New Audio: JOVM Mainstays Warish Release a Feral and Bruising Ripper

With the release of their first two EPs and their full-length debut, 2019’s Down In Flames, the San Diego-based noise punk trio Warish — currently founding member Riley Hawk (guitar, vocals), Alex Bassaj (bass) and Justin de la Vega (drums) — quickly established a reputation for crafting mosh pit friendly, bludgeoning rippers with an aggressively sleazy Troma Films-like vibe that seemingly drew from early Butthole Surfers, Scratch AcidIncesticide-era NirvanaStatic Age-era Misfits and others.

The JOVM mainstays’ sophomore album Next To Pay is slated for an April 30, 2021 release through RidingEasy Records. Reportedly, the San Diego noise punk trio’s highly-anticipated 13-song, sophomore album finds the JOVM mainstays at their darkest and bitingly vicious. “Next To Pay is about a sense of imminent doom, everyone is going to die,” Warish’s Riley Hawk says in press notes. “It’s not the happiest record, I guess.” Sonically, the album’s material finds the band drawing from the same influences as its predecessor but while pushing it in a new and forceful direction. While still centered around heavy guitars, the JOVM mainstays stray away from straightforward cookie cutter punk and lean more in the direction of Greg Ginn and Buzz Osborne — wiry contortions drenched in various chorus effects. “This album is more of an evolution, it’s a little more punk-heavy,” Hawk adds. “We figured out what our sound was.”

Unsurprisingly, that evolution necessitated a massive lineup change: the band’s original drummer Nick “Broose” McDonnell plays on about half the album’s songs while their newest drummer Justin de la Vega took over for the more recently written and recorded tracksHawk. Alex Basassj joined the band after their debut was recorded, making Next To Pay, his official Wartish debut.

“Seeing Red,” Next To Pay‘s latest single is a breakneck, Bleach-era Nirvana like ripper centered around Hawk’s howled vocals, scuzzy power chords, a forceful and chugging bass line and pummeling drumming and a scorching that continues a run of mosh pit friendly material –but this time with a feral snarl.