Tag: Coachella Festival

New Video: Tei Shi and Blood Orange Team Up on a Shimmering and Slow Burning 80s Synth Funk-Inspired Ballad

With the release of her critically applauded full-length debut, Crawl Space, the Vancouver, British Columbia, Canada-born, Los Angeles-based singer/songwriter, electronic music artist and electronic music producer Valerie Teicher, a.k.a Tei Shi quickly established her sound — slow-burning and shimmering, ethereal pop.

Since the release of her debut, Teicher has been rather busy — she’s collaborated with Blood Orange and Diddy on the viral hit song “Hope,” which has amassed over 10 million stream and appears in the accompanying video along with Diddy, A$AP Rocky, Tyler the Creator and Empress Of. And early this year, she joined Blood Orange in a performance of the song at this year’s Coachella Festival. She’s also been busy working on her highly-anticipated and long-awaited sophomore album La Linda, which is slated for a November 15, 2019 release through Downtown Records.

After spending several years in New York, Teicher relocated to Los Angeles last year, and as a result she quickly shifted course on her path as an artist. “I felt like I was closing a chapter in my life that was tied up in a lot of negativity, and reconnecting with open space and my own creativity in a way that I hadn’t in a very long time,” she says. “I wanted this whole project to reflect the feeling of stepping into another world that’s almost surreal or fantastical in its beauty.”

The album’s material reflects that change in artistic path with the album thematically and tone-wise is a purposeful departure. While her full-length debut was centered around emotional claustrophobia and confusion, the material off La Linda was written in the yard outside of her Elysian Park home — a sun-drenched space with roes bushes and berry patches, a herb garden and apple tree. Unsurprisingly, the album, which is Spanish for “the beautiful” also finds Teicher connecting to her Latin roots and cultural identity, with the acclaimed singer/songwriter writing and singing lyrics in her native Spanish. “Moving to L.A. made me feel much more connected to my Latin roots and my cultural identity, in a way that feels really loving,” says Tei Shi, who grew up between Colombia and Vancouver.

While creating La Linda, Teicher took on the role one executive producer and assembled an all-star team of producers that included Blood Orange, who has also worked with Sky Ferreira, Solange Knowles and FKA Twigs; Stint, who has worked with Santigold, HEALTH and Gallant; TV on the Radio’s Dave Sitek; Noah Breakfast, who has worked with Christine and the Queens, Carly Rae Jepsen and Ty Dolla $ign, among a list of others. For Teicher, working with such an eclectic array of musicians and producers helped to shake her free from creative stagnation. “Part of the motivation to move to L.A. was wanting to be a part of a community of people who were excited to collaborate,” Teicher says in press notes. “I felt like I’d gotten to the point where I wasn’t learning as much or picking up new things, so I wanted to work with lots of different people and take in as much as I could from their processes.”

Sonically, the album was also influenced by a disparate array of artists including German choreographer Pina Bausch and acclaimed Japanese filmmaker Akira Kurosawa. “With Kurosawa, I was so inspired by how each frame is so well-composed that it almost looks like a painting, and how he used these very simple things like rain or a gust of wind to create emotion,” the acclaimed Los Angeles-based singer/songwriter explains in press notes. Interestingly, she also found nature inspiring the album’s material as well. I think I took nature for granted for a long time, but making this album I was so drawn to the mountains and trees and water—I realized how much nature is another form of art,” Teicher says. ““For me this album is about letting go of the past and moving willingly into the future,” Teicher continues. “I hope it can give people a glimpse of something beautiful, and help them look out into the world in a more loving and intuitive way.”

La Linda’s latest single is the slow-burning, 80s synth soul-inspired, Noah Breakfast-produced single “Even If It Hurts.” Continuing Teicher’s ongoing collaboration with acclaimed synth pop artist and producer Blood Orange, the track is centered around thumping 808-like beats, shimmering and arpeggiated synths and Teicher’s and Hynes plaintive vocals trading verses on love — particularly how pain in some way or another is always part of love.  And while being a soulful synthesis of Teicher’s and Hynes work, the song also manages to sound as though it were drew from the likes of Cherelle’s “Saturday Love” and Mtume’s “Juicy Fruit”

“I made this song with two of my closest collaborators — Dev Hynes (Blood Orange) and Noah Breakfast,” Teicher shares in press notes. ” It came together in pieces between LA and New York but sprouted from the lyrics Dev and I kept on singing – ‘even if it hurts…I just don’t mind’. The concept is really the realization and acceptance that pain is a natural consequence of love. It’s a duet about the ways in which we make ourselves vulnerable to those we love, sometimes at a high cost. The video was directed by Cara Stricker and with an incredible and almost exclusively female creative crew. It features a multitude of amazing designers like Collina Strada, Vaquera, Christopher John Rogers, Mugler, Maryam Nassir Zadeh . I wanted to capture the romantic and melancholic elements of the song but put them in a world that feels removed from the every day, its own little odd paradise where Dev and I existed parallel to one another but never really together.”

The video’s director Cara Stricker adds, “I wanted to explore the iconography of love in art history through a modern yet romantic lens. Creating stillness and emotive movement to reflect the physical or emotional space in love… vulnerability, numbing immersion, knowing the truth, becoming closer, fighting for it, letting them in…even if it hurts. It’s a conversation between opposing perspectives in a relationship.”

Live Footage: Burna Boy Performs “Anybody” for Vevo CTRL

  With the release of 2013’s Leriq-produced full-length debut L.I.F.E., which featured attention-grabbing singles like  “Like to Party,” “Tonight”, “Always Love You”, “Run My Race” and “Yawa Dey,” Burna Boy, a Nigerian Afro-fusion singer/songwriter, born Damini […]

New Video: Bat For Lashes Release a Cinematic and Wistful Visual for “Kids in the Dark”

Natasha Khan is a Brighton, UK-based singer/songwriter, multi-instrumentalist and producer, best known as the creative mastermind behind the acclaimed solo recording project Bat For Lashes — and for being the vocalist for Sexwitch, a collaboration with the members of British psych rock act TOY and producer Dan Carey. Born to an English mother, Josie and Pakistani squash player Rehmat Khan, Natasha Khan traces some of the influences of her musical career to attending her father’s and her uncle’s Jahangir’s squash matches, which she felt inspired her creativity: “The roar of the crowd is intense; it is ceremonial, ritualistic, I feel like the banner got passed to me but I carried it on in a creative way. It is a similar thing, the need to thrive on heightened communal experience.” Her father left when she was 11, and she taught herself to play the piano, which quickly became an important channel to express things, to get them out.

Khan’s debut single “The Wizard” was released digitally through Drowned in Sound Records and on seven-inch vinyl through her own imprint, She Bear Records — and by 2006, she caught the attention of Echo Label, a record label owned by Chrysalis Records that acted as an incubator for emerging artists and assisting their careers while moving them to major labels. Echo released her debut, 2006’s Fur and Gold. The following year, Khan and Echo signed an international licensing deal with Parlophone Records, who re-released Fur and Gold that year. The album reached #48 on the UK Albums Charts and since its release, it’s been certified gold. Building upon a growing profile, the British singer/songwriter, multi-instrumentalist and producer played at Glastonbury Festival and toured across the States. The album was shortlisted for that year’s Mercury Prize, losing to Klaxons’ Myths of the Near Future, despite being a named a heavy favorite to win — and being critically applauded. She won ASCAP’s Vanguard Award, which resulted in her performing at their “ASCAP Presents . .  .” SXSW showcase. 

2008 continued an incredible run by the British singer/songwriter and multi-instrumentalist as she was notated for two Brit Awards — British Breakthrough Act and British Female Solo Artist. She opened handful of dates for Radiohead, and she released a cover of The Cure’s “A Forest,” which appeared on the Perfect as Cats charity album. 

Khan’s sophomore album, 2009’s David Kosten and Khan-produced Two Suns was inspired by a trip she took to Joshua Tree, CA. The album focuses on her desert-born alter ego Pearl, whose personality she adopted while living in New York. Sonically, the material was inspired by the Brooklyn bands that had started to receive attention nationally and internationally at the time — in particularly, TV on the Radio, MGMT, Gang Gang Dance and others. Interestingly, the album also found her collaborating with the members of Yeasayer, who contributed bass and beat programming. The album debuted at #5 on the UK Albums Chart and has since been certified gold as a result of “Daniel,” which peaked at #36 on the UK Singles Chart. “Daniel” later won the Ivor Novello Award for Best Contemporary Song and was nominated for an MTV Video Music Award for Breakthrough Video of the Year. Additionally, Khan received her second Mercury Prize nomination and a second BRIT Award nomination for British Female Solo Artist. 

Summer 2009 saw her play at Glastonbury Festival, Somerset House and the iTunes Festival, which was followed by a special edition of Two Suns, which was released ahead of her October UK tour an included a cover of Kings of Leon’s “Use Somebody.” 

Khan’s third Bat for Lashes album, 2012’s The Haunted Man debuted at #6 on the UK Albums Chart, her second consecutive Top 10 album, an effort that has since been certified silver. Khan was nominated for her third Best British Solo Female BRIT Award and was nominated for two Ivor Novello Awards — Best Song Musically and Best Song Lyrically for album single “Laura.” That year saw her play at Coachella Festival. She also opened for Blur and Depeche Mode. 

During a surprise 2015 Green Man Festival set in Wales, Khan debuted her collaboration with Dan Carey and TOY — Sexwitch. That September, the project released its self-titled debut through Echo and BMG, which featured six covers of 1970s psych and folk from different parts of the world. 

2016 saw the release of her fourth full-length album The Bride, an album that was nominated for the Mercury Prize. 

Slated for a September 6, 2019 release through AWAL Recordings, Khan’s forthcoming album Lost Girls continues a run of concept albums in which she creates an off-kilter coming of age film in which fans of marauding female biker gangs roam the streets — and teenagers make out on car hoods. The women characters are parallel to the protagonists of her previously released albums — particularly, the street tough, darkness-driven Pearl from Two Suns. In this case, the album’s main character is Nikki Pink, one of the album’s Lost Girls. Thematically, the album is a romantic album that pays homage to Los Angeles, being a child of the 80s, and to the films that touched and changed her life. 

Sonically, the album finds Khan mixing sounds she’s always loved — heavy bass line, synth arpeggios, Iranian pop beats and cascading choruses. Interestingly, the album’s latest single “Kids in the Dark,” is a hazy bit of 80s inspired synth pop centered around shimmering synths, reverb-drenched blasts of guitar, a soaring hook, stuttering beats and Khan’s ethereal vocals, and interestingly enough, the track bears an uncanny resemblance to JOVM mainstay ACES, as it possesses an achingly wistful air. 

Directed by Natasha Khan, the recently released video for “Kids in the Dark” was shot against the Los Angeles hills with the eerie and gorgeous waning of dusk casting shadows — and it emphasizes the song’s wistful air, as it features the Lost Girls and two star-crossed lovers. The video hints at how its protagonist Nikki Pink became a Lost Girl. 

Lyric Video: Acclaimed Indie Electro Pop Artist Tei Shi Releases a Slow-Burning and Ethereal New Single

With the release of a critically applauded batch of material — 2013’s Saudade EP, 2015’s Verde EP, 2017’s full-lenght debut, Crawl Space, a cover of Beyonce’s “No Angel” and a guest spot on Glass Animals’ “Holiest,” the Vancouver, British Columbia, Canada-born, Los Angeles-based singer/songwriter, electronic music artist and electronic music producer Valerie Teicher, best known as the creative mastermind behind Tei Shi has developed a reputation for crafting slow-burning, shimmering, ethereal pop. 

Teicher has spent the past couple of years working on her forthcoming sophomore album — but she’s also managed to find some time to collaborate with Blood Orange and Diddy on the viral hit song “Hope,” which has amassed over 10 million streams. Also, she appeared in the video for the song alongside Diddy, A$AP Rocky, Tyler the Creator and Empress Of — and she joined Blood Orange in a performance of the song at this year’s Coachella Festival. Interestingly, the album’s slow-burning and gorgeous first single “A Kiss Goodbye” is reportedly a tonal departure from her moodier, darker debut as it finds Teicher, who’s a Colombian-Canadian reconnecting with her Latin roots and influences with the material also reflecting her relocation from New York to Los Angeles. Interestingly enough, while superficially recalling Sade, the song has a subtle Brazilian tropicalia lilt — until the trap beat driven bridge, which gives the song an unexpected, urgency. 

“This song is about intuition—following my gut and my body more than my head,” Teicher explains press notes. “It’s about learning from love and from giving so much of myself to other people, and coming out of it with a more selfish mindset, to save my love and my nurturing for myself. It’s about figuring out who you are on your own and without someone else defining that for you, through trusting yourself and allowing for the universe, the supernatural, the unexpected to take hold.”

I’ve written quite a bit about the Perth, Australia-born and-based singer/songwriter, multi-instrumentalist, producer and JOVM mainstay Kevin Parker and his acclaimed solo recording project Tame Impala. And as you may recall, his third album, 2015’s Currents was a commercial and critical breakthrough as it was a Grammy-nominated, RIAA Gold-Certified effort that reflected a decided change in songwriting and approach that resulted in some of the most emotionally direct lyrics of his growing catalog paired with a more nuanced, textured sound that drew from psych rock, psych pop, synth pop, prog rock and R&B.

Patience,” which was released last month, was the first bit of new, solo material from Parker in several years, and while being a decidedly upbeat banger that seamlessly bridged 90s house and 70s funk, thematically the track was a thoughtful meditation on the cycles and phases of life. “Borderline,” Parker’s latest single is a blissed out, shimmering, mid-tempo track centered around arpeggiated synths, Parker’s imitable, plaintive falsetto and a soaring hook. And while showcasing the flourishes of the house music-inspired instrumentation of its predecessor, the track should serve as a reminder that Parker has a deep collection of hook-driven bangers.

Parker and his backing band will be making appearances across the international festival circuit that will include stops at Coachella FestivalShaky Knees FestivalCorona Capital Festival, Boston CallingPrimavera Sound Festival, Glastonbury FestivalLollapalooza with more dates to come. Check out the tour dates below.

TOUR DATES

April 13 – Coachella Valley Music & Arts Festival – Indio, CA

April 20 – Coachella Valley Music & Arts Festival – Indio,CA

May 02 – Ascend Amphitheatre – Nashville, TN

May 03 – ExploreAsheville.com Arena – Asheville, NC

May 05 – Shaky Knees Music Festival – Atlanta, GA

May 06 – St. Augustine Amphitheater – St. Augustine, FL

May 07 – Fillmore Miami Beach at the Jackie Gleason Theater – Miami Beach FL

May 11 – Corona Capital Festival – Guadalajara, MEXICO

May 25 – Boston Calling Festival – Boston, MA

May 31 – Primavera Festival – Barcelona, SPAIN

June 01 – We Love Green – Paris, FRANCE

June 05 – Garden – Gotenberg, SWEDEN

June 06 – NorthSide – Aarhus, DENMARK

June 21 – Hurricane Festival – Sheebel, GERMANY

June 22 – Southside Festival – Neuhausen ob eck, GERMANY

June 26 – Glasonbury – Pilton, ENGLAND

August 01-04 – Lollapalooza – Chicago, IL

August 09 – Flow Festival – Helsinki, FINLAND

August 14 – Pukkelpop – Hasselt, BELGIUM

August 15 – La Route Du Rock – Rennes, FRANCE

August 16 – Lowlands Festival – Walibi Holland, NETHERLANDS

Live Footage: Tame Impala Performs on “Saturday Night Live”

With the release of his first two albums, Innerspeaker and Lonerism, the Perth, Australia-born and-based singer/songwriter, multi-instrumentalist and producer Kevin Parker quickly received national and international attention for his psych pop solo recording project Tame Impala. 2015’s Currents though, was a commercial and critical breakthrough: the Grammy-nominated, RIAA Gold-Certified album reflected a decided change in songwriting that resulted in some of his most emotionally direct lyrics paired with a more nuanced, textured sound that drew from psych rock, psych pop, synth pop, prog rock and R&B.

“Patience” is the first bit of new, solo material from Parker in a few years, and the mid-tempo track is a seamless synthesis of classic 90s house music and 70s funk, soul and disco that features shimmering and arpeggiated synths, piano jabs, a motorik groove, congo-led percussion and a soaring and rousingly anthemic hook paired with Parker’s imitable, falsetto croon. And while being a decidedly upbeat banger, the song is centered by a thoughtful meditation on the cycles and phases of life, in which the song’s narrator makes peace with the fact that everything and everyone is transient.

Parker made his Saturday Night Live debut last Saturday, and his appearance featured a live performance of “Patience” and a new track, “Borderline,” a shimmering mid-tempo track centered around arpeggiated synths, Parker’s plaintive falsetto crooning and a soaring hook that recalls 70s AM rock meshed with synth pop and psych pop

 

With the release of his first two albums, Innerspeaker and Lonerism, the Perth, Australia-born and-based singer/songwriter, multi-instrumentalist and producer Kevin Parker quickly received national and international attention for his psych pop solo recording project Tame Impala. 2015’s Currents though, was a commercial and critical breakthrough: the Grammy-nominated, RIAA Gold-Certified album reflected a decided change in songwriting that resulted in some of his most emotionally direct lyrics paired with a more nuanced, textured sound that drew from psych rock, psych pop, synth pop, prog rock and R&B.

“Patience” is the first bit of new, solo material from Parker in a few years, and the mid-tempo track is a seamless synthesis of classic 90s house music and 70s funk, soul and disco that features shimmering and arpeggiated synths, piano jabs, a motorik groove, congo-led percussion and a soaring and rousingly anthemic hook paired with Parker’s imitable, falsetto croon. And while being a decidedly upbeat banger, the song is centered by a thoughtful meditation on the cycles and phases of life, in which the song’s narrator makes peace with the fact that everything and everyone is transient.

Parker will be making his Saturday Night Live debut tonight, which he’ll follow up with some extensive touring across the international festival circuit that will include stops at Coachella Festival, Shaky Knees Festival, Corona Capital Festival, Boston Calling, Primavera Sound Festival, Glastonbury Festival, Lollapalooza with more dates to come. Check out the tour dates below.

TOUR DATES
April 13 – Coachella Valley Music & Arts Festival – Indio, CA
April 20 – Coachella Valley Music & Arts Festival – Indio,CA
May 02 – Ascend Amphitheatre – Nashville, TN
May 03 – ExploreAsheville.com Arena – Asheville, NC
May 05 – Shaky Knees Music Festival – Atlanta, GA
May 06 – St. Augustine Amphitheater – St. Augustine, FL
May 07 – Fillmore Miami Beach at the Jackie Gleason Theater – Miami Beach FL
May 11 – Corona Capital Festival – Guadalajara, MEXICO
May 25 – Boston Calling Festival – Boston, MA
May 31 – Primavera Festival – Barcelona, SPAIN
June 01 – We Love Green – Paris, FRANCE
June 05 – Garden – Gotenberg, SWEDEN
June 06 – NorthSide – Aarhus, DENMARK
June 21 – Hurricane Festival – Sheebel, GERMANY
June 22 – Southside Festival – Neuhausen ob eck, GERMANY
June 26 – Glasonbury – Pilton, ENGLAND
August 01-04 – Lollapalooza – Chicago, IL
August 09 – Flow Festival – Helsinki, FINLAND
August 14 – Pukkelpop – Hasselt, BELGIUM
August 15 – La Route Du Rock – Rennes, FRANCE
August 16 – Lowlands Festival – Walibi Holland, NETHERLANDS