Category: EDM

New Video: The Comic and Hallucinogenic Visuals for El Dusty’s “Orale”

Corpus Christi, TX-based producer, DJ and electronic music artist Horacio Olivera, best known as El Dusty has developed a reputation as the pioneer of a revolutionary, new subgenre he’s dubbed nu-cumbia, which meshes contemporary production techniques with […]

 

Over the past two years or so, Vancouver, BC-based producer, electronic music artist, Pat Lok has quickly built an international profile. Lok’s 2013 remixes of Cashmere Cat and Justin Timberlake, along with his own original single “Remember” received BBC Radio One airplay – and an AlunaGeorge bootleg, which was praised by the renowned electronic act received over 300,000 plays. Original singles like “Move Slow” and “Same Hearts” were released to critical praise from the likes of Vice’s THUMP and iTunes — and at at one point, the Canadian electronic music artist received over 1 million Soundcloud plays. Adding to a growing international profile, Lok has played clubs across Canada, Western Europe, Mexico, Columbia and the US.

Lok has been rather prolific this year, releasing a number of high profile singles that have captured the attention of this site and other blogs — and he ends the year with the release of “Your Lips” feat. Dirty Radio, a single that has seen airplay from BBC Radio 1Xtra, as well as spins by a number of renowned DJs including Tensnake, Moon Boots, Goldroom, Just Kiddin, Nick Catchdubs and others. And when you hear the song, you’ll see why it’s received such attention early on as the song pairs layers of cascading synths and skittering drum programming with Dirty Radio’s sultry vocals to create a song that possesses a seductive and dance-floor ready groove — while nodding to synth pop and R&B. Sonically, the song reminds me a little bit of a house music-version of Michael Jackson‘s “I Can’t Let Her Get Away.

The Vancouver, BC-based producer and electronic music artist recently announced the release of the “Your Lips” remix package, which features remixes from Dutch producer Tony Tritone, Leeds, UK-based artist Crvvcks and renowned Chicago-based duo Christian Rich.  The Tony Tritone remix (below) retains the soulful vocals but pairs them with hard hitting drum and bass and atmospheric synths to give the song an airy and  funky soul-leaning feel that makes the song sound as though it were drawing from Dam-Funk and 80s synth R&B — all while remaining dance-floor friendly.

 


 

 

Mark Dobson, the creative mastermind behind the British electronic music sensation Ambassadeurs has developed a reputation as a producer and electronic music artist for a sound that employs the use of samples that have been processed beyond recognition and that’s informed by dub, hip-hop, jazz, and drum ‘n’ bass. And as result of his signature sound and production style, Dobson has also become a go-to producer as he’s done work for a number of renowned labels including Tru Thoughts, Ninja Tune, Moshi Moshi, Fat Cat, Wah Wah 45s, Universal, and Rough Trade — all while heading his own label, Lost Tribe Records and releasing a number of free singles for his rapidly growing fanbase. (He currently has 35,000 followers and his singles on SoundCloud have exceeded over 7 million plays.)

Dobson has received airplay from several BBC Radio 1 personalities,  as well as praise from the likes of The Fader, Mixmag, Vice, i-D, Clash, XLR8R and others, and as a result he has opened for the likes of renowned artists such as  ODESZA, Machinedrum, The Gas Lamp Killer, Danny Brown, Gold Panda, Daedelus and Kelpe, had a 15 date co-headline tour across North America with Daktyl and played at festivals such as Hard Day Of The Dead, Brooklyn Electronic Music Festival, and The Sound You Need Festival.

2015 has been a rather busy and prolific year for the London-based electronic music artist and producer as his debut effort Patterns was released to critical praise earlier this year, along with a number of EPs. Building up on the increasing buzz and serving as a teaser for his forthcoming 2016 efforts, Dobson recently released his latest single “Halos,” which was written and recorded during a vacation in the country — and in some way that vacation has influenced the single’s sound as it is reportedly much more organic than his previously released work as layers of staccato synths are paired with skittering drum programming, swirling electronics and soulful vocal samples with warm bursts of strings and twinkling keys. Sonically, the song seems to be equally influenced by Peter Gabriel (think of “Shock the Monkey” and “Biko“) as it is by house music; as I listened to the song I was reminded of Octo Octa‘s Between Two Selves. In other words, the material manages to be atmospheric and melodic, while possessing a cinematic quality.

 

 

 

Bloodline is an extremely mysterious production group who have received quite a bit of buzz across electronic music and electronic dance music circles for a sound that’s deeply influenced by 90s house, as you’ll hear on their slickly produced latest single “Tribute,” a song  club-rocking classic house song comprised, looped vocal samples, layers of staccato synths and tweeter and woofer rocking beats. Sonically, the song manages to bear an uncanny resemblance to a club banging, house music standard, Inner City‘s “Good Life.”

The mysterious production group’s debut effort, EP1 has received quite a bit of attention, as it reached Traxsource‘s Top 10 List, and building upon that buzz, the group will be releasing its follow up, EP2 shortly.

 

Tale Of Us is a Berlin-based production and electronic music artist duo comprised of Carmine Conte and Matteo Milleri. And over the course of the past five years, the duo of Conte and Milleri have developed an internationally recognized reputation for material that possesses an exacting precision (they’ve been known to discard hundreds of tracks in their search for the perfect beat, the perfect sound) and for techno that’s deeply emotive.

“North Star,” the the first single off their double A side “North Star”/”Silent Space” consists of layers of shimmering and undulating synths, tweeter and woofer rocking low end, skittering percussion to craft a song that’s reminiscent of both Snap!‘s “Rhythm Is A Dancer” and Octo Octa‘s “Please Don’t Leave” in the sense that all three songs are atmospheric yet carefully composed club bangers in which, notes are never wasted.