Now, if you’ve been frequenting this site for the past couple of years, you may recall that with the release of both their self-titled EP and their critically applauded full-length debut White Reaper Does It Again, the Louisville, KY-based quartet White Reaper received national attention and toured with acts like Deerhoof, Young Widows, Priests and others while quickly becoming JOVM mainstays. And after touring to support their full-length debut, the members of the Louisville-based band retreated to write and record the material that would comprise their long-awaited sophomore effort, The World’s Best American Band, which Polyvinyl Records officially released today.
Over the past couple of months, I’ve written about The World’s Best American Band‘s first two singles “Judy French,” which revealed that the band had gone through a decided change in sonic direction — going from scuzzy, power chord-based garage barn burners towards a sound that clearly draws from 80s New Wave, power pop and prog rock with a studio sheen that reminded me quite a bit of The Cars “You Might Think” and Moving Pictures-era Rush. The album’s second single, album title track “The World’s Best American Band” continued on a similar clean, lean vein, while being reminiscent of the anthemic power pop of Cheap Trick. And from the release of their sophomore album’s first two singles, several websites have begun to tab the album as one to be on the look out for, if not arguably one of the better releases of the year. Building on the growing buzz that The World’s Best American Band has received, the members of White Reaper recently released live footage of the album’s third and latest single “Little Silver Cross,” and like its preceding singles, it possesses incredibly self-assured and ambitious songwriting and an undeniable studio polish — while retaining a vibrant, forceful, punk rock and garage rock urgency, the band reveals an ability to craft arena rock worthy hooks paired with a propulsive rhythm section and some inspired, blistering guitar work.
Interestingly, the live footage will serve as a bit of a taste of what the band’s live set and sound is like, as they’re about to embark on a lengthy national tour to support their sophomore effort that includes a May 30, 2017 stop at Baby’s All Right. Check out tour dates below:
APRIL 29- NORMAN, OK- NORMAN MUSIC FEST
APRIL 28- KANSAS CITY, MO- RIOT ROOM
MAY 1 – MINNEAPOLIS, MN- 7TH STREET ENTRY #
MAY 4- MILWAUKEE, WI- RAVE BAR #
MAY 6- CINCINNATI, OH- MADISON THEATER #
MAY 8- COLUMBUS, OH- BASEMENT #
MAY 9- GRAND RAPIDS, MI- THE STACHE #
MAY 12- NASHVILLE, TN- BASEMENT EAST #
MAY 19-21- GULF SHORES, AL- HANGOUT FESTIVAL
MAY 25- INDIANAPOLIS, IN- WHITE RABBIT CABARET ^
JUNE 1- PHILADELPHIA, PA- MILKBOY
JUNE 3- PITTSBURGH, PA- CATTIVO
JUNE 2-4- CINCINNATI, OH- BUNBURY MUSIC FESTIVAL
JUNE 6- WASHINGTON, DC- DC9
JUNE 8- CARRBORO, NC- CAT’S CRADLE
JUNE 9- ATLANTA, GA- THE EARL
JUNE 11- MANCHESTER, TN- BONNAROO
JULY 29- DETROIT, MI – MO POP FESTIVAL
AUG 26- PORTLAND, OR- PROJECT PABST
+ W/ SWMRS
# W/ NO PARENTS
* W/ TWIN PEAKS
^ W/ DIARRHEA PLANET
Discover more from The Joy of Violent Movement
Subscribe to get the latest posts sent to your email.
