Comprised of brothers Adam Lyons (vocals) and Nathan Lyons (keyboards), along with Patrick Huerto (guitar), Tommy Davis (bass), James Alexander (drums), the Gold Coast, Australian-born and now Manchester, UK-based sextet Fairchild have developed a growing international profile for an 80s inspired, hook-laden synth pop sound. The sextet’s latest single “Breathless” further cements the band’s reputation for 80s inspired synth pop; however, while their previously released material was rousingly anthemic, the new single is slow-burning, sensual, and moodily atmospheric in a way that’s reminiscent of The Fixx’s “Saved by Zero” as four-to-four drumming, swirling electronics, slowly cascading synths, shimmering guitar chords played through layers of reverb are paired with Adam Lyon’s soulful crooning and a slinkily sexy groove.
Produced by friend and frequent collaborator Catherine Marks, best known for her work with Foals, The Killers and Wolf Alice, the single not only reveals a subtle refinement of the sound that first won them international attention, it also inspired a change in their songwriting process. As the story goes, the time the members of the band spent writing “Breathless” actually inspired a series of pre-production jam sessions and songwriting sessions over the course of four months that had each band member contributing ideas unencumbered and unhindered by genre expectations. At times members of the band worked individually and in small groups, sometimes swapping instruments, sharing ideas and thoughts on bits of grooves, riffs and beats and as they did so they began to see and feel even more parallels between their recorded efforts and their influences.
From listening to “Breathless,” I can tell you that the song is arguably the most self-assured, loosest and sexiest song that they’ve released to date, and that seems to stem from the songwriting sessions that birthed it. Granted, if you were familiar with them before, it’s a subtle refinement of their sound but the hooks are sharper and laser focused. And while their material had always been emotionally direct, the new single pairs that directness with a deeper commitment to setting a particular mood. Be on the lookout for a new EP from the Australian-born, British-based band sometime in 2016.