Currently comprised of Tacoma, WA-born, Brooklyn-based founding members Molly Hamilton (vocals, guitars) and Robert Earl Thomas (guitar), the indie rock duo Widowspeak initially formed in 2010 and featured founding members Hamilton, her longtime friend Michael Stasiak and Thomas. As a trio, they released their critically applauded 2011 self-titled debut, an effort which had album single “Harsh Realm” featured in an episode of American Horror Story. And with greater attention on the group, the then-trio recruited Pamela Garavano-Coolbaugh for their subsequent tours; however, by 2012 Stasiak and Gravano-Coolbaugh left the band, leaving two of its original members.
Interestingly, while going through a massive lineup change, Hamilton and Thomas began working on their Kevin McMahon-produced sophomore effort Almanac, an album that was released to critical applause both nationally and across the blogosphere; in fact, the band was named one of Fuse TV’s 30 must-see artists at 2013’s SXSW — and if you’ve been frequenting this site for a while, especially around 2013, you would have come across a couple of posts featuring the Brooklyn-based duo. Now, it’s been four years since I’ve written about them but as it turns out, Widowspeak will be releasing a new album, Expect The Best through renowned indie label Captured Tracks on August 25, 2017. And the album’s latest single “Dog,” as Hamilton told NPR is “about the compulsion to move on from things and places, even people when you’re not necessarily ready to. Sometimes I get caught up in ‘the grass is always greener” mentalities or cling to an idea that ‘I’d be happy if . . .’ and make a drastic change. Then inevitably, I feel restless a few months later and it stars again.” While sonically, the song will further cement the duo’s reputation for crafting moody and hazy guitar pop that channels Mazzy Star, the song possesses a restless and ambivalent vibe as it captures an easily bored and frustrated narrator, who desperately yearns for more and more and more, and as a result the song feels urgent yet paradoxically un-rushed.
Filmed, produced and edited by Otium, the recently released video for “Dog” possesses a feverish and lonely late night nostalgia that emphasizes the song’s longing and overall ambivalence.