Category: Psych Rock

New Audio: Permanent Records and RidingEasy Records Release a Groovy Blues-Tinged Pysch Rock Number off the Forthcoming Ninth Edition of Brown Acid Compilation

Permanent Records’ and RidingEasy Records’ collaboration on their continuing series of proto-metal and pre-stoner rock compilations have become a biannual feature throughout this site’s nine-plus year history. Each individual edition of the series is based around RidingEasy Records’ founder Daniel Hall’s and Permanent Records co-owner Lance Barresi’s extensive, painstaking research and curation — with Hall and Barresi spending a great deal of time tracking down songs’ creators, most often bands that haven’t written, played or recored together in 30 or 40 years, and then encouraging them to take part in the compilation process. As Permanent Records’ Barresi has explained in press notes for each of previous editions of the compilation, “All of (these songs) could’ve been hits given the right circumstances. But for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were.”

Having the original artists participate as much as possible in the compilation can give the artists and their songs, a real second chance at the attention and success that they missed. Plus, these songs can help fill in the gaps within the larger picture of what was going on in and around regional and national underground music scenes during the 60s and 70s. Continuing upon the critical and commercial success of its first eight editions of the Brown Acid compilation, RidingEasy Records and Permanent will be releasing Brown Acid: The Ninth Trip on Halloween. Naturally, the ninth edition finds Barressi and Hall managing to deep even digger into a very deep well of obscure material written and recorded during the 60s and 70s. The ninth edition of Brown Acid’s first single is Fiberglass Vegetables’ funky blues-tinged, psych rock strut “Pain,” a track that nods at Steppenwolf, The Animals, The 13th Floor Elevators and others, complete with an infectious, arena rock friendly hook. 

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Stockholm, Sweden-based indie act Phogg quickly emerged into the Swedish psych rock scene with the release of last year’s full-length debut Slices, which helped the band establish a sound that’s been compared to Ariel Pink and Unknown Mortal Orchestra. And in their native Sweden, they’ve received airplay on Sweden’s P3, and praise from the likes of HYMN, Nordik Simit and Born Music Online among others.

Now, as you may recall, the Stockholm-based psych rock act’s sophomore album Mofeto: Mashine Adamkosh is slated for a fall release through Ouyee Bayou Reckords, and the album’s first single was the motorik groove-driven “Three Shirts.” The album’s second and latest single is “Pearls,” a mind altering and expansive track that’s one part explosive psych rock freak out and one part melodic and jangling guitar pop held together by a sinuous and propulsive groove. And unlike its predecessor, it may arguably be the most lysergic of their growing catalog to date.

 

New Video: Acclaimed Psych Rock Act Allah-Las Release a Psychedelic, Animated Visual for Brooding “Polar Onion”

Over the past few years, I’ve written a bit about the acclaimed Los Angeles-based psych rock act Allah-Las, and as you may recall, the act — Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar) — formed back in 2008, and can trace their origins to when three of the band’s four members worked at famed, local record store, Amoeba Music. Since their formation, the members of Allah-Las have released three albums that have helped to firmly establish their sound, which draws heavily from 60s psych rock, surfer rock and garage rock — while thematically inspired by their hometown. 

The acclaimed psych rock band’s fourth album LAHS is slated for an October 11, 2019 release through Mexican Summer Records, and the album, which derives its name from a common misspelling of the band’s name reportedly finds the band crafting material that reveals their growth as songwriters, performers, arrangers and producers. Much of the album’s material focuses on Krautrock-like grooves — with album single “In The Air,” a shimmering and hook-driven track evoking a hazy and lingering lysergic fugue.  LAHS’ latest single is the brooding “Polar Onion.” Centered around shimmering, acoustic guitar, gently padded drumming and plaintive vocals, the song evokes an aching longing while sounding as though it could have been released sometime between 1966-1969. 

The recently released video for “Polar Onion” features super 8 footage the band’s Miles Michaud sent to Mexican Summer designer Bailey Elder, who played around with and altered the textures to create a psychedelic feel. 

New Audio: British Psych Rock Act Temples Releases a Shimmering Lysergic New Single

Currently comprised of founding members James Bagshaw (vocals, guitar) and Tom Walmsley (bass) along with Adam Smith (keys, guitar), the Kettering, Northamptonshire, UK-based indie rock/psych rock act Temples initially began as a home studio-based project back in 2012 featuring two musicians, who had known each other for years from Kettering’s local music scene. 

The duo uploaded four self-produced tracks, which caught the attention of Heavenly Recordings founder and label head Jeff Barrett, who signed the band and agreed to release their debut single “Shelter Song” later that year. Shortly after signing to Heavenly Recordings, Bagshaw and Walmsley recruited Samuel Toms (drums) and Adam Smith to flesh out the band’s live sound — and to complete the band’s first lineup.

Since then the band has released two critically applauded and commercially successful albums — 2014’s Sun Structures, which landed at #7 on the UK Charts and 2017’s Volcano.  Building upon a growing national and international profile, the British indie rock act has made appearances across the UK, European Union and North American festival circuits. They’ve shared stages with the likes of Suede, Mystery Jets, Kasabian and The Vaccines among others — but over the past years, they’ve transitioned into a headlining act that has also made their Stateside national television appearances on The Tonight Show Starring Jimmy Fallon and The Ellen DeGeneres Show.

Last year, saw a major lineup change for the acclaimed British indie rock act. Samuel Toms left the band to focus on his solo recording project Secret Fix, and later joined the equally acclaimed Fat White Family. Temples also left their longtime label home Heavenly Recordings and signed with ATO Records, who will be releasing the newly constituted trio’s highly-anticipated third album Hot Motion. 

Slated for a September 27, 2019 release, Hot Motion reportedly finds the band continuing to craft an intricate and nuanced sound — but while digging into a deeper, darker creative well of sorts.  The album’s second and latest single, the shimmering and hook-driven “You’re Either On Something.” And while the track  manages to possess a lysergic and technicolor quality that will bring of Sgt. Pepper-era Beatles, Tommy-era The Who and Currents-era Tame Impala to mind, the track hints at something much darker under the surface — perhaps, the relentless and gnawing desire to escape a world that’s become increasingly disappointing and mad. “I’m really proud of ‘Your’e Either On Something’ lyrically because I feel deeply connected with the words — they’re so truthful,” the band’s James Bagshaw says in press notes. “On that track, I can hear influences of stuff that I listened to when I was growing up. There’s almost a nostalgia to that track, even though it’s very forward-looking.” 

New Video: Allah Las Release a Tongue-in-Cheek Take on “Weekend at Bernie’s”

Formed back in 2008, the acclaimed Los Angeles-based psych rock act Allah-Las — Matthew Correia (drums), Spencer Dunham (bass), Miles Michaud (vocals, guitar) and Pedrum Siadatian (guitar) — can trace their origins to when three of the band’s four members worked at renowned Los Angeles-based record store Amoeba Music. And since their formation, the band has released three albums, which have helped establish their sound, a sound and approach that’s heavily inspired from their hometown and draws heavily from the sounds of the 60s — primarily, psych rock, surfer rock and garage rock.

Slated for an October 11, 2019 release through Mexican Summer Records, the acclaimed Los Angeles-based psych rock’s fourth album LAHS derives its title from a common misspelling of the band’s name. And reportedly, the album finds the venturing into new, exciting sonic territories with the material revealing their growth as songwriters, performers, arrangers and producers — with one of the album’s tracks featuring the band’s Matthew Correia singing in Portuguese. Interestingly. the album’s songs find the band crafting material with a razor-sharp focus on Krautrock-like grooves. In fact, the album’s latest single “In The Air,” is centered around looping and shimmering guitar lines, a motorik-like groove, ethereal vocals and an infectious hook. And as a result, the song feels like a hazy and lysergic dream that lingers long after the hallucinogens have dissipated. 

Directed by Sam Kristofksi and starring Kirin J. Callinan and the members of Allah Las, the recently released video for “In The Air” is a half-baked, tongue-in-cheek version of the 80s film Weekend at Bernie’s that follows the band as they take one of their incapacitated bandmates around town on a series of wild adventures. 

New Audio: Ghost Funk Orchestra Latest Single and Video Evokes the Awkwardness of Having a Crush

Founded and led by composer, arranger and producer Seth Applebaum, the New York-based psych rock act Ghost Funk Orchestra initially began as a lo-fi recording project in 2014. Since their formation, the project has grown into full-fledged, 11 member unit that has become an up-and-coming prescience in the city’s psych rock and soul scenes — and that shouldn’t be surprising, as their sound draws from an eclectic array of sources including salsa, surf rock, Afobeat, stoner rock and others. 

Slated for an August 23, 2019 release through Colemine Records, the up-and-coming soul acts forthcoming full-length debut, A Song For Paul was conceived as a tribute to Applebaum’s late grandfather Paul Anish, a figure, who played an immense role in the Ghost Funk Orchestra founder and bandleader’s life. While the songs reportedly don’t address Paul Anish directly, the creative process for the album and the decisions made during it were meant to convey what Anish’s presence felt like for Seth — a stern yet loving, native New Yorker. For Applebaum, accurately capturing his grandfather’s essence meant expanding the arrangements much further than what he has done in the past, including crafting more comprehensive horn arrangements, as well as working with a string section for the first time in his career. 

A Song For Paul’s latest single “Seven Eight” is an angular and awkwardly lurching song that’s centered around an unusual time signature (7/8 time), a looping Tropicalia-like guitar line, ethereal vocals, an explosive and expressive horn arrangement, which gives the song a quirky yet cinematic air. And while bearing an uncanny resemblance to Radiohead’s “15 Step” and to Gorillaz “5/4,” the song evokes the drunken swoon of having a crush. As the band’s Seth Applebaum explains “Seven Eight is a song about having a crush. When writing the song, we chose an awkward time signature because having a crush will make anyone feel a little awkward.” 

Starring Romi Hanoch, the recently released video for “Seven Eight” relies heavily on found footage from old medical films, liquid light projections from Drippy Eye Projections thrown into a visual that has a decidedly film noir-ish feel. “The music video relies heavily on found footage, specifically pulled from old medical films that depict the beauty and chaos of the human body and its internal functions,” Seth Applebaum explains. “In addition, we were fortunate enough to have our friends at Drippy Eye Projections provide us with some incredible liquid light visuals to further the narrative of chemistry.”

New Video: Psychedelic Porn Crumpets Releases an Explosive and Trippy Visual Romp for “Hymn For A Droid”

Comprised of Jack McEwan, Luke Parish, Danny Caddy and Luke Reynolds, the Perth, Australia-based quartet Psychedelic Porn Crumpets quickly developed a reputation in their native Australia for crafting enormous riff-based psych rock. Earlier this year, the members of the Perth-based psych rock outfit made their Stateside debut — and they managed to kick ass and take names with a series of acclaimed SXSW sets.

Building upon a rapidly growing international profile, Psychedelic Porn Crumpets’ latest album And Now For The Whatchamacalit was released earlier this year, and the album which was recorded between Jack McEwan’s bedroom and Perth, Australia-based Tone City Studios finds the band with a huge, arena rock-like sound, which also manages to represent their loftier ambitions.  “The original concept was to take a 1930’s carnival that had been re-imagined for future generations, a collage of Punch and Judy, carousels and coconut shy’s that progresses in musical concepts and travels with the listener,” the band says of the album’s concept. “Then as we started traveling I was swept off into my own kind of circus, the odyssey of touring life. Large nights out, larger characters, drunken recollections of foreign cities and rabbit hole-ing into insanity.” 

The album’s latest single “Hymn For A Droid” will further cement the band’s growing reputation for crafting riff-based psych rock, as the song is centered around enormous, arena rock friendly, power chord riffs and a motorik groove within an expansive song structure. Play this one as loud as possible and rock the fuck out, y’all. 

“This track reminds me of a Rhino at full charge,” the band’s Jack McEwan explains in press notes. “I was absolutely cranking it while recording. Pretty sure my housemates didn’t get a lot of sleep the week this was being crafted. The lyrics were based on the end of a relationship, those months you’re questioning where your life will end up and if you’re making the right decisions. You’re almost robotic, ticking along like a drone that repeats the same lines over and over in your head, and then you go out with your mates for the first time in ages, take a bunch of thought juice and everything makes more sense. . I wanted the chorus to come out of nowhere like an instant realisation, confusing at first and then the next time you hear it all becomes way clearer.”

Directed by Ashley Rommelrath and Oliver Jones and filmed by Rommelrath and Gareth Goodlad, the recently released video for “Hymn For A Droid” was filmed during the band’s recent UK and European tour and features live footage from sets in Glasgow, Liverpool and All Points East Festival. And while being a display of a band that has become a force of nature that destroys stages and enraptures fans, it’s a lysergic romp, thanks to animation from Oliver Jones that turns guitars into beasts, moshing fans into skeletons and so on. Live shows can be a furious, sweaty and joyous endeavor and this video accurately captures that. 

New Video: JOVM Mainstays Oh Sees Release a Trippy and Nightmarishly Animated Visual for “Poisoned Stones”

Over the past nine years, I’ve spilled quite a bit of virtual ink covering the Bay Area-based JOVM mainstays Oh Sees. And as you may recall, the act, which is led by its ridiculously prolific founder and creative mastermind John Dwyer has a cultivated a long-held reputation for wide-ranging and restless experimentation that has seen the band dabble between a variety of genres and styles including lysergic-tinged folk, furious and sweaty garage punk rippers, sci-fi driven krautrock and more — with each successive album being wildly different from its predecessor. 

Face Stabber, a 2LP album is slated for an August 16, 2019 release through their longtime label home Castle Face Records, and the album’s first single “Henchrock” was a free-flowing, skronky The Yes Album-era Yes meets Return to Forever-like expansive bit of prog rock. The album’s latest single “Poisoned Stones” continues on a similar vein — skronky prog rock but this time delivered with a muscular and forceful insistence, as the track is centered around enormous power chords and thunderous drumming. 

The recently released video for “Poisoned Stones” features 8 bit video game graphic animation by Eaten Alive Illustrations that’s a surrealistic nightmare as it follows our motorcycle riding protagonist being chased through the desert — until the bat-like creature chasing him captures him and drops him off into the lair of a cloaked magician. After killing the magician, the protagonist escapes, feeds something to a wolf, who has a mind-bending trip and allows our protagonist to ride him until they arrive at a castle that will be destroyed by an even weirder, alien-like dragon. 

Throughout the course of this site’s nine-year history, I’ve spilled quite a bit of virtual ink on the Bay Area-based JOVM mainstays Oh Sees (a.k.a. Thee Oh Sees, OCS, The Oh Sees, The Orange County Sound, Orinoka Crash Suite and other variations). And as you may recall, the act which is led by its ridiculously prolific creative mastermind John Dwyer has a long-held reputation for wide-ranging and restless experimentation that has seen the band dabble and bounce between a variety of genres and styles including lysergic-tinged folk, furious and sweaty garage punk rippers, sci-fi driven krautrock and more. Of course, with each successive album generally being wildly different from its predecessors, it makes the band incredibly difficult to pigeonhole.

Last year’s Smote Reverser found the band meshing classic psych rock and prog rock in a way that brought JOVM mainstays King Gizzard and the Lizard Wizard to mind, but with a muscular and menacing air.

Oh Sees’ latest album, the 2LP Face Stabber is slated for an August 16, 2019 release through their longtime label home Castle Face Records. Interestingly, the album’s first single “Henchrock” is a free-flowing skronky The Yes Album-era Yes meets Return to Forever-like bit of prog rock that clocks in at a little over 21 minutes and possesses a lysergic, retro-futuristic air.

The members of Oh Sees will be embarking on a lengthy tour throughout the summer and fall months that includes a three night, October run at Warsaw — October 18, 2019 – October 20, 2019. Check out the rest of the tour dates below.

Tour Dates:

July
11-13 Carnation WA Timber! Festival

August
 9 Pioneertown, CA Pappy and Harriet’s

23 Charleville Cabaret Vert festival

24 Guéret Check-in Festival

27 Ravenna Hana-Bi (Free)

29 Vienna Arena

30 Munich Strom

31 Berlin Kreuzberg Festsaal

September
Brussels Les Botaniquesen

Bordeaux BT 59

Toulouse Le Bikini

Paris Le Bataclan

London Troxy

Amsterdam Paradiso

30 San Francisco, CA The Chapel

October
San Francisco, CA The Chapel

San Francisco, CA The Chapel

4 Portland, OR Crystal Ballroom

7 Vancouver, BC Rickshaw Theatre

10 Minneapolis, MN First Avenue Ballroom

11 Chicago, IL Thalia Hall

12 Chicago, IL Thalia Hall

14 Toronto, ON Danforth Music Hall

15 Montreal, QC Le National

16 Cambridge, MA The Sinclair

18 Brooklyn, NY Warsaw

19 Brooklyn, NY Warsaw

20 Brooklyn, NY Warsaw

22 Philadelphia, PA Union Transfer

23 Carrboro, NC Cat’s Cradle

24 Nashville, TN Mercy Lounge

25 New Orleans, LA One Eyed Jacks

26 Austin TX Hotel Vegas

27 Austin, TX Hotel Vegas

29 Albuquerque, NM Sister Bar

31 Los Angeles, CA Teragram Ballroom