Oxydane is a new series of free, monthly tracks written and recorded by artists on French electronic music label Lake of Confidence. The latest single in the monthly series is “Venus” by the young, mysterious Bastia, Corsica, France-based producer Yiós. Centered around layers of shimmering synth arpeggios, a relentless motorik groove, the incredibly cinematic “Venues” sonically brings John Carpenter soundtracks to mind, as it seems to come from a dystopian future much like our own.
lobal electronic music circles as Lagartijeando. Zundel’s work has been deeply influenced by this travels throughout Latin America: his psychedelic dance tracks often feature traditional folk sounds from the Bolivian altiplano, shaman chants, charagano loops, Brazilian jungle beats centered around modern electronic production.
the forthcoming album’s latest single “Sideral Cumbia” is a sculptured soundscape centered around minimalist drums, a bouncing baseline, brief bursts of staccato guitar, delicate synth arpeggios, traditional Latin percussion and an enormous horn section that keeps the song tethered to the earth just before it’s about to float off into the stratosphere.
eputation for blurring the boundaries between Latin music, folk. funk and electronic music with a mischievous and trippy flare.
Directed and edited by Lucía Cárdenas, the fittingly trippy and mischievous visual for “Sidreal Cumbia” is shot in a gorgeous and cinematic black and white and follows a trio of people wearing black robes performing mysterious rituals while skeleton wearing kids bop around. It’s dia de los muertos surreally thrown into every day life.
Born in Southern France, the emerging Paris-based artist Ukiyoe grew up surrounded by and immersed in music: she listened to Nirvana, George Michael, The Cure, Ellen Allien, punk rock and cold wave; in fact, the emerging French artist can trace her love of music to listening to George Michael’s “Amazing.”
As Ukiyoe got older, she began to sing and write original material about life and love, eventually developing a difficult to pigeon sound and style that draws from and meshes alternative, indie pop and techno. Interestingly, despite the uncertainty of the pandemic, the emerging Paris-based artist released new material including her debut single “Angel” earlier this year. Her latest single “On est tous des animals” is a dense layered and trippy take on techno featuring skittering beats and the Paris-based artist’s vocals fed through distortion. Interestingly, the track is a mischievously forward-thinking yet accessible song.
who performs as SOUNDQ (shortened from Soundquake) and has developed a reputation for crafting dizzyingly innovative, alternative dance and outsider pop that sonically draws from house, drum ‘n’ bass, IDM and even contemporary pop. Thematically though, his work generally focuses on the dynamics of interpersonal struggle, the vagaries and cruelties of fate, power imbalances. And as a result, his work manages to be heady and forward-thinking yet accessible, propulsive and dance floor friendly.
Released earlier this year, “Disco Turrista Antifascita” is centered around a brash and infectious production featuring skittering, tweeter and woofer rocking beats, shimmering synth arpregios, a rousingly anthemic hook, and Kubica’s dreamy falsetto. But underneath the club rocking vibes, the song as the rising Polish producer explains “is an encouragement to go ut there — back into the wild world. Even if it’s gotten a lot wilder while we were locked inside. It’s a rallying cry in times of confidence depletion. Don’t take things for granted. Be cautious and watchful. You have every right to be pissed off with the turn the world has taken. You have every right to be scared. But it’s your world, and you can’t let the loud ones take it from you. Don’t get bullied. Don’t get hurt. Don’t engage in physical contact. You’ll be fine.”
Groovemonk is an Istanbul-based electronic music, who has developed a sound influenced by his love of ’90s club music, rave and breakbeat sounds, jazz, disco, hip-hop, funk, soul and traditional genres. The Turkish producer’s latest single “In Silico” derives its name from a scientific term that describes biological experiments carried out entirely by computer simulation.
Interestingly, “In Silico” is a glitchy and feverish collage of constantly morphing sonic ideas held together by tweeter and woofer rocking beats, euphoric hooks and a relentless energy that twists and turns and morphs constantly, which makes it feel off-kilter and angular yet somehow accessible and club friendly reminiscent of old school house. It’s the rare track that manages to be danceable yet mind-bending.
Tommy Lunaire is a a Montreal-based electronic music producer and artist, who has a lifelong obsession nd love of analog synthesizers. His debut EP, the five-song Until I Melt EP is heavily inspired by the likes of Jamie xx, Flume and Rival Consoles — while featuring highly personal compositions.
The EP’s latest single “Hailstorm” is brooding and cinematic track centered around dense layers of shimmering synth arpeggios, fluttering flute, skittering beats and a driving groove. Sonically, the track — to my ears, at least — reminds me a bit of Octo Octa’s oft-mentioned Between Both Selves while evoking the bracing chill of a summer rainstorm.
Featuring art direction and motion design by Louis Robert and 3D art by William Thibault (Loodious) is a trippy mix of modernist painting-like animation and computerized art.
Mati Zundel is an acclaimed Argentine producer, musician and DJ best known worldwide as Lagartijeando. Throughout Zundel’s career, his work has been deeply influenced by his travels through Latin America: his psychedelic dance tracks often feature traditional folk sounds from the Bolivian altiplano, shaman chant and charango loops, Brazilian jungle beats and contemporary electronic production.
The Argentine producer, musician and DJ will be releasing a new album through Wonderwheel Recordings, which is slated for an October release Interestingly, the album’s latest single “Sideral Cumbia” is a sculptured soundscape centered around minimalist drums, a bouncing baseline, brief bursts of staccato guitar, delicate synth arpeggios, traditional Latin percussion and an enormous horn section that keeps the song tethered to the earth just before it’s about to float off into the stratosphere. The song will further cement the Argentine producer, musician and DJ’s reputation for blurring the boundaries between Latin music, folk. funk and electronic music with a mischievous flare.
Formed in 2017, VAPA (an acronym for the French phrase Vous n’Avez Pas d’Avis, which translates into English as “You Have No Opinion”) is an emerging French electronic music collective that’s inspired by what the French journalist Jean-Yves Leloup has dubbed “conscious dance floor,” the project aims to bring people together through music but while addressing larger social issues, linking the hedonism and freedom of the party to the seriousness of our age — with a hint of optimism.
The project’s sound draws influences from Thylacine, Jon Hopkins, Agoria, and Essaie Pas but paired with the voices of personalities, fellow musicians and journalists as a way to to take an honest look at the world, to raise questions and our fears as a way to push the listener into action. “An introspective quest put into words and melodies!” VAPA’s mysterious creative mastermind says in press notes.
VAPA’s latest single “Nuages Oranges” is an eerily atmospheric track and sensual track centered around shimmering and squiggling synth arpeggios, rapid-fire beats, a dance floor rocking hook and the dreamily sultry French vocals of VoxAxoV’s Charlotte Cegarra. And while sonically bearing a resemblance to Octo Octa’s Between Two Selves and From Here to Eternity and From Here to Eternity . . . And Back-era Giorgio Moroder, the track focuses on the climate crisis, exile, existential anguish in the face of the world that’s adrift — and then hope.