Category: indie rock

Comprised of Brennan Ross (vocals, guitar, and bass), Michael Thieven (drums), Carl Johnson (guitar, vocals), Michael Dawson (lyrics, keys), Amanda Scandrett (keys) and Paul Guthrell (saxophone), the Regina, Saskatchewan-based sextet Library Voices are a collective of childhood friends, who grew up going to basement shows and obsessed with sci-fi.

Several months of relentless and exhausting touring to support Summer of Lust came to a head in what the band describes as “one of the saddest hostels in Amsterdam.” The next day, during a tour stop in Paris, hundred of rats swarmed their tour van. Unsurprisingly, the rest of the tour quickly went south — and when the band returned to Regina, they all decided that they needed some time apart.

After a two year hiatus, the members of the Canadian sextet reconvened and began working on the material that would comprise their forthcoming effort Lovish, which is slated for a November 6 release through Nevado Music. And much like the band’s previous efforts, the album was recorded in an old funeral home and was mixed by Dave Plowman and Alex Bonenfant, who have worked with METZ, Crystal Castles, and July Talk.

Adding to a period of incredibly difficult luck, during the recording sessions for Lovish, the band’s frontman Carl Johnson was jumped, beaten unconscious by a random assailant.  Johnson suffered a severe concussion, a hematoma (blood pooling) in his brain, a loss of smell, and a very difficult and long road to recovery. For a few months, it remained uncertain if Johnson would be able to continue to write and perform music and it left the band and the album in a state of limbo, in which they all feared their work may never see the light of day.  Eventually Johsnon was able to contribute seven songs to the album while bandmate Brennan Ross contributed and took up vocal duties on the remaining four.

The band’s latest single “Zzyx” is actually inspired by an incredible, seemingly improbable yet true story. As legend has it, in 1944 a radio evangelist and self-proclaimed doctor started squatting in the middle of the Mojave Desert. He recruited a number of Skid Row bums to build a 60 room mineral spa, complete with a church, a radio station and an airstrip. He named the compound “Zzyx,” the last word in the English dictionary, referring to it as the “last word in health,” and he dubbed the airstrip, the Zyport.

Incredibly, the radio evangelist remained on the property selling phony medicinal remedies and potions and scamming gullible senior citizens for the better part of over 25 years — until the federal government evicted him from the land. And as the band notes in press notes, Lovish‘s latest single was written as an ode to a strange place, where people were desperate to believe in something and desperate to live forever.

Although in press notes, it says that the band’s sound has been described by some media outlets as having elements of surf rock to my ears that seems incredibly off, as their sound seems to sound as though it draws a bit more from glam rock, proto-punk, power pop and U2 as the song possesses an emotional immediacy and urgency around anthemic hooks, power chords, enormous blasts of horns, and earnest vocals. I’ve played this song a number of times, and every time I can picture a sweaty room of young people yelling along to the chorus, and feeling as though the song speaks deeply and passionately to them about their lives — and with a forceful honesty.

He chose the name Zzyzx with the intent that it would be the last word in the English language, referring to it as “the last word in health”. When you arrive to the location today it looks more like the DHARMA Initiative basecamp in the television show Lost. We all want to live forever. We are all dying to believe in something.

Comprised of Charlee Cook, Chance Cook, Will Hicks, and Dom Marcoaldi, the Nashville, TN-based experimental quartet Linear Downfall have developed a reputation for a sound that blends abrasive, almost psychotic noise with gorgeous melodies. And as the band notes, their music is meant to tap into the highs and lows of life and challenges the listener to look inward. After the self-release of three full-length albums, an EP and some rather extensive touring across the US, the band managed to catch the attention of The Flaming Lips, which interestingly enough led to a side project featuring members of the band, that they dubbed Electric Würms.

Last year may have arguably been the most productive and prolific period in the band’s history, as they completed a tour to support their third full-length album Fragmental Hippocampus, released the first Electric Würms album, Musik, die Schwer zu Twerk and released a 5 song EP as the band was busily putting the finishing touches on their forthcoming effort, Sufferland, which is slated for a November 6 release. As the band notes in press notes the new album will be released with a full-length film meant to correspond with the material on the album. In some way, it would seem that the material on the album would be — at least informally — the film’s score. 

With that in mind, Sufferland‘s first single “The Question” is a tense and uneasy song consisting of propulsive, tribal drumming, feedback, electronic squeaks, squawks, bleeps and bloops. twisting and turning organ chords and obscured by the abrasive, and menacing post apocalyptic noise is a trippy, off-kilter sense of melody that makes the song evoke that unsettled feeling you’d have after waking up from a very fucked up dream.


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New Video: The Swooning and Romantic Sound of Malmo, Sweden’s YAST

Although most Americans would likely only know of Stockholm, Sweden’s capital and largest city, it’s Umea, Sweden’s third (and most Northern) and Malmo, Sweden’s twelfth (and most Southern) cities that have emerged with reputations for […]

New Video: Introducing the Swaggering, Bluesy Sound of Melbourne, Australia’s Kingswood

Comprised of Fergus Linacre (lead vocals), Alex Laska (guitar and backing vocals), Jeremy “Mango” Hunter (bass and backing vocals), and Justin Debrincat (drums and backing vocals), the Melbourne, Australia-based quartet Kingwswood formed in 2009. And […]

Over the last couple of years, Umeå, Sweden has developed an internationally recognized reputation as the home of burgeoning indie scene, as the Northern Swedish town is the home of artists such as Casja Siik, Old Man’s Will, RefusedMeshuggah, Tove Stryke, DeporteesLisa Miskovsky, and Frida Selander. And with the release of her first two, critically applauded full-length albums, Selander has been largely considered by many Swedish critics as her country’s closest thing to Patti Smith and PJ Harvey. Granted, those may be incredibly lofty but they also aren’t far off base, as Selander’s sound, as you’d hear on “Like A Cat” and on her latest single “Soon” off her forthcoming album I Hear Sunshine pairs blues-based rock chords, propulsive drumming, incredibly catchy, anthemic looks with Selander’s expressive and sultry vocals. It’s straightforward but in the case of “Soon,” the song possesses bluesy, boozy swagger that perfectly suits Selander’s vocals, which are feel warm and comforting, as though she’s commiserating with you and your pain.

Indeed, much like “Like A Cat,” “Soon” possesses a fearless honesty and emotional honesty that most music these days just doesn’t have — perhaps because the song comes from hard-fought personal experience, life altering mistakes. And thematically speaking, the song says you have to stop struggling against the tide and accept the fact that things happen at their own speed, and in their own way.

New Video: The Stunningly Gorgeous Visuals of Other Lives’ Video for “Beat Primal”

Currently based in Portland, OR, the indie rock trio Other Lives have received national attention and praise for a lush, orchestrated sound that channels Nick Cave and the Bad Seeds, The National and Ocean Rain-era Echo and the Bunnymen but with the sort of […]

The members of the Aarhaus, Denmark-based indie act Lowly — comprised of Nanna Schannong, Kasper Staub, Thomas Lund, Soffie Viemose and Steffen Lundtoft — can trace their origins to when the band’s members were brought together to complete a short, musical project at the school they all attended. But interestingly enough, the quintet quickly discovered that they had a musical chemistry and connection that suggested that their collaboration should continue.

The Danish quintet first received attention with the 2014 release of their debut single “Daydreamers,” which was praised for its playful arrangements and 70s pop sensibility — and “Fire,” the first single off the band’s forthcoming Sink Way Into Me EP consists of jangling and jagged guitar and piano chords and shimmering synths paired with ethereal harmonies and an uncanny sense of playful melody to create a song that sounds as though it drew influence from The Carpenters but with a highly modern sensibility — all while retaining an earnestness and sincerity at its core. 

New Audio: The Gorgeous and Atmospheric, New Single from Louisville’s Twin Limb

Comprised of Lacey Guthrie (accordion, keys, vocals), Maryliz Bender (drums, guitar, vocals), Kevin “Twinderella” Ratterman (guitar) and Sara Pitt (credited with “everything you see”). the Louisville, KY-based trio Twin Limb have purposely shrouded themselves in mystery […]

New Audio: Check Out Starlight Girls Dance-Floor Leaning, New Single “Lodestar”

Over the past five years, the Brooklyn-based sextet, Starlight Girls have developed a reputation for a unique brand of “noir-ish indie pop” and for a live set that employs the use of video projections that includes psychedelic imagery, stock […]

New Video: The Taut and Anxious, New Video for Viet Cong’s “Bunker Buster”

Over the past year, the Calgary, Alberta-based quartet of Viet Cong, comprised of Matt Flegel (bass, vocals), Scott Munro (guitar), Daniel Christiansen (guitar) and Mike Wallace (drums) have received quite a bit of attention across the blogosphere for […]