Tag: Ozzy Osbourne

New Audio: Portland-based JOVM Mainstays R.I.P. Return with a Blistering and Feral New Single

Over the past year or so, the Portland, OR-based doom metal quartet, R.I.P has added themselves to a lengthy and eclectic list of mainstay artists I’ve written about throughout the history of this site. And as you may recall, the Portland-based doom metal quartet have long operated off the belief that heavy metal crawled up out of the gutter, where it writhed to life in the grit and grime of the streets — and unsurprisingly, the band dubbed their scuzzy and grimy approach to doom metal as “street doom;” however, interestingly enough if you heard Black Leather” and “Tremble,” off their full-length debut In The Wind, the band’s sound seemed to be indebted to  Black Sabbath, Led Zeppelin, Hawkwind and Soundgarden.

Street Reaper, R.I.P.’s highly-anticipated sophomore effort is slated for an October 13, 2017 release through RidingEasy Records, and the album is reportedly inspired by Rick Rubin‘s legendary and influential 80s productions — think The Beastie Boys, Run DMC and LL Cool J among others — and Murder Dog Magazine, and as a result, the members of the band have crafted material with a streamlined and punishingly,  raw ferocity,  meant to evoke the days when metal and hip-hop were reviled by the mainstream the work of thugs intent on destroying the very fabric of America and its youth. And unlike their debut, Street Reaper reveals a subtly expanded songwriting approach, rooted in their belief that doom metal shouldn’t be pigeonholed into a particular tuning or time signature but rather, a particular mood that inspires doom — in this case, terror, uncertainty, chaos, war, etc. 

Unsurprisingly, the material on Street Reaper is influenced not by doom metal’s typical sci-fi, fantasy or mysticism but within an inescapable, horrible and fearful present, full of what seems to be the impending collapse of democracy as we know it in the US, of economic failure, dwindling resources, increasing inequity and inequality, nuclear war, civil war, and a primal fight for survival; in fact, album single “The Other Side” may have arguably been the the Portland-based band’s most blistering and impassionaied playing — and while it may be a desperate howl into a growing void, there’s a feral urgency within the material that sets them apart from their contemporaries. 

“Unmarked Grave,” continues in a similar vein as its predecessor as it features  blistering, impassioned, face-melting power chords, a motorik groove, forceful drumming, an arena friendly hook and howled vocals, and while being equally urgent, the material manages to sound as though it were indebted to Badmotorfinger-era Soundgarden, Queens of the Stone Age and Ozzy Osbourne, complete with a sweaty, whiskey and hallucinogen-fueled frenzy. 

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Preview: Living Colour at City Winery 3/13/17

Currently comprised of founding members Corey Glover (vocals), Vernon Reid (guitar, synths, backing vocals) and Will Calhoun (drums, percussion, keys, samples, backing vocals), with Doug Wimbish (bass, drums, guitar, programming, backing vocals), the New York-based rock quartet Living Colour originally formed in 1984 and they quickly received attention for a sound that meshed elements of heavy metal, funk, jazz, jazz fusion, soul, prog rock and alternative rock with lyrics that frequently focused on the personal and sociopolitical, frequently commenting on and attacking Eurocentrism and racism in America. The quartet’s original lineup, featuring featuring the founding trio of Glover, Reid and Calhoun with Muzz Skillings (bass) cut their teeth and honed their sound and live show playing shows at CBGB’s.

Interestingly, the band found an unlikely champion in The Rolling Stones’ Mick Jagger, who took the band under his wing, produced a demo, which caught the attention of Epic Records. And with the release of 1988’s commercially and critically successful full-length debut Vivid, the band’s original lineup, quickly rose to attention with their smash hit “Cult of Personality,” which won a Grammy Award for Best Hard Rock Performance; they also won the Best New Artist Award at 1989’s MTV Video Music Awards. Adding to a growing international profile, The Rolling Stones had Living Colour opened for the rock legend’s Stateside leg of the Steel Wheels tour. They quickly followed that up with 1990’s sophomore effort Time’s Up, which also won a Grammy.

After releasing three full-length albums with a number of major and minor hits, the band split up with the members focus on a variety of creative projects; in fact, Wimbish, Calhoun and Glover had teamed up with Glover in a project called Headfake, which played frequently in the New York City area. And as the story goes, in late 2000, Headfake played at CBGBs with Reid joining them, leading to rumors of a Living Colour reunion. Of course, those rumors proved to be true, as Living Colour went on their first tour together n six years the following summer.

The members of the band have since released one of their most experimental efforts to date, 2003’s Collideøscope, followed by 2005’s rarities and B-sides compilation, a few live albums, 2006’s Best of compilation, Everything Is Possible: The Very Best of Living Colour and 2009’s Chair in the Doorway. And over the past couple of years, the band has been on a rather busy touring schedule, touring to support the 25th anniversary of their seminal effort Vivid.

As a personal note, as a music obsessed boy, I’ve almost always listened to a wildly eclectic variety of music, and in the 80s metal was a big thing. I loved Metallica, Def Leppard, Ozzy Osbourne, Motley Crue and the like; but when I watched their videos and concerts, I didn’t see anyone who looked like me — and even in my 8 year old mind, I knew that I couldn’t be those guys. I was black and from Queens. However, seeing someone who looked like me with guys who came from neighborhoods that I knew or had family in, kicking ass and taking names was a revelation. And it made them heroes to me.

Sadly, I was too young to catch them back then; however, I have since seen them twice — once at Afropunk during their Vivid 25th Anniversary Tour and later at Brooklyn Bowl, and I’m thrilled to know that the band is playing tonight at City Winery.