Video by William Ruben Helms

New Video: Washed Out Shares Surreal, Dream-like Visual for Achingly Nostalgic “The Hardest Part”

Back in 2021, Washed Out‘s creative mastermind Earnest Greene left Atlanta returned to the countryside he knew when he grew up. Where escapism once flooded his thoughts, today, he’s preoccupied with the universe of wonder in the reality around him.

He named the former horse farm he moved to “Endymion,” after the John Keats poem about a lovesick shepherd. It has shaped all that he’s created there, from his music to his albums’ creative direction to his planned large-scale visual-art experiments.

Greene’s fifth Washed Out Album, Notes From A Quiet Life is slated for a June 28, 2024 release through Sub Pop. The album, which reportedly is Greene’s most audacious effort to date, is anchored around a purity of vision. It’s also the first album of his catalog that Greene wholly self- produced with mixing assistance from Nathan Boddy and David Wrench.

Notes From A Quiet Life‘s first single “The Hardest Part” is classic Washed Out with subtle refinements: The atmospheric and achingly dream-like and nostalgia-inducing production is anchored around twinkling and arpeggiated keys, glistening bass synths, bursts of strummed guitar paired with Greene’s penchant for crafting catchy hooks and swooning choruses. And much like the JOVM mainstay’s most recently work, the song has Greene’s vocal front and center, with the song’s tale of love lost being the heartbroken star of the show.

Unabashed and unafraid to pioneer and incorporate new technologies within his art, Greene enlisted multi-disciplinary artist, writer, and director Paul Trillo to direct the music video for the album’s lead single, “The Hardest Part.” Created using OpenAI’s Sora, “The Hardest Part” marks the first collaboration with an artist and filmmaker to be generated entirely utilizing this technology.

Before I forget some background here: OpenAI is an AI research and deployment company. Their mission is to ensure that artificial intelligence benefits all of humanity. OpenAI’s Sora is an AI model that can create realistic and imaginative videos from text instructions. Although the model isn’t publicly available as of this writing, OpenAI is currently working with a number of visual artists, designers and filmmakers to gain feedback on how to advance the model to be the most helpful for creative professionals.
 
“I had the seed of this video concept 10 years ago, where we do an infinite zoom of a couple’s life over the course of many decades, but I have yet to attempt it because I figured it’d be too ambitious for a music video,” Paul Trillo says. “While the technology is experimental and cutting-edge, I wanted to do something that also felt like a classic music video that would hold your attention no matter what tech was being used in the process. I was specifically interested in what makes Sora so unique. It offers something that couldn’t quite be shot with a camera, nor could it be animated in 3D, it was something that could have only existed with this specific technology. The surreal and hallucinatory aspects of AI allow you to explore and discover new ideas that you would have never dreamed of.  Using AI to simply recreate reality is boring. I wasn’t interested in capturing realism but something that felt hyperreal. The fluid blending and merging of different scenes feels more akin to how we move through dreams and the murkiness of memories. While some people feel this may be supplanting how things are made, I see this as supplementing ideas that could never have been made otherwise. Many artists in this industry are constantly compromising and negotiating their ideas with the reality of what can be made. This offers a glimpse at a future where music artists will be given the opportunity to dream bigger. An overreliance on this technique may become a crutch and it’s important that we don’t use this as the new standard of creation but another technique in the toolbelt.”
 

“‘The Hardest Part’ is a story about nostalgia and love lost.  With the video, I wanted to bring this narrative to life in a sincere way that was also exciting and unexpected. I’ve been a fan of Paul for a long time and he is amazingly skilled at incorporating cutting-edge visual effects that elevate a story instead of simply supplementing it with shock and awe,” Washed Out’s Ernest Greene says. “He was at the top of my list of potential collaborators. 
 
“What he’s come up with is nostalgic, sad, uplifting, and often quite strange.  However, he still manages to make you feel for the characters and invested in the journey of how their lives progress.

“I think that Paul is right when he says that this video could only be made using this new AI technology.  In my opinion, the hallucinatory quality of Sora clips feels like the beginning of a new genre unto itself – one that is surreal and unpredictable and entirely unique to traditional cinema or even animation.”
 

Single Review by William Ruben Helms

New Audio: Anselyn Shares a Breezy Pop Gem

Anselyn is an emerging Cape Cod-born singer/songwriter, who traces the origins of her music career to her childhood: Although she was a painfully shy girl, who was too afraid to sing or perform in front of large groups, she did enjoy singing to her dogs and cats.

When she grew up, the Cap Cod-born artist, spent most of her adult life working jobs in industries that weren’t particularly creative. Whatever songs she did write, she didn’t finish. But she finally decided it was time to finish some of those songs she had written and record what would be her full-length with debut with producer Elliott Lanam at Santa Barbara, CA-based Hidden City Studios.

The Massachusetts-born artist’s single “Triggered” is an Easy Listening/Quiet Storm-like pop song with elements of smooth jazz that will remind some listeners of Sade but with a subtly modern edginess — and anchored by Anselyn’s coy yet coquettish delivery.

“‘Triggered,” as Anselyn explains “is a song about tortured love, where you wanted to be with someone badly (and ached for them to love you back), yet they drove you crazy with their hot-then-cold indecisiveness . . . Their emotional swings would drive one mad.”

Video by William Ruben Helms

Throwback: Happy 74th Birthday, Stevie Wonder!

JOVM’s William Ruben Helms celebrates Stevie Wonder’s 74th birthday.

Single Review by William Ruben Helms

New Audio: Orlando’s Stiletto Red Shares an Arena Rock Ripper

Orlando-based rock outfit Stiletto Red, led by frontman Giorgos Panagiotakis was founded by Jared Grey back in 2013. The band re-emerged after a several year hiatus with their recently released album, the Adriel Garcia-produced Breathe, […]

Single Review by William Ruben Helms

New Audio: Jack Manley Shares Hook-Driven “Save Your Own”

Jack Manley is a grizzled veteran music, whose career has proven to be the embodiment of resilience and rebirth: He has played in a number of projects, including Cosmonaut, The Jennifer Shop, and Spires. While touring in those projects, Manley struggled with depression and addiction.

When the COVID-19 pandemic struck and the world came to a grinding halt, Manley spiraled downward. Two near-fatal overdoses served as a wake-up call that propelled him back to music. In the confines of a Poughkeepsie hospital room, armed with a broken guitar and sheer determination, Manley began to craft melodies from the threads of his experiences.

Fueled by a hard-won, newfound clarity, Manley reunited with his childhood friend, classically trained guitarist Billy Pierson. Andy Idol (bass), Josh Eppard 9drums) and Noah Sonenstein (drums) were recruited to be the grizzled indie artist’s backing band and collaborated. Since then, Manley and his backing band play regularly for audiences in and around Woodstock, NY.

Released earlier this year, Manley’s “Save Your Own” is a remarkably catchy song that nods at The Beatles, Elvis Costello and the like, that reveals a slick combination of craft, earnestness and lived-in experience.

Throwback by William Ruben Helms

Throwback: Happy 96th BIrthday, Burt Bacharach!

JOVM’s William Ruben Helms celebrates the 96th anniversary of Burt Bacharach’s birth.

Single Review by William Ruben Helms

Lyric Video: JOVM Mainstay Laura Carbone Shares Bittersweet “Silver Rain”

Berlin-based singer/songwriter, guitarist, photographer and JOVM mainstay Laura Carbone‘s third album The Cycle was released earlier this year. The album, which debuted on North American college radio at #19 on the NACC Top Adds Chart, is a concept album that explores the emotional turmoil, triumphs and transformative experiences that the album’s protagonist experiences through the course of the passing seasons of a year.

Each song of the represents an experience or inspiration associated with that particular season and the story of the album’s protagonist.

In the lead-up to the album’s release, I wrote about two previously released singles:

  • “Horses,” a slow-burning song built around lush and shimmering acoustic guitar, Carbone’s expressive and yearning delivery, paired with a supple bass line and dramatic drumming. Sonically bringing PJ Harvey’s “You Said Something” to mind, the song is set in the fullness of summer. The song’s protagonist is experiencing the heat, humidity and passion of the season — when fields become gold and heatwaves and wildfires turn them into ash. But there’s a reminder that Mother Earth will restore and reclaim burnt ground in time. 

  • “The Good,” a breathtakingly gorgeous song featuring shimmering and reverb soaked guitar, a supple and sinuous bass line, gently padded drumming and bursts of soaring organ serving as a lush bed for Carbone’s expressive vocal. At its core, the song is rooted in the lived-in personal experience and hard-fought, harder-won wisdom of someone who has lived a full, messy and complicated life. And a result the song is profoundly empathetic and understanding examination of human behavior that seems to say “I’ve been there, too.” Carbone explains that the track looks at our puzzling capacity for denial — not just of the truth, but of the embrace and love we owe ourselves. 

Building upon The Cycle‘s chart-burning momentum, the German JOVM mainstay shared an additional single from the album, “Silver Rain,” a bittersweet ballad anchored around a propulsive rhythm section, shimmering reverb-soaked guitars, a cathartic hook serving as a lush bed for Carbone’s expressive, soulful vocal.

While seemingly channelling Stories from the City, Stories from the Sea-era PJ Harvey, “Silver Rain,” as Carbone explains explores the relief a break-up can bring and the room in our hearts that such a bittersweet letting go creates.

Video by William Ruben Helms

New Video: Mayflower Madame Shares Brooding and Anthemic “A Foretold Ecstasy”

Rising Oslo-based post-punk outfit Mayflower Madame — Trond Fagernes (vocals, guitar, bass) and Ola J. Kyrkjeeide (drums) along with Kenneth Eknes (synths), who joins the band in the studio — can trace their origins back to 2011. Their hazy and smoky sound was conceived and inspired by the band’s gritty surroundings: Their first rehearsal space was a desolate, industrial building, which they shared with a local carwash company. After their formation, they quickly recorded a four-track demo, which led to the band being named “Unsigned Band of the Week” on one of Norway’s biggest radio stations.

Shortly after their four-track demo, the band then spent the next few years touring and playing shows across Scandinavia, carefully honing their sound along the way. The band’s full-length debut, 2016’s eight track Observed in a Dream was brooding and icy psych rock rooted in dark romanticism. Based on the success of their full-length debut, the Oslo-based outfit toured across North America and Europe to support the album.

Building upon a growing profile nationally and internationally, the Norwegian band released, the four-song Premonition EP, which they supposed with more touring, including stops across the European festival circuit. Because of the band’s relentless touring they’ve shared stages with an impressive and growing array of artists including Killing Joke, Moon Duo, Night Beats, Psychic Ills, Froth, The Underground Youth, Crocodiles, Cosmonauts and La Femme.

The Norwegian JOVM mainstays’ sophomore album, 2020’s Prepared for a Nightmare saw the band further developing a blend of psych-noir and post with elements of shoegaze and noise rock — and featured “Vultures” “Swallow” and “Sacred Core,” tracks that to my ears, channeled The Black Angels and Chain of Flowers.

Since the release of Prepared for a Nightmare, the Oslo-based JOVM mainstays have been busy: They spent 2022 touring across the UK and Europe. And last year, they released Prepared for a Nightmare Deluxe, which featured five previously unreleased tracks from the album’s recording sessions while working on new material.

Mayflower Madame’s highly-anticipated third album is slated for release later this year digitally through Norwegian label Night Cult Records, on CD through French label Icy Cold Records and on vinyl through French label Only Lovers Records and British label Up In Her Room. The album was mixed by renowned Italian engineer Maurizio Baggio, who has worked with the likes of The Soft Moon, Boy Harsher and JOVM mainstays The Vacant Lots.

The forthcoming album’s first single “A Foretold Ecstasy” sees the band refining their sound: The song is built around a forceful, motorik-like pulse, atmospheric synths, reverb-drenched shimmering guitar stabs and anthemic hooks and choruses serving as post-punk-inspired soundscape for Trond Fagernes’ yearning and uneasy delivery. The result is a song that simultaneously feels dark, brooding and somehow euphoric.

The band’s Fagernes explains that the song is about “constantly chasing ome elation or intoxicating sensation to relieve one’s inner turmoil, while still being aware that it’s just a passing state followed by an inevitable downfall.”

The accompanying video features a trippy array of images that pulse and undulate with the song’s relentless motorik-like groove.

Video by William Ruben Helms

Throwback: Happy 59th Birthday, Greg Dulli!

JOVM’s William Ruben Helms celebrates The Afghan Whigs’, The Gutter Twins and The Twilight Singers’ Greg Dulli’s 59th birthday.

Single Review by William Ruben Helms

BOVIY is an emerging and rising Hamburg-based alt-pop artist. And with her work she addresses important social issues and advocates for marginalized people while loudly expresses the demands, desires and thoughts of a strong, confident and vibrant young woman. Last year, Vogue Germany named her as one of the top six up-and-coming female artists — and bolstering that achievement, she has already opened for the likes of Jessie Ware and James Morrison.

The German artist’s latest single “Berlin Is A Liar” is a slickly produced, hook-driven bit of 80s inspired pop that recalls St. Lucia, Haerts, ACES, Jef Barbara and others: Pulsing bass synth oscillations, glistening synths stabs, bursts of strummed guitar and stuttering beats and a sparse, almost minimalist bridge featuring twinkling keys serve as a lush soundscape for BOVIY’s achingly tender, yearning delivery. While being a Top 40 radio friendly bop, “Berlin Is A Liar” reveals an artist, who seems to effortlessly craft a remarkably catchy hook while anchoring the song in seemingly lived-in, bittersweet experience.

As the German artist explains, “Berlin Is A Liar” is a walk through late-night/early-morning Berlin: The burst of sunrise just on the horizon, and the streets full of revelers returning home. But at that point of the night, the sense of fun and freedom began to fade, and a sense of loneliness and melancholy beings to take hold.

Single Review by William Ruben Helms

New Audio: Reijy Shares a Catchy and Summery Bop

Jhon Edison Villamizer is a rising Cúcuta, Colombia-born, Medellín-based singer/songwriter, best known in Latin music world as Reijy. Villiamizer’s career started in earnest over a decade ago, with a string of hits that captivated audiences in his hometown while revealing an artist . He has collaborated with a who’s who list of acclaimed Latin music artists including Feid, Amaro, Kevin Florez and a lengthy list of others.

Solidifying himself as an up-and-coming artist in Colombia, Villamizer recently relocated to Medellín, where he signed with DINASTIA Inc, one of the country’s highly renowned labels.

The rising Colombian artist plans to release a new song every month over the course of the next year, to showcase his unwavering dedication and passion for his craft. His latest single “EFECTO w” is a lounge and club friendly bop anchored around skittering trap beats, fluttering atmospheric synths and remarkably catchy hooks. The production serves as a lush and sainty bed for Villamizer’s delivery, which sees him alternating between vulnerable croon and swaggering braggadocio. The song reveals an artist, who seems to write an effortless and summery hook-driven bop.