Tag: Halifax

 

With the 2014 release of The Moon is Shining Our Way EP, Kestrels, a Halifax, Nova Scotia-based indie rock/noise rock trio comprised of  Chad Peck (guitar/vocals), Devin Peck (bass) and Paul Brown (drums), emerged both nationally and internationally as the EP’s title track received radio airplay on CBC Radio 3 — and as a result of touring internationally with the likes of renowned indie acts such as Speedy Ortiz, Ringo Deathstarr, Beliefs, Grays and Ash. Interestingly enough, the sessions for The Moon is Shining EP reportedly laid the groundwork for the songwriting approach and sound the band would eventually take into the studio for their forthcoming third full-length and self-titled album, slated for a September 30, 2016 release through Hamilton, Ontario-based label Sonic Unyon.

While the album features guest spots from Ringo Deathstarr’s Elliott Frazier and Alex Gehring, its first single “No Alternative” is a decidedly power chord-based 90s alt rock-inspired song as power chords are played through various effects pedals and are paired with thundering and propulsive drumming, a tight bass line, an anthemic hook you can hear kids shouting along to in a sweaty club and Chad Peck’s plaintive falsetto floating over mix. While sonically speaking, the song reminds me quite a bit of Siamese Dream-era Smashing Pumpkins, Silversun Pickups, My Vitriol and others, complete with a swooning urgency.

 

 

 

 

If you were frequenting this site last year, you may recall coming across posts on Toronto, ON-based proto-metal/doom metal trio CROSSS. And although the band is rather mysterious and little is publicly known about the band’s personnel I can tell you that the band, which originally began as a Halifax, Nova Scotia-based duo, went through several lineup changes before relocating to Toronto and settling on the band’s current configuration. Since relocating to Toronto, the trio have developed a reputation for crating murky, sludgy and intense dirges that are deeply inspired by proto-done, lo-fi indie rock, noise rock and metal, and as a result bear a sonic resemblance to the likes of Black SabbathA Place to Bury Strangers and others — but more bottom heavy and doom-laden as you’ll hear on “Interlocutor,” off their last effort, LO which, was release to quite a bit of attention across the blogosphere.

Naturally, as a result of the attention they received, the Canadian trio opened for the likes of Viet CongBuilt to Spill, Thee Oh SeesKing TuffDirty BeachesPop1280,  Oneida, Built to Spill, METZ, Grimes, Fuzz and Moon Duo among a growing list. But adding to a growing profile, CROSSS announced that they had recently signed to Joyful Noise Recordings, who will re-issue the trio’s first two efforts, 2013’s Obsidian Spectre and the aforementioned LO — and they also announced that they’ll be releasing their third full-length effort later on this year. In the meantime, check out “Eye Seance” a doom-laden and lo-fi-leaning dirge  that has the trio pairing rumbling down-tuned bass, enormous power chords with howled vocals in a song that sounds like an existential howl into an indifferent and cruel void.

The band will be embarking on a Stateside tour throughout the end of this month and April, and it includes a NYC area stop. Check out tour dates below.

 

Tour Dates:

3/25-3/26: Indianapolis, IN
3/27: Milwaukee, WI @ Quarters
3/28: Chicago, IL @ Subterranean
4/27: Toronto, ON @ Smiling Buddha
4/20: Montreal, QC @ La Vitrola
4/21: Boston, MA @ O’Briens
4/22: Brooklyn, NY @ The Acheron
4/23: Philadelphia, PA @ TBA
4/24: Baltimore, MD @ The Crown
4/26: Buffalo, NY @ Mohawk Place

 

 

 

Originally begun as a duo in Halifax, Nova Scotia, Canadian band CROSSS after several relocations and lineup changes is currently a Toronto, ON-based trio who have developed a reputation for crating murky, sludgy and intense […]

CROSSS is a Canadian trio whose sound is heavily inspired by porto-drone, lo-fi indie, noise rock and metal. Originally begun as a duo in Halifax, Nova Scotia and after a number of relocations and lineup […]