Kennedy One is a multi-instrumentalist, songwriter, producer and radio show host, who has developed and honed a cinematic take on electronic music. As a ghostwriter, Kennedy One’s material has received airplay globally, as well as placements on film and television. Interestingly, Kennedy One recently stepped out into the limelight as a slo artist with the release of his full-length debut, last year’s Metropolis.
Thematically, Metropolis‘s material is an introspective journey that tackled the challenges of leaving the past behind in search of something new — most often a path that is often taken alone. Since the release of Metropolis, the rising multi-instrumentalist, songwriter and producer has been busy: earlier this year, he released the chart topping collaboration with Shelley Harland “Calling You” through Black Hole’s Avanti.
His latest single “Drive” was released through Symphonic today — and the track, which is centered around glistening synth arpeggios, a relentless motorik groove, skittering, tweeter and woofer rocking beats and a chopped up vocal sample reminds me quite bit of a slick synthesis of Between Two Selves-era Octo Octa and Tour de France-era Kraftwerk. And as a result, the song manages to evoke being on the road late night and being hypnotized by the white lines ahead of you.