JOVM’s WIlliam Ruben Helms celebrates Damon Albarn’s 58th birthday.
Tag: electronica
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New Video: TOMORA Shares Mesmerizing “COME CLOSER”
TOMORA is a new collaborative project featuring:
- The Chemical Brothers‘ Tom Rowlands: As one-half of The Chemical Brothers, Rowlands has produced and recorded six widely acclaimed UK #1 albums and won six Grammy Awards.
- Norwegian artist AURORA: AUROR Ahas released four studio albums and has quickly become one of Norway’s most influential and globally recognized contemporary artists. Her single “Runaway” has amassed over one-billion Spotify streams to date.
TOMORA builds upon a creative relationship that can be traced to the recording sessions for The Chemical Brothers’ 2019 album No Geography. AURORA contributed vocals to three tracks, including “Eve of Destruction.” Rowlands then went on to contribute to AURORA’s 2024 effort, What Happened to the Heart?, which landed on the UK Top 10.
Initially, speculation was rife as to who — or what — the then-mysterious TOMORA was or could be, after the name appeared on Coachella’s 2026 Festival lineup post without any additional information last year. Last December, the duo released their debut single “Ring The Alarm,” which received praise from Spin, BrooklynVegan, Stereogum and DJ Mag. “Ring The Alarm” also received DJ support from Erol Alkan, ¥ØU$UK€ ¥UK1MAT$U and a long list of others.
The duo’s TOMORA debut single was then released on a very limited and collectible white label vinyl, alongside B-side “The Thing,” which showcase a glimpse of the tender and hauntingly beautiful downtempo tracks that will appear on the duo’s full-length debut, COME CLOSER.
Slated for an April 17, 2026 release through Capitol Records, COME CLOSER was written and produced jointly by Rowlands and AURORA. The 12-song album sees the duo pairing the Norwegian artist’s distinctive vocal with the acclaimed British producer’s unparalleled studio expertise. While the album sees the duo creating their own unique space, somewhere they can produce the kind of magic that comes from flicking through a perfect record collection, flowing from wigged-out 1960s psychedelia to the hyper-futurism of sounds imagined for the 2060s.
Ultimately though, the album is less about two separate and distinct artists finding a fertile middle ground and more the sound of two tenacious individuals connecting in the studio and hitting massive creative peaks together.
“This is our album COME CLOSER, it is everything we dreamt of. We made it without obligation or expectation, just a joy in creation,” the duo says. “It’s the sound where we meet, the landing zone of our musical escape pods. It is a special place to us. We hope you dig it as much as we do.”
COME CLOSER‘s latest single, album title track “COME CLOSER” is a haunting, dreamily mesmerizing track featuring AURORA’s achingly yearning delivery ethereally floating over droning synths. But just under the hypnotizing surface is a sense of unease, perhaps even menace. As a YouTuber commented “I think this is how sirens in Greek mythology were supposed to sound — alluring and hypnotising at first, but once you listen long enough, you can hear the nightmare hiding behind the voice.” I wholeheartedly agree with that.
Produced and directed by Adam Smith and S T A R T !, the accompanying video for “COME CLOSER,” employs a relatively simple concept: Shot in a cinematic black and white, with eerie strobe lights, we see AURORA singing the song. Her appearance is simultaneously full of desperate yearning but also emphasizes the subtle sense of unsettling menace and unease.
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New Audio: Glasgow’s Akkiles82 Shares Cinematic “Streets of Neo-Yokohama”
Nick Thomson is a Glasgow-based electronic music producer and the creative mastermind of the solo recording project Akkiles82. Akkiles82 sees Thompson creating a sound that draws from cyberpunk, retrowave, and his history both playing bands and as an electronic music/dance music producer.
The Scottish-based producer’s Akkiles82 full-length debut, CybernNation will be released in two parts over the course of the next year. The album reportedly will tell a story of desperate survival, after an unknown cataclysm causes destruction in a futuristic cyberpunk-like city. The album’s track range from classic synthwave and EDM through breakbeat — with health doses of 80s cartoon and TV themes influences.
CyberNation‘s second and latest single “Streets of Neo-Yokohama,” is a slickly produced cinematic track that recalls a synthesis of Fragile-era Nine Inch Nails, John Carpenter soundtracks and 80s TV themes, anchored around dense layers of glistening, arpeggiated synths and tweeter and woofer rattling thump. A new Knight Rider, Transformers or Voltron theme perhaps?
“This track was inspired by the towering skyscrapers and street racing scenes of Tokyo and Yokohama, painting a picture of neon and rain soaked streets,” Thompson says.
New Audio: Rival Consoles Shares Upbeat Yet Cinematic “Catherine”
Ryan Lee West is a critically acclaimed, London-based electronic music producer, best known as Rival Consoles. Over the course of his nearly two-decade career, West’s work has diversified from the challenging electronic output of his earliest releases to gradually becoming more conceptual and metamorphic: 2020’s Articulation used drawings and sketches to imagine and developed each track while 2021’s Overflow explored themes of the human and emotional consequences of life surrounded by advancing technologies, including social media — and was composed for choreographer Alex Whitley‘s contemporary dance production of the same name.
West’s consistent desire to create a more organic, humanized sound often sees the acclaimed British producer often developing early ideas on guitar or piano; forming pieces that capture and evoke a sense of songwriting behind the electronics. His eighth album, 2022’s Now Is featured some of the most playful and melodic material of West’s catalog in some time, with the album’s material drawing from music, art, film, colors, shapes and even human emotions.
“The title of the record Now Is interests me because it is the beginning of a statement, but it is incomplete. I like art that is open and suggestive of ideas even if they are inspired by very specific things,” West explains. “With my previous record Overflow being very dark, heavy and almost dystopian, I wanted to escape into a different world with this music and ended up creating a record which is a lot more colorful and euphoric.”
West followed Now Is with 2023’s standalone single “Coda,” an incredibly nocturnal song built around an eerie chord progression that slowly twists, turns and morphs as it builds up tempo paired with skittering beats and a relentless motorik-like groove. The composition manages to evoke a somnambulant and woozy buzz of energy. “’Coda’ started as a really late night experiment around a chord progression that seemed haunting but also had some strange beauty,” West says. “The whole piece is centered around this theme. I wanted to embrace the dark and quiet moments of the nighttime but also the energy of people who were maybe moving around London late at night with a nod to house music.”
West’s ninth Rival Consoles album Landscape from Memory is slated for a July 4, 2025 release through his longtime label home, Erased Tapes. The album’s material blossomed following a frustrating fallow year away from the production desk.
For West, having spent the past decade producing and writing in a habitual way, falling out of love with creativity was a a sort of slowing of the clock that has long made him tick, a sense of being swallowed whole by some elementary force. And yet, the time out of the studio and writing room, helped inform what may arguably be his most invigorating album to date.
Partly stitched together from a scrapbook of discarded audio snippets, Landscape from Memory reportedly demanded a degree of openness and vulnerability from West during its assembly. “There is a kind of strange beauty to it because it involves the past, present and future in a very strong way,” West says.
The album’s climatic productions are frequently characterized by their propulsive quality and driven by West’s own push to step outside his comfort zone, having found inspiration from new and unfamiliar sources. Because his self-built Hackney studio suddenly felt too controlled of an environment, West changed up his creative process, mapping out tracks away from is studio desk. And as a result West’s forthcoming ninth album is a sort of travelogue of creativity on the move, a collection of postcards from a everywhere that features material defined by restlessness.
Landscape from Memory’s lead single “Catherine,” dedicated to West’s partner is a haunted yet remarkably upbeat track featuring propulsive, skittering and shuffling beats paired with a glistening synth-driven melody that twists and turns throughout a cinematic and expansive song structure.
“I recently came across this sketch of a melodic idea that I created many years ago,” West explains. “The title is named after the person who made me realise in that moment, that this idea had something special about it that should be returned to.”
New Video: Belfast’s Chalk Shares Brooding “Pool Scene”
Rising Belfast-based electronic outfit Chalk — Ross Cullen (vocals), Benedict Goddard (guitar, sampler) and Luke Niblock (drums) — features three award-winning musicians and filmmakers, who can trace the origins of the band to their meeting while attending film school. The trio bonded over having the same musical vision and ambitions.
Inspired by the ferocity of Dublin‘s guitar band scene’s live shows and the sweaty hardcore dance scenes of their native Belfast, the band has developed and crafted a sound that has been dubbed by some critics as techno-infused, gothic post-punk — and as the band has dubbed Berghain-rock blended with techno punk.
2023 saw the Northern Ireland-based post punk/electronic trio release their debut EP Conditions. But the band quickly made a name for themselves as a live unit: They exploded out of the gates with opening slots for London-based outfit PVA for their first ever shows, before selling out shows across the UK. Quickly building upon a growing profile across the region and elsewhere, the band landed sets across the European major festival circuit, closing out 2023 with a set at Rencontres Trans Musicales and a KEXP live session.
Coming off the heels of their Northern Irish Music Prize 2023 Best Live Act win, the band has begun to make noise globally: Their Chris Ryan and Ross Cullen co-produced sophomore EP Conditions II was released last year. The EP featured singles “The Gate” and “Claw,” which received praise from The Independent, NME, DIY, Dork, Rolling Stone UK, So Young, The New Cue, Rough Trade, Consequence and others while landing on a BBC 6 Music playlist with tracks from PJ Harvey, IDLES, Sampha, Yard Act and more.
Last year, I wrote about Conditions II single “Bliss,” a track that featured angular and reverb-drenched shoegazer-like guitar textures with relentless four-on-the-floor and bursts of glistening synth serving as a brooding yet cinematic bed for Ross Cullen’s punchy yet stoic shouts and Constance Keane, a.k.a. Fears‘ ethereal voice acting as a dreamy counterbalance. Nodding at Joy Division, New Order, Luminous and V-era The Horrors and others, the track thematically moves from longing to loss and regret.
Thematically, Conditions II continued upon the themes of its predecessor but while diving deeper into subconscious feelings and self-discovery. Sonically, the effort saw the band leaning into the industrial/techno rock sound that they established with Conditions. Aesthetically, the trio continued the monochromatic, goth-inspired goth visual landscape in an evocative and seamless manner.
“We see Conditions II as a natural evolution from our debut EP, Conditions. These new tracks are a product of our first year as a touring band. They were tried and tested at most of our shows before being taken into the studio,” Chalk’s Ross Cullen says. “We wanted to expand upon existing themes and ideas we touched upon in our debut, but with this continuation, we could explore ourselves and the world we had created deeper, both lyrically and sonically. In this second installment, we wanted to dive further into the electronic element of our music, bringing the experience of our live shows to our recordings.”
The third and final part of the Northern Ireland-based trio’s trilogy Conditions III EP officially dropped today through Nice Swan Records. Recorded against the backdrop of bleak landscapes and Nordic vistas in remote northern Iceland, Conditions III sees the Belfast-based trio fusing elements of heavy guitar music, electronica and breakbeat into a euphoric and frightening finished project. The result is an effort that showcases another evolution in the band’s already confrontational sound and approach.
In the lead-up to the EP’s release, I wrote about two EP singles:
- “Tell Me,” a goth-meets-industrial banger featuring thumping and skittering beats, oscillating synths and a relentless, motorik groove paired with Cullen’s reverb and distortion-drizzled, emotionally detached delivery. At its core, “Tell Me,” evokes unease, desperation and euphoria simultaneously. “‘Tell Me’ is the first release of our trilogy-ending third EP Conditions III. For this track, we conjured up a world in which the song’s protagonist is running away from a dark past into unknown territory, encountering an unsuspecting new acquaintance on their journey,” the band’s Ross Cullen says. It’s a song that dives head-first into themes of the unknown, breaking norms, and a feeling of running away and never wanting to return again. It explores the idea that life is moving rapidly around us and the lack of belonging, confusion, and disassociation one experiences on their journey, growing older in an increasingly discouraging and bleak urban landscape. These are themes of which we’ve scratched the surface with Conditions and Conditions II; but we want to delve even deeper into their grittier sides as we continue to figure ourselves out along the way.”
- “Afraid,” a bruiser of a track that’s one-part Gang of Four-era post-punk and scorching industrial electronica that feels tense, uneasy yet euphoric. “‘Afraid’ captures the raw fear and exhilaration of stepping into the unknown, a reminder that growth only happens when you leave your comfort zone. It’s a reflection on the strength it takes to move forward,” the band explains.
Today, the band shared EP closing track “Pool Scene,” which sees the band meshing brooding and yearning post-punk with propulsive, dance floor friendly house music in a way that to my ears brings to mind a synthesis of Joy Division and I Love You It’s Cool-era Bear in Heaven.
The accompanying video by Colin Peppard features black and white camcorder footage of the band performing by Morgyn Lutton and Sienna Munn, and photography by Glen Bollard, Lee Anderson and Tom Ham.
New Video: Moonbird Shares Lush and Yearning “Silence”
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New Audio: Orian Bor Shares Brooding and Cinematic “Hard Road”
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