JOVM celebrates Dionne Warwick’s 81st birthday.
Category: Pop
Throwback: Happy 75th Birthday, Daryl Hall!
JOVM celebrates Daryl Hall’s 75th birthday.
Throwback: Happy 70th Birthday, Sting!
JOVM celebrates Sting’s 70 birthday.
Live Footage: Luke James with Nu Deco Ensemble, Samoht and Sensei Bueno Perform a Gorgeous Re-Imagining of “shine on”
Luke James (born Luke James Boyd) is a New Orleans-born singer/songwriter and actor, whose musical career started in earnest as a background vocalist for Tyrese, along with a classmate Quentin Spears. While with Tyrese, James and Spears met acclaimed production outfit The Underdogs, who worked with and mentored the duo, who performed, wrote and recorded as Luke & Q.
Through his connection with The Underdogs, the legendary Clive Davis signed James to J Records, where he wrote material for Chris Brown, Britney Spears and Justin Bieber. But by 2011, he released his debut mixtape, #Luke, which featured the critically acclaimed single “I Want You.” “I Want You” eventually earned James a Best R&B Performance Grammy nomination. He followed that up with his sophomore mixtape 2012’s Whispers in the Dark and his 2014 self-titled, full-length debut.
Since the release of his full-length debut, James released “Drip,” which was later remixed by A$AP Ferg and his critically applauded, breakthrough sophomore album, last year’s to feel love/d. The album which featured guest spots from BJ The Chicago Kid, Ro James, Big K.R.I.T., Kirk Franklin and Samoht, and production by Danja, Cobaine Ivory, Guitarboy, and Sir Dylan received a Best R&B Album Grammy nomination. The album helped James earn his third Grammy nomination while being the only independent release album in the category to land a nomination.
As an actor, James played Johnny Gill in BET’s 2017 TV biopic The New Edition Story. He has appeared in the Regina Hall and Will Packer film Little. He played Noah Brooks in FOX’s Star and he’s appeared in HBO’s smash hit series Insecure, as well as BET’s The Bobby Brown Story. Last year, he was in the third season of Showtime’s The Chi.
The multiple Grammy nominee will star in the Broadway play, Thoughts of a Colored Man, which will open at The John Golden Theatre on October 31, 2021 and run through March 2022. The limited engagement will be the first new play to open on Broadway in almost two years, as a result of pandemic-related shutdowns. The play explores a single day in Brooklyn with seven Black men discovering the extraordinary together through a blend of spoken word, slam poetry, rhythm and humor.
Adding to a busy year, James teamed up with Sam Hyken, Jacomo Bairos and their Miami-based 30 member orchestra Nu Deco Ensemble on A Live Sensation, a live re-imagining of his Grammy nominated sophomore album to feel love/d.
Slated for release on Friday, A Live Sensation was recorded at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County and was originally broadcast exclusively on BET as a benefit concert for the NAACP’s Backing the B.A.R. Initiative, with donations and funds going towards Black-owned bars and restaurants hurt as a result of pandemic-related shutdowns.
A Live Sensation will feature nine tracks from the live performance, which sees James blend his soulful vocals with Nu Deco Ensemble’s orchestral sound. The album features guest spots from Sensei Bueno and Samoht.
“‘A Live Sensation’ is a raw orchestral expression inspired by the verb: love. It is a live recorded offering to the world, taken from a film inspired by love,” Luke James says of the new album. Nu Deco Ensemble co-founder and conductor, and collaborator Jacomo Bairos adds “It feels cosmically aligned to once again collaborate with our friend – the sensational and truly creative Luke James. We all recognized his unbelievable talent as well his generous and collaborative spirit when we first met years ago, so to have him return to collaborate on a project that highlights his unique vision through his GRAMMY nominated album on such a dynamic and creative project simply means the world to us. We are blessed to share this moment together, bringing more beautiful and meaningful music experiences to such a wide audience.”
A Live Sensation‘s latest single is a re-imagining of to fee love/d‘s “shine on,” that pairs James’, Samoht’s and Sensei Bueno’s soulful and achingly vulnerable vocals with a breathtakingly gorgeous arrangement of soaring strings, shimmering guitar and twinkling Rhodes. The end result is a song that sounds enormous yet deeply intimate, while yearning heavenward with a rare, but profound sincerity.
Throwback: Happy 69th Birthday, Nile Rodgers!
JOVM celebrates Nile Rodgers’ 69th birthday.
Throwback: Happy 61st Birthday, Branford Marsalis!
JOVM celebrates Branford Marsalis’ 61st birthday.
Throwback: Happy 63rd Birthday, Madonna!
JOVM celebrates Madonna’s 63rd birthday.
Throwback: Happy 63rd Birthday, Prince!
JOVM celebrates what would have been Prince’s 63rd birthday.
Throwback: Happy 52nd Birthday, Mariah Carey!
The first two weeks of Spring and of the astrological sign Aries is rather auspicious for music — Aretha Frarnkin, Diana Ross, Elton John, Damon Albarn, Lee “Scratch” Perry are all among an incredibly talented and legendary array of artists who were born between March 21-March, 31. Of course, we can’t forget Mariah Carey, who turns 52 today.
Carey is the voice of a ridiculous amount of smash hit songs — many which I know deep in your soul you love, and will happily sing along to in the shower or while doing karaoke. Personally, I’ve always adored her cover of The Jackson 5’s “I’ll be There.” So, to that end, Happy birthday, Mariah. May there be many, many more!
Throwback: Happy 88th Birthday Quincy Jones!
This weekend has proven to be a rather auspicious weekend for music and music history: Yesterday Roy Haynes celebrated his 96th birthday and the equally legendary Quincy Jones celebrates his 88th birthday today. Much like Haynes, Jones has worked with a who’s who of music. including Frank Sinatra, Aretha Franklin, Celine Dion, Michael Jackson, Miles Davis, Dizzy Gillespie, Count Basie and a lengthy list of others.
Of course, Jones has been behind some of the best-selling, most memorable and beloved songs of the past 60 years — including some very obvious ones. So it should be unsurprising that he is one of the most decorated producers, composers and arrangers of the past 60 years. But instead of the regular choices, I went with some earlier and more jazz-based work of Jones’ including some live footage shot in 1960 with his big band.
Happy birthday Quincy! Thank you for so much great music!
Throwback: Black History Month: Whitney Houston
Today is February 19, 2021. It’s the 19th day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
It’s not necessary for me to delve into much background for this post — because it’s Whitney Houston. But I’ll say this: Whitney had one of the greatest voices in pop music, ever. It’s a shame that she’s not here with us right now. But that voice will live on forever.
Sarah Walk is a rising Minneapolis-born singer/songwriter and keyboardist who currently splits her time between Los Angeles and London. Walk’s full-length debut, 2017’s Steve Brown-produced Little Black Book found the Minneapolis-born singer/songwriter and keyboardist crafting piano-based ballads.
Last year’s Leo Abrahams-produced sophomore album, Another Me was a radical change in sonic direction for the Minneapolis-born singer/songwriter and keyboardist with the album’s material finding Walk going towards shimmering and contemplative synth pop centered around percussive arrangements and soaring melodies. Another Me was inspired by a period of immense challenge and transformation, and thematically, the album touched upon marginalization, survival, death, misogyny, vulnerability, reclamation of oneself, learning how to be bold and take up space and the unique challenges of being a queer woman.
The Minneapolis-born singer/songwriter and keyboardist follows up the release of Another Me with a slow-burning and spectral cover of Prince‘s “Nothing Compares 2 U” centered around atmospheric synths, twinkling keys, brief and subtle bursts of strummed guitar, Walk’s achingly tender vocals and supple and soulful bass lines. Featuring guest spots from Abe Rounds and the acclaimed singer/songwriter and bassist Meshell Ndegeocello, Walk’s cover deconstructs the song’s melody but in doing so, pulls out the song’s bitter loneliness, yearning, confusion but imbuing the proceedings with a complete detail and inability to move forward.
Walk has wanted to cover Prince for some time — partially because she’s a Minneapolis native; but also because Rounds and Ndegeocello played at the Purple One’s Paisley Park studio in the past. “Truthfully, it had been a really long time since I heard ‘Nothing Compares 2 U,’” Walk says in press notes,” and I thought that may work in my favour — I didn’t want to get too inside the other versions that already existed because I wanted to make sure I approached it my own way.
“I recorded the main wurly piano part first and sort of just improvised that ending build up – I liked the idea of repeating the title over and over, almost trance-like, with these ominous chords and angry guitar sounds building up behind it. I kept seeing this visual of me singing that repetitive lyric on stage, almost trying to convince myself I was okay… while the curtain opened up behind me without me knowing it, exposing all of the memories and anger and heartbreak I was really feeling but not able to accept or admit yet.”
“Sometimes I think Prince would want everyone to play his music and sometimes I think he’d want it to never be played again, but I knew Sarah was the kind of spirit who would make it her own and she does,” Meshell Ndgeocello adds.
Throwback: Black History Month: Aretha Franklin
February 10 is the tenth day Black History Month. And if you’ve been frequenting this site over the past month, I’ve been proudly featuring Black artists across a wide and eclectic array of genres and styles that I think can guide you towards further understanding of the Black experience. Of course, I hope that throughout this month you’ll remember — and appreciate the following:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
Tonight I thought it would be best to write about Aretha Franklin, the Queen of Soul. You can Google any pertinent biographical information but I have a story about ‘retha that I’ve mentioned on several occasions: I landed in Amsterdam Schiphol Airport early in the morning one mid-January Sunday. After going through customs and retrieving my suitcase — a suitcase that I had gratefully borrowed from a girlfriend — I took the commuter train into Amsterdam Centraal Station to discover that I had a couple of hours before anything was open.
A smiling, blonde waitress waved me in a few minutes before they were about to open. They had an oldies radio station on the air, playing familiar and beloved hits from a variety of decades. Within about two hours of being in Amsterdam, I was reminded of how ubiquitous Black music and culture are, and how important the Queen of Soul is when this radio station started playing ‘retha — and the waitress happily sung along in slightly accented English. Now, whenever I hear ‘retha, I think of that Dutch waitress singing along.
Throwback: Black History Month: The Supremes/R.I.P. Mary Wilson
Today is the ninth day of Black History Month. And if you’ve been frequenting this site over the past few days of this month, you’d see that I’ve been featuring Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience.
Through the month — and throughout the year, I hope that you’ll come to understand and appreciate the following:
Black culture is American culture
Black music is American music.
Black history is American history.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
You can’t love black art and black artists without loving black people.
Black lives matter — all of them, all of the time.
I was awakened to see an alert from CNN that read “Mary Wilson, co-founder of The Supremes dead at 76.” I knew then that a tribute post to Wilson — and the legendary Supremes would be necessary.
The Supremes were one of the best selling, most popular acts of their day. They were also among a handful of Black acts that saw widespread mainstream success: They were not only Ed Sullivan Show mainstays, they were on practically every single variety show and entertainment show in the country — and they knocked off The Beatles from the top spot of the charts, eventually dominating the charts with hit after hit after hit after hit.
Throwback: Black History Month: Janet Jackson
Today is the third day of Black History Month. And if you’ve been frequenting this site over the past few days of this month, you’d see that I’ve been featuring Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience.
Through the month — and throughout the year, I hope that you’ll come to understand and appreciate the following:
Black culture is American culture
Black music is American music.
Black history is American history.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
You can’t love black art and black artists without loving black people.
Black lives matter — all of them, all of the time.
Yesterday was the 35th anniversary of the release of one of the best pop albums of the 80s, Janet Jackson’s Control, a brash, self-assured declaration of independence — and a defiant feminist anthem. Thematically and lyrically, Rhythm Nation 1814 is still relevant and necessary 25+ years since its release. Plus, she released an incredible string of chart-topping pop songs.