Tag: punk rock

New Video: Up-and-Coming Garage Punk Act The Bobby Lees Release a Feral and Energetic Visual for “GutterMilk”

The Booby Lees are an up-and-coming Woodstock, NY-based garage punk act, comprised of Sam Quartin (vocals, guitar), Kendall Wind (Bass), Nick Casa (Lead Guitar), and Macky Bowman (Drums). And over the past year, the up-and-coming, garage punk quartet have honed their live show opening for The Black Lips, Murphy’s Law and Boss Hog. 

The band’s latest single, the Jon Spencer-produced “GuttterMilk” is 94 seconds of feral garage punk, centered around a rumbling and propulsive baseline, thundering drumming, buzzing and slashing guitars and Quartin’s howled vocals that nods at Fever to Tell-era Yeah Yeah Yeahs and Jon Spencer’s work with The Jon Spencer Blues Explosion. 

Directed by John Swab, the recently released video employs a simple concept — the band performing the song with in an abandoned building with raw and hungry energy. 

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New Audio: Acclaimed Punk Act Ceremony Releases a Shimmering Post-Punk Inspired Single

Currently featuring Ross Farrar (vocals), Anthony Anzaldo (guitar), Justin Davis (bass), Andy Nelson (guitar) and Jake Casarotti (drums), the Rohnert Park, CA-based punk act Ceremony can trace their origins to 2005, when they formed as a sextet with Farrar, Anzaldo, Davis, Nelson, Casarotti and Ryan Mattos (guitar) under the name Violent World before eventually changing their name. 

With the release of their earliest work — in particular, 2005’s Ruined EP and Violence Violence, 2008’s Still Nothing Move You, the band quickly developed a reputation for a relentlessly brutal and bruising hardcore punk sound compared to the likes of Infest and others. Building upon a growing profile, the Rohnert Park, CA-based punk act toured across the world with bands like Blacklisted, Converge, and AFI before releasing 2010’s Rohnert Park. 

Shortly before they signed to Matador Records in 2011, the band went through a lineup change with the departure of Ryan Mattos. The following year saw the release of the band’s fourth album Zoo, an album that was a radical sonic departure from the band, as it saw them moving from the bruising hardcore sound of their earliest efforts towards a pre-hardcore, post-punk inspired sound much like Pink Flag-era Wire. 2015’s The L-Shaped Man found the band sonically moving further towards post-punk with a sound that was compared to the likes of Joy Division and others. 

The band’s soon-to-be released sixth album In The Spirit World Now is slated for an August 23, 2019 release through Relapse Records and the album reportedly finds the band’s sound further pulling from the post punk influences that’s driven their last couple of albums — but there’s also a bit of a rock influence. And unsurprisingly, the band has managed to evolve their sound while remaining true to themselves as songwriters and artists.  Interestingly, the album’s latest single, the hook-driven “Presaging the End” is centered around shimmering and slashing guitars and a motorik-like groove, the song finds the acclaimed punk act sounding much more like The Fixx — in particular “The Sign of Fire” and “Red Skies” but while retaining a punk rock intensity and earnestness. 

New Video: JOVM Mainstays Prettiest Eyes Pay Homage to John Carpenter in Visual for “Mr. President”

Over the past few years, I’ve written a bit about the Los Angeles-based synth punk act Prettiest Eyes, and as you may recall the act which is comprised of San Juan, Puerto Rico-born, Los Angeles, CA-based founding members Pachy Garcia (drums, vocals), and Marcos Rodriguez (bass, vocals) along with Ciudad Juarez, Mexico-born, Los Angeles, CA-based Paco Casanova (keys, synths vocals) can trace their origins back to San Juan, where the band’s founding members played in a number of local bands before relocating to Los Angeles to seriously pursue music. Casanova independently relocated to Los Angeles and joined the band to complete its lineup. And with the release of a couple of EPs and their first two albums,  2015’s Looks and last year’s Pools, the Los Angeles-based JOVM mainstays firmly established a reputation for crafting sleazy and primal synth punk that throbs with a muscular insistence.  

The band’s third full-length album, the aptly titled Vol. 3 was released earlier this year through Castle Face Records, and album single “Nekrodisco” was a off-center, post apocalyptic ripper, seemingly inspired by Q: Are We Not Men? A: We Are DEVO!-era DEVO. Interestingly, the album’s first single “Mr. President” is a minimalist track centered around howled mantra-like lyrics, industrial clang and clatter and a relentless motorik groove that seethes with uncertainty and menace. 

Directed and edited by Andrew Frescas, the recently released video further emphasizes the song’s murkiness and menace — and interestingly enough, finds the video’s director and the band collaborating to pay homage to John Carpenter’s They Live!

Formed back in 2005, the New York-based rock/punk act Baby Shakes — Mary  (lead vocals), Judy (guitar, vocals), Claudia (bass, vocals) and Ryan (drums) have released a handful of one-off singles, a singles compilation, a 10 inch heart-shaped EP and three full-length albums that have firmly established their sound — melodic vocals paired with fuzzy power cords that generally draws from the likes of Ramones, Chuck Berry, 60s Motown-era girl groups.

The members of the band have toured across the US, Japan, China, Ireland, the UK and the European Union and shared stages with the likes of The Romantics, The Boys, The Shadows of Knight, The Undertones, The Barracudas, Protex, Black Lips, Paul Collin’s Beat, Iggy Pop and a growing list of others. Interestingly, the New York-based punk act’s forthcoming album Cause a Scene is slated for a September 20, 2019 release, and the album is reportedly indebted to the original wave of punk — in particular, The Nerves, The Kids, early Bangles and The Go-Gos, The Runaways, as well as the Ramones.

Clocking in at exactly two minutes, “Nowhere Fast,” Cause a Scene‘s lead single is a breakneck bit of fuzzy, old-school punk with an infectious, power pop-like hook — and while clearly indebted to Ramones, Go-Gos and the like, the song is one part snotty and in your face, one part sweet, and one part cynical scowl, delivered with the self-assuredness of old pros.

 

New Video: Los Angeles’ The Paranoyds Release a Trippy B Movie-Inspired Visual for “Carnage Bargain”

Formed back in 2015, the buzz-worthy Los Angeles-based punk act The Paranoyds, derive their name as a bit of an apt summary of their general outlook on technology and modern culture — but ironically, the act can trace its origins to a friendship forged between its founding members Staz Lindes (bass, vocals) and Laila Hashemi (keys vocals) over MySpace in their early teens. Initially bonding over a shared interest in local underground music, the duo eventually became friends in real life. Eventually, the duo recruited Hashemi’s childhood friend Lexi Funston to join the band — with David Ruiz (drums) completing the band’s lineup in 2015.  

Since their formation, the band has developed a reputation as one of Los Angeles’ most exciting bands as a result of tours with the likes of DIIV, White Reaper, Albert Hammond, Jr., Sunflower Bean, Tacocat, BRONCHO and others, and for playing major festivals like Coachella. The band’s highly-anticipated (and long-awaited) full-length debut Carnage Bargain is slated for a September 13, 2019 release through Suicide Squeeze Records — and the album is reportedly a raucous blend of gritty garage rock, New Wave swagger, B movie camp and a myriad of other left-of-center influences. 

Carnage Bargain’s second and latest single, the album title track will further cement their long-held reputation for pairing ironically delivered lyrics with quirky yet infectious pop hooks, fuzzy power chords and forceful drumming. And while being the sort of mosh pit friendly track in which you can envision sweaty concertgoers bopping about and singing along at your local music venue, the track is centered around a scathing observation of our current world of instant gratification that has left us unhappier. “People want things all the time—there seems to be a constant manic need of consuming now more so than ever. ‘Carnage Bargain’ is about the people higher up wanting to get all this evil work done at a wholesale price,” the band’s Staz Lindes says in press notes. 

“It’s an extremely vulnerable time in America—things aren’t sugar coated anymore,”Lindes adds. “The dirt and grime that was swept under the rug has risen to surface. It’s impossible for us to get through a day without thinking of the thousands of migrant children in cages at the border alone, some without proper beds, soap, toothbrushes, and with lights on 24/7. We can not continue to ignore the black lives, young and old, taken by police almost every week. The plastic crisis. The mass shootings. The extreme need for prison reform. The opioid crisis. The water crisis in Flint, Michigan. The list goes on, and the hole gets deeper. Sometimes I can’t sleep and I wonder: do they sleep well in the White House? What else can I do as a privileged citizen? They want to get a Carnage Bargain. I want to pick up garbage.”

Directed by David Ruiz and Max Flick, the recently released video immediately brings 120 Minutes to mind as its split between placing the band in a seemingly dysfunctional and dystopian reality and their studio — while nodding at constant commercials. 

Formed earlier this year, the Chico, CA-based punk duo Beehive features Jake Sprecher (vocals, guitar), a former member of Terry Malts, Smokescreens and Business of Dreams and Shutups‘ Bud Amenti (bass). And in a short period of time the duo have managed to play venues up and down the West Coast, while writing and recording their debut EP, Depressed and Distressed, an effort recorded on 1/2″ tape in one take.

Slated for a September 6, 2019 release through Jester Recordings, the duo’s forthcoming EP quickly establishes their sound. Drawing from the likes of Suicide, The Splits and Television Personalities, the material is centered by desperately howled and repeated vocal phrases, a repeatedly hammered riff and a propulsive bass line played over a Hammond Auto-Vari 64 drum machine.

The EP’s latest single “When Can I See You Again” is centered around slashing guitar lines  and a forcefully propulsive bass line that seem as though they’re desperately trying to attack the incessant and emotionally indifferent drum machine. At its core, the song seethes with the desperate, lovelorn obsession of young lust.

 

 

 

 

 

Madison, WI-based punk act The Hussy formed back in 2008 as a duo fronted by Bobby Hussy (guitar, vocals) and Heather Hussy (drums, vocals). The duo quickly developed a reputation for a trashy and scuzzy take on punk and for a chaotic live show that wound up with the duo playing shows alongside a who’s who list of indie rock and punk — including Mudhoney, Ty Segall, Thee Oh Sees, Twin Peaks, Reigning Sound, Spectrum, Black Bananas, Black Lips, King Khan & BBQ, White Fence, The Faint, Tenement and countless others. All of that helped the band gain a cult-like following across the Midwestern underground scene.

During the incredibly prolific period of 2009 and 2015, in which the band released material material through over 20 different labels and in countless different formats, the duo relentlessly toured across the US and Europe, even playing Gonerfest after the release of their beloved sophomore album 2012’s Weed Seizure. Interestingly, also during that period, the band pulled double duty as the opener and backing band for NOBUNNY through tours of the States, Australia and New Zealand. And since then, the band’s founding duo have split time between The Hussy and other creative pursuits. Bobby Hussy has continued to tour with NOBUNNY off and on as his touring bassist.  He plays in Fire Heads with Tyler Fassnacht, who recently joined The Hussy to help further flesh out their live sound.  And lastly, Bobby Hussy is also a member of synth wave post-punk act Cave Curse, who released a full-length in 2017. Heather Hussy’s side project Proud Parents released their full-length album through Dirtnap Records last year.

At the end of last year, the members of the newly constituted trio began tracking their forthcoming full-length album Looming, the follow-up to 2015’s Galore. Galore saw the and moving into a much more focused direction with their songwriting that included much more complex arrangements paired with mid-fi production — and while this was  decided evolution in their sound, they managed to retain their knack for crafting infectious pop-leaning hooks. Looming however, finds the band thematically going in a defiantly darker direction as it touches upon death and sudden loss, divorce, addition and our depressing and horrifying political moment.

The album’s latest single “Coast” begins with a deceptive and upbeat intro featuring plinking and chiming chords before quickly turning into a scuzzy, power-chord based ripper — with an infectious, shout along worthy hooks and a playful melody underneath it all. Interestingly, the song is a perfect example of the album’s darker thematic concerns as it’s a pissed off tell off toward someone you want to just leave you alone.

The new album is slated for a September 27, 2019 release through Dirtnap Records and the band will be embarking on US and European tours to support it. Check out the current tour dates and be on the lookout for more.

Tour Dates

August 17th Madison, WI @ Crystal Corner (w/ Sweet Jap, Choke Chains, Dumb Vision)
September 13th Minneapolis, MN at 7th Street Entry
September 14th Madison, WI @ Mickeys (w/ Werewolf Jones)
September 21st Fayetteville, AR @ Backspace
September 23rd Austin, TX @ Hotel Vegas
September 24th New Orleans, LA @ Circle Bar
September 25th Hattiesburg, LA @ House Show
September 26th – Memphis, TN at Hi Tone – Gonerfest 16
More Dates TBA!

 

 

 

 

New Audio: JOVM Mainstays Warish Release a Menacing Mosh Pit Friendly Ripper off Their Forthcoming Full-Length Debut

I’ve written quite a bit about the Southern California-based punk trio Warish over the past 18 months or so and the act, which features founding members Riley Hawk (guitar, vocals) and Bruce McDonnell (drums) formed last year when its founding duo wanted to try their hand at something a bit more distinct than what they had previous done.“We wanted to do simpler riffs and a fun live show,” Hawk explains in press notes. “A little more punk, a little bit of grunge… a little evil-ish.” Their sound reportedly draws from a variety of things — early Butthole Surfers, Scratch Acid, Incesticide-era Nirvana, Static Age-era Misfits and others, and with the release of their first two EPs, the band quickly established themselves for crafting scuzzy, mosh pit friendly rippers with an aggressively sleazy Troma Films-inspired vibe.

Building upon a rapidly growing profile, the members of Warish will be releasing their highly-anticipated full-length debut, Down In Flames through RidingEasy Records on September 13, 2019. Down In Flames’ first single “Healter Skelter” isn’t a Beatles cover. but rather the title refers to the Manson Family’s misspelled blood scrawl at the site of the group’s second murder in 1969. Centered around thunderous drumming, scuzzy power chords and howled vocals — and while clearly recalling Bleach and Incesticde-era Nirvana, the song may arguably be among the most menacing of their growing catalog of mosh pit friendly rippers.