Over the past few years, I’ve written quite a bit about the acclaimed Los Angeles-based industrial hip hop/experimental hip hop trio Clipping. And as you may recall, the act which is comprised of production duo Jonathan Snipes and William Hutson, along with emcee Daveed Diggs never expected to achieve anything near commercial success — their earliest releases were centered round Snipes’ and Hutson’s sparse, abrasive productions featuring industrial clang, clink and clatter and samples of field recordings paired with Diggs dexterous rapid fire, narrative-driven flow, full of surrealistic, brutally violent imagery and swaggering braggadocio. And with the release of their full-length debut Midcity, the album caught the attention of renowned indie label Sub Pop Records, who over the past decade have developed a reputation for releasing the work of a diverse array of artists including Debo Band, Shabazz Palaces, GOAT, Daughn Gibson and others, as well as the Los Angeles-based hip-hop trio’s 2014 sophomore effort clppng, an effort that received attention across the blogosphere, including this site.
When Diggs went on to star in Lin-Manuel Miranda’s smash-hit musical Hamilton, winning a Tony Award for his dual roles of Thomas Jefferson and Marquis de Lafayette, the act was on an informal hiatus. But during that time, the members of the acclaimed JOVM mainstays reconvened to write and record 2016’s critically applauded effort Splendor & Misery, a Sci-Fi dystopian concept album that is both futuristic and yet describes our increasingly frightening and bizarre present.
Clipping’s fourth album (and third through Sub Pop), There Existed an Addiction to Blood is slated for an October 18, 2019 release, and the album, which features guest spots from Ed Balloon, La Chat, Counterfeit Madison and Pedestrian Deposit finds the acclaimed act interpreting another rap splinter sect through their own singular lens — in this case, horror core, a purposefully absurdist and significant sub-genre that flourished for a brief few moments in the mid 1990s. Some of its pioneers included Brotha Lynch Hung, Gravediggaz, which featured The RZA — and it included seminal releases from Geto Boys, Bone Thugs-N-Harmony and pretty much most of Memphis cassette tape rap. Interestingly, There Existed an Addiction to Blood is partially inspired by Ganja & Hess, the 1973 vampire cult classic, regarded as one of the highlights of the Blaxploitation era — the title is derived from the film and the members of the acclaimed JOVM mainstays sampled part of the score on the album.
There Existed an Addiction to Blood‘s latest single is the menacing and cinematic, “Nothing Is Safe.” Centered around plinking and anxiety-inducing keys and arpeggiated synths, the sparse and eerie horror movie-like production is spacious enough for Daveed Diggs complex, multi-syllabic and dense flow to comfortably unfurl and narrate a tense, paranoiac dread-filled story about a trap house being shot at by a rival gang. Diggs’ narrative is so descriptive and hyper realistic that you can fear the horror of the narrator as he sees his homey get gunned down, feel the bullets whiz past you and hear the chandelier smash into the floor. In this universe, death is a constant, inescapable and malevolent force. And while lovingly employing the tropes of gangsta rap and horror films, complete with doomed and fatalistic characters and scenarios, the track finds the trio expanding upon their sound in a way that nods at Geto Boys’ hallucinogenic “My Mind Playing Tricks On Me.”