, who named the track one of their “Best New Tracks.” 2015 saw the release of the double A side single “Night Moves”/”Hold On,” which was released through Greco-Roman Records and further cemented his reputation for crafting  material with warm, synth-led Euro-disco sound.

Lauber’s 2016 self-titled, full-length debut featured standout tracks “Colours” and “Moving On,” and has led to tours with the likes of Hot Chip, Totally Enormous Extinct Dinosaurs, Crystal Fighters, as well a remixes of Glass Animals, Jax Jones, Truls, Sundara Karma, Luca Vasta and Kakkmaddafakka and others. Interestingly, Lauber’s highly-anticipated Roosevelt sophomore album Young Romance is slated for a September 28, 2018 and the album reportedly finds the German singer/songwriter, multi-instrumentalist, electronic music artist and electronic music producer moving away from the dance floor friendly sound of his previously recorded work and leaning heavily towards hook-driven guitar and synth-based pop while balancing escapism and wistfulness throughout. Thematically, the album covers the trials, tribulations and frustrations of falling in and out of love, finding some semblance of home and life on the road. As Lauber says of the writing process “I ended up progressing a lot of emotions that I felt during my youth. Faded relationships that haunted me for years, being on the road for what seemed like forever and the constant search for a place to call home.”

Young Romance‘s second and latest single “Forgive” finds the up-and-coming German collaborating with Washed Out‘s Ernest Green, who contributes his imitable, ethereal vocals to a shimmering production centered by a disco-like groove, Chic-era Nile Rodgers funk guitar, subtle hints at African percussion and an infectious hook. Sonically speaking, the song feels like it could have easily been on Green’s lush Paracosm as it manages to be swooning and earnest while retaining dance floor friendly vibes. Interestingly, the collaboration can trace its origins to when Green followed Lauber on Instagram, and as Lauber says in press notes “I was so happy to find out he was a fan. He has always been a massive influence and this track was written around the vocal stems he sent back within days — a real collaborative effort.”

 

 

 

 

Now, throughout this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, best known for his solo electro pop/dream pop recording project Summer Heart. And as you may recall, Alexander has received attention both nationally and internationally for being among the first wave of Sweden’s contemporary electro pop and dream pop movement along with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park, as well as for a sound that has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others.

With 12 Songs of Summer, Alexander adds his name to an increasing number of artists, who have adopted a single of the month series over the past couple of years. In the blogosphere age, single of the month series manage to make much quite a bit of sense creatively, financially and marketing-wise. Creatively, the artist isn’t constrained by the pressure of writing material within a cohesive style or theme in mind, as they (potentially) would have to do if they were working on an EP or a full-length album. Financially speaking, independent artists, who are most likely struggling to find ways to fund their efforts to record, tour and promote their work can put out material quickly, ensuring that the artist can receive some sort of attention outside of the album cycle. As Alexander explained in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

“Subside,” the 7th and latest single in the 12 Songs of Summer series finds Alexander collaborating with Toronto-based artist KYLO, who contributes ethereal yet soulful vocals drenched in copious reverb to a lush and shimmering production centered around finger snap-led percussion, stuttering synth arpeggios, shuffling beats and an infectious hook to create a radio friendly, club banger that evokes balmy summer nights, of evening faces, dance floors and strobe lights — and interestingly enough the song brings Within and Without and Paracosm-era Washed Out.

As Alexander recalls, I met K¥LO in Toronto a couple of years ago. We played a show together and since then we’ve stayed in touch and also vaguely talked about making something together at some point.

Back in April, I was sitting on the floor in my friend Alex’s apartment in the East Village playing around with Logic X on my laptop. I was feeling super inspired; I got this song going and quickly decided I wanted to collaborate with someone on it. K¥LO was the first person I had in mind and so I sent the roughest demo ever to her.

To me this song is about someone’s bad habits, and about not being able to concentrate and focus and taking the easy way out.”

KYLO adds, “The lyrics to ‘Subside’ were inspired by a time in my life when I was going through a lot of changes. I was getting used to living without someone I had been with for a long time and battling the loneliness that came with that change. Summer Heart is someone I’ve wanted to collaborate with for a long time; I think that as a producer he’s managed to reflect the message within the lyrics on the track.”

Throughout the bulk of this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, and as you know with his solo electro pop/dream pop recording project Summer Heart has received attention across the blogosphere for a sound that at points has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others. Additionally, Alexander has been considered among the first wave of Sweden’s contemporary electro pop and dream pop movement along with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park.
With his 12 Songs ofSummer, Alexander adds his name to an increasing number of artists, who have adopted a single of the month series over the past couple of years, and as you can imagine doing so manages to make a helluva lot of sense creatively, financially, and marketing-wise in the blogosphere age. Creatively speaking, the artist isn’t constrained by having the pressure of writing material with a  cohesive style or theme in mind, as they would if they were writing for an EP or a full-length album; however, in order for the concept to work, they are required to come up with material within relatively strict and regularly occurring deadlines. Financially, independent artists, who may be struggling to find ways to fund their efforts to record and tour, can put out material quickly — and in the blogosphere age, it can ensure that the artist can receive some sort of attention over the course of year, outside of the album cycle. As Alexander explained in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”
“Aftershock,” the latest single in the 12 Songs of Summer project is a swaggering and flirty single centered around Alexander’s falsetto which for this song takes on a smooth jazz-like quality paired with shuffling drum programming and twinkling synths to create a song that evokes silk sheets on naked skin, of making love on an early summer morning with the windows open to let in a soft breeze. Arguably, it’s one of Alexander’s sultriest songs to date.