Tag: Salt Lake City UT

Video by William Ruben Helms

New Video: Maz Shares Breezy “Too Bad”

22 year-old, Marley “Maz” Guevara is a rising Logan, UT-born, Salt Lake City-based singer/songwriter. She first adopted the Maz moniker as a child, insisting ti was meant to be her middle name. As she dug into indie rock as a teenager, it took an added meaning for its connection to Mazzy Star, with the rising Utah-based artist’s earliest explorations aiming for their ethereal dreaminess. Now, the name has come to signify the development of her sound and world, something that’s indebted to and nostalgically honors the past, but while building something new.

Her debut EP, NPC is slated for an April 4, 2025 release through Winspear. “I grew up on early 2000s alternative music, and NPC reaches for that raw, cool, nostalgic sound,” she says. “These songs turn my day-to-day into something badass—a mix of vulnerability and strength.” 

Temporal back and forth is echoed in the material’s creation. Guevara started writing the EP’s songs at her Salt Lake City apartment while attending community college and working full-time. But she had to return to Logan after the death of her grandfather. “I found myself back in Logan, writing songs in my grandmother’s basement when my grandpa died,” she says “during that time I found a lot of solace in music—it gave me freedom to reflect and unpack everything I was feeling. And it made me appreciate the people around me and the opportunities and art I have in store for me in the future. It felt like a refresh button.”

Guevara’s return to Salt Lake City months later was bittersweet, but bolstered by her deepened connection to her family roots, she tapped into a vibrant, roiling, modern energy in her approach to music, and NPC began to take form.

The six-song NPC reportedly find the Utahn playfully picking apart growing up, relationships and self-empowerment. Drawing from Blondie, Santigold and Daft Punk among others, the EP’s material builds upon the buzz she has quickly amassed over the course of a brief, attention-grabbing run of singles.

Bobbing and Cole Williams, members of Still Woozy‘s production crew, build crisp sonic environments for Guevara for flex, explore and play across. The EP’s latest single “Too Bad” comes on the heels of her successful live debut opening for Wallice on a run of West Coast dates.

“Too Bad” is a breezy, hook-driven bop featuring reverb-soaked, squiggling post-punk like guitar stabs, relentless four-on-the-four and a twangy, Western-styled guitar solo serving as a lush bed for Guevara’s hushed Debby Harry-inspired cooing. “Too Bad” reveals a young singer/songwriter with an uncanny knack for crafting a catchy hook — and a self-assuredness that belies her relative youth.

“While writing this song, I was inspired by Blondie and Grimes,” Guevara explains “Vocally, I wanted to give off an ethereal vibe mixed with early, surfy Blondie. The meaning is just about faith and also shedding ego-driven desires.”

Directed by Enzo Peltz, the accompanying playful video for “Too Bad” follows the rising young artist through churches and the beach on a glorious sunny day.

Video by William Ruben Helms

New Video: Salt Lake City’s Choir Boy Releases a Mischievous 80s Influenced Visual for Shimmering Pop Confection “Complainer”

Fronted by its Cleveland-born, Salt Lake City-based founder, frontman and creative mastermind, singer/songwriter Adam Klopp, the rising indie pop act Choir Boy derives its name from an insult that was given to Klopp in his early teens when he fronted some of his earliest bands. Given Klopp’s religious upbringing and angelic voice, the insult at the time, may have been both fair and fitting. 

After graduating high school, Klopp left Ohio for college in Utah. Although, his college career was short-lived, he left religion behind and quickly integrated into Provo’s and Salt Lake City’s underground music and art scenes, eventually starting Choir Boy. With the release of the project’s full-length debut, 2016’s Passive With Desire, Klopp’s work drew comparisons to Scott Walker, Kate Bush and Talk Talk.

Klopp’s Choir Boy debut won the attention of Dais Records, and building upon a growing profile, he released “Sunday Light” in 2018, which was followed by a reissue of Passive With Desire on vinyl and CD. Recently, Klopp has filled out the band with a permanent lineup: Chaz Costello (bass, sax), Jeff Kleinman (keys) and Michael Paulson (guitar). Each member has brought their unique influences to the table, helping to develop subtly more dynamic sound for the band — one in which, there’s a bit of post-punk grit and 80s-influenced swing to the mix. 

Slated for a May 8, 2020 release, Choir Boy’s sophomore album Gathering Swans is the first bit of recorded output with the band’s new lineup. And importantly, while seemingly drawing from Roxy Music/Bryan Ferry, The Cleaners from Venusand others, the material features Klopp’s achingly earnest and angelic falsetto, expressing those emotions that are particularly difficult to name. 

The album’s first single is the dance floor friendly  “Complainer.”  Centered around shimmering synth arpeggios, some industrial-like drum machine and organic drumming, a looping and shimmering guitar line, an ehe enormous and rousingly anthemic hook and Klopp’s achingly tender falsetto, the song — to my ears, at least — seems like a synthesis between Meat Is Murder-era The Smiths, Tears for Fears and contemporaries like Washed Out. Interestingly, Klopp explains that the song “marked a shift in lyrical tone from previous releases. While many of our earlier songs serve as flowery lamentations of loss and grief, ‘Complainer’ snakily examines the self absorption of sadness. The opening line Oh my life was something I privately uttered while stewing over daily anxieties. It became comical to me that I would express my self pity like that, in earnest when my struggles seemed so relatively tame.  The song continues, It’s a phrase so funny when it’s spoken so sincere. But it’s not that bad, I’ve never really had it worse. I’m just a complainer. ‘Complainer’ multi-tasks as a pop song and a reminder to keep my privilege in check.”

Directed by the members of Choir Boy, edited by Choir Boy’s Adam Klopp and featuring an action cameo by Sam Rodriguez, the recently released video for “Complainer” is a decidedly lo-fi, fittingly 80s-inspired visual split between footage of the band playing the song in random locations while mischievously revealing the band’s involvement in a seedy, back alley, Fight Club-like fighting ring. 

Video by William Ruben Helms

New Video: Lunar Twin Releases a Brooding Late Night Visual for Trip Hop-like “Leaves”

Deriving their name from a scientific theory that suggests that Earth may have had a second moon, a twin moon that was destroyed in a massive collision during the earliest moments of our solar system, Lunar Twin, which is comprised of vocalist Bryce Boudreau and multi-instrumentalist and producer Chris Murphy can trace their origins back to 2011’s Denver Underground Music Festival when Boudreau joined Murphy’s goth band Nightsweats as a guest vocalist. And by 2013, the duo started collaborating together full-time.

With the release of their debut, 2014’s self-titled EP and 2017’s Night Tides EP, the duo which is currently split between Hawaii and Salt Lake City have developed a unique take on chill wave/dark wave that draws from and possesses elements of synth pop, shoegaze, dream pop and others. A couple of years have passed since I’ve written about Lunar Twin — and as it turns out, the duo’s Chris Murphy has been busy sharing the stages with a growing list of acclaimed and renowned artists including Grimes, Bonnie Prince Billy and Peaches through other projects he’s worked in. But the duo have also been working on their long-awaited third EP Ghost Moon Ritual, which is slated for a February 16, 2020 release through  the band’s own imprint, Tropical Depression/Desert Heat. 

Ghost Moon Ritual reportedly finds the duo expanding upon the sound that caught the attention of this site and elsewhere with some of the material nodding at psych folk and desert noir-themed late night moon music. The EP’s latest single, the moody and atmospheric “Leaves” is centered around Boudreau’s sonorous, Mark Lanegan-like baritone, layers of buzzing and shimmering synths and thumping beats. And while simultaneously nodding at trip hop and dream pop, the song evokes — for me, at least — a a specific late night loneliness I’ve known — wandering a new town, a new country on your own, as a stranger, a man from far away. 

Directed by San Francisco-based Zoey Nyguen, the recently released video is set in a raw, late night, neon cityscape — her neighborhood of Russian Hill. ” I wanted to embody the song with visuals from my within my neighborhood and local surroundings and to include basically a collage of clips from different time periods and eras of the City,” Nyguen says in press notes. “I made the video as a simple Creative Commons project and then approached the group about a possible collaboration and then filmed them performing to add to the story I had built around their song into something more” 

“Collaboration with a new person is always a surprise creatively and I thought her vibrant and imaginative approach visualizing the song to be just right .. to curate this version of this songs story,” Bryce Boudreau says of the video. “Her choice of imagery really melds with the track. I’m very happy with the way the video develops and encapsulates everything we are trying to express musically” Chris Murphy adds in press notes. 

New Audio by William Ruben Helms

Deriving their name from a scientific theory that suggests that Earth may have had a second moon, a twin moon that was destroyed in a massive collision during the early days of our solar system, Lunar Twin, an electro pop/dream pop/shoegaze duo comprised of Bryce Boudreau (vocals) and Chris Murphy (multi-instrumentalist and producer) can trace their origins to the 2011 Denver Underground Music Festival when Boudreau joined Murphy’s goth band Nightsweats as a guest vocalist. And by 2013, the duo started collaborating together full-time.

Now, it’s been some time since the duo have released new, original material as both the Los Angeles, CA-based, Hawaii-based Boudreau and the Salt Lake City, UT-based Murphy have been involved in a variety of creative pursuits — with Murphy working in projects that have shared stages with an impressive list of renowned artists including Grimes, Bonnie Prince Billy and Peaches among others; however, the duo’s latest effort Night Tides EP was released earlier this month through Texas-based dream pop/shoegaze label Moon Sounds Records with an extremely limited run of lathe-cut vinyl through the band’s own imprint Lunar Industry Records, and a limited cassette run through their new label. Unsurprisingly because of the distance between the two collaborators, that distance plays a significant thematic role on the material of Night Tides. As Murphy mentions in press notes, ” We both live thousands of miles apart, separated by the Pacific Ocean and miles of mountains and desert. These totally different places of isolation are the nexus of our songwriting. The ocean plays a big part in this album. The ebb an flow of the die and the effect the moon has on it.”

Boudreau adds, “For this EP, we wanted to channel the spirit of the primordial world and a lost island in the equatorial night feeling. The dense warm air smelling of flowers beneath a canopy of banyan trees.”  “Waves,” the first single off Night Tides, Boudreau explains “is about drifting between two worlds — the primeval and the technological and between Earth and Water spirits.”  And while sonically speaking, the duo’s latest single will further cement their reputation for crafting moody and atmospheric pop in which they pair Boudreau’s rich Mark Lanegan-like baritone with a minimalist production featuring propulsive, tribal-like drumming, ambient synths with brief bursts of shimmering guitar and twinkling keys. It’s a hauntingly gorgeous track that manages to evoke  the sensation of awakening from a pleasant reverie and swimming within a warm and gently ebbing  body of water with the moonlight shimmering right in front of you.

 

 

 

 

 

Single Review by William Ruben Helms

Initially begun as the solo recording project of Salt Lake City, UT-based founding member and frontman Jordon Strang and now currently a quartet, indie rock/shoegazer rock band  No Sun has seen regional and national attention for a harder and more modern take on shoegaze that draws from the genre’s masters,  Swervedriver, RIDE and Failure and contemporaries including Pity Sex, Silversun Pickups and others. The Salt Lake City, UT-based band’s full-length debut It’s Only was released through  The Native Sound Records and hot on its heels, the members of No Sun released a brooding, sludgy grunge rock-leaning cover of Dead Kennedys “Nazi Punks Fuck Off,” a song that’s become much more urgent, in light of increasing anti-Semitic and racist-based attacks and bullying across the country.

“America has shown its very disgusting underbelly over the past few months, and I’m sure it will only get worse. Going to shows, and the DIY community in general shoudl be a place where everyone feels safe, except for those that live to make others feel unsafe for something as simple as the color of their skin, their gender identity or their sexual orientation. We covered this song to let everyone know that we think Nazism and bigotry is not welcome, and will not be tolerated within our fanbase or at any of our shows,” the band’s founder and frontman Jordon Stang says of why they decided to cover the song.

Lyrics 

Punk ain’t no religious cult

Punk means thinkin’ for yourself
You ain’t hardcore ’cause you spike your hair
When a jock still lives inside your head

Nazi punks
Nazi punks
Nazi punks fuck off
Nazi punks
Nazi punks
Nazi punks fuck off

If you’ve come to fight, get outta here
You ain’t no better than the bouncers
We ain’t tryin’ to be police
When you ape the cops it ain’t anarchy
Nazi punks
Nazi punks
Nazi punks fuck off
Nazi punks
Nazi punks
Nazi punks fuck off

Ten guys jump one, what a man
You fight each other, the police state wins
Stab your backs when you trash our halls
Trash a bank if you’ve got real balls

You still think Swastikas look cool
The real Nazis run your schools
They’re coaches, businessmen and cops
In a real fourth Reich you’ll be the first to go

Nazi punks
Nazi punks
Nazi punks fuck off
Nazi punks
Nazi punks
Nazi punks fuck off

You’ll be the first to go
You’ll be the first to go
You’ll be the first to go
Unless you think
No Sun will be embarking on a lengthy tour to support their debut album throughout March and April — and it’ll include an NYC area stop at Saint Vitus on March 25, 2017. Check out tour dates below.

Tour Dates: 

3/9     Salt Lake City, UT @ Urban Lounge
3/10    Denver, CO @ Mutiny Information Cafe
3/11    Kansas City, MO @ The Couch
3/12    St. Louis, MO @ Foam
3/13    Milwaukee, MN @ Ground Zero
3/14    Minneapolis, MN @ Safe Haus
3/15    Chicago, IL @ Quenchers
3/16    Fort Wayne, IN @ The Tiger Room
3/17    Elyria, OH @ Blank State Elyria
3/18    Toronto, ON @ The Smiling Buddha
3/19    Montreal, QC @ Brasserie Beaubien
3/20    Syracuse, NY @ The Reformed Church of Syracuse
3/21    Florence, MA – 13th Floor Music Lounge
3/22    Boston, MA @ The Middle East
3/24    Montclair, NJ @ Meatlocker
3/25    Brooklyn, NY @ St. Vitus
3/26    Wilkes Barre, PA @ The Other Side
3/27    Baltimore, MD @ The Windup Space
3/28    Philadelphia, Pa @ Kung Fu Necktie
3/29    Richmond, VA – @ The Castle
3/30    Charlotte, NC @ The Station On Central
04/1    Houston, TX @ Satellite Bar
04/2    Austin, TX @ Beerland
04/4    El Paso, TX @ The Sandbox
04/5    Tempe, AZ @ 51 West

 

 

Single Review by William Ruben Helms

Initially begun as the solo recording project of Salt Lake City, UT-based founding member and frontman Jordon Strang and now currently a quartet, No Sun has quietly developed a regional reputation for a harder, more modern take on shoegaze that draws from past masters of the genre such as Swervedriver, RIDE and Failure and contemporaries including Pity Sex, Silversun Pickups and others as you’ll hear on the anthemic and forceful “It’s Happening Again,” off the Salt Lake City-based band’s soon-to-be released debut effort It’s Only, slated for release next month through The Native Sound Records.

While reportedly having a title that draws from a famous scene from Twin Peaks, No Sun’s latest single as Strang explained to the folks at CLRVYNT the song is “about coping. It’s about delving within yourself during times of inner turmoil, and being further isolated by doing so. To me, depression is like an ebb and flow that is constantly coming and going, taking me away from my peers or loved ones and drawing my attention inward. This song focuses on how — despite how collected people can seem on the surface — they may be fighting their own inner battle.” Interestingly, the song possesses and evokes a similar tension in which uncertainty and turmoil gently bubble up from a seemingly tranquil surface.

 

 

 

 

New Video by William Ruben Helms

New Video: The Stunningly Gorgeous Visuals for Lunar Twin’s “Champagne (Grand Cru Edit)”

Comprised of Bryce Boudreau (vocals) and Chris Murphy (multi-instrumentalist, producer), the electro pop duo Lunar Twin derive their name from a scientific theory that says that Earth may have had a twin moon that was destroyed in […]

Uncategorized by William Ruben Helms

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Uncategorized by William Ruben Helms

The Octopus Project’s latest full-length album, Fever Forms was released earlier this year by Peek-A-Boo Records, and sonically, the album has the relentlessly experimental Austin, TX-based quartet altering their sound –there’s more of an emphasis on buzzing […]

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The Growlers have been especially prolific as they released the Hung at Heart full-length earlier this year, and then went back into the studio to record a bunch of newly written material which will appear on […]

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Chicago, IL-based band My Gold Mask released one of the more interesting albums I’ve come across this year, Leave Me Midnight – an atmospheric album that sonically evokes the sensation of sound echoing off large-ceilinged rooms […]

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The Dig’s  Midnight Flowers was one of the prettier albums I had come across last year – the album landed at number 32 on this site’s Best of 2012 list, and it received tons of praise […]

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Brooklyn-based band Haerts’ first single “Wings,"which was produced by St. Lucia’s Jean-Philip Grobler  has received a ton of love across the blogosphere, including this site; after all, perhaps thanks to Grobler, the track is a […]

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As Kishi Bashi begins his biggest headlining tour to date, he announced the release of three elaborate 7" singles through Joyful Noise Recordings. Each of the releases features a single from Kishi Bashi’s critically acclaimed […]