Tag: Forever

New Video: Silk Skin Lovers Share a Dreamy and Atmospheric Ballad

Silk Skin Lovers — Félix Foucambert (vocals, guitar), Jean-Baptiste Halin (bass, bass synths), Lucas Lerbret (guitar, backing vocals) and London-born Callum Taylor (keys, backing vocals) — is a rising French indie rock outfit that emerged into French scene with a handful of singles inspired by and informed by nightlife and nightlife revelry.

Released last year, Silk Screen Lovers’ debut EP, Bloom saw the band crafting material that bounced between playful delight to late-night melancholy; the blurring of memories to the brink of sobering up a bit as you head home — or when you arrive home, whichever comes first. While the EP’s material is primarily based in magical surrealism, it also reveals a band concerned about serious issues, including racism and police brutality.

“The first seeds of Bloom were planted in the summer of 2020,” the members of Silk Skin Lovers explain. “As a young and developing band, we found ourselves growing in a context that was harsh and complicated, as opportunities for artists were scarce to non-existent for a period. The EP was a natural response to not only the artistic restraints we were faced with, but the frustration of being away from what we love to do, and further from our aspirations as musicians.”

Earlier this year, I wrote about the the uptempo, Smiths-like bop “Moon 1AM,” a track that revealed itself to be emotionally ambivalent: despite the upbeat tempo, the song was a bittersweet and dreamy rumination meant to make you dance away your sorrows — even if it’s only for a little bit.

The rising French act’s latest single, “Forever” is a slow-burning and dreamy ballad centered around atmospheric synths, shimmering, reverb-drenched guitars, gently padded drums and Foucambert’s achingly plaintive vocals. “Forever” manages to sonically recall Beach House while simultaneously evoking melancholy and euphoria.

Directed by Robinson Lebret, the accompanying video for “Forever” follows a young woman as she prepares for a night out — to catch Silk Skin Lovers at a local club while reminiscing about a presumed lost love. And as a result, the video is a fever dream in which past and present bump into each other uncomfortably, and where ghosts linger.

New Video: People Museum Releases a Brooding Yet Club Friendly Banger

People Museum is a rising New Orleans-based art pop/dance pop act. Inspired by Afro-beat, hip-hop, choral, marching band music, the duo — Jeremy Phipps (trombone, production) and Claire Givens (vocals, keys) — can trace their origins back to 2016: Phipps and Givens were eager to start a music project that incorporated the feelings and vibes of their hometown. Founded with the expressed intention of bringing nature to the future, the New Orleans-based duo’s sound and aesthetic seamlessly meshes their hometown’s beloved and world famous brass band tradition with the Crescent City’s synth heavy, progressive underground scene.

Givens and Phipps’ latest effort I Could Only See The Night EP is slated for an April 9, 2021 release through Community Records and Strange Daisy Records. The EP features a mix of songs made during pandemic-related quarantines last year with songs the duo initially created during the first few months of the duo’s collaboration. Thematically, the EP is reportedly a contemplation on our past, how we are making sense of where we have ended — and as a result, learning how to be more malleable with our visions of what the future could and should be. The songs are an attempt to offer a bit of light in our very dark times while opening space for the listener to reflect, dance or feel joy.

“Forever,” I Could Only See The Night’s latest single is a Larry Levan-era house music influenced club banger that’s full of brooding, late night regret and trepidation centered around shimmering Giorgio Moroder-like synth arpeggios, skittering beats, Phipps’ mournful and melodic trombone played through reverb and delay pedal and Givens’ achingly plaintive vocals. You can literally feel the song’s narrator spiraling into indecision, regret and despair — although they’re desperately trying not to do so.

Directed by Riley Teahan, the recently released video is a brooding fever dream following a series of women trapped within their own thoughts, late at night. Teahan, the video’s director on the video:

“flashing light, thoughts that keep you up at night:
when I think about forever my head starts to spin.
caught in a cycle, the mind is a spiral staircase.
how long did you know it was time to go
before you decided to leave?

“‘Forever’ is a song about cycles and liberation. I know well the feeling of spiraling, how easily you can lose yourself. I asked women to embody a complicated moment of escape, flee, freedom, run, don’t look back.”

New Video: Forever Releases DIY Visuals for Bittersweet and Triumphant New Single

Born on a remote Canadian island, June Moon is a poet, provocateur and pop artist, known as Forever. Moon started the Forever project around 2013. “I was going through a very dark time because my father had passed away, and I actually quit making music, quit performing, quit writing — I quit everything. Then I met Michael Brock [Mind Bath], and he asked me to open for him at one of his shows. I’ll never forget that moment — he was texting me about it, and I was at a library and an angel whispered in my ear and told me to say say, and that my new name was ‘Forever.’ Two weeks later, I played my first Forever show. ”

So after spending a nomadic decade of traveling, Moon relocated to Montreal to pursue a music career and shape her recording persona of Forever. With the help of Brock and her friend Patrick Holland (Project Pablo), she wrote and released her 2016 self-titled debut, an effort that was a mix of pop and downtempo influences paired with her effortless and ethereal vocals. 

Reeling from the breakup of a lengthy and complicated relationship, Moon went to work, hoping to find healing from songwriting. Working with her frequent collaborators Brock and Holland, she also turned to fellow Montreal artists Ouri,Cecile Believe, formerly known as Mozart’s Sister and TOPS’ David Carriere on the material that would eventually comprise her forthcoming EP Close to the Flame.“Ouri was so influential in her ability to facilitate the development of my sound on this EP,” Moon says in press notes. “Patrick helped me alchemize my heartache by turning my sad songs into dance tracks. David was a special collaboration for me because I really look up to him and Jane [from TOPS] as songwriters.”

Slated for a February 14, 2020 release through Cascine Records, the six song EP reportedly captures the beauty and ugliness of love and loss, centered around a dysfunctional and troubled relationship. “I was in a relationship that was killing me, and I had to plan an escape to save my life,” Moon explains in press notes. “The record is haunted by a ghost. I sing about her murder on the first track ‘Blur,’ but then she turns into a angel on the last song ‘Adonis.’ I channeled her one night when I was writing because I was so scared to talk about what happened to me; I didn’t know how to tell my story. She came to me and told me to use her story as a channel for my own pain. This release is dedicated to her.” 

The EP’s first single is the propulsive, 90s house-inspired “Make It Happen.” Centered around shimmering and arpeggiated synths, a sinuous bass line, stuttering beats, Moon’s plaintive and ethereal vocals and a guest verse from Just John, the song’s narrator expresses relief and joy over the end of a relationship that has held her back personally and emotionally. The song’s narrator releases that it’s time to move forward and better herself — and a result, it’s triumphant but subtly bittersweet. After all, life’s a series of transitions from one situation, one circumstance to another, until the end. 

Directed and edited by Moon, the recently released video is set in a small cafe. Although there’s a brief cameo by Just John, the video primarily focuses on its protagonist and coworkers as they get their cafe ready for a small gathering of friends for coffee and cake before ending with a passionate reunion. 

New Video: The Noir-ish Murder-Filled, New Video for Painted Palms’ “Refractor”

Comprised of cousins Reese Donahue and Christopher Prudhomme, the electro pop duo of Painted Palms have almost always used the Internet to collaborate on songwriting — initially out of necessity, as the project started with Donahue based in San […]

Interestingly, the cousin duo behind Painted Palms, Reese Donahue and Christopher Prudhomme have almost always used the Internet – at first out of necessity, and later out of preference – to collaborate on their songwriting. When […]

If you’ve been following JOVM for the past few months, you may recall that last month I mentioned the up-and-coming Canadian production and music duo of Majid Jordan. Comprised of Majid Al Maskati and Jordan Ullman, the duo met while […]

The duo (and cousins) behind Painted Palms, Reese Donahue and Christopher Prudhomme have almost always used the Internet — at first out of necessity, and later out of preference — to collaborate on their songwriting. When […]

The duo (and cousins) behind Painted Palms, Reese Donahue and Christopher Prudhomme have almost always used the Internet – at first out of necessity, and later out of preference – to collaborate on their songwriting. […]

September 3rd marked the release of the Stockholm, Sweden-based punk band Holograms’ sophomore effort Forever. The material on the album draws from the odd experiences of being a internationally touring musicians with an new album out — only to […]

September 3rd will see the release of the Stockholm, Sweden-based punk band Holograms’ sophomore effort Forever. The material on the album draws from the odd experiences of being a internationally touring musicians with an new album out […]