JOVM celebrates Miles Davis’ 95th birthday.
Throwback: Happy 95th Birthday, Miles Davis!
JOVM celebrates Miles Davis’ 95th birthday.
JOVM celebrates Miles Davis’ 95th birthday.
JOVM (belatedly) celebrates Marshall Allen’s 97th birthday.
JOVM celebrates what would have been Ella Fitzgerald’s 104th birthday.
Yesterday was the legendary Roy Haynes’ 96th birthday. Over the course of his 77 year career — yes, 77! — Haynes has played swing, bop, fusion and avant garde jazz with a who’s who of jazz, including Louis Armstrong, Miles Davis, John Coltrane, Dizzy Gillespie, Thelonious Monk, Lester Young, Charlie Parker, Bud Powell, Stan Getz, Sarah Vaughan, Chick Corea, McCoy Tyner, Oliver Nelson and a long list of others. And unsurprisingly because of such a lengthy and productive career, Haynes is one of the most recorded drummers in jazz history.
I had the pleasure and honor of photographing and watching the imitable legend play on a SummerStage bill that featured Ron Carter and McCoy Tyner. At the time, I believe that Haynes was around 91 and even in his advanced age, he was full of energy, charming and incredibly spry: during his set, he got up from his drum kit to tap dance and sing. I hope to have that kind of energy and joy if I get to that age! He’s also still regularly playing and touring. And if it wasn’t for the COVID pandemic, Haynes would have been playing his annual Blue Note residency to celebrate his birthday.
Happy birthday, Mr. Haynes! May there be many, many, many more!
Today is February 27, 2021. It’s the 27th day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
It’s February 27, 2021. The 27th day of Black History Month, which is rapidly coming to a close. Of course, let’s not forget Big Mama Thornton. Without her, Elvis wouldn’t have one of his signature hits. And she just kicked ass and took names in her own brassy way.
Today is February 27, 2021. It’s the 27th day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
It’s February 27, 2021. The 27th day of Black History Month, which is rapidly coming to a close. I grew up in a music obsessed home — and to my father, John Coltrane was God. And so here’s God playing gorgeous music. That’s right John William Coltrane is God. The end.
Today is February 26, 2021. It’s the 26th day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
It’s February 27, 2021. The 27th day of Black History Month, which is rapidly coming to a close. I don’t think you can talk about Black History Month without showcasing Miles Davis, one of the towering figures of jazz and modern music.
Today is February 24, 2021. It’s the 24th day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
Thelonious Monk is arguably one of the most beloved and eccentric personalities in the history of jazz. He had a unique improvisational style centered around an unorthodox piano playing style — and was known for an idiosyncratic habit during shows: while the other musicians continued playing, Monk would stop what he was doing, stand up and start dancing before returning to play. On occasion, it would look as though he were simultaneously absentminded and possessed.
Among jazz composers, Monk is the second-most-recorded after some guy named Duke Ellington and was one of five jazz musicians to ever be featured on the cover of Time Magazine. Some of his compositions are among the most beloved, jazz standards — “Ruby, My Dear” is one of my favorite Monk tunes, ever.
Today is February 21, 2021. It’s the 21at day of Black History Month. And as I’ve mentioned throughout this series, I’ve been featuring Black artists across a wide and eclectic array of genres and styles — with the hopes that it’ll be a bit of a primer on the Black experience and on Black music.
Of course, I hope that these posts will serve as a reminder of these very important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
Muddy Waters may arguably be one of the most influential bluesman ever. Without him, The Rolling Stones wouldn’t be The Rolling Stones. And much like counterparts like Howlin’ Wolf, Sister Rosetta Tharpe, Lightnin’ Hopkins and others, Muddy Waters was a major influence to the British Invasion bands of the 60s, as well as a generation of bluesmen and blueswoman after him.
Time does what it usually does: it flies by faster than what you’d expect or even want.Today is February 15th, the 15th day of Black History Month. Over the past couple of weeks, I’ve been proudly featuring Black artists across a wide and eclectic array of genres and styles with the hopes that these artists can guide you towards further understanding of the Black experience.
As the month goes on, I hope that you’ll be reminded of these urgently important facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
John Lee Hooker was arguably one of the greatest bluesman to ever live in my book. As far as I’m concerned, no one can compete, because Hooker was the real deal.
Today is the eighth day of Black History Month. And if you’ve been frequenting this site over the past few days of this month, you’d see that I’ve been featuring Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience.
Black culture is American culture
Black music is American music.
Black history is American history.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
You can’t love black art and black artists without loving black people.
Black lives matter — all of them, all of the time.
Arguably one of the most expressive and haunting voices ever recorded, Billie Holiday’s vocals could express yearning, longing, heartbreak and despair within the turn of a single phase. Of course, it shouldn’t be surprising that most of her life was filled with tragedy and heartbreak — with the result being her tragic death at 44.
Today is the third day of Black History Month. And if you’ve been frequenting this site over the past few days of this month, you’d see that I’ve been featuring Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience.
Through the month — and throughout the year, I hope that you’ll come to understand and appreciate the following:
Black culture is American culture
Black music is American music.
Black history is American history.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
You can’t love black art and black artists without loving black people.
Black lives matter — all of them, all of the time.
Ella Fitzgerald is one of the greatest vocalists to ever live. ‘Nuff said, folks. Also, the internet is a wonderful place: I didn’t know that she was in an Abbot and Costello film — and I watched a lot of them as a kid.
Today is the first day of Black History Month. And throughout this month I’ll feature Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience. Throughout the month I hope that you’ll appreciate these facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
I’m a huge blues fan. Howlin’ Wolf is one of my favorite Mississippi Delta/Chicago bluesmen. Songs like “Smokestack Lightnin,'” “Killing Floor” and “Spoonful” have long been blues rock standards — but his work heavily influenced Led Zeppelin, Eric Clapton, Steve Winwood, Bill Wyman, Charlie Watts and countless others.
Today is the first day of Black History Month. And throughout this month I’ll feature Black artists across a wide and eclectic array of genres and styles that I think can guide you towards understanding the Black experience. Throughout the month I hope that you’ll appreciate these facts:
Black culture is American culture — and Black music is American music.
America’s greatest and beloved contributions to the world are Black music styles — the blues, jazz, rock ‘n’ roll and hip-hop.
Black art matters.
Black lives matter — all of them, all of the time.
The first person that came to mind was the amazing Sister Rosetta Tharpe. Tharpe was the first major gospel star, who wound up presaging the rise of the electric blues. She saw crossover success with blues, R&B and rock audiences throughout her life and that shouldn’t be surprising, She’s also been considered the godmother of rock ‘n’ roll — with her work influencing the likes of Little Richard, Johnny Cash, Chuck Berry, Elvis Presley, Jerry Lee Lewis and others. She’s that important and yet, she doesn’t always get her fair share of credit. Check out some oof the live footage I’ve come across. You’ll be convinced.
JOVM celebrates the legendary bluesman Bo Diddley’s 92nd birthday.