New Audio: Daniel Isaiah’s Moody and Ethereal New Single

Daniel Isaiah is a Montreal, Quebec, Canada-based singer/songwriter and filmmaker, known for award-winning short films under his full-name Daniel Schachter. The Canadian multimedia artist’s forthcoming album Only One Left is slated for a November 28, 2018 release, and interestingly, the album was written, deeply influenced and book-ended by the saddest and happiest moments of the artist’s life — his mother’s death and his wedding.  Unsurprisingly, the album thematically is centered around the inevitable beginnings and endings of life. Additionally, during that period, Schachter spent nine months traveling across Turkey, Greece, Israel, Italy, the UK, France and The Netherlands with his Nord synthesizer in tow, writing throughout his travels. As Schachter says in press notes, “I recorded in a big house in Istanbul, a tiny hotel room in Amsterdam, and an even tinier bathroom in Tel Aviv (to mute the birds in the backyard).”  Schachter adds that Only One Left is “rooted in my native Montreal, but also in the countries where I went wandering — an outsider looking in. The music itself signals a new phase in my work — still committed to the old craft of songwriting but experimenting with synthesizers and computer to carve out a sound that is my own.”

Schachter returned to Montreal and recruited his friends Brad Barr, Joe Grass and Joshua Teal to play on the album as his backing band — and his friend and frequent collaborator Matthew Lederman to mix the recording sessions. The album’s first single, album opening track “Javelin Fade” is a moody and atmospheric track centered around a sparse arrangement of shimmering electronics, twinkling keys, gently padded drumming  and ethereal vocals — and sonically, to my ears, the song manages to recall Tales of Us-era Goldfrapp and Portishead; however, lyrically, as Schachter notes, the song at points references to the sirens of Greek mythology and to the bomb warning sirens, as the narrator floats over the Earth as the sole witness of nuclear armageddon. Indirectly, the song gently buzzes with the anxiety over the seemingly impending end of the world as we know it.