Tag: Webster Hall

New Video: JOVM Mainstay Thundercat Releases a Hilarious Visual for Shimmering and Funky Jam “Dragonball Durag”

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globeand Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

Directed by Zack Fox, the recently released video features cameos from HAIM, Kali Uchis, and Quinta Brunson and stars Bruner, as a desperate and impossibly horny loser, who stumbles upon the titular durag, and when he puts it on, he unleashes his newfound mojo and attempts to charms the ladies in a hilariously awkward and creepy fashion. And although he constantly gets rejected, he never lets it dull his spirit or his hopes.  

Perth, Australia-based singer/songwriter, multi-instrumentalist and producer Jake Webb is the creative mastermind behind the critically applauded and commercially successful Aussie synth pop/psych pop act Methyl Ethel. Webb’s Methyl Ethel has amassed over 25 million Spotify streams globally — and after landing at #4 on Triple J’s 2017 Hottest 100, “Ubu,” was named an ARIA Accredited Gold single early last year. Also, his tour dates across Australia and the UK have regularly sold out since 2016. 

Although Webb has achieved commercial and critical success within a relatively short period of time, Methyl Ethel began as a sort of personal challenge. “I wanted to see if I could write, record and release some music before the band I was in at the time finished doing the same,” Webb says in press notes. “I did and subsequently withdrew from some close friends. Relationships were severed. I severed some even closer ones. This was all played out in such a public away, as it invariably does, so I withdrew more. My first album Oh Inhuman Spectacle became the ‘why me?/fuck you/sorry’ album that I wrote as a confused coping mechanism. It helped and I enjoyed it. I continued the introspective journaling with the follow-up, Everything is Forgotten. For me, that album said ‘who cares? all your emotions are irrational and meaningless anyway.'”

Webb’s most recent full-length album, last year’s Triage may be his most introspective and reflective effort to date with the material thematically, focusing on time and its passing, of getting older and occasionally becoming more mature, of the lies we have to tell ourselves and have to keep to keep on getting by.

Interestingly, Triage‘s follow-up effort, the forthcoming Hurts To Laugh EP, which is slated for an April 10, 2020 release through Dot Dash/Remote Control was recorded at the same time as Triage. Thematically, the five song EP touches upon the psychological difference between feeling and emotion. One is a conscious response to a set of circumstances, the other is the unconscious conditions of our very being that only occasionally surfaces through feelings — with the material probing ambiguities and paradoxes, implied by the effort’s title: you can laugh so hard that it hurts (joy) or you can laugh despite the pain (despair). 

Hurts To Laugh‘s first single, the stumbling and stuttering “Majestic AF” is centered around bubbling oscillator, analogue polyrhythm, a sinuous bass line, march-like drumming and a shimmering, slightly atonal synth melody and an anthemic hook paired with Webb’s plaintive falsetto floating over the mix. But at its core, the song manages to possess a dance floor-like energy while being earnest and uneasy.

Methyl Ethel will be embarking on aStateside tour to support his latest effort, opening for Peter, Bjorn & John during the Spring. The tour includes an April 10, 2020 stop at Webster Hall. Mid-April sees Webb returning to Australia for a solo tour at intimate venues across the country’s largest cities. Check out the tour dates below.

TOUR DATES
March 23 – Teragram Ballroom – Los Angeles, CA#
March 24 – La Santa – Santa Ana, CA#
March 25 – New Parish – Oakland, CA#
March 27 – Doug Fir Lounge – Portland, OR#
March 28 – Crocodile – Seattle, WA#
March 31 – Urban Lounge – Salt Lake City, UT#
April 01 – Bluebird – Denver, CO#
April 03 – Amsterdam – St. Paul, MN#
April 04 – Empty Bottle – Chicago, IL#
April 05 – Loving Touch – Ferndale, MI#
April 07 – Johnny Brendas – Philadelphia, PA#
April 08 – Union Stage – Washington, DC#
April 10 – Webster Hall – New York City, NY#
April 11 – Brighton Music Hall – Boston, MA#
April 15 – The Outpost – Brisbane, AUSTRALIA
April 16 – Nightcat – Melbourne, AUSTRALIA
April 17 – Mary’s Underground – Sydney, AUSTRALIA
April 19 – Goodwill Club – Perth, AUSTRALIA
# Supporting Peter, Bjorn & John
All tickets

Over the course of his 30+ year recording career, Greg Dulli has developed and maintained a reputation as a poet laureate of the bizarre whims and cruel tangents of desire and all things dark, mysterious and brooding as the frontman and creative mastermind of The Twilight Singers and JOVM mainstays The Afghan Whigs.

Although Dulli has been involved in a number of collaborations and projects throughout his lengthy career but interestingly, enough, his official full-length solo debut Random Desire is slated for a Friday release through Royal Cream/BMGRandom Desire can trace its origins to the aftermath of The Afghan Whigs’ most recent album, 2017’s critically applauded In Spades: Patrick Keeler was about to take a short sabbatical from the band to record and tour with his other band, The Raconteurs. Dulli’s longtime collaborator and bandmate John Curley went back to school. And the band’s longtime guitarist Dave Rosser tragically died after a battle with colon cancer.

Dulli wound up returning to his teenaged bedroom roots, finding inspiration through the model of legendary, one-man, multi-instrumentalist band visionaries like Prince and Todd Rundgren, with the Hamilton, OH-born, Los Angeles-based singer/songwriter writing and playing almost every part of the album — from piano and bass lines to drums. Much like he’s always done throughout his career, the music came first and the lyrics completed later. Written and recorded in several different locations including Dulli’s Silver Lake home; Crestline, CA, in the mountains above San Bernardino; and New Orleans — with the bulk of the album being done at Christopher Thorne’s Joshua Tree, CA-based studio.  While Dulli handled most of the album’s instrumental duties, he managed to collaborate with an all-star cast of musicians including his Afghan Whigs bandmates Jon Skibic (guitar) and multi-instrumentalist Rick G. Nelson, his Twilight Singers bandmate Mathias Schneeberger, Dr. Stephen Patt (pedal steel and upright bass) and Queens of the Stone Age‘s and The Mars Volta‘s Jon Theodore (drums).

I’ve written about two of the album’s previous singles — the swaggering “Pantomina,” which delved into the psyche and emotions of a deeply fucked up, dysfunctional narrator, who has a series of fucked-up dysfunctional relationships, and the atmospheric and brooding “It Falls Apart,” a sinuous track that seems to evoke the swooning, rug-has-been-pulled-out-from-under-you sensation of the end of a relationship and the things left unsaid.

Random Desire‘s latest single is the cinematic and Ennio Morricone-like “A Ghost.” Centered around strummed acoustic guitar, shimmering blasts of pedal steel, an expressive and gorgeous string arrangement a gypsy-like shuffle and Latin percussion, “A Ghost” can trace its origins back to when Afghan Whigs were working on In Spades. “It did not work then, so I just put it back in the ‘working on’ folder and then pulled it out last year and recut it…,” Dulli says in press notes. “It started to come together when I went down to New Orleans. The song just reminded me of a journey across the Sahara or something, like a gypsy version of Ennio Morricone.”

Dulli will be embarking on a tour to support his long-anticipated solo debut. The tour begins with a Ireland, UK and European tour throughout March and early April. The Stateside leg of the tour begins in Minneapolis on April 24, 2020 and it includes a May 6, 2020 stop at Webster Hall. Check out the tour dates below.

2020 Tour Dates

March 19 – Róisín Dubh – Galway, IRELAND

March 20 – Whelans – Dublin, IRELAND

March 22 – SWG3 Warehouse – Glasgow, UK

March 23 – Gorilla – Manchester, UK

March 24 – Islington Assembly Hall – London, UK

March 26 – Paradiso Noord – Amsterdam, NETHERLANDS

March 27 – Muziekodroom – Hasselt, BELGIUM

March 28 – Trix – Antwerp, BELGIUM

March 30 – Luxor – Cologne, GERMANY

March 31 – Lido – Berlin, GERMANY

April 02 – Hotel Cecil – Copenhagen, DENMARK

April 03 – Debaser Strand – Stockholm, SWEDEN

April 04 – Parkteatret – Oslo, NORWAY

April 24 – 7th Street Entry – Minneapolis, MN

April 25 – Metro – Chicago, IL

April 26 – St. Andrew’s Hall – Detroit, MI

April 28 – Beachland Ballroom – Cleveland, OH

April 29 – Woodward Theater – Cincinnati. OH

April 30 – Mr. Smalls – Pittsburgh, PA

May 01 – The Great Hall – Toronto, ON CANADA

May 03 – Paradise Rock Club – Boston, MA

May 05 – 9:30 Club – Washington, DC –

May 06 – Webster Hall – New York, NY –

May 07 – Union Transfer – Philadelphia, PA

May 09 – The Grey Eagle – Asheville, NC

May 10 – Cat’s Cradle – Carrboro, NC

May 12 – The Loft – Atlanta, GA

May 15 – One Eyed Jacks – New Orleans, LA

May 16 – 3Ten @ ACL Live – Austin, TX

May 17 – Granada Theater – Dallas, TX

May 19 – Bluebird Theatre – Denver, CO

May 22 – Doug Fir Lounge – Portland, OR

May 23 – The Showbox – Seattle, WA

May 26 – August Hall – San Francisco, CA

May 28 – Palace Theater – Los Angeles, CA

 

Throughout the course of this site’s almost 10 year history  I’ve managed to spill quite a bit of virtual ink covering the critically applauded, Grammy Award-wining singer/songwriter, bassist and JOVM mainstay artist Stephen “Thundercat” Bruner. Bruner has long been a Brainfeeder Records cornerstone, releasing critically applauded material including  Golden Age of Apocalypse, 2013’s Apocalypse, 2015’s The Beyond/Where Giants Roam EP and 2017’s Drunk while also establishing himself as a highly sough-after collaborator, contributing to Kamasi Washington’s aptly titled 2015 effort, The Epic and to Kendrick Lamar‘s 2016 commercial and critical smash hit, the Grammy Award winning To Pimp A Butterfly. And in 2018, he teamed up with Flying Lotus to compose an original score for an episode of Donald Glover’s Golden Globe and Emmy Award-winning TV series Atlanta.

Drunk, Bruner’s most recent album was conceived and written as an epic journey into the bizarre, hilarious and sometimes dark mind of the Grammy Award-winning singer/songwriter and bassist, but importantly, the album represented a major career transition — from virtuoso bassist and collaborator, to globally recognized star while further cementing his reputation for arguably being one of the past decade’s most unique, genre-defying voices. Thundercat’s fourth full-length album, the Flying Lotus-produced It Is What It Is is slated for an April 3, 2020 release through Brainfeeder Records. Much like its immediate predecessor, the album features a who’s who list of collaborators and guest spots from the likes of Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, The Internet‘s Steve Lacy, Slave‘s Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox among others.

“This album is about love, loss, life and the ups and downs that come with that,” Bruner says in press notes. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Earlier this year, I wrote about “Black Qualls,” It Is What It Is‘ first single, which found Bruner teaming up with Slave’s Steve Arrington and The Internet’s Steve Lacy on a strutting and strolling pimp bop, centered around Bruner’s sinuous bass lines, four-on-the-floor drumming and an infectious hook. The end result is a song that manages to be classic Thundercat while sounding as though it could have been on Slave’s Just a Touch of Love. The album’s second and latest single “Dragonball Durag” is a mid-tempo strut of a song centered around Bruner’s chunky and wobbling bass lines and his velvety falsetto — and while recalling Quiet Storm-era funky soul, the song is mischievous and funny song that details its creator’s sense of humor and obsession with Dragon Ball Z and the confidence boosting power of the durag.

“I have a Dragon Ball tattoo… it runs everything. There is a saying that Dragon Ball is life,” Bruner explains. As for the durag: “There are two types of people in the world, the guy with the durag and the guy who doesn’t know what a durag is. The durag is a superpower, to turn your swag on… it does something, it changes you. If you have one in the wardrobe, think about wearing it tonight, and it may pop off because you never know what’s going to happen.”

The JOVM mainstay will be embarking on a lengthy international tour that includes a March 24, 2020 stop at Webster Hall. Check out the tour dates below. 

Tour Dates:

2/28     Vancouver, BC – Vogue Theatre

2/29     Portland, OR – PDX Jazz Festival 

3/02     Seattle, WA – Showbox SoDo

3/03     Arcata, CA – Van Duzer Theatre

3/04     Chico, CA – Senator Theatre

3/06     Oakland, CA – Fox Theater

3/07     Los Angeles, CA – The Wiltern

3/08     Santa Ana, CA – The Observatory North Park

3/10     Phoenix, AZ – The Van Buren

3/12     Denver, CO – Ogden Theatre

3/13     Omaha, NE – Slowdown

3/14     Minneapolis, MN – The Fillmore

3/15     Chicago, IL – Riviera Theatre

3/17     Detroit, MI – Majestic Theatre

3/18     Toronto, ON – Queen Elizabeth Theatre

3/19     Montreal, QC – Corona Theatre

3/21     Boston, MA – House of Blues

3/22     Philadelphia, PA – The Fillmore

3/24     New York, NY – Webster Hall

3/28     Silver Spring, MD – The Fillmore Silver Spring

3/29     Knoxville, TN – Big Ears Festival

3/31     Nashville, TN – Marathon Music Works

4/1       Asheville, NC – The Orange Peel

4/2       Atlanta, GA – Variety Playhouse

4/9       London, UK – Roundhouse

4/11     Manchester, UK – Academy

4/14     Amsterdam, NL – Paradiso

4/15     Paris, FR – Elysée Montmartre

4/17     Berlin, DE – Astra

New Video: Savages’ Jehnny Beth Releases a Feverish and Sensual Visual for “Flower”

Camille Berthomier is a Poitiers, Vienne, France-born, London-based singer/songwriter, actress, author and musician, professionally known as Jehnny Beth — and as the frontwoman of the Mercury Prize-nominated, critically applauded act Savages. With Savages, Beth has developed a unique lyrical perspective and stage presence that has captivated audiences across the world for the better part of the past 15 years or so. 

Interestingly, Beth’s solo debut To Love Is To Live, which is slated for a May 8, 2020 release through Caroline Records finds the longtime Savages frontwoman boldly stepping into and claiming the spotlight. Recorded in Los Angeles, London and Paris, the album finds Beth collaborating with an eclectic array of producers and artists including Flood, Atticus Ross, longtime collaborator and Savages bandmate Johnny Hostile, Adam “Cecil” Barlett, The xx’s Romy Madley Croft,IDLES’ Joe Talbot and Golden Globe-winning actor Cilian Murphy. Reportedly, the album is ad ark and cinematic meditation on the strangeness of being alive. Thematically, the album sees Beth tapping into and accessing the darkest and least comfortable parts of herself to craft material that’s cathartic, abrasive, fearlessly honest and vulnerable. 

To Love Is To Live’s second and latest single “Flower” is a brooding and atmospheric track centered around a murky and tempestuous pulse, shimming synth arpeggios and Beth’s sultry cooing and crooning. The end result is a song that’s simmers with a feverish and obsessive lust. Reportedly written about a pole dance at Los Angeles’ Jumbo’s Clown Room, the song details the complicated and confusing depths of sexuality, desire, possession and loss. 

Directed by Peaky Blinders’ Anthony Byrne, the recently released video for “Flower” continues an ongoing collaboration with the acclaimed director. Shot in a gorgeously cinematic black and white, the video — fittingly enough — is a fever dream that captures the intersection of fantasy, desire, longing and loss. 

Along with the release of her solo debut, the acclaimed French-born, British-based singer/songwriter, musician and actress will be releasing her first book, a collection of erotic short stories paired with photography from her longtime collaborator and bandmate Johnny Hostile. Slated for a June 11, 2020 release through White Rabbit, Crimes Against Love Manifesto (C.A.L.M.) will help to establish Beth and Hostile as two of the most provocative and forward-thinking voices in contemporary fiction and erotic art. 

New Audio: The Afghan Whigs’ Greg Dulli Releases a Shimmering and Brooding New Single

Best known as the founding member, frontman and creative mastermind behind JOVM mainstays The Afghan Whigs and The Twilight Singers, Greg Dulli has a well-established reputation as a poet laureate of the bizarre whims and cruel tangents of desire and all things dark and brooding.

Although Dulli has been involved in a number of projects during his 30+ year recording career, his first solo full-length album under his own name Random Desire is slated for a February 21, 2020 release through Royal Cream/BMG. Random Desire can trace its origins to the aftermath of The Afghan Whigs’ most recent album, 2017’s critically applauded In Spades: Patrick Keeler was about to take a short sabbatical from the band to record and tour with his other band, The Raconteurs. Dulli’s longtime collaborator and bandmate John Curley went back to school. And the band’s longtime guitarist Dave Rosser tragically died after a battle with colon cancer.

Dulli wound up returning to his teenaged bedroom roots, finding inspiration through the model of legendary, one-man, multi-instrumentalist band visionaries like Prince and Todd Rundgren, with the Hamilton, OH-born, Los Angeles-based singer/songwriter writing and playing almost every part of the album — from piano and bass lines to drums. Much like he’s always done throughout his career, the music came first and the lyrics completed later. Written and recorded in several different locations including Dulli’s Silver Lake home; Crestline, CA, in the mountains above San Bernardino; and New Orleans — with the bulk of the album being done at Christopher Thorne’s Joshua Tree, CA-based studio.  While Dulli handled most of the album’s instrumental duties, he managed to collaborate with an all-star cast of musicians including his Afghan Whigs bandmates Jon Skibic (guitar) and multi-instrumentalist Rick G. Nelson, his Twilight Singers bandmate Mathias Schneeberger, Dr. Stephen Patt (pedal steel and upright bass) and Queens of the Stone Age‘s and The Mars Volta‘s Jon Theodore (drums).

Now, as you may recall, late last year, I wrote about “Pantomina,” Random Desire’s swaggering first single, which delved into the psyche and emotions of a deeply fucked up, dysfunctional narrator, who has a series of fucked up, dysfunctional relationships — but at its core, there’s a hard-fought, world-weary wisdom. The album’s second and latest single is the atmospheric and brooding “It Falls Apart.” Centered around shimmering guitars. twinkling and tumbling keys, atmospheric synths, a propulsive rhythm section, and Dulli’s husky delivery, “It Falls Apart” is a sinuous track that seems to evokes the swooning, the- rug-has-been-pulled-out-from-under-you sensation of the end of relationship and the things left unsaid and unexplained.