Category: Alt-rock

Throwback: Happy 54th Birthday, Dave Grohl!

JOVM’s William Ruben Helms celebrates Dave Grohl’s 54th birthday.

Rising Brooklyn-based quartet Razor Braids — Hollye Bynum (she/her) – lead vocals, bass;
Janie Peacock (she/her) – lead guitar; Jilly Karande (she/her) – rhythm guitar, vocals; and
Hannah Nichols (they/them) – drums — is a queer, all female/non-binary indie rock outfit that combines the vulnerable, self-awareness of indie rock with the dynamic instrumentation of 90s alt rock paired with soaring harmonies and a driving rhythm section.

The Brooklyn quartet’s full-length debut, 2021’s I Could Cry Right Now If You Wanted Me To was warmly received. Building upon a growing profile, the band released two singles last Spring, “Kelloggs” and “Megachurch,” which received praise from BrooklynVegan while landing on several Spotify Fresh Finds playlists.

Since then, Razor Braids embarked on their first tour through the East Coast, Midwest and South — and played Music Hall of Williamsburg, Sultan Room and Elsewhere as openers for the likes of Rolling Blackouts Coastal Fever, Jigsaw Youth and Anna Shoemaker.

For the new year, the band plans to release new music, which will expand on their unique sound with more confidence and sense of purpose. But before they moved forward with new material, the members of the band felt it necessary to take a look back at some older material with fresh eyes: “one is our own and the other a throwback favorite,” the band says.” The first single “Nashville, Again” is a thorough reworking of their debut single “Nashville” that turns the rousing rocker into a slow-burning, honky tonk centered around the act’s gorgeous harmonies and shimmering guitars. “Nashville, Again” was the first song we released as a band and in revisiting the single we got to breathe new life into a song that always feels like coming home when we play it live.”

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The second single sees the rising indie outfit covering Weezer’s 1994 smash hit “Buddy Holly.” Interestingly, the Razor Braids cover begins as a lovingly straightforward cover rooted in the act’s gorgeous harmonizing paired with the original’s rousingly anthemic hooks. But unlike the original there’s a trippy and expansive bridge that reveals the band’s love for the original — and their sense of humor. “As for ‘Buddy Holly,’ mid-90s alt-rock is a big inspiration for us and ‘Say It Ain’t So’ tends to show face at every Razor Braids-attended karaoke so we thought it’d be fun to try our hand at another Weezer classic,” the band explains. “We wanted to call it ‘Buddy Hollye’ but didn’t. But please know that we wanted to.”

The band will be embarking on a month-long tour next month and it includes a stop at this year’s SXSW. Check out the tour dates below.

TOUR DATES

2/23/2023 Asbury Park NJ Bond Street Bar
2/24/2023 Philadelphia PA MilkBoy
2/25/2023 Washington DC Pie Shop
2/27/2023 Asheville NC The Grey Eagle
3/1/2023 Atlanta GA Vinyl
3/2/2023 Charlotte NC Snug Harbor
3/3/2023 West Columbia SC New Brookland Tavern
3/4/2023 Tallahassee FL The Bark
3/7/2023 New Orleans LA Gasa Gasa
3/8/2023 Houston TX House of Blues – Bronze Peacock
3/13 – 3/18 Austin, TX SXSW
3/22/2023 Nashville TN The Basement
3/24/2023 Chicago IL Subterranean
3/25/2023 Toledo OH The Ottawa Tavern
3/26/2023 Ferndale MI The Parliament Room at Otus Supply
3/28/2023 Cleveland OH Beachland Tavern
3/29/2023 Pittsburgh PA Club Cafe

New Video: The Afghan Whigs Share a Glittery Visual for “A Line of Shots”

Since their formation in Cincinnati back in 1986, The Afghan Whigs — currently Greg Dulli (vocals, guitar), John Curley (bass), Patrick Keeler (drums), multi-instrumentalist Rick Nelson and the band’s newest member, Blind Melon’s Christopher Thorn (guitar) — have a long-held reputation for refusing to play by convention: During the flannel and plaid of the early 90s grunge era, the members of The Afghan Whigs stood apart from their contemporaries for wearing suits and for being far more likely to slide into a soulful groove than a power chord-driven riff. 

Reuniting after an 11 year hiatus in 2012, the JOVM mainstays released two critically applauded albums, 2014’s Do to the Beast and 2017’s In Spades, that found the band writing and recording music that furthered their story together, while pushing their sound in new directions. 

The JOVM mainstays ninth album together — and first in five years — the Christopher Thorn co-produced How Do You Burn? is slated for a Friday release through Royal Cream/BMG. The album reportedly picks up on the sound and approach on the Whigs’ last two albums and sees them pushing it either further.

With the pandemic forcing Greg Dulli to abandon plans to support his critically applauded solo album Random Desire, the band began working on How Do You Burn? in September 2020 and continued over the next 14 months in remote recording sessions: Dulli, Thorn and Keeler in California; Curley, Jon Skibic (guitar) and Nelson laying down and engineering their own parts in Cincinnati, New Jersey and New Orleans respectively. “Once we got the system down, we started flying,” Greg Dulli says. 

The album features guest spots from a collection of frequent and longtime collaborators including — the late Mark Lanegan, a collaborator of Dulli’s in The Twilight Singers and The Gutter Twins, as well as a close friend. Lanengan sung backup vocals on two album tracks. “It was Mark who named the album,” Dulli says in press notes. Susan Marshall, who contributed to 1998’s 1965 contributes vocals on album track “Catch A Colt.” Van Hunt,who toured with the band in 2012 and contributed to 2014’s Do to the Beast, contributes vocals on “Jyla” and “Take Me There.” And last but definitely not least, Marcy Mays, lead vocalist on Gentlemen‘s “My Curse” contributes vocals to “Domino and Jimmy,” a song that Dulli had specifically written with Mays in mind. 

So far I’ve written about two of the album’s singles: 

  • I’ll Make You See God,” which is arguably one of the hardest and aggressive songs they’ve written and recorded in close to 30 years. 
  • The Getaway,” a widescreen ballad that pairs Dulli’s whiskey and cigarette-like croon with a gorgeous string arrangement, twinkling keys and Dulli’s unerring knack for crafting earnest, lived-in material with enormous, arena rock friendly hooks. 

How Do You Burn?’s third and latest single “A Line of Shots,” is a woozy yet anthemic ballad featuring heavily distorted and delay pedaled guitars, Greg Dulli’s imitable croon paired with a slow-burning groove and the band’s unerring knack for rousing, fist-up-in-the-air choruses. Perhaps unsurprisingly, “A Line of Shots” was so much of a crowd favorite during the JOVM mainstays’ May 2022 US tour that the band decided that the song needed its own moment in the sun. 

Directed by Patrick Pierson, the accompanying video for “A Line of Shots” continues on some of the space-related imagery of “The Getaway” including the spacesuits and lights that are shot to look like stars and planets — but while set at a roller skating rink, punningly called The Cheap Skate. Fittingly, we also get some gorgeous young skate dancers of color doing their thing; but at its core is a nostalgic and swooning fever dream of youth and young love.

Since their formation in Cincinnati back in 1986, The Afghan Whigs — currently Greg Dulli (vocals, guitar), John Curley (bass), Patrick Keeler (drums), multi-instrumentalist Rick Nelson and the band’s newest member, Blind Melon’s Christopher Thorn (guitar) — have a long-held reputation for refusing to play by convention: During the flannel and plaid of the early 90s grunge era, the members of The Afghan Whigs stood apart from their contemporaries for wearing suits and for being more likely to slide into a soulful groove than a power chord-driven riff. 

Reuniting after an 11 year hiatus in 2012, the JOVM mainstays released two critically applauded albums, 2014’s Do to the Beast and 2017’s In Spades, that found the band writing and recording music that furthered their story together, while pushing their sound in new directions. 

Slated for a September 9, 2022 release through Royal Cream/BMG, the JOVM mainstays’ ninth album — and first in five years — the Christopher Thorn co-produced How Do You Burn? reportedly picks up on the sound and appraoch of 2014’s Do to the Beast and 2017’s In Spades and pushes it even further. With the pandemic forcing Greg Dulli to abandon plans to support his critically applauded solo album Random Desire, the band began working on How Do You Burn? in September 2020 and continued over the next 14 months in remote recording sessions: Dulli, Thorn and Keeler in California; Curley, Jon Skibic (guitar) and Nelson laying down and engineering their own parts in Cincinnati, New Jersey and New Orleans respectively. “Once we got the system down, we started flying,” Greg Dulli says. 

The album features guest spots from a collection of frequent and longtime collaborators including — the late Mark Lanegan, a collaborator of Dulli’s in The Twilight Singers and The Gutter Twins, as well as a close friend. Lanengan sung backup vocals on two album tracks. “It was Mark who named the album,” Dulli says in press notes. Susan Marshall, who contributed to 1998’s 1965 contributes vocals on album track “Catch A Colt.” Van Hunt,who toured with the band in 2012 and contributed to 2014’s Do to the Beast, contributes vocals on “Jyla” and “Take Me There.” And last but definitely not least, Marcy Mays, lead vocalist on Gentlemen‘s “My Curse” contributes vocals to “Domino and Jimmy,” a song that Dulli had specifically written with Mays in mind. 

So far I’ve written about two of the album’s singles:

  • I’ll Make You See God,” which is arguably one of the hardest and aggressive songs they’ve written and recorded in close to 30 years. 
  • The Getaway,” a widescreen ballad that pairs Dulli’s whiskey and cigarette-like croon with a gorgeous string arrangement, twinkling keys and Dulli’s unerring knack for crafting earnest, lived-in material with enormous, arena rock friendly hooks. 

How Do You Burn?’s third and latest single “A Line of Shots,” a woozy yet anthemic ballad featuring heavily distorted and delay pedaled guitars, Greg Dulli’s imitable croon paired with a slow-burning groove and the band’s unerring knack for rousing, fist-up-in-the-air choruses. Perhaps unsurprisingly, “A Line of Shots” was so much of a crowd favorite during the JOVM mainstays’ May 2022 US tour that the band decided that the song needed its own moment in the sun.

The JOVM mainstays are about to embark on a UK and European Union tour that starts on July 23, 2022 and ends on August 10, 2022. The band will take a few weeks off and then go on a month-long US tour that includes a September 15, 2022 stop at Brooklyn Steel. They’ll cap a big year with a return to European Union and UK. Tour dates are below.

EUROPEAN SUMMER TOUR DATES 

07/23                Brighton, UK                              Concorde 2

07/24                Suffolk, UK                                 Latitude Festival

07/26                Frankfurt, Germany                    Batschkapp

07/28                Vienna, Austria                           Flex

07/29                Prague, Czech Republic             Lucerna Music Bar

07/30                Berlin, Germany                          Metropol

08/01                Oslo, Norway                              Parkteatret Scene

08/02                Stockholm, Sweden                    Debaser

08/03                Copenhagen, Denmark               Amager Bio

08/05                Hamburg, Germany                    Uebel & Gefährlich (Half House)

08/06                Nijmegen, Netherlands               Roosje Live In Park @ Openluchttheater Goffert

08/08                Stuttgart, Germany                     Im Wizemann

08/09                Cologne, Germany                      Luxor

08/10                Lokeren, Belgium                        Lokersee Feesten

U.S. FALL HEADLINE TOUR DATES

09/09                Minneapolis, MN                       Fine Line Music Café

09/10                Chicago, IL                               Metro

09/11                Cincinnati, OH                          Bogarts

09/12                Detroit, MI                                   St. Andrews Hall

09/14                Washington, D.C.                     9:30 Club

09/15                Brooklyn, NY                            Brooklyn Steel

09/16                Philadelphia, PA                       Underground Arts

09/17                Boston, MA                              Paradise

09/20                Charlottesville, VA                    Jefferson Theatre

09/21                Asheville, NC                            The Grey Eagle

09/22                Birmingham, AL                        Saturn

09/24                New Orleans, LA                      One Eyed Jacks

09/28                Austin, TX                                 Mohawk

09/29                Dallas, TX                                 The Echo Lounge & Music Hall

10/01                Denver, CO                              Gothic Theatre

10/02                Salt Lake City, UT                     The Commonwealth Room

10/05                Portland, OR                            Wonder Ballroom

10/06                Seattle, WA                              The Showbox

10/08               San Francisco, CA                    The Regency Ballroom

10/09           Dana Point, CA       Ohana Encore

10/11                Tucson, AZ                               191 Toole

10/12                Los Angeles, CA                       Belasco Theatre

EUROPEAN FALL HEADLINE TOUR DATES

10/22                Madrid, Spain                           Teatro Barceló

10/23                Barcelona, Spain                      Apolo 2

10/25                Milan, Italy                                Santeria

10/26                Rome, Italy                               Largo

10/28                Munich, Germany                     Freiheitshalle

10/29                Zurich, Switzerland                   Bogen F

10/30                Luxembourg                              Den Atelier

11/01                Amsterdam, Netherlands           Paradiso

11/02                Antwerp, Belgium                      De Roma

11/04                Manchester, UK                         Cathedral

11/05                Glasgow, UK                               St. Lukes

11/06                London, UK                                 KOKO