Category: 1990s

Throwback: Happy Birthday Meshell Ndegeocello!

JOVM celebrates Meshell Ndegeocello’s 52nd birthday.

Throwback: Mos Def “Umi Says”/Black Lives Always Matter

I’m going to make a confession here that will seem rather obvious: the last few months I’ve felt especially angry, exhausted and demoralized. I saw another brother gunned down out by the police on TV. There were replays and commentary as if it were like a key play of a big ballgame. Some of the brilliant commentary included demonizing an imperfect human, who may have done stupid and illegal things when he was younger — or asking why he didn’t comply with the cops and a bunch of other insanely dumb things, 

People in the poor bastard’s town protested. Racist lunatics from his state and elsewhere came into town with assault rifles to “protect property and lives” but they were actually fueling more discord and chaos. Worst yet, one of these racist idiots, shot and wounded protestors and the cops let him walk on by, get into his car and leave the state. I’ve seen articles sympathizing with this guy who hurt and killed people instead of  empathizing with the poor bastard’s kids who saw their daddy get shot in the back seven times.

I’m proud of the NBA teams that refused to play games last night. I personally hope that they just shut down the rest of the season. We all need to focus on social justice and getting these people to stop killing us.  

Yet again, it’s necessary to post one of my favorite Mos Def songs, off an album I turn to whenever racism and injustice seems to hurt me to my very core — “Umi Says,” off Black on Both Sides. As the song says in its refrain “I want my Black people to be free. . .” 

All black live smatter. All the time. Every single day. 

New Audio: Funk Legend Steve Arrington Gives Us Advice on Getting Through These Dark Times

Steve Arrington is a Dayton, OH-born and-based singer/songwriter and drummer, who got his start with the acclaimed Dayton-based funk and soul act Slave in the 70s, eventually becoming best known for being the lead singer on the act’s smash hits “Watching You,” and “Just a Touch of Love.” Continuing an incredible run of success, Arrington went solo, releasing a handful of albums before leaving the secular music world in 1991 to focus on spiritual and ministerial work. 

An impressive and eclectic array of artists have drawn influence from Arrington’s with artists like Jay-Z, A Tribe Called Quest, Pharrell, 2Pac, Snoop Dogg, LL Cool J, Mariah Carey, N.W.A. and a lengthy list of others sampling his work in Slave and as a solo artist. 

Arrington returned to secular music in 2009 with the release of that year’s Pure Thang, which he followed up with 2013’s collaborative album with Dam-Funk, Higher, released through Stones Throw Records. Additionally during the past decade, the Dayton-born and-based has had a number of attention-grabbing  guest spots with the aforementioned Snoop Dogg, Kool Moe Dee, George Clinton, and Thundercat. 

Slated for a September 18, 2020 release through Stones Throw Records, Down To The Lowest Terms: The Soul Sessions is the funk legend’s first solo album in 11 years — and the album reportedly sees Arrington finding peace with himself and God while casting an easygoing but still razor-sharp critical eye on the world around him. The album’s second and latest single “Soulful I Need That In My Life” is a slow-burning, Quiet Storm-like pimp strut centered around twinkling and gurgling synths, a sinuous bass line, plucked bursts of guitar, and Arrington’s imitable crooning. While bearing a resemblance to Arrington’s famous work in Slave, the song offers prescriptive advice for listeners in at time of uncertainty, stress and despair — “downshift,” and slow it down. “Some nice, soulful music is going to bring some peace to this time of trouble and stress,” the funk legend says in press notes. And you know what? I suspect he’s right. 

Created by Stones Throw founder Peanut Butter Wolf and Jamma D, “Soulful I Need That In My Life” the song can trace its origins to when the song’s producer Jamma D ran into Wolf at the label’s Gold Line Bar during the early states of the album. Wolf invited Jamma D to share some beats. And after sending a bunch of beats over, Jamma was surprised to hear that the funk legend wanted to use a beat for the album.“A few months after that I was behind the board in a studio watching Steve in the booth write, record, and ad-lib the entire jam in about 3 hours.” Jamma D says. “It was the pleasure of a lifetime to bear witness to the funk in its purest undiluted form, the INVADE is upon you!”