Tag: Live Footage

New Video: Tom Petty and The Heartbreakers Perform “Wild Thing” at The Record Plant, 1982

Originally airing only once on MTV in February 1983, the Cameron Crowe directed Tom Petty: Heartbreakers Beach Party is a fun, candid and fast-paced film that captures Tom Petty and The Heartbreakers as they finish, promote and tour their groundbreaking Long After Dark album, their third and final album with the legendary Jimmy Iovine.

Nearly 40 years after the film had become folklore to fans, musicians and the music industry, the tapes from Cameron Crowe’s directorial debut were finally found. Interestingly, this also coincides with the Tom Petty Estate opening up the vaults and sharing previously unreleased music and some never-before-seen and rarely seen, remastered films from one of the band’s prolific and commercially successful eras — 1982 to 1983.

Tom Petty: Heartbreakers Beach Party was restored from its original 16mm source tapes and is exclusively streaming on Paramount + in the States, Canada, UK, Australia, Latin America, France, Italy and Germany, marking the first time that the now-fully restored version of Cameron Crowe’s directorial debut is widely available to international audiences.

The Tom Petty Estate has also released newly restored footage of Petty and company performing a rollicking and boozy, barroom blues-meets-Damn the Torpedoes-era Petty and Heartbreakers-like rendition of The Troggs‘ beloved and oft-covered 1966 rendition of “Wild Thing” filmed at Los Angeles-based studio The Record Plant in 1982.

Directed by Justin Kreutzmann, the video, which now boasts newly remastered audio, features footage of the band’s performance at The Record Plant, filmed for French TV program, Houba Houba, alongside never-before-seen footage originally filmed by Cameron Crowe for Tom Petty: Heartbreakers Beach Party.

Along with long-awaited release of Tom Petty: Heartbreakers Beach Party, Geffen/Universal Music Enterprises (UMe) just released the digital only Heartbreakers Beach Party: The Soundtrack, which includes 35 songs from the film with tracks from Long After Dark (Deluxe Edition).

Live Footage: Population II “Carillon — Population II in Concert”

Acclaimed Montréal-based psych rock outfit and JOVM mainstays Population II — Pierre-Luc Gratton (vocals, drums), Tristan Lacombe (guitar, keys) and Sébastien Provençal (bass) — will be releasing their highly-anticipated, Dominic Vanchesteing-produced third Maintenant Jamais on March 28, 2025 through Bonsound.

The 14-song album reportedly sees the band drawing from their formative influence with a deep, sense of sophistication. The album will feature the previously released “Le thé set prêt,” and “Mariano (Jamais je ne t’oublierai)” a krautrock/prog rock-like take on psych rock featuring pulsating drum patterns paired with glistening synths and fuzzy power chords serving as a lush and languorous bed for Gratton’s dreamy cooing that sees the band subtly — and perhaps playfully — expanding upon their sound while reminding listeners of their adroit musicianship and songwriting.

Just as the they’re about to make their SXSW return down in Austin to play a series of showcases, the trio shared the Dominic Vanchesteing-directed live short film, Carillon — Population II in concert. Shot among the massive, brutalist-inspired concrete monoliths of the Monument québécois à la mémoire des héros du Long-Sault. Recalling Pink Floyd‘s Live at Pompeii, the live footage features the band performing songs in front of a camera eye that languorously floats and circles around the band and the enormous monoliths around them.

At the somewhat forgotten, gently weather-worn memorial, their music ricochets among the stelae, out to the river and at night, up to the stars.

“The songs we play in the film are more than live versions,” the band explains. “Although the images seem like they were shot on a beautiful summer day, they weren’t. It was mid-October and the gentle breeze from the river was blowing down our necks and between our fingers. The turbines from the Carillon power station were rumbling, but not louder than the band.”