Tag: indie pop

New Video: French Pop Act Papooz Releases Surreal Visuals for Brooding Yet Breezy New Single “You and I”

Comprised of Armand Penicaut and Ulysee Cottin, the Paris, France-based pop act Papooz can trace their origins to when the duo met during part of boozy gatherings of literary obsessions — and as the story goes, the pair ditched their early and earnest ambitions to creative a political fane zone to play the music they had long been writing. Interestingly, the duo’s early demos were warped, boss nova-informed pop that also drew influence from The Beach Boys, Ella Fitzgerald, The White Stripes and Karen Dalton, among others. 

The duo’s full-length debut, 2016’s Green Juice featured “Ann Wants To Dance,” whose SoKo-directed video has amassed more than 12 million streams online. Building upon a growing profile, the Parisian band’s Adrien Durand (of Bon Voyage Organisation) produced sophomore effort is slated for release later this year, the duo’s forthcoming sophomore album Night Sketches will further cement their reputation for crafting warped and skewed exotic-tinged pop — but with surrealist, character-driven lyricism. In fact, Night Sketches’ first single, the moody yet ethereal “You and I” is a lush amalgamation of 70s AM rock with 80s synth-based New Wave, as the song features an arrangement of shimmering synths, a sinuous bass line, glistening guitar lines, an ethereal falsetto and a soaring hook that sonically makes the song remind me of Roxy Music. 

Directed by Armand Penicaut’s girlfriend, director and illustrator Victoria Lafaurie, the video was filmed at Le Balajo, one of Paris’ oldest cabaret clubs, currently owned by a renowned French wrestling family — and it stars Ulysee Cottin’s girlfriend, Danish-born actress and model, Klara Kristin. Shot with Super 16mm film, the video draws from old, Looney Tunes cartoons and other sources. As Lafaurie says in press notes, “Like Tex Avery’s animated cartoons, Ulysee and Armand are Klara Kristin’s conscience. Will she fall for the Devil or the Angel?”

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Tessa Rose Jackson is an Amsterdam, The Netherlands-based singer/songwriter, multi-instrumentalist, producer and multi-disciplinary artist, best known among indie circles as Someone. Her debut EP Chain Reaction was an ambitious creative undertaking that involved an accompanying short film. Jackson’s forthcoming EP Orbit finds Jackson exploring the intensity with which art and music can be fused, and how they can fully enhance themselves. And interestingly, the Amsterdam-based multi-instrumentalist, producer and multi-disciplinary artist crated an interactive augmented reality exhibition that combines her music with cutting edge technology and hypnotic art, which use elements reminiscent of space and planets. The exhibition will be presented in gallery spaces in Amsterdam, London, Berlin, and Paris.

When viewed through a tablet or smartphone, the artwork comes to life and the song linked to that particular piece will be played through the viewer’s headphones. The artworks each react differently and react to the music, dynamically building as the songs progress. They will also react to touch from the viewer on their tablet screens, allowing full interaction and immersion. Trippy, huh?

The EP’s material thematically comments on our overstimulated, digital age, suggesting that we spend so much time on our phones and on social media being constantly exposed to external distractions that we’re essentially orbiting around each other and our passions, rarely touching, resting or even focusing long enough to truly connect to anything or anyone.

Orbit‘s first and latest single is the dreamy and ethereal “Get It Together,” a track that’s centered by shimmering and arpeggiated synths, thumping hip hop-like drumming, buzzing power chords and a soaring hook. And while clearly being indebted to Tame Impala and Air, the track also nods at classic, bubblegum pop and 60s psych pop — but with a soaring and infectious hook.

 

 

 

 

 

 

 

New Audio: Acclaimed Folk Pop Duo Lily & Madeline Release a Bold and Self-Assured New Single

Lily & Madeleine are an Indianapolis, IN-based folk pop duo, consisting of siblings Lily and Madeline Jurkiewicz. Interestingly, the act can trace its origins to when the Jurkiewicz Sisters began singing together while in high school, uploading home videos of various cover songs to YouTube. Those videos catgut the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records. 

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

The Jerkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Daniel Tashian and Ian Fitchuck, who worked on Kacey Musgraves’ “Golden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.  

New Video: Camille Trust Returns with a Swaggering, Feminist Anthem

Throughout the past handful of years, I’ve written a bit about Camille Trust, an up-and-coming Tampa, FL-born, New York-based soul/pop artist. And as you may recall, Trust has cited the likes of Janis JoplinLauryn Hill and Etta James; however from with her energetic, dynamic stage presence and raw, unvarnished honesty, her work to me, seems much more indebted to Mary J. Blige.

2018 has been a big year for the Tampa-born, New York-based soul/pop artist, as she released her long-awaited debut EP No Other Way. Trust closes out the year with the release of “Freak,” a sultry track that draws from both classic soul, contemporary pop and hip-hop simultaneously as its centered by a Gwen StefaniHollaback Girl” meets Mark Ronson‘s “Uptown Funk” meets Rick James-like performance from Trust, handclap-led hook, a horn arrangement reminiscent of Earth Wind and Fire. But more important, the song is a brash, boldly feminist anthem in which the song’s narrator talks about wanting and needing raunchy, nasty, freaky sex from her object of affection.

Directed by Tanima Mehrotra and featuring choreography by Camille Trust and Ivy Ledon, the recently released video features Trust and a series of different backing dancers shot in a series of dressed in bold, bright colors in front of equally bold, bright backgrounds — before pulling out to reveal the behind the scenes, with Trust taking off earrings and getting ready for a successive video. Much like the song, it’s brash, sensual, playful and captures the artist’s swaggering and undeniable confidence and presence.

Comprised of core duo singer/songwriter Max Greenhalgh and multi-instrumentalist Bryce Outcault, along with a rotating cast of musicians and collaborators, the Los Angeles-based indie pop act Inspired & the Sleep first received attention across Southern California with the release of their debut album, 2014’s Eyelid Kid, an album comprised of dream pop-leaning material. Since then the act has developed a reputation for a sound that incorporates traditional indie rock instrumentation with electronics and vinyl sampling paired with lyrics that thematically touch upon intimacy, introspection and love both lost and found. And as a result, the duo have been featured on a number of sites across the blogosphere including Spin, Vice Noisey, Pigeons and Planes, Hilly Dilly, this site and others. Adding to a growing profile, Inspired & the Sleep has opened for a number of national touring acts including Switchfoot, Sure Sure, Colony House, Mating Ritual, The Dodos, SALES, Moon Taxi, Cymbals Eat Guitars and others.

It’s been a couple of years since I’ve written about them; but their latest single “Stay” like much of their previously released material over the past few years is centered around a glittering, dance floor groove, arpeggiated synths and a soaring hook. Sonically the song brings JOVM mainstays Summer Heart and Cut Copy to mind — with a swooning, vulnerable need. As the duo explain in press notes, “‘Stay’ is our piece about swooning in the throes of affection. It doesn’t seem to matter where a lover stands in your life, if the emotions are there you can be convinced to stay the night.”

 

 

Raymond James Mason is a Long Island, NY-born, Brooklyn-born trombonist and singer/songwriter. As the story goes, Mason picked up the trombone at a very young age, and as a teenager, he studied classical performance and jazz studies at my alma mater NYU, where he studied with Brian Lynch, Lenny Pickett, Alan Ferber and Elliot Mason. Upon graduating, Mason quickly became an in-demand musician, playing across a wide variety of genres; but he’s best known for being a member of renowned local Afrobeat act Antibalas, which eventually led to him becoming a member of the Daptone Records/Dunham Records in-house band, playing with the likes of Sharon Jones and the Dap Kings, Charles Bradley and the Menahan Street Band, Lee Fields and the The Expressions and many others. Additionally, Mason has performed and or recorded with the likes of Alicia Keys, David Byrne, Randy Newman, Erykah Badu, The Roots, Arcade Fire, Ed Sheeran, Janelle Monae, Lukas Graham, Nile Rodgers, Tame Impala, Maren Morris, Earth Wind and Fire, Mark Ronson and and more. Unsurprisingly, he very busy Mason learned from these artists while honing his own compositional and vocal skills, patiently waiting for his moment to step out in the spotlight.

Back in October 2016, Mason reached out to Daptone Records house band member, longtime friend and Dala Records founder Billy Aukstik to set up at a casual recording session. At the time, Aukstik was recording out of an old East Village brownstone basement, equipped with only a Tascam 388 8-track tape recorder and a few old ribbon microphones. Aukstik and Mason assembled an all-star squad of local soul musicians, including Alex Chakour, who has played with Charles Bradley and Sharon Jones; Freddy DeBoe, who has played with Charles Bradley and Sharon Jones; Joe Harrison, who has played with Nick Hakim and Charles Bradley; and Morgan Price, who has played with Antibalas to record a couple of Mason’s compositions — two of which wound up becoming the A and B sides of Mason’s solo debut, “Back When”/”No Clue.”

A side single “Back When” is a strutting and swaggering bit of a soul pop centered around an arrangement of Arp Omni bass synth, fuzzy guitar lines and a steady backbeat — and while thematically the song is a universal tale of lost opportunity and what could have beens, it’s a decidedly contemporary take on the Dala Records sound, as it nods at contemporary soul, hip-hop and psych pop in a way that brings Tame Impala, Nick Hakim and others to mind. “No Clue,” the B side single is centered around fuzzy power chords and a garage rock vibe, while thematically the song focuses on a dysfunctional and confusing relationship. Both singles reveal an an up-and-coming artist, who’s actively and earnestly pushing the sonic boundaries of soul.