Tag: Kacey Musgraves

Live Footage: Yola on “Jimmy Kimmel Live!”

Throughout the course of the past year, I’ve written quite a bit about the Grammy Award-nominated Bristol, UK-born, London-based singer/songwriter, guitarist and JOVM mainstay Yola. The Grammy Award-nominated JOVM mainstay has led a remarkable life — the sort that I’ve long thought should be made into an inspiring biopic, like What’s Love Got To Do With It: She grew up extremely poor — and fascinated by her mother’s record collection. And by the time she turned four, she knew she wanted to be a performer. Unfortunately, she was banned from making music, until she left home. She has also overcome being in an abusive and dysfunctional relationship, stress-induced voice loss and literally walking through fire, as a result of a house fire. All of this inspired and informed her Dan Auerbach-produced full-length debut Walk Through Fire, which was released earlier this year through Easy Eye Sound.

2019 has been a breakthrough year for the Bristol-born, London-based JOVM mainstay with an incredible array of career highlights that included:

playing a breakout performance at this year’s SXSW
making her New York debut earlier this year at Rockwood Music Hall
playing a live session for YouTube at YouTube Space New York 
opening for a list of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates that featured stops at Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors 
making her nationally televised debut on CBS This Morning: Saturday Sessions
and of course, as I mentioned earlier, the JOVM mainstay recently received a Grammy nomination for Best Artist, along with fellow JOVM mainstays The Black Pumas. 
Adding to a big year, Yola made her late night national television debut last night, performing the swooning and gorgeous album single “Faraway Look” on Jimmy Kimmel Live!  Interestingly, over the past year, the country soul singer/songwriter has made a soulful — and just flat out amazing — cover of Elton John’s “Goodbye Yellow Brick Road,” one of my favorite Elton John songs, a staple of her live show. Yola performed that as well. I think the live footage will serve as a great taste of her live show. 

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Founded back in 2014 by Jessica Louise Dye (vocals, guitar) and Jono Bernstein (drums), the New York-based JOVM mainstays High Waisted have received attention across the blogosphere and elsewhere for a sound that draws from surf rock, garage rock, dream pop, Riot Grrl punk and punk rock among others and for their long-running and very popular DIY concert showcase/booze cruise High Waisted at Sea.

The band’s Bryan Pugh-produced full-length debut On Ludlow further cemented their reputation for scuzzy, party ’til you drop rock — but just under the surface, the material revealed vulnerability and ache.  Since the release of On Ludlow, the the band contributed “Firebomb,” a scuzzy, ass-kicking, power chord-driven Lita Ford and Motley Crue-like single to a split single with The Coax, toured with the likes of Hundred Hounds, Beechwood, played a handful of live shows across town and been periodically working on a bunch of new material. And they’ve done all of that while going through a series of lineup changes but one thing has remained: they’re a non-stop party machine.

Throughout their history, the JOVM mainstays have released an ongoing, psychedelic mixtape series, Acid Tapes and like the preceding three other editions, the fourth edition, which will drop on Friday finds the New York-based act covering an eclectic variety of beloved songs. Naturally, the covers reveal the band’s impressive and wide ranging tastes   with the fourth edition featuring the band’s unique take on songs by the likes of The Zombies, 10cc, Kacey Musgraves, The Troggs and others. As the band explains in press notes, the covers allow them to  “dissect songs we love, throw everything we know about them away and rebuild something entirely new.” The band’s frontwoman Jessica Louise Dye adds “It changes the gravitational pull in my creative mind, often spawning a big writing period of new High Waisted material as well.” Along with covers, there are a handful of rare, previously unreleased originals.

The fourth installment of Acid Tapes may arguably find the JOVM mainstays at their best sounding. The guitars shimmer and glisten while the band’s Jessica Louise Dye sounds at her very best, beginning with a gorgeous and Patsy Cline-like take of The Zombies,” “The Way I Feel Inside,” a Pretenders-like original, “Modern Love,” a stunningly accurate 60s and dexterous take on The Lively Ones  instrumental composition “Surf Rock,” a dream pop-like take of Kacey Musgraves’ “High Horse” that nods at Still Corners‘ gorgeous Slow Air, the slow-burning, Quiet Storm-like original “Dream Sea,” and a slow-burning, straightforward take on 10cc’s “I’m Not in Love” closes out the tape’s A Side. The tape’s B side features the anthemic and alt rock meets alt country ballad “Eyes Crying,” which manages to recall Pearl Jam‘s “Dissident” to my ears, a Cars meets Phil Spector Wall of Sound-like take on Wreckless Eric‘s “Whole Wide World” before ending with a heartbreakingly gorgeous cover of Julie London‘s “Cry Me a River.” It’s a wildly eclectic grouping of songs but the mixtape reveals the JOVM mainstays’ ridiculous versatility paired with a deep emotional connection to the material.

“Our recording process has come a long way from the first cassette. Acid Tape, Vol. 1 was recorded while were on acid, all in one go, in a haunted house in Nashville. A buddy of ours threw a room mic over the chandelier and ran it through the tape deck and away we went.  Now the recording process is more deliberate, articulated and better executed.” the band explains in press notes. Vol 4 was recorded entirely in our new studio which Jono Bernstien and Stephen Nielsen built in Bed Stuy. We’re mixing digital and analog gear with vintage instruments and a little magic.”

The band is celebrating the release of  Acid Tape, Vol. 4 with a release show at Mercury Lounge with Yella Belly and Songs for Sabotage. You can check out ticket info and purchase here:

https://www.eventbrite.com/e/high-waisted-acid-tapes-vol-4-release-party-tickets-69052520949?aff=efbeventtix&fbclid=IwAR1c18aYR2lwka706043Xe4Wu5DGHXUerQf3xwlTVR9BVzl4Asu6z36VUC0

You can purchase the pre-release of the limited edition mixtape here: https://www.highwaisted.party/merch/acid-tape-vol-4

 

 

 

Live Footage: JOVM Mainstay Yola Performs “It Ain’t Easier” at YouTube Space NYC

Throughout the bulk of this past year, I’ve written quite a bit about the rising Bristol, UK-born, London-based singer/songwriter and guitarist Yola. And as you may recall, the JOVM mainstay’s extraordinary personal life have inspired her Dan Auerbach-produced full-length debut Walk Through Fire, which was released   earlier this year through Easy Eye Sound.

2019 has been a breakthrough year for the Bristol-born, London-based singer/songwriter and JOVM mainstay: she made her New York debut earlier this year at Rockwood Music Hall, played an attention-grabbing SXSW set and has opened for Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates, which has included stops at the Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors and Brandi Carlile’s Girls Just Wanna Weekend in Mexico. She played Mavis Staples’ traveling, 80th birthday celebration tour — and made her national TV debut on CBS This Morning: Saturday Sessions performing several songs off Walk Through Fire. 

Additionally, the JOVM mainstay performed an intimate set at YouTube Space, which was simultaneously filmed for later distribution across the internet. During that set, she played one of my favorite track off the album, “It Ain’t Easier,” a carefully crafted and earnest love song centered around the concept that love always takes effort and care to survive. 

Live Footage: JOVM Mainstay Yola Performs “Faraway Look” on “CBS This Morning: Saturday Sessions”

Over the past few months, I’ve written a bit about the rising Bristol, UK-born, London-based singer/songwriter and guitarist Yola. And as you may recall, the JOVM mainstay has led a rather remarkable life; the sort of life that I think should eventually be made into an inspiring biopic: Yola grew up extremely poor; but she was fascinated by her mother’s record collection, and by the time she was 4, she knew she wanted to be a performer. Unfortunately, she was actually banned from making music, until she left home. Additionally, she has overcome being in an abusive relationship, stress-induced voice loss and literally being engulfed in flames in house fire, all of which have inspired her Dan Auerbach-produced full-length debut Walk Through Fire, which was released earlier this year through Easy Eye Sound.

The up-and-coming British singer/songwriter has received praise from a number of media outlets both nationally and internationally, including NPR, Rolling Stone, Wall Street Journal, The Tennessean, Refinery 29, Billboard, American Songwriter, BrooklynVegan, Nashville Scene, Paste and Stereogum. But perhaps much more interesting she has opened for James Brown and joined renowned trip hop act Massive Attack before traveling to Nashville to work with Auerbach and a backing band that features musicians, who have worked with Elvis and Aretha Franklin.  

Now, as you may recall, album single “Ride Out in the Country” was a Muscle Shoals-like take on honky tonk country that to my ears recalled Sandra Rhodes’ under-appreciated Where’s Your Love Been. Centered around twangy guitar chords, lap steel guitar, some Rhodes electric organ, a soaring hook and Yola’s easy-going and soulful vocals, the song is an achingly sad breakup song, written from the perspective of someone reeling from a devastating breakup, complete with the recognition that your former lover has moved on and that maybe you should be doing so too — even if it’s profoundly difficult for you. Walk Through Fire‘s latest single is the slow-burning, swooning, Phil Spector Wall of Sound, meets classic Motown Records-like “Faraway Look.” Centered around an old-school arrangement and a soaring hook, the song is roomy enough for Yola’s incredible vocal range to shine. Interestingly, the song is about that precise yet profound and deeply awkward moment when it’s so obvious that you’ve fallen in love with someone that everyone else notices, including your object of affection. And in that peculiar moment, it’s now or never. 

So far this year has been a huge year for the rising Bristol-born, London-based singer/songwriter: she made her New York debut earlier this year at Rockwood Music Hall, played a breakout performance at this year’s SXSW — and she’ll be opening for a number of acclaimed artists including Kacey Musgraves, Lake Street Dive and Andrew Bird on a select series of US tour dates, which will include performances Newport Folk Festival, Hollywood Bowl, Austin City Limits Festival, Lincoln Center Out of Doors and Brandi Carlile’s Girls Just Wanna Weekend in Mexico. She also made an appearance for Mavis Staples rotating birthday celebration tour. And earlier this year, she made an appearance on CBS This Morning: Saturday Sessions, where the rising JOVM mainstay and her backing band performed a gorgeous live version of “Faraway Look.”

New Video: The 80s Inspired Visuals for Swooning Phil Spector-like “Can’t Help The Way I Feel”

Over the past couple of months, I’ve written a bit about the Indianapolis, IN-based folk pop duo Lily & Madeleine, And as you may recall, the act, which consists of siblings Lily and Madeline Jurkiewicz can trace its origins to when the Jurkiewicz Sisters began singing together while attending high school, uploading home videos of various covers to YouTube. Those videos caught the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

Now, as you may recall, the Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Grammy Award-winning production team Daniel Tashian and Ian Fitchuck, who worked on Kacey Musgraves’ Golden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.

Canterbury Girls, the Jurkiewicz Sisters’ the fourth full-length album is slated for a February 22, 2019 release through New West Records and interestingly, the Phil Spector-like “Can’t Help The Way I Feel” is centered by what may arguably be the tightest and funkiest groove on the entire album, with a razor sharp and infectious hook, handclaps, twinkling keys and the Jurkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. Somehow, I suspect that many of us can relate.

Directed by Horatio Baltz, the recently released video for “Can’t Help The Way I Feel” features the Jurkiewicz Sisters are swooning and lovestruck 80s teens. Owing a visual debt to John Hughes films, the video features some slick split screens and some dreamy glamor sequences.

Earlier this month, I wrote about Lily & Madeleine, an Indianapolis, IN-based folk pop duo, consisting of siblings Lily and Madeline Jurkiewicz. The act can trace its origins to when the Jurkiewicz Sisters began singing together while in high school, uploading home videos of various cover songs to YouTube. Those videos catgut the attention of Bloomington, IN-based producer Paul Mahern, who invited the sisters into his studio to record what would become their debut EP, 2013’s The Weight of the Globe when their class schedule permitted. Kenny Childers (Gentleman Caller) assisted by co-writing the material off the EP with the sisters; but it was video of the sisters singing in Mahern’s studio reached the front page of news aggregator Reddit — and as a result, Sufjan Stevens signed the Jurkiewicz Sisters to his label Asthmatic Kitty Records.

Adding to a growing profile, John Mellencamp asked the Jurkiewicz Sisters to contribute guest vocals to the soundtrack of his musical Ghost Brothers of Darkland County. After playing some of their first sold out shows in their hometown, they made their national TV debut on CBS This Morning to promote their self-titled, full-length debut, which was released in February 2013. The album was praised from a number of major media outlets, including The New York Times, which praised the album for their extraordinary sibling vocal blend, “deep and seamless and relaxed.” Since then the Indianapolis-based sibling folk pop duo have released two more albums — 2014’s Fumes, which was released through Asthmatic Kitty and 2016’s Keep It Together, which was released through New West Records.

Now, as you may recall, the Jurkiewicz Sisters kicked off this year with the inclusion of “Just Do It” on the first Spotify New Music Friday playlist of 2019 and the track, which was co-produced by Daniel Tashian and Ian Fitchuck, who worked on Kacey MusgravesGolden Hour pairs the Lily and Madeleine’s gorgeous and effortless harmonizing with a shimmering dance pop-like production centered around a sinuous bass line, twinkling keys, hand claps and fluttering electronics; but at its core, the song not only talks about taking chances, it talks of confidently coming of age as a woman — and demanding what you need and want from yourself and others.

Canterbury Girls, the Jerkiewicz Sisters’ the fourth full-length album is slated for a February 22, 2019 release through New West Records and interestingly, its latest single is the Phil Spector-like “Can’t Help The Way I Feel.” Centered by what may arguably be the tightest and funkiest groove on the entire album, the track features a razor sharp and infectious hook, handclaps, winkling keys. shimmering and arpeggiated organ lines and the Jerkiewicz Sisters easygoing yet gorgeous harmonizing. At its core, the song’s narrator is proud and defiant, openly saying that while her friends may disapprove of her love interest, she simply can’t help how she feels — even if the relationship isn’t good for her. Somehow, I suspect that many of us can relate.

Lily & Madeleine will be touring to support the new album throughout February and March, and the tour will include a February 21, 2019 stop at Rough Trade. Check out the tour dates below.

TOUR DATES: 

Mon., Feb. 18 / Cafe Nine / New Haven, CT

Weds., Feb. 20 / The Saint / Asbury Park, NJ

Thurs., Feb. 21 / Rough Trade NYC / Brooklyn, NY

Fri., Feb. 22 / World Cafe Live Upstairs / Philadelphia, PA

Sat., Feb. 23 / Songbyrd / Washington, DC

Mon., Feb. 25 / Cat’s Cradle – Back Room / Carrboro, NC

Tues., Feb. 26 / Eddie’s Attic / Decatur, GA

Thurs., Feb. 28 / Zanzabar / Louisville, KY

Fri., Mar. 1 / Deluxe @ Old National Centre / Indianapolis, IN

Sat., Mar. 2 / Schubas Tavern / Chicago, IL

Sun., Mar. 3 / Turf Curb / St. Paul, MN

Mon., Mar. 4 / The Mill / Iowa City, IA

Weds., Mar. 6 / The Pike Room at The Crofoot / Pontiac, MI

Thurs., Mar. 7 / The Drake Hotel / Toronto, ON, Canada

Fri., Mar. 8 / Quai Des Brumes / Montreal, QC, Canada

Sat., Mar. 9 / Berklee College of Music: The Red Room @ Cafe / Boston, MA