Category: singer/songwriters

Throwback: Happy Belated 76th Birthday, Bonnie Raitt!

JOVM’s William Ruben Helms belatedly celebrates Bonnie Raitt’s 76th birthday.

New Video: St. Panther Shares Strutting and Soulful “American Dreams”

Los Angeles-based Mexican/Colombian producer, singer/songwriter, rapper and multi-instrumentalist Dani Bojorges-Giraldo (they/them) is the creative mastermind behind the critically applauded recording project St. Panther. Bojorges-Giraldo’s previously released work was the soundtrack to the early part of this decade for many folks, but following their departure from the major label network, the Los Angeles-based artist took time to be among their peers, friends and loved ones. 

Their highly-anticipated McClenney and Bojorges-Giraldo co-produced EP Strange World was officially released today through art label drink sum wtr. Strange World is Bojorges-Giraldo’s first collection of recorded output since their breakout debut EP, 2020’s These Days. The EP’s material is a defiant, genre-transforming collection of soulful, modern pop songs that narrate and confront the wider climate of uncertainty and oblivion.

Thematically, Strange World is as much about Bojorges-Giraldo’ and their world — their village, their people, themselves — but also, the very strange world we inhabit right now. Drawing from soul, R&B, jazz, hip-hop and alt-pop the EP’s material sets out to urge for a sense of purpose, security and love admits seemingly universal apathy and chaos. 

“I took this long pause to really listen to my village, listen to the needs of my community, and the people around me,” the St. Panther creative mastermind says. “We’re all feeling the weight of the world on our shoulders a bit. We want hope for our listeners, we want people to feel heard and that there’s someone out there representing this feeling.”

Regarding the EP, the Los Angeles-based artist continues: “It’s been highly impactful–to say the absolute least–to witness the world in the state in today. In so many lyrics and melodies, I’m using this set of songs as a method of putting certain messages into our ether, intentionally shouting certain things from the rooftops that a friend jokingly said ‘for world peace;’ but this music is meant to activate people in some way to meditate about our relationship to each other, which feels like a good use for music right now.”

The EP features the previous released EP title track “Strange World,” the old-school Quiet Storm-meets D’Angelo-like “The Deal” and the EP’s latest single “American Dreams.” “American Dreams” is a strutting and soulful call-to-action against desensitization, doomscrolling, apathy and voluntary negligence that says to the listener “if every one of us does something small and local, we can change our world — first locally and then globally.

“Not to make an anthem about desensitization in 2025, but the intention was to start a conversation with several generations. It’s painful to witness 50% of us or more being non-responsive towards our fellow humans in need – whoever they may be,” Bojorges-Giraldo says. “So I wrote about where this lack of a relationship with each other began: on a screen. I highlighted the act of scrolling and how consequential it is to become another cliche ‘American Dream’ because of it, if you ignore the rest of the world to achieve it.” 

The accompanying video for “American Dreams” employs a relatively simple concept of pointing out that we can all connect with each other, without that stupid device in our hands. As the video ends, viewers are invited to scan a QR code that links to a few resources and fundraisers supporting Gazan families.

New Audio: JOVM Mainstay Thundercat Tackles A Diana Ross Smash Hit

Since the release of 2020’s critically applauded It is What It Is, the acclaimed JOVM mainstay Stephen “Thundercat” Bruner has remained quite busy. Attention grabbing collaborations with Tame Impala, Gorillaz, Silk Sonic, Kaytranada and Justice have maintained his presence in the music realm. But he’s also branded out into acting with a role in Star Wars: The Book of Boba Fett.

Continuing his foray into the realm of television, the JOVM mainstay appeared as a featured musical guest on the rebooted Yo Gabba Gabbaland on Apple TV+. He joined Yo Gabba Gabba! for a NPR Tiny Desk concert. And he appeared at the show’s Coachella set both weekends.

Adding to a large and growing profile, he’s appearing and playing in GAP ads — and he has joined Steve Lacy and Red Hot Chili Peppers on stage.

This year, the acclaimed artist has released two standalone tracks, “I Didn’t Wish I Didn’t Waste Your Time,” and “Children of the Baked Potato” feat. Remi Wolf. His third and latest single sees him tackling the Diana RossNile Rodgers and Bernie Edwards penned 1980 smash hit “Upside Down,” arguably one of the sexiest pop songs ever written. Anchored around Thundercat’s muscular, Jaco Pastorious-styled bass lines, the JOVM mainstay’s take on the beloved tune is simultaneously woozy and ethereal while retaining elements of the dance floor friendly original.

Live Footage: Mavis Staples Performs “Human Mind” on “The Late Show with Stephen Colbert”

The beloved national treasure Mavis Staples‘ latest solo album, the Brad Cook-produced Sad And Beautiful World is slated for a November 7, 2025 release through Anti- Records. The album reportedly sees the 86 year-old legend standing side-by-side with us in the face of dangers she knows all too well — and comes at a time when increasing number of people out there have reason to wonder who and what could be lost.

The new album spans seven decades of the American songbook — a range nearly as vast as Staples’ remarkably lengthy career — and includes reinventions of timeless songs, as well as a batch of originals.

Recently, the legend performed the Hozier and Allison Russell co-written album single “Human Mind” on The Late Show with Stephen Colbert. “Human Mind” was the first track recorded for the Sad And Beautiful World sessions and the single sees the legend acknowledging the complexities, contradictions, violence and heartbreak of our world, while still finding hope and goodness in people — and in turn, the world over a slow-burning, Staple Singers-inspired arrangement.

The song seems to say, “Yes, life will break your heart many times over; but there are small yet mighty measure of love, kindness and faith that hold it all together, barely. And that is what we should cling to when it’s especially dark.

New Audio: Pacifica Shares Club Banging “Indie Boyz”

With the release of their full-length debut, 2023’s Freak Scene and last year’s acoustic Freak Scene: NAK Sessions, Buenos Aires-based duo Pacifica — Inés Adam and Martina Nintzel — quickly became a global sensation, for their unique blend of early 2000s garage rock, post-punk and 90s alt rock, and for their reputation for blistering live shows that channel friendship, chaos and catharsis in equal measure.

The Argentine duo have played sold-out shows across North America, Europe and South America, sharing stages with internationally renowned acts like Franz Ferdinand, St. Vincent, Kim Gordon and Måneskin while amassing over 880,000 followers across social media platforms, and over 25 million streams, plus millions of viral moments on Instagram, YouTube and TikTok.

Pacifica’s recently released sophomore album, In Your Face marks a bold new era for the Buenos Aires-based duo, an era that captures their trademark mix of vulnerability and rebellion with more bite, confidence and self-awareness than ever before, while anchored in lived-in, deeply personal experience.

In Your Face is an introspective journey that brushes through themes of heartbreak, betrayal, lust, spite, immaturity, and regret — all with a pinch of humor and light-heartedness,” the band explains. “It’s about cause and consequence. Accepting fate and flaws, realizing some things really are the other person’s fault, falling in love and wanting to jump off a building for someone, learning to be patient, and just living through it — Tokyo streets, Maseratis, vibes.”

Album single “Indie Boyz” is thumping, tongue-in-cheek, DFA Records-era dance punk/indie sleaze-inspired banger, anchored around a scuzzy power chords and a Gang of Four-like bass line that sees the duo mocking the shit out of the sort of indie scene fuckbois that they would come across at the club.

The band notes that it’s “not to be taken too seriously — just a description of a week of going out almost every night. No poetry, just vibes.,” They also note that the song is also a nod to a trendy LA club, Tenants of the Trees.

New Video: JOVM Mainstay Genesis Owusu Returns with Punchy “DEATH CULT ZOMBIE”

Acclaimed, multi-ARIA Award-winning Ghanian-born, Canberra-based JOVM mainstay Genesis Owusu‘s sophomore album 2023’s STRUGGLER was an exploration of the chaos and absurdity of life, our ability to endure and how to get through it all.

The album’s material was deeply inspired by a close friend hitting the brink and coming through the other side, and questions of life and beauty that he found himself contemplating during readings of Samuel Beckett’s Waiting for Godot and Franz Kafka’s Metamorphosis

Recorded between the States and Australia, STRUGGLER‘s producers traversed several different musical genres — and includes Jason Evigan, who has worked with RUFUS DU SOL and SZAMikey Freedom Hart, who worked on Jon Batiste’s 2021 Grammy of the Year Album, We AreSol Was, who worked on Beyoncé’Renaissance; and Owusu’s long-time collaborators and producers Andrew Klippel and Dave Hammer.

Earlier this year, the acclaimed JOVM mainstay released “PIRATE RADIO,” the first bit of material since the release of his sophomore album, which I hope means a new album is on the horizon. But in the meantime, Owusu shares the fittingly Halloween-themed “DEATH CULT ZOMBIE.” Anchored around a punchy, hook-driven punk rock-meets-Brit pop arrangement, the acclaimed Aussie’s punchy in-your-face vocal delivers observations on the deeply entrenched thought indoctrination, divisive global conversations and absurd circular logic of our mad, mad, mad world — with song scathingly mocking Christian Nationalists, Donald Trump and his MAGA death cult. The song points out that we’re in a figurative zombie apocalypse, and the lemmings are blindly jumping off the cliff . . .

“For most people, the shaking up of what they consider to be true is too scary and inconvenient. Once you’ve picked your truth, you live by it staunchly despite whatever pesky ‘facts’ and ‘logic’ get in the way,” Genesis Owusu explains. “Pride won’t let you be wrong, fear won’t let you be free, dogma won’t let you be aware. The delusion is more comfortable. But the longer you sit in that delusion, the faster the zombification spreads through your body like a plague; like a scourge. Gotta be brave enough to break from the cult.”

Directed by Issac Brown, the accompanying video for “DEATH CULT ZOMBIE” follows the acclaimed JOVM mainstay desperately trying to escape a collection of Thriller-meets-Internet troll-like zombies — with a fitting spooky season twist.