Makaya McCraven is a Paris-born Chicago-based jazz drummer, beatmaker and producer, who has released a run of critically applauded, genre-defying and re-defining albums that includes 2017’s Highly Rare, 2018’s Where We Come From (Chicago x London Mixtape) and 2018’s Universal Beings through Chicago-based International Anthem Records. Highly Rare caught the attention of XL Recordings‘ Richard Russell, who recruited the acclaimed Chicago-based drummer, beatmaker and producer to re-imagine Gil Scott-Heron’s I’m New Here.
Released earlier this year, McCraven’s We’re New Again places the original I’m New Here sessions in a new context. using samples collected from McCraven’s improvised live sessions with new wave Chicago jazz musicians and vintage samples taken from the acclaimed Paris-born, Chicago-based drummer, beatmaker and producer’s parents’ recordings. It’s meant to reconnect Scott-Heron with his birthplace and hometown, as well as a lineage of jazz and blues that perfectly compliments the Chicago-born legendary artist’s imitable voice.
Slated for a July 31, 2020 release through his longtime label home. Universal Beings E&F Sides serves as an addendum to the critically applauded 2018 effort of the same name — but while featuring fourteen new organ beat music compositions that were cut from the original sessions and prepared and produced by McCraven as a soundtrack to a documentary on the recording of the original album. (The physical album will see a September 25, 2020 release.)
The Mark Pallman-directed Universal Beings documentary follows McCraven as he travelled to California, Chicago, London and NYC in a behind-the-scenes look at the creation and recording of his breakthrough album, taking the viewer through the story of his life, his process and the community of musicians that brought the album’s material to life.
So to build up buzz for the new album and the documentary, McCraven and International Anthem have released Universal Beings Sides E&F‘s first single, the angular and percussive “Mak Attack.” Clocking in a little under two minutes, the breakneck composition is centered around complex and rolling polyrhythm, a sinuous bass line and twinkling bursts of keys. The composition finds the musicians managing to walk a tightrope between chaos and order, free-flowing improvisation and structured composition and as a result, it explodes with a forceful and vital energy.