Tag: reggae

Boulder, CO-based roots reggae outfit Policulture specializes in music that attempts to bridge the gap between generations and unite all under one sound — heavy drum and bass, roots riddims and a melodic horn section paired with conscious, thought-provoking lyrics. Their last album, 2018’s Mountains to Cross featured the two-step inducing, love song “Heart & Soul,” a song centered around shuffling riddims, an enormous horn line and James Searl’s effortless crooning.

Joel “J. Dubby” Scanlon remixed “Heart & Soul” and turned it into a percussive and dubby bop that retains some of the elements of the original — namely, some of the more powerful lyrics of the original, the roots riddims and the enormous horn section. The J. Dubby remix manages to be a loving tribute to both reggae and dub.

New Audio: French Outfit Le Douze Releases a Summery and Cosmic Bit of Irie Vibes

Deriving their name for the French word for “twelve,” the Normandy, France-based French-American indie outfit Le Douze — David Boutherre (vocals, drums), Frédéric Scamps (keys) and Maxine Lebidois (guitar, production) — can trace their origins to a need to be creative during quarantine in France: Lebidois had reached out to Boutherre and Scamps with instrumental tracks and the trio quickly went to work. “Quarantine created a special place, out of time,” Lebidois says. “It gave me a total freedom to express something through music — and through music, create a special connection with David and Fred.

.The French indie trio will be releasing their debut EP in April, which they plan to follow-up with their full-length debut, slated for release in September. Both efforts will feature a sound that the band describes as a blend of Pink Floyd, Metronomy, The Police, and Daft Punk. To build up buzz for both their forthcoming EP and full-length, the French indie outfit released “Fruits of My Life,” a slow-burning, irie vibes packed, reggae jam that sounds like a slick mix of Dark Side of the Moon era Pink Floyd meets Regatta de Blanc era The Police, centered around Boutherre’s uncannily Sting-like vocal delivery.

As the trio developed lyrics for “Fruits of My Life,” the song began to take on a special and very personal meaning for the band. “‘Fruits of My Life’ is the story of someone who’s been away from home for a very, very long time,” the band’s David Boutherre explains. “Someone who comes back to their homeland to take care of the ones they love the most and to be taken care of by them as well.”

The trio spent a lot of time working and recording on France’s West Coast, which helped inspired the mood of the track and its lyrics. “We would sing and then go out to the water, the apartment was just in front of the beach and the sea,” the band’s Frédéric Scamps says. “We thought about swimming with the dolphins, being back from Babylon after touring for a long time, like Roman soldiers 2000 years ago. We just wanted to stay here, to be with wine and family.”

Growing up in a small island community in Florida, the Florida-born, Denver-based singer/songwriter and multi-instrumentalist Jeff White believes the experience is imprinted onto his soul and his work. Inspired by the likes of Sublime, Bob Marley, Stevie Wonder, Sam Cooke, Jack Johnson, Barrington Levy, and Paul Simon, the Florida-born, Denver-based artist has developed and honed what he has dubbed “acoustic roots soul” with Jeff White & Soul Taxi, The Casual Strange and as aa solo artist.

White got the vision for his latest single — a recreation of Peter Tosh‘s classic “Treat You Right” — while surfing in Costa Rica. He recruited his friends and longtime collaborators JJ Grey and Morfo‘s Todd Small, Magic Beans‘ Casey Russell and Joey Lanna to record two versions of the track with Color Red Music founder and The New MastersoundsEddie Roberts: The A side is a soulful reggae version that slows the tempo down but still manages to hew closely in spirit to the original. The B side is a shuffling Motown meets Muscle Shoals-like take on the song that makes the song sound as though it could have been released in 1972 or so. Interestingly, while both versions prominently feature White’s soulful crooning, they manage to pull the hurt and betrayal at the center of the original, even more into the spotlight.

Throwback: Happy 85th Birthday, Lee “Scratch” Perry

Yesterday was the legendary Lee “Scratch” Perry’s 85th birthday. And what better way to show love and respect to the beloved creator of dub than with some live footage of the man doing his thing –= with the energy and verve of someone half of his age.

Happy birthday, Mr. Perry! May there be many more.

Formed almost 20 years ago, the Brooklyn-based act Dub TrioGrammy Award nominated-Stu Brooks (bass), DP Holmes (guitar) and Joe Tomino (drums) — have firmly established a critically applauded boundary pushing approach to dub that incorporates metal, punk rock, alt rock and shoegaze through the release of four albums, 2004’s full-length debut Exploring the Dangers Of, 2006’s New Heavy, 2008’s Another Sound Is Dying and 2011’s IV.

During that same exact period, the members of Dub Trio have been rather busy: they’ve done studio work with Mike Patton and Lady Gaga; they’ve toured alongside the likes of Clutch, Gogol Bordello, and The Dillinger Escape Plan — and they’ve toured as the backing band for Peeping Tom. After extensive touring to support IV, the Brooklyn-based trio went on hiatus.

Reconvening for a two week reunion at a tiny Brooklyn rehearsal room in 2018, the trio began working on the material for their fifth album, The Shape of Dub To Come. Featuring collaborations with Melvins‘ King Buzzo, Mastodon‘s Troy Sanders, Meshell Ndgeocello and an impressive array of others, The Shape of Dub To Come finds the act actively pushing dub into as many new sonic territories as possible — while serving as their first release through New Damage Records.

“Them Thing Deh,” The Shape of Dub To Come‘s latest single finds Dub Trio collaborating with Skindred’s Benji Webbe on a strutting single featuring sinuous and propulsive bass line, twinkling keys paired with Webbe’s soulful vocals, shuffling reggae riddims and reverb-drenched effects. And while seemingly centered around the prerequisite irie vibes,
“Them Thing Deh” is fueled by the sociopolitical concerns of our current moment.

“We’re putting this song out for the love of it. We knew we wanted to do a track that paid homage to our fore-fathers of reggae and dub, rhythm section greatness, Sly & Robbie,” Dub Trio’s Stu Brooks says in press notes. “They have been an endless source of inspiration to us as a band from the beginning. So, as helicopters swarmed over Hollywood during BLM protests, my wife and I felt compelled to finally break quarantine. As we approached Hollywood and Vine to join in solidarity with the protesters, ‘Them Thing Deh’ happened to be the soundtrack in my headphones. Feeling the anger we share with the BLM movement, the lyric ‘got to keep your cool; really spoke to me as I could feel the tension in the air.  That week, we quickly put the rhythm tracks together, recording from 3 different states, with the help of Roger Rivas on organ and keys and hit up our old friend, legend Benji Webbe from the UK band, Skindred. Benji is the ultimate genre-masher, soulfully clashing metal, reggae, punk, dub, dancehall…all the sh*t we love!”