Category: singer/songwriters

New Video: Monde Ray Shares Glistening and Yearning “What If”

Manon Guiol is the French-born and-based creative mastermind behind the solo recording project Monde Ray. Guiol can trace the origins of her music career to her childhood: she began with classical piano and basic music theory before gradually moving toward electronic composition and production. Largely self-taught, the French artist developed an initiative and personal approach to music earl on, shaped outside of any academic framework.

Guiol’s first recording project Manone saw her exploring darker electronic territory. She then joined dream pop./synth pop Tender Tones as a songwriter, keyboardist and vocalist. And as a member of Tender Tones, she played in several Parisian venues including Batofar, L’International, La Pointe Lafayette and Olympic Café.

In 2023, after spending several years in Paris, Guiol relocated south, driven by a desire for light space and renewal. This major life chance led to Monde Ray, a more intimate, introspective and cinematic project that sees Guiol blending elements of synth pop, dark wave, EBM, Brazilian music, exotica, 1970s Italian film scores and post punk, and shaped by 80s inspired textures, dreamlike atmospheres paired with her ethereal vocal. But above all, she is driven by a fascination with contrast and dissonance — with what unsettles, surprises and with what feels instantly and radically self evident.

Seemingly suspended in the murkiness between day and night, Monde Ray sees Guiol exploring the tension between softness and darkness, clarity and reverie with lyrics written and sung in French and EnglishThe overall result is material that feels hypnotic yet fragile.

The French artist’s recently released Monde Ray debut Attraction sees Guiol firmly establishing her unique sound and approach while drawing from Essaie Pas, Boy Harsher, Scratch Massive, Marie Davidson and Chromatics, while embracing a cinematic quality informed by the work of David Lynch and others. Anchored around glistening and shimmering Giorgio Moroder-like arpeggiated synths and a relentless motorik groove, Attraction‘s first single is a dance floor friendly bit of Italo disco that seemingly channels Lenses-era Soft Metals.

The French artist explains that “What If” captures the suspended moment of a decisive encounter — that vertiginous sense of “what if?/why not” before a leap of faith into the unknown. She goes on to say that the song specifically speaks to the vulnerability, unease and hope of new love.

Directed by Luís Brito, the accompanying video for “What If” features a woman in a burgundy suit expressively dancing in an empty Parisian bar, before she strips down to her underwear continues to dance and then leaves the bar — with backpack in tow.

New Audio: Forest Shares Anthemic “Anchor”

Rising Los Angeles-based artist Forest will be releasing her highly-anticipated full-length debut, Swan Dive through AWAL on September 25, 2026. Swan Dive is reportedly the Los Angeles-based artist’s most fully realized work to date, expanding upon the alt-rock foundation of her earliest releases into something much larger sonically and more fluid. The ten-song album features walls of distorted guitars paired with electronic textures, industrial undercurrents and moments of startling pop clarity. The result is an effort that’s intimate yet overwhelming and sees the rising artist showcasing her capability to shift from whispered confession to emotional free-fall — within the turn of a phrase.

The rising artist’s full-length debut will include the previously released “Prosthetic Stars,” “Whore and Savior,” “Lay With Me” and the album’s latest single, “Anchor.” Featuring fuzzy and chugging power chords paired with thunderous drumming and Forest’s emo and pop-influenced vocal within a classic grunge structure, “Anchor” showcases an artist who can pair earnest, lived-in lyricism with rousingly anthemic hooks and choruses with a seemingly effortless bombast.

“‘Anchor’ delves into the idea of becoming wrapped up in something you can’t get out of,” Forest explains. “It was written in my childhood bedroom on a trip to Chicago, at a time when I had felt the past wrap its arms around me. The thought of being stuck and tied to the past was the driving thought throughout this track.”

Forest has developed a reputation for unforgettable performances, sharing stages with Starcrawler, Chokecherry, Empty Shell Casing and a long list of others. She kicked off the year, playing the sold-out emo revival festival Burndown in Santa Ana, CA. During the spring, she went on an extensive North American tour with Clarion. The rising artist will be embarking on a West Coast tour opening for ivri. Check out the tour dates below.

New Video: Love Spells Shares Atmospheric and Yearning “Maybe I Still Love You”

Sir Teagan Harris is the Houston-born creative mastermind behind the rising, solo recording project Love Spells. At 18, Harris poured his passion for love into music, manifesting a career out of ambition and drive, while battling homelessness for years. Eventually, he wound up in California, where h lived with a friend he met online, traveling to different music studios everyday to perfect his sound. After six months, he returned to Houston and received a call from Kevin Abstract, who invited I’m to work on his most recent album, last year’s Bluish.

Working on Kevin Abstract’s Blush connected Harris to his now frequent collaborator Dominic Fike and Deb Never. That life changing experience pushed Harris to return to Los Angeles and work on his highly-anticipated Love Spells debut, LOVE IS THE LAW. Slated for a July 24, 2026 release through RCA Records, LOVE IS THE LAW found the Houston-born artist working with Danny Parra, Boy Deco, Brad Hale, Rodaidh McDonald, Alex Craig, and Rick Nowels to create material that recalled his nights at Numbers, a beloved Houston-based dance club and safe heaven for alternative communities. While at Numbers, Harris danced to 70s, 80s and New Wave, and he specifically wanted to inject that feeling into his work, seeking out similar spaces in Los Angeles and leaning on those eras in the studio. Movies like Dirty Dancing and Footlose were also sources of inspiration, helping the Houston-based artist and his collaborators craft a “theatrical yet authentic” feeling.

LOVE IS THE LAW will include the previously released “Crutch,” “Keep It To Yourself” and the album’s latest single “Maybe I Still Love You.” “Maybe I Still Love You” is a slow-burning and atmospheric bit of Quiet Storm-meets-Bill Withers-inspired R&B that features Harris’ achingly tender and yearning falsetto dancing alongside a sparse arrangement of twinkling piano, bursts of shimmering and soulful guitar, a simple backbeat, a supple bass line. The song’s narrator finds closure and freedom in recognizing the true depths of his emotions.

“‘Maybe I Still Love You’ is for anyone still fighting with feelings they can’t ignore, that moment of coming to terms with the fact that you still care and want to keep caring,” Harris explains. “Because above all, you have to believe in love for love to be seen.”

Directed by Colt Grice, the accompanying video for “Maybe I Still Love You” features a couple doing a simple two-step slow dance together while embracing. The couple’s story is up to interpretation but there’s palpable sense of love, the sort of love that at times is demanding and difficult yet worth fighting for.

New Video: King Black Acid Shares Trippy and Groovy “Dialing 911”

Daniel Riddle is Portland, OR-based is a singer/songwriter and musician, who has written and recorded music under the moniker King Black Acid since the late 1980s, while spending time as a member of industrial outfit Hitting Birth. Since the early 90s, Riddle has led a number of different collectives and projects that have toured and shared stages with Elliott Smith, Nirvana, Low, Moby, Sonic Youth, The Dandy Warhols, Faith No More, Dead Moon, Menomena, The Fugees, Arctic Monkeys, Spacemen 3, Danzig, Nine Inch Nails and more. 

Throughout his career, Riddle’s music has been featured on CSI: Miami, Buffy the Vampire Slayer, Underworld: Rise of the Lycans, The Mothman Prophecies, Witchblade, Dream With Fishes, Do Me a Favor and CNN Sports, as well as ad campaigns for Nike, Reebok, Tiger Woods Golf, CNN, Coca-Cola, Abercrombie and Fitch, Gap and The Olympics. 

Riddle’s latest King Black Acid effort, Telling Secrets in a Crowded Room is slated for an August 21, 2026 release through Cavity Search Records/Mazinga Records. The album reportedly features 10 cinematic and anthemic songs that “embrace total and subversive emotional anarchy.”

Telling Secrets in a Crowded Room‘s latest single “Dialing 911” is a sleek and mind-bending synthesis of Madchester-era sound, Evil Heat-era Primal Scream and Echoes-era The Rapture dance punk that showcases the collaborators uncanny ability to craft a remarkably catchy hook.

“Fierce stoner pop that explores the fragile human psyche in the modern digital thought prison,” the band says of the new single.

KThe accompanying music video by Kat Perkins and Daniel Riddle features a mix of collage-driven animation reminiscent of The Beatles‘ Yellow Submarine and the intro to Monty Python with strobe lit, monochrome footage of Riddle and dancing and instrument playing humanoid rabbits. Trippy, indeed.

Live Footage: Kim Gordon Performs “PLAY ME” on “The Tonight Show Starring Jimmy Fallon”

The legendary Kim Gordon released her third solo album, the Justin Raisen-produced PLAY ME on earlier this year through Matador Records. PLAY ME is reportedly distilled and immediate, and sees Gordon expanding on her sonic palette to include more melodic beats and the motorik drive of krautock. 

“We wanted the songs to be short,” Gordon says of her continued collaboration with acclaimed, Los Angeles-based producer Justin Raisen. “We wanted to do it really fast. It’s more focused, and maybe more confident. I always kind of work off of rhythms, and I knew I wanted it to be even more beat-oriented than the last one. Justin really gets my voice and my lyrics and he understands how I work—that came forth even more on this record.” 

PLAY ME is the follow-up to 2024’s critically applauded sophomore album The Collective, which featured the two-time Grammy-nominated single “BYE BYE.”  PLAY ME sees Gordon processing in her imitable way, the collateral damage of the billionaire class: the demolition of democracy, technocratic end-times-like fascism, the A.I.-fueled chill vibes flattering of culture — where dark humor voices the absurdity of our moment. But despite its frequent outward gave, the album is essentially an interior effort, one in which heightened emotionality pulses through physical jams, while rejecting definitive statements in favor of an inquisitiveness and curiosity that keeps Gordon searching — and ever in process. 

Amid PLAY ME’s rabbit-hole reality bricolage, pitch-shifted vocals and shadowy layers of dissonance, the album’s material are clear-eyed about the attention they pay to a world that would rather you be distracted and rage-baited into oblivion. “I have to say, the thing that influenced me most was the news. We are in some kind of ‘post empire’ now, where people just disappear,” Gordon says, echoing the title of one of PLAY ME’s tracks.

PLAY ME will feature the previously released “NOT TODAY,” and “DIRTY TECH,” as well as the album’s third single, album title track “PLAY ME.” “PLAY ME” may arguably be the most hip-hop influenced track of the entire album with the song anchored around a swaggering DJ Premier-like production tweeter and woofer rattling beats paired with a meditative, modal jazz trumpet line. Gordon’s imitable croon takes on a subtle staccato, hip-hop like flow to match.

Yesterday, Gordon and her backing band performed “PLAY ME” on The Tonight Show Starring Jimmy Fallon. She finhishes her NYC vist with a surprise, sold-out show tonight at Night Club 101. And because of overwhelming demand, she added a second show at Warsaw on September 16, 2026. Check out the rest of the tour dates below.