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indie rock, New Audio, New Single, Single Review, women who kick ass
by William Ruben HelmsJune 22, 201910:00June 22, 2019

New Audio: Junaco Returns with a Gorgeous Fleetwood Mac-like Single

Earlier this year, I wrote about the Los Angeles-based duo Junaco, and the act — Shahanna Jaffer and Joey LaRosa — can trace their origins to the duo’s mutual desire to make music for music’s sake, and to write honest songs that meant something true for themselves — and that someone else may be able to make something true for them as well. Interestingly, instead of rushing through songs in an attempt to placate the attention-starved blogosphere, the duo have a developed a rather deliberate creative approach, which has resulted in a moody yet anthemic sound.

Now, as you may recall, Jaffer and LaRosa’s forthcoming Omar Yakar-produced is slated for release sometime last this year, and the EP’s first single was the lovelorn “Willow,” a track that sonically brought Caveman, Eliza Shaddad and even Fleetwood Mac to mind, as it was centered around a cinematic arrangement consisting of jangling guitar chords, Jaffer’s gorgeous and lilting vocals, jazz-like drumming within a expansive song structure. The EP’s second and latest single “In Between” will help to further cement the duo’s growing reputation for crafting gorgeous yet brooding indie rock that’s equally indebted to 70s AM rock and Mazzy Star, complete with a soaring hook. Interestingly, the track is a perfect vehicle for Jaffer’s achingly gorgeous vocals, which seem to float over the song’s twangy arrangement — and much like its predecessor, and expansive song structure. And at its core, is a bitter heartache that sounds lived-in and familiar.

 

 

 

 

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Tagged with: Caveman Eliza Shaddad Fleetwood Mac In Between indie rock Junaco Junaco In Between Junaco Willow Los Angeles CA mp3s New Audio New Audio: Junaco Returns with a Gorgeous Fleetwood Mac-like Single New Single Single Review Single Review: In Between Single Review: Junaco In Beween singles The Joy of Violent Movement: New Audio: Junaco Returns with a Gorgeous Fleetwood Mac-like Single women who kick ass

William Ruben Helms

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William Ruben Helms is a Corona, Queens, NYC-born and-based African American music journalist, freelance writer, editor, photographer and founder of the DIY, independent music and photography site, The Joy of Violent Movement. Over the course of the past two decades, Helms’ writing and photography has been published in Downbeat, Premier Guitar Magazine (photography), Consequence, The Inventory, Glide Magazine.com (words and photography), Publisher’s Weekly, Sheckys.com, Shecky’s Bar and Nightlife Guide 2004, New York Press, Ins&Outs Magazine, Dish Du Jour Magazine, Aussie music publication Musicology.xyz (photography) and countless others, including his own site. With The Joy of Violent Movement, Helms specializes in covering music with an eclectic, globe-trotting, and genre-defying perspective that’s deeply inspired by and informed by his birthplace and home, arguably one of the most diverse places in the world. Since its founding back in 2010, The Joy of Violent Movement can proudly claim readers across the US, Canada, the UK, The Netherlands, France, Australia, and several others throughout its history. https://www.joyofviolentmovement.com https://www.joyofviolentmovement.com/shop https://www.instagram.com/william_ruben_helms Twitter: @yankee32879 @joyofviolent become a fan of the joy of violent movement: https://www.facebook.com/TheJoyofViolentMovement support the joy of violent movement on patreon: https://www.patreon.com/TheJoyofViolentMovement hire me for headshots, portraits and event photography: https://www.photobooker.com/photographer/ny/new-york/william-h?duration=1?duration=1#

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    New Audio: JOVM Mainstays Junaco Releases a Shimmering and Ethereal Meditation on Home – The Joy of Violent Movement on February 25, 2021 at 01:30
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    […] an effort that featured the lovelorn “Willow,” and the 70s AM Rock meets Maazy Star-like “In Between.” Last year, the duo released a reworking of “In Between,” “In Between […]

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