Tag: White Fence

New Video: Madison WI’s The Hussy Release a Satirical Take on Commercials

Over the past couple of years, I’ve written quite about the Madison, WI-based punk act The Hussy, an act that formed back in 2008 as a duo featuring its founding members Bobby Hussy (guitar, vocals) and Heather Hussy (drums, vocals). The Hussy quickly developed a reputation for a trashy and scuzzy take on punk and for a chaotic live show that had the duo playing shows alongside a who’s who list of indie rock and punk — including Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound,Spectrum, Black Bananas, Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement and countless others. All of that helped the band gain a cult-like following across the Midwestern underground scene.

Between 2009 and 2015, the band went through one of their most prolific periods of their history, in which they released material through 20 different labels and in countless different formats. During that same period, the duo also went through a relentless touring schedule across US and the European Union, including an appearance at Gonerfest after the release of their beloved sophomore album 2012’s Weed Seizure. Additionally, they also pulled double duty as the opening and backing band for NOBUNNY through tours of the US, Australia, and New Zealand.

Since touring with NOBUNNY, the band’s founding duo have split time between The Hussy and a series of other creative pursuits. Bobby Hussy has continued to tour off and on with NOBUNNY as a touring bassist. His other projects include playing in Fire Heads with Tyler Fassnacht, who recently joined The Hussy to help further flesh out their live and recorded sound — and synth wave post-punk act Cave Curse, who released a full-length in 2017. Heather Hussy is also a member of Proud Parents, an act that released their full-length debut through  Dirtnap Records last year.

Now, as you may recall, towards the end of last year, the members of the newly constituted trio began tracking their soon-to-be released full-length album Looming, the follow-up to 2015’s Galore. Galore saw the band moving into a more focused direction with their songwriting, and it included material with more complex arrangements paired with a mid-fi production. And while the album reflected an evolution in their sound and approach, they managed to retain the infectious pop-leaning hooks that won them cult-favorite status. Interestingly, Looming, which is slated for a Friday release finds the band going in a much darker thematic direction with the material touching upon death, sudden loss, divorce, addition and our current horrifying, infuriating, and depressing sociopolitical moment.

Over the past couple of months, I wrote about two previously released album singles: “Coast,” a scuzzy power-chord ripper with an infectious and rousingly anthemic hook and “Sorry,” a decidedly 90s alt-rock-inspired, fuzz pop anthem featuring ironic lyrics that sonically brought to mind a series of 120 Minutes-era MTV titans, like Hole, Veruca Salt, The Breeders and others with a similar gritty and bilious quality. The album’s latest single “Cornflakes” is a mischievous and scuzzy garage pop track that recalls Weezer’s “Buddy Holly,” The Go-Gos and others as its centered around an infectious, shout along worthy hook. 

Directed and edited by Austin Duerst, the recently released video stars the band’s Heather Hussy, Bobby Hussy and Tyler Fassnacht. in a wild satirical take on cereal commercials and other commercials. 

Interestingly, over the past couple of years, I’ve written about Madison, WI-based punk act The Hussy here and there, and as you may recall the band formed back in 2008 as a duo featuring by Bobby Hussy (guitar, vocals) and Heather Hussy (drums, vocals) — with both members contributing vocals. The duo quickly developed a reputation for a trashy and scuzzy take on punk and for a chaotic live show that wound up with the duo playing shows alongside a who’s who list of indie rock and punk — including Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound,Spectrum, Black Bananas, Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement and countless others. All of that helped the band gain a cult-like following across the Midwestern underground scene.

Between 2009 and 2015, the band went through one of their most prolific periods of their history, in which they released material through 20 different labels and in countless different formats. During that same period, the duo also went through a relentless touring schedule across US and the European Union, including an appearance at Gonerfest after the release of their beloved sophomore album 2012’s Weed Seizure. Additionally, they also pulled double duty as the opening and backing band for NOBUNNY through tours of the US, Australia, and New Zealand.

Since touring with NOBUNNY, the band’s founding duo have split time between The Hussy and a series of other creative pursuits. Bobby Hussy has continued to tour off and on with NOBUNNY as a touring bassist. His other projects include playing in Fire Heads with Tyler Fassnacht, who recently joined The Hussy to help further flesh out their live sound — and synth wave post-punk act Cave Curse, who released a full-length in 2017. Heather Hussy is also a member of Proud Parents, an act that released their full-length debut through  Dirtnap Records last year.

At the end of last year, the members of the newly constituted trio began tracking their forthcoming full-length album Looming, the follow-up to 2015’s Galore. Galore saw the band moving into a more focused direction with their songwriting, and it included material with more complex arrangements paired with a mid-fi production. And while the album reflected an evolution in their sound and approach, they managed to retain the infectious pop-leaning hooks that won them cult-favorite status. Interestingly, the album which is slated for a September 27, 2019 release, finds the band going in a much darker thematic direction, as the material touches upon death and sudden loss, divorce, addiction and our  current horrifying, infuriating, and depressing sociopolitical moment.

Last month, I wrote about album single “Coast.” Beginning with a deceptive and upbeat intro featuring plinking and chiming guitars, the song quickly turned into a scuzzy power-chord ripper with an infectiously anthemic hook. “Sorry,” Looming‘s latest single is a decidedly 90s alt rock-inspired fuzz pop anthem featuring ironic lyrics, fluttering blasts of flute, layers of distortion pedaled guitars and thunderous drumming. Sonically speaking, “Sorry” will likely bring to mind a series of 120 Minutes-era MTV titans, like Hole, Veruca Salt, The Breeders and others with a similar gritty and bilious quality.

The members of The Hussy will be embarking on a lengthy tour during the fall. Check out the tour dates below.

 

Tour Dates
09/13 – Minneapolis, MN @ 7th Street Entry
09/14 – Madison, WI @ Mickey’s Tavern
09/19 – Chicago, IL @ Reed’s
09/20 – Springfield, IL @ Dumb Records
09/21 – Fayetteville, AR @ Backspace w/ The Wirms
09/22 – Dalls, TX @ Ruins in Deep Ellum
09/23 – Austin, TX @ Hotel Vegas w/ Xetas
09/24 – New Orleans, LA @ Circle Bar w/ Thelma and the Sleaze
09/25- Hattiesburg, MS @ The Looney Bin
09/26 – Memphis, TN @ Hi-Tone – Gonerfest 16!
10/11 – Madison, WI @ Crystal Corner Bar – Turkeyfest 10 w/ Vacation
10/12 – Chicago, IL @ Thalia Hall w/ Oh Sees & Prettiest Eyes
10/13 – Detroit, MI @ Outer Limits
10/14 – Cleveland, OH @ Little Rose Tavern
10/15 – Pittsburgh, PA @ Rock Room
10/16 – Washington, D.C. @ Slash/Run w/ Natural Velvet
10/17 – Philadelphia, PA @ Century
10/18 – New York City
10/19 – Stamford, CT @ Boy’s Club w/ Jacques Le Coque
10/20 – New Haven, CT @ Three Sheets w/ Jacques Le Coque
10/21 – Boston, MA @ The Greek w/ G Gordon Gritty
10/22 – Providence, NJ @ News Cafe
10/23 – Salem, MA @ Front Street Coffee House
10/24 – Montreal, Quebec – Canada @ Quai des brumes
10/25 – Buffalo, NY
10/26 – Cincinnati, OH @ MOTR

 

Madison, WI-based punk act The Hussy formed back in 2008 as a duo fronted by Bobby Hussy (guitar, vocals) and Heather Hussy (drums, vocals). The duo quickly developed a reputation for a trashy and scuzzy take on punk and for a chaotic live show that wound up with the duo playing shows alongside a who’s who list of indie rock and punk — including Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound, Spectrum, Black Bananas, Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement and countless others. All of that helped the band gain a cult-like following across the Midwestern underground scene.

During the incredibly prolific period of 2009 and 2015, in which the band released material material through over 20 different labels and in countless different formats, the duo relentlessly toured across the US and Europe, even playing Gonerfest after the release of their beloved sophomore album 2012’s Weed Seizure. Interestingly, also during that period, the band pulled double duty as the opener and backing band for NOBUNNY through tours of the States, Australia and New Zealand. And since then, the band’s founding duo have split time between The Hussy and other creative pursuits. Bobby Hussy has continued to tour with NOBUNNY off and on as his touring bassist.  He plays in Fire Heads with Tyler Fassnacht, who recently joined The Hussy to help further flesh out their live sound.  And lastly, Bobby Hussy is also a member of synth wave post-punk act Cave Curse, who released a full-length in 2017. Heather Hussy’s side project Proud Parents released their full-length album through Dirtnap Records last year.

At the end of last year, the members of the newly constituted trio began tracking their forthcoming full-length album Looming, the follow-up to 2015’s Galore. Galore saw the and moving into a much more focused direction with their songwriting that included much more complex arrangements paired with mid-fi production — and while this was  decided evolution in their sound, they managed to retain their knack for crafting infectious pop-leaning hooks. Looming however, finds the band thematically going in a defiantly darker direction as it touches upon death and sudden loss, divorce, addition and our depressing and horrifying political moment.

The album’s latest single “Coast” begins with a deceptive and upbeat intro featuring plinking and chiming chords before quickly turning into a scuzzy, power-chord based ripper — with an infectious, shout along worthy hooks and a playful melody underneath it all. Interestingly, the song is a perfect example of the album’s darker thematic concerns as it’s a pissed off tell off toward someone you want to just leave you alone.

The new album is slated for a September 27, 2019 release through Dirtnap Records and the band will be embarking on US and European tours to support it. Check out the current tour dates and be on the lookout for more.

Tour Dates

August 17th Madison, WI @ Crystal Corner (w/ Sweet Jap, Choke Chains, Dumb Vision)
September 13th Minneapolis, MN at 7th Street Entry
September 14th Madison, WI @ Mickeys (w/ Werewolf Jones)
September 21st Fayetteville, AR @ Backspace
September 23rd Austin, TX @ Hotel Vegas
September 24th New Orleans, LA @ Circle Bar
September 25th Hattiesburg, LA @ House Show
September 26th – Memphis, TN at Hi Tone – Gonerfest 16
More Dates TBA!

 

 

 

 

New Video: The Classic Soul Sounds and Visuals of Nick Waterhouse’s “It’s Time”

Nick Waterhouse is a Santa Ana, CA-born, San Francisco, CA-based singer/songwriter and guitarist, who first took up gutiar when turned 12. And as teenager, he found himself increasingly interested in more obscure and ecletic Americana and blues outside of the pop and contemporary rock his peers were listening to; in fact, he’s cited Bert Berns, Mose Allison, John Lee Hooker and Van Morrison among his earliest musical influences. However, Waterhouse’s musical career started in earnest when he was a member of an Orange County-based band Intelligista, an act that was compared to The Animals and High Numbers-era The Who. After the band split up, Waterhouse went on to attend San Francisco State University — and while studying, he continued pursuing music with very little luck.

As he was purising a music career, Waterhouse was simultaneously getting more involved in San Francisco’s DJ scene; in fact, he had quickly become a fixture at tthe all-vinyl Rooky Ricardo’s Record Shop eventually taking up a job with the store. Publicly, the San Francsico-based singer/songwriter and guitairst has cited that his time working under the store’s owner, Richard Vivian was deeply influential, as it put the then-aspriing musician i touch with the city’s soul club scene — while developing a friendship with The Allah-Las’ Matthew Corriea.

His debut 7 inch “Some Place”/”That Place” was recorded at the Distillery Studio in Southern California with backing band billed as the Turn-Keys, featuring The Fabulous Souls’ Ira Raibon on saxophone. The single was hand-pressed with letterpress printed labels, and because of the single’s overall response and its rairty, collectors have snapped it up. And on the strength of that single, Waterhouse was able to assemble his own backing band The Tarots and a trio of backing vocalists The Naturelles, with whom he played shows with Ty Segall, The Strange Boys, White Fence and The Allah-las. And in between touring across North America and Europe, the California-based singer/songwriter produced The Allah-Las 2012 debut effort. He then followed taht up with the release of his first two singles as a frontman and bandleader.

Waterhouse’s third full-length effort, Never Twice was released earlier this year thorugh Innovative Leisure Records and the album finds him collaborating once again with producer Michael McHugh, who has worked with Black Lips, Ty Segall, and The Allah-Las. As the story goes, McHugh was Nick’s first producer — and as Waterhouse was about to record the material that would comprise Never Twice, Waterhouse enlisted McHugh to recrate and capture the sound of Nick’s youth while in bands in Huntington Beach.

After McHugh was on board, Waterhouse being calling his favorite musicians to join him — Bob Kenmotsu, who contributed his flute; Ralph Carney, who has played with Tom Waits and Elvis Costello contributed sax; Will Blades, a protege of Dr. Lonnie Smith, contributed organs; a highly-accomplished batch of horn planers, bassists and guitarists join in; and Leon Bridges contributed vocals on the album’s lead single “Katchi.” The album’s latest single “It’s Time” will further cement Waterhouse’s burgeoning reptuation for crafting old school, jazzy soul with an incredibly uncanny period specificity — in this case, sounding as though it were released in the mid 1950s/early 1960s, thanks to a careful attnetion to craft while adding his name to a growing list of contemporary artists, who specailzie in the classic soul sound.

Directed and edited by Laura-Lynn Petrick, the video shot on what apears to be old Super 8 Film, and follows Waterhouse as she wanders around New York and features live footage of the Californian and his backing band playing live sets — and with the grainy, old-timey footage, it adds to the song’s old school aesthetic.