JOVM celebrates Meshell Ndegeocello’s 52nd birthday.
Category: 1990s
Throwback: Mos Def “Umi Says”/Black Lives Always Matter
I’m going to make a confession here that will seem rather obvious: the last few months I’ve felt especially angry, exhausted and demoralized. I saw another brother gunned down out by the police on TV. There were replays and commentary as if it were like a key play of a big ballgame. Some of the brilliant commentary included demonizing an imperfect human, who may have done stupid and illegal things when he was younger — or asking why he didn’t comply with the cops and a bunch of other insanely dumb things,
People in the poor bastard’s town protested. Racist lunatics from his state and elsewhere came into town with assault rifles to “protect property and lives” but they were actually fueling more discord and chaos. Worst yet, one of these racist idiots, shot and wounded protestors and the cops let him walk on by, get into his car and leave the state. I’ve seen articles sympathizing with this guy who hurt and killed people instead of empathizing with the poor bastard’s kids who saw their daddy get shot in the back seven times.
I’m proud of the NBA teams that refused to play games last night. I personally hope that they just shut down the rest of the season. We all need to focus on social justice and getting these people to stop killing us.
Yet again, it’s necessary to post one of my favorite Mos Def songs, off an album I turn to whenever racism and injustice seems to hurt me to my very core — “Umi Says,” off Black on Both Sides. As the song says in its refrain “I want my Black people to be free. . .”
All black live smatter. All the time. Every single day.
Live Concert Photography: OctFest Day 2 9/9/18 feat. The Flaming Lips, Nile Rodgers & Chic, Hop Along, No Age, and Shopping
Throwback: Happy 68th Birthday, Joe Strummer!
JOVM celebrates what would have been Joe Strummer’s 68th birthday.
Throwback: Happy 72nd Birthday, Robert Plant!
JOVM celebrates Robert Plant’s 72nd birthday.
New Audio: Funk Legend Steve Arrington Gives Us Advice on Getting Through These Dark Times
Steve Arrington is a Dayton, OH-born and-based singer/songwriter and drummer, who got his start with the acclaimed Dayton-based funk and soul act Slave in the 70s, eventually becoming best known for being the lead singer on the act’s smash hits “Watching You,” and “Just a Touch of Love.” Continuing an incredible run of success, Arrington went solo, releasing a handful of albums before leaving the secular music world in 1991 to focus on spiritual and ministerial work.
An impressive and eclectic array of artists have drawn influence from Arrington’s with artists like Jay-Z, A Tribe Called Quest, Pharrell, 2Pac, Snoop Dogg, LL Cool J, Mariah Carey, N.W.A. and a lengthy list of others sampling his work in Slave and as a solo artist.
Arrington returned to secular music in 2009 with the release of that year’s Pure Thang, which he followed up with 2013’s collaborative album with Dam-Funk, Higher, released through Stones Throw Records. Additionally during the past decade, the Dayton-born and-based has had a number of attention-grabbing guest spots with the aforementioned Snoop Dogg, Kool Moe Dee, George Clinton, and Thundercat.
Slated for a September 18, 2020 release through Stones Throw Records, Down To The Lowest Terms: The Soul Sessions is the funk legend’s first solo album in 11 years — and the album reportedly sees Arrington finding peace with himself and God while casting an easygoing but still razor-sharp critical eye on the world around him. The album’s second and latest single “Soulful I Need That In My Life” is a slow-burning, Quiet Storm-like pimp strut centered around twinkling and gurgling synths, a sinuous bass line, plucked bursts of guitar, and Arrington’s imitable crooning. While bearing a resemblance to Arrington’s famous work in Slave, the song offers prescriptive advice for listeners in at time of uncertainty, stress and despair — “downshift,” and slow it down. “Some nice, soulful music is going to bring some peace to this time of trouble and stress,” the funk legend says in press notes. And you know what? I suspect he’s right.
Created by Stones Throw founder Peanut Butter Wolf and Jamma D, “Soulful I Need That In My Life” the song can trace its origins to when the song’s producer Jamma D ran into Wolf at the label’s Gold Line Bar during the early states of the album. Wolf invited Jamma D to share some beats. And after sending a bunch of beats over, Jamma was surprised to hear that the funk legend wanted to use a beat for the album.“A few months after that I was behind the board in a studio watching Steve in the booth write, record, and ad-lib the entire jam in about 3 hours.” Jamma D says. “It was the pleasure of a lifetime to bear witness to the funk in its purest undiluted form, the INVADE is upon you!”
Throwback: Happy 60th Birthday Chuck D!
JOVM wishes hip-hop legend Chuck D a Happy 60th birthday.
Throwback: Happy 84th Birthday, Buddy Guy!
JOVM celebrates Buddy Guy’s 84th birthday.
Throwback: Happy 67th Birthday, Geddy Lee!
JOVM’s William Ruben Helms pulls out his nerd card — and wishes Rush’s Geddy Lee a Happy 67th birthday.
Throwback: Happy 79th Birthday George Clinton
JOVM celebrates George Clinton’s 79th birthday.
Throwback: Happy 52nd Birthday Kool G. Rap!
JOVM pays tribute to Kool G. Rap on his 52nd birthday.
Throwback: Happy 56th Birthday, Chris Cornell!
JOVM pays tribute to Chris Cornell — and Soundgarden — on what would have been his 56th birthday.
Throwback: Happy 59th Birthday GURU!
JOVM pays tribute to G.U.R.U. on what would have been his 59th birthday.
New Video: JOVM Mainstay RALPH Releases a House Music-like Cover of Jennifer Paige’s “Crush”
Over the past few years, I’ve spilled quite a bit of virtual ink covering the Toronto-born and-based singer/songwriter and JOVM Raffa Weyman, best known as RALPH. In 2015, Weyman quickly emerged into the national and international pop scene with her bittersweet, disco-inspired debut single “Trouble” in 2015. Weyman followed up with a series of attention-grabbing singles over the next handful of years that found the Canadian pop artist restlessly bouncing between different genres and styles, including the the country and western-tinged “Young Hearts Run Free” and the ambitious, radio friendly bop “Girl Next Door.”
After receiving an iHeartRadio’s Much Music Video Awards Best New Canadian Artist nomination, Weyman released her RALPH full-length debut, 2018’s A Good Girl. “I wrote ‘A Good Girl’ over the course of a year, maybe a little more…and a lot happened in that year,” Weyman explained in press notes at the time. “Because I use songwriting as a type of therapy and a way to explore my feelings, the songs naturally began to reflect everything that was happening in my life. Sometimes I was hurting, other times I was the one hurting someone else, and then to make it more complicated, sometimes I’d be both, like in the last song ‘Cereal’. The album name is a tongue in cheek way of reflecting upon the tracks and their stories, because they represent a multi-faceted character who is good hearted but makes mistakes – no one is ever one thing, we’re not good or bad and shouldn’t feel guilty about it. ”
The Toronto-based JOVM mainstay began this year with the launch of her own label, Rich Man Records, and the release the shimmering pop confection “Superbloom.” Continuing upon the momentum of “Superbloom,,” Weyman recently released a coquettish, house music-inspired cover of Jennifer Paige’s 1998 dance pop hit “Crush.” Centered around shimmering synth arpeggios and stuttering beats and an infectious hook, Weyman’s cover speeds up the pace a bit but while retaining the flirty and brash air of the original.
“I remember being a kid and being obsessed with this world of sweet female pop music. Mandy Moore, Robyn, The Cardigans. . . and ‘Crush’ by Jennifer Paige,” Weyman recalls i press notes. “I had a babysitter named Kelly who I idolized. She drove a blue convertible and chewed gum and would play ‘Crush’ in the car. The song made me feel cool and flirty and powerful, and years later, I wanted to try and recreate that feeling.”
Continuing her ongoing collaboration with Amika Cooper (a.k.a. blackpowerbarbie), the recently released, animated visual for “Crush” is an animated dose of feverish, Y2K-era nostalgia, as we see a pre-teen in her bedroom, drinking Ralph Crush soda, playing CDs on her boombox and flipping through magazines with her heroine, RALPH. The pre-teen has dreams of being as famous as her hero — if not more so. Throughout the video, there are brief moments of celestial imagery, which alludes to their previous collaboration together, “Gravity” while being a bit playful.
“The story behind the ‘Crush’ video is an ode to how magical it was to be a pre-teen in the early 2000s,” Amika Cooper explains. “I wanted to find a way to depict the kind of fever dream you would enter while sitting in your room, reading teen magazines and listening to your favorite pop stars and just being swept up in the fantasy of pop music. Listening to RALPH’s music always takes me back to that place, and I hoped this video would be the perfect opportunity to celebrate that.”
