Tag: punk rock

Video by William Ruben Helms

New Video: JOVM Mainstays Screaming Females Release Surreal and Artistic Visuals for Their Most Restrained Single To Date “Glass House”

Now, if you’ve been frequenting this site over the course of the past few years, you’ve likely come across a number of posts featuring New Brunswick, NJ-based JOVM mainstays Screaming Females, comprised of Marissa Paternoster (guitar, vocals), King Mike (bass) and Jared Dougherty (drums). And as you may recall, the trio cut their teeth playing their hometown’s renowned all-ages basement scene; however, with the release of  2012’s Steve Albini-engineered Ugly, 2014’s forceful live album, Live from the Hideout and 2015’s Matt Bayles-produced Rose Mountain, the Central New Jersey-based band received wider exposure from NPR, Last Call with Carson Daly and MTV.  Adding to a growing profile, the New Jersey-based punk rockers have toured with a number of internationally and nationally known acts including Garbage, Throwing Muses, Dinosaur, Jr., The Dead Weather, Arctic Monkeys, Ted Leo and The Pharmacists, JEFF the Brotherhood, Little Lungs, Cheeky, The Ergs, Shellsshag and others.

Interestingly enough, 2015’s Rose Mountain was a decided change in songwriting and recording approach, with the band writing arguably some of the most concise, melodic and accessible material they’ve released, while retaining the blazing guitar work and muscular insistence of their previously recorded work. Up until relatively recently, some time had passed since they had released new, original material, and while “Black Moon,” continues their ongoing collaboration with Matt Bayles, it also reveals a band that’s restlessly experimenting with their songwriting approach and sound. Unsurprisingly, “Black Moon” finds the band crafting material with a forceful conciseness with razor sharp hooks — but thematically, the song also reveals a band that’s simultaneously meshing larger metaphors of a post apocalyptic earth with the universal experience of a relationship that ends in an embittering and frustrating fashion.

All At Once. the band’s seventh full-length studio album is slated for a February 23, 2018 release through Don Giovanni Records and the band reportedly set out to write an album in the spirit of a salon-style gallery show, where the larger pieces provide an eye-level focal point to a galaxy or smaller works — and as a result of a more expansive thematic reach, the members of the band openly and decidedly focused on experimentation with arrangements and song structure to evoke the energy and spontaneity of their live sets. As the band’s Mike Dougherty explains of their motivation “When you’ve been a band for 12 or 13 years, the resources can dry and you just go back to what feels comfortable. The other option is that you develop stuff that a younger band would not have been able to do.”

The album’s first official single “Glass House” finds the band practicing a sense of restraint in which the band embraces simplicity as Paternoster plays two relatively simple riffs in a 90s grunge rock song structure — quiet verses, loud, rousingly anthemic hook, quiet verse. But along with that, the song features some of Paternoster’s most melodic vocals of their catalog. “A song like ‘Glass House’ is something we knew we were capable of, but it took a while to fully embrace,” Paternoster says in press notes. “It’s something very simple — just bass, drums and twos simple riffs. In the past, I might have insisted on adding more. Practicing self-restraint is something I have consciously been trying to do.”

The recently released video for the song may be among the most surreal and artfully done videos they’ve released to date, as it cuts between the members of the band brooding and pensively sitting in a rather sparse room, Paternoster singing the song in dramatic lighting and a butler, who arranges vases — before smashing them over each band member’s head. 

Video by William Ruben Helms

New Video: The Bronx Release a Frenetic New Video to Accompany Their Breakneck New Single “Sore Throat”

Currently comprised of founding members Matt Caughtran (vocals, guitar) and Joby J. Ford (guitar), along with Ken Horne (guitar), Brad Magers (bass) and David Hidalgo, Jr. (drums), the Los Angeles, CA-based punk rock quintet The Bronx can trace their origins back to 2002 when the band formed with founding members Caughtran and Ford, with James Tweedy (bass) and Jorma Vik (drums)  — and after their first live set, the band quickly caught the attention Jonathan Daniel, who manages American Hi-Fi, and who became their manager. By their second live show, the band had attracted the attention of A&R reps from several major labels — and by their 12th live show ever, they had signed a contract with Island Def Jam Music Group; however, the band felt that they weren’t ready to record for a major label, so they formed their own label to release their own early releases including a 2002 demo Sure Death, their first official single “Bats!” and their Gilby Clarke-produced, self-titled full-length debut. Building upon the early buzz they received, the band promptly followed up with the La Muerte Viva EP as well as tours of the States and Australia.

2006’s self-titled debut was the band’s major label debut and it featured attention-grabbing singles “History’s Stranglers,” “White Guilt” and “Shitty Future.” The Dragons’ Ken Horne contributed some guitar to the album, and he soon joined the band as their second guitarist. And despite the lineup changes, the band has released five full-length albums of blistering and gritty punk, including their most recent album V and interestingly enough three albums of mariachi under the name Mariachi El Bronx.

The Rob Schanpf-produced V, which was released last month, has managed to be their most commercially successful effort to date as it debuted at #62 on the Billboard Top 200, #5 on the Billboard Heatseekers chart and #27 on the Billboard Rock Albums chart. Despite the early commercial success of the album, as the band’s Joby Ford says in press notes “[The album] has the angst and social commentary that has characterized us from the beginning, only now the angst is aimed at more than just superficial things and the social commentary is directed at more than just people who like different music than us.”  As result, album single “Sore Throat” may arguably be one of the most explosive and furious rock songs I’ve come across this year, as it features blistering power chords, thundering drumming, howled vocals and breakneck, shout and mosh worthy hooks — and perhaps unsurprisingly, the song reminds me of Plague Vendor’s excellent BLOODSWEAT in the sense that every time I’ve played it, I want to hear it as loud as humanly possible and in a room of sweaty friends and strangers losing our minds.

The recently released video is a wild and frenetic take on 80s post apocalyptic sci fi movies, complete with the static and wavering screens but cut with footage of the band playing sweaty and primal sets. 

Single Review by William Ruben Helms

Currently comprised of Taylor Chmura (guitar, vocals), Christian Deroeck (guitar), Michael Gonzalez (drums) and Brandon Page (guitar), the Athens, GA-based indie rock quartet Deep State consist of a bunch of friends who have met in a variety of ways — from local bands, college and local restaurant jobs, as it’s almost always done, and the band interestingly enough can trace its origins to when founding member Chmura wanted to form a punk band with incredibly catchy melodies and hooks. With a ton of ideas in his head, Chmura enlisted his friends Deroeck, Gonzalez and Page to assist him in fleshing out his ideas. And as it turned out, the quartet had an incredible simpatico with their earliest material seemingly finishing itself, including their critically acclaimed full-length debut Thought Garden.

“Time Unraveled” is the Athens, GA-based quartet’s first bit of new material since the release of Thought Garden and the single will further cement their growing reputation for crating incredibly catchy, hook-laden, power chord-based guitar pop-leaning punk that manages to nod at 90s grunge rock — Mudhoney, The Posies and others, anyone?

The band is currently on tour with a series of dates, check out tour dates below.

Deep State’s upcoming tour dates:
Sep 28 Electric Church Austin, TX
Sep 29 Dan’s Silverleaf Denton, TX

Sep 30 Simon Sez Mcallen, TX

Oct 01 Imagine Books and Records San Antonio, TX
Oct 03Trunk Space Phoenix, AZ
Oct 04 Little Joy Los Angeles, CA
Oct 06 4th Street Vine Long Beach, CA
Oct 07 Amnesia San Francisco, CA
Oct 08 The Blue LampSacramento, CA
Oct 09 The Fixin’ To Portland, OR
Oct 10 The Vera Project Seattle, WA
Oct 12 The Olympic Boise, ID
Oct 13 Diabolical Records Salt Lake City, UT
Oct 14 Lion’s Lair Denver, CO
Oct 16 The Hi Tone Cafe Memphis, TN

 

 

 

New Audio by William Ruben Helms

Over the past couple of years, I’ve written quite a bit about the New Brunswick, NJ-based JOVM mainstays Screaming Females. Comprised of Marissa Paternoster (guitar, vocals), King Mike (bass) and Jared Dougherty (drums), the trio can trace their origins to a band that Paternoster and King Mike formed while in high school — and after a series of lineup changes that band had finally settled to their current lineup, before changing their name to Screaming Females. Now, as you may recall the trio got their start in their hometown’s all-ages basement scene; but with the release of 2012’s Steve Albini-engineered Ugly, 2014’s forceful live album, and 2015’s Matt Bayles-produced Rose Mountain, the Central New Jersey-based band received wider exposure from NPR, Last Call with Carson Daly and MTV, and adding to a growing profile, the members of the band have toured with internationally and nationally known acts like Garbage, Throwing Muses, Dinosaur, Jr., The Dead Weather, Arctic Monkeys, Ted Leo and The Pharmacists, JEFF the Brotherhood, Little Lungs, Cheeky, The Ergs, Shellsshag and others.

2015’s Rose Mountain was a decided change in songwriting and recording approach, with the band writing arugably some of the most concise, melodic and accessible material they’ve released, while retaining the blazing guitar work and muscular insistence of their previously recorded work; however, it’s been some time since there’s been new, original material from the New Jersey-based punk rockers — that is until now. “Black Moon,” the band’s latest single continues in a similar vein as the material on Rose Mountain with band focusing on crafting tight, yet rousingly anthemic hooks. And while adding to a growing collection of radio friendly material, the band manages to remind the listener that Paternoster is one of the baddest guitar players in the world.

Lyrically speaking the song meshes a larger metaphor on earth abandoning humanity but fed through the fairly universal experience of a relationship ending in a rather bitter and frustrating fashion, which gives an underlying sneering forcefulness.

New Audio by William Ruben Helms

The Los Angeles, CA-based desert punk act, ExSage is essentially the solo, recording project of its creative mastermind, primary songwriter, multi-instrumentalist and frontwoman Kate Clover, who throughout the project’s run has chosen local musicians as part of her touring band, although with the project’s recently released sophomore EP, Total Devotion, Clover has specifically chosen an all female backing band. As it turns out, Clover had initially overlooked being the only woman member of the project, and she believes that it’s a highly symbolic (and necessary) change, that she hopes will inspire women to pursue what they believe in — especially grabbing instruments and kicking ass.

Interestingly, the project’s sophomore EP was inspired by a midnight drive through the Los Angeles area and she was driving, she heard Suicide’s “Ghost Rider” on a left-of-the-dial radio station. Returning home, Clover feverishly wrote new material — with a deeply personal mission: to be true to herself, no matter the cost. Additionally, the material on the EP is reportedly inspired by the work of PJ Harvey, Let Love In-era Nick Cave and Black Sabbath while lyrically, the material draws from French Surrealistic poetry — namely the work of Charles Baudelaire and Arthur Rimbaud. And although  “Under Your Spell,” the EP’s first single is inspired by Suicide, sonically the song to my ears, reminds me much of Only in Dreams and Too True-era Dum Dum Girls, PJ Harvey and Josh Homme’s renowned Desert Sessions compilation, thanks to a blazing psych rock meets stoner rock-like power chord-based turn towards the song’s last one-third, but the song is under-pinned by a urgent and insatiable desire.

 

Video by William Ruben Helms

New Video: The Surreal and Feverish Visuals for METZ’s “Cellophane”

As it’s turned out, over the past week or two, I’ve focused on a number of JOVM mainstays, who are set to release new material throughout the next few weeks — including the  Toronto, ON-based punk rock trio METZ. And as you may recall, the Canadian punk trio exploded into the blogosphere with 2014’s self titled debut and 2015’s sophomore effort II, thanks in part to a sludgy,  face-melting, power-chord based sound reminiscent of Bleach and In Utereo-era Nirvana, A Place to Bury Strangers, Japandroids and others.

The trio’s highly-anticipated, full-length album is slated for release tomorrow through Sub Pop Records, and the the album, which the trio recorded with the legendary Steve Albini at Chicago’s Electrical Audio Studio live to tape and features home recordings and additional instrumentation added by their longtime collaborator, engineer and mixer Graham Walsh back in Toronto.  Reportedly, the new album finds the band pushing their sound and songwriting in a new direction while retaining the furious and intense energy of their live shows — while thematically, the material may arguably be the most politically-charged yet personally written material to date, presumably at least partially influenced by life in the age of Donald Trump, and an urgent sociopolitical climate in which everything seems to be constantly spiraling out of control. “The songs on Strange Peace are about uncertainty. They’re about recognizing that we’re not always in control of our own fate, and about admitting our mistakes and fears,” the band’s Alex Eakins explained in press notes. “They’re about finding some semblance of peace within the chaos.”

“Cellophane,” Strange Peace‘s first single finds  the Canadian punk trio retaining the sledgehammer forcefulness, sludgy power chords and rousing hooks that first caught the attention of the blogosphere and this site, but there’s an underlying, hard-fought maturity and vulnerability within the song — the sort that recognizes that the world can frequently be an unforgivably brutal, unfair and frightening place, and that although there no easy answers, we can (and should) take comfort from others, and fight for them as much as we’d fight for ourselves. 

The recently released video for “Cellophane” was directed by Shayne Ehman and as he explains in press notes, the visuals “depict a sphere where consciousness is split, and a world of contrast unfolds. The resulting disembodiment disperses one’s spatial awareness and new kinds of empathy develop. Two become three, and it’s only half the story . . . ” Oh, and there’s an adorably goofy, rock throwing octopus, too. 

Video by William Ruben Helms

New Video: The Wistful and Summery Visuals for The Coathangers’ “Perfume”

Now, if you’ve been frequenting this site over the past few years, you’ve been made familiar with the Atlanta, GA-based punk trio and JOVM mainstay act The Coathangers. Currently comprised  Julia Kugel (vocals and guitar), Meredith Franco (bass), and Stephanie Luke (drums), the members of the JOVM mainstays have released five full-length albums in their decade and change time together, with each album finding the band refining their sound and songwriting approach while balancing and retaining a brash, raw, seemingly spontaneous simplicity with a feral urgency and biting irony.  With their last two full-length albums — 2014’s Suck My Shirt and last year’s Nosebleed Weekend, the trio wrote what may arguably be the most direct and forceful material of their growing catalog; but they’ve managed to pair that feral energy with rousingly anthemic hooks and a radio-friendly sensibility. 

Earlier this year, the band released the Parasite EP and the material on the EP finds the Atlanta-based JOVM mainstays balancing the unbridled, raw duty of their debut and the increasingly nuanced radio-friendly sensibility of their last two albums as you would hear on the EP’s first single “Captain’s Dead;” however, this particular post focuses on “Perfume,” off last year’s Nosebleed Weekend is some more jangling, sneering and hook-laden punk — but with a underlying bitter wistfulness that should feel familiar with the impending end of summer. 

Directed by J Trav, the recently released video for “Perfume” begins with the members of The Coathangers driving in an old 70s car to the beach, where they hang out with an adorable dog and then cruise around on a boat in a gorgeous and stylistic video; after all, who doesn’t want to spend time hanging out with cool women who kick ass?