New Audio: 802 Returns with Disco-Tinged Ripper “Princess”

Andreas “Slowoff” Asingh was one of the most critically acclaimed electronic artists in Denmark, working with internationally renowned artists like Raekwon while touring the world. Eventually, life’s twist and turns took Asingh back to his roots, the Danish countryside of Mols Bjerge.

Back in 2022, Asingh met Emil Sørensen and Kristian Holbæk, two young dudes making names for themselves in the country’s underground metal scene. Although the the members of 802 weren’t an obvious creative musical match, they bonded over their desire to create a sound that meshes elements of classic heavy metal, hazy shoegazer textures and ghostly synth pop with unashamedly catchy melodies. According to the band, the 802 world is ruled by musical anarchy and is a place for headbangers and pop lovers to unite. 

The trio’s first ever show was at last year’s New Colossus Festival. And since then they’ve released three singles that received attention internationally: “My Girl,” and “22 (Velvet Vampire),” which were featured in award-winning horror shorts and “1986.” “1986” saw the Danish trio firmly cementing their sound: dense layers of crunchy metal riffage and thunderous drumming reminiscent of Kill ‘Em All, Ride the Lightning and Master of Puppets-era Metallica, dreamy and incredibly catchy melodies, the sort of twinkling and atmospheric synths that will remind some of shoegazers like Chicago‘s Lightfoils, BLACKSTONE RNGRS, Hong Kong‘s Lucid Express and Montréal-based JOVM mainstays Bodywash paired some rousingly anthemic, raise-your-beer-in-the-air-and-shout-along worthy hooks. 

Over the summer, the Danish outfit took their hook-driven mesh of metal and pop to some of Scandinavia’s biggest festival, including Copenhell and Roskilde. The band has also received New Artist of the Year and New Live Artist of the Year nominations at the Danish metal awards, Den Hårde Tone. Building upon the growing momentum surrounding the band, the rising trio share their fourth single “Princess.” “Princess” sees the band pairing a relentlessly propulsive, Metallica-like chug with glistening synth arpeggios and the band’s penchant for enormous, rousingly anthemic hooks and choruses.