New Audio: Barcelona’s Evripidis and His Tragedies Release a Shimmering Synth Pop Ode to the Confusing Feelings of Love

Athens-born, Barcelona-based singer/songwriter, classically trained pianist and visual artist Evripdis Sabatis is the creative mastermind behind the solo recording project Evripidis and His Tragedies. The project, which finds the Athens-born, Barcelona-based multimedia artist crafting devastatingly confessional, self-deprecating and often darkly humorous pop songs centered around a queer sensibility can trace its origins back to 2004. When Sabatis relocated to Barcelona, the Greek-born multimedia artist started playing solo sets, accompanying himself on piano in small local bars before becoming a fixture in the local underground scene as a performer, DJ and independent promoter.

Since 2004, Sabatis has been rather busy. He has released four albums 2007’s self-titled debut, 2011’s A Healthy Dose of Pain, 2016’s Futile Games in Space and Time, 2019’s Mia Triti stin Cantina and an EP . . . And It Was Good While It Lasted Baby while also writing scores for short films. Those releases were primarily melancholy, piano-driven indie pop with a joyous beat, unconventional song structures, lush chord progressions and vocal harmonies that found Sabatis collaborating with an eclectic and diverse array of local and international artists, including Sarah P., The Magnetic Fields‘ LD Beghtol, and fellow Greek artist Nalyssa Green.

Sabatis has opened for internationally acclaimed artists like John Grant, Jens Lekman, Peter Bjorn and John and Arab Strap. Adding to a growing profile, he has toured internationally, playing shows in Spain, the UK, Germany, France, the US, Portugal, The Netherlands and his native Greece. The Greek multimedia artist has also made the rounds of the international festival circuit making stops at Primavera Sound Festival, FIB Festival, Indietracks, Eurosonic Nooderslag and Synch Festival.

The Athens-born, Barcelona-based multimedia artist’s fifth album Neos Kosmos reportedly finds Sabatis crating material that goes in a much more decidedly straightforward and sparse synth-driven direction with lyrics written and sung in English, Spanish and Greek while still displaying his immense love of Doo Pop, 60s girls groups, New Wave, indie pop and bedroom pop. The album’s latest single “Bitter,” which features guest vocals from The Ballet‘s Greg is a decidedly 80s inspired synth pop confection featuring shimmering synth arpeggios, a propulsive motorik groove, and a razor sharp yet infectious hook. Interestingly, “Bitter” reveals a songwriter, who has an uncanny ability to write a song that’s centered around complex and contradictory emotions: through heartfelt and earnest songwriting dripping with a bit of campy sarcasm, the song points out the fact that that love — and the search for love — can be fleeting, capricious, embittering and exhausting. And yet, love is so necessary that you can’t quite give up on it either.

“I wanted to convey a little bit of the feeling that The Smiths‘ songs gave me when I was younger — this mixture of romanticism, cynicism, and humor that is kind of camp, but also deeply heartfelt.,” Sabatis explains in press notes. “I am, after all, bitter and hopeful, grumpy and funny, all together at the same time, and I wanted to connect with those who feel these strong contradictions. I invited Greg to sing with me because I imagined an encounter of two like-minded souls who never give up on love. “