With the release of 2016’s self-titled, full-length debut, the San Antonio, TX-based punk outfit Fea, which features Girl In A Coma’s Phanie Diaz and Jenn Alva with Letty Martinez and Sofi Lopez, quickly developed a reputation for a trailblazing and proudly genre-defying aesthetic that meshed Chicana Punk, fuzzy power chords and three-part vocal harmonies with Riot Grrl ethos.
Now, as you may recall, the San Antonio-based punk quartet’s Alice Bag-produced sophomore album No Novelties is slated for a November 15, 2019 release through Joan Jett’s Blackheart Records, and the forthcoming album features bilingual material that thematically focuses on a number of hot-button topics, including sexism, the toxic self-awareness, self-promotion and vapidity of social media and others — with a tongue-in-cheek sense of humor and feministic punk sensibility. Additionally, the material may arguably be the most intricate in the band’s history — to date, at least.
Last month, I wrote about No Novelties’ first single “Let Me Down,” a blistering takedown of modern society’s dependance on social media and reality TV that calls out the obsession with fame, constant praise, instant gratification, self-absorption, self-promotion, sex and consumerism at its core. Sonically, the song found the act meshing classic ’77 era punk with power pop in a way that was infectious and defiant. The album’s second and latest single “Ya Se,” is a blistering, old school punk anthem, centered on the plight of the constantly exploited working class sung entirely in Spanish. Considering the constant torrent of racist bullshit coming from our current administration that’s aimed at our brothers, sisters and friends in the LatinX community, the song possesses a deeper sense of righteous fury.
“The title is Spanish for ‘I know,’ vocalist Letty Martinez says in press notes. “Most of our generation is living paycheck to paycheck. Getting caught up in that cycle where you spend the money you don’t have on vices just to feel relief from the financial stress.” Guitarist Sofi Lopez adds, “When you just work work work, you get into this groove that you can’t escape. But it drives you mad in the end.“
The recently released video stars the members of the band as frustrated blue collar mechanics, who are exploited by their white collar — and very male — boss. The band members work hard for very little money and to escape their dreary lives, they spend what they earn on vices — booze, weed, gambling, cigarettes. But at the end, they all revolt against the dreaded time clock, which enslaves them.