Tag: Slick Rick

DJ Williams is a Plainfield, NJ-born, Los Angeles, CA-based singer/songwriter, composer. producer, guitarist and bandleader, who grew up in Richmond, VA. Throughout his nearly two decade career, Williams has developed and maintained a reputation for being both incredibly prolific and for being a highly sought-after collaborator: the Plainfield-born, Los Angeles-based artist is the founder of the Richmond-based band DJ Williams Projekt; the hip-hop/R&B act The Breaks; the acoustic duo Williams & Jones; and he’s probably best known for playing in the critically acclaimed, San Diego-based funk/jam-band act Karl Denson’s Tiny Universe.

Unsurprisingly, as a result of his various creative projects, Williams has toured around the planet, playing in clubs of all sizes, as well as the international festival circuit, playing some of the largest and most prestigious festivals across the US, Canada and Europe — and he’s shared stages with the likes of John Legend, Dave Matthews Band, John Oates, Warren Haynes, Ivan Neville, Big Daddy Kane, Sharon Jones & The Dap Kings, Soulive, Levon Helm, Slightly Stoopid, Robert Randolph, Slick Rick and a growing list of others.

As a singer/songwriter, composer and bandleader, Williams’ work is generally centered around compelling melody, an eclectic musical palette and deliberate and careful songwriting, revealing his desire to push new sonic and stylistic boundaries. Williams’ latest project, DJ Williams Shots Fired features members of Dave Matthews Band, Lenny Kravitz‘s backing band, Slightly Stooped, Trey Anastasio Band,Lyrics Born, Soulive, Greyboy Allstars and others — including Dan Africano (bass), Kowan Turner (drums), Joe Tatton (electric organ), Scott Flynn (trombone), Nick Gerlach (sax) and André Mali (trumpet) and a rotating cast of collaborators and associates.

DJ Williams’ Shots Fired’s debut single “She’s No Good” quickly earned regular airplay on SiriusXM during the spring of 2018 and as a result, the band was named as a “heat-seeker” and “an artist to watch.” Building upon a growing profile, the act’s forthcoming effort is a concept effort conceived as a four-part soundtrack for an imaginary movie is slated for a Fall 2020 release through Color Red Records. Last month, I wrote about EP single “Iron Fist.” The track, which features elements of psych rock, jam band rock, arena rock and funk depicts a character known as “The Samurai,” represented through Williams’ slashing guitar work. The EP’s second and latest single “Sunset Trails” is a homage to the black and white Westerns a young Williams used to watch with his father. Centered around shimmering guitar lines, four-on-the-floor drumming, soaring organ chords, an enormous and expressive horn line, the end result is a strutting, hip-hop inspired take on Ennio Morricone/Spaghetti Western soundtracks.

 

 

 

DJ Williams is a Plainfield, NJ-born, Los Angeles, CA-based singer/songwriter, composer. producer, guitarist and bandleader, who grew up in Richmond, VA. Throughout his nearly two decade career, Williams has developed and maintained a reputation for being both incredibly prolific and for being a highly sought-after collaborator: the Plainfield-born, Los Angeles-based artist is the founder of the Richmond-based and DJ Williams Projekt; the hip-hop/R&B act The Breaks; the acoustic duo Williams & Jones; and he’s probably best known for playing in the critically acclaimed, San Diego-based funk/jam-band act Karl Denson’s Tiny Universe.

Unsurprisingly, as a result of his various creative projects. Williams has toured around the planet, playing in clubs of all sizes, as well as the international festival circuit, playing the largest and most prestigious festivals across the US, Canada and Europe — and he’s shared stages with the likes of John Legend, Dave Matthews Band, John Oates, Warren Haynes, Ivan Neville, Big Daddy Kane, Sharon Jones & The Dap Kings, Soulive, Levon Helm, Slightly Stoopid, Robert Randolph, Slick Rick and a growing list of others.

As a singer/songwriter, composer and bandleader, Williams’ work  boasts compelling melody, an eclectic musical palette and deliberate and careful songwriting, revealing his desire to push new sonic and stylistic boundaries. His latest project, DJ Williams’ Shots Fired features members of Dave Matthews Band, Lenny Kravitz‘s backing band, Slightly Stooped, Trey Anastasio Band, Lyrics Born, Soulive, Greyboy Allstars and others — including the likes of Dan Africano (bass), Kowan Turner (drums), Joe Tatton (electric organ), Scott Flynn (trombone), Nick Gerlach (sax) and André Mali (trumpet) and a rotating cast of collaborators and associates.

DJ Williams’ Shots Fired’s debut single “She’s No Good” quickly earned regular airplay on SiriusXM during the spring of 2018 and as a result, the band was named as a “heat-seeker” and “an artist to watch.” Building upon a growing profile, the act’s newest album, a concept album conceived as the four-part soundtrack for an imaginary movie is slated for an August 2020 release through Color Red Records. Interestingly, the album’s first single “Iron Fist” depicts a character known as “The Samurai,” represented through Williams’ slashing guitar work. Centered around a looping 12 bar blues like structure, the song features a chugging two-step inducing groove, twinkling and arpeggiated organ blasts, shuffling drumming and an enormous horn line, the track is as swaggering and expansive composition that meshes elements of psych rock, jam band rock, arena rock and funk that feels as though it captures the band’s live show and energy with an uncanny and unerring accuracy.

 

 

 

 

New Video: Sav Killz’s Ode to Summertime in Brooklyn

Born Jamel Hampton, Sav Killz is a Brooklyn-based emcee, who grew up in both Flatbush and Bedford-Stuyvesant, and initially was involved in the city’s hip hop scene as a graffiti writer, known for his tag Savage. In 1997, Hampton started rapping on the block under Savage Killa, based on his graffiti tag, which he later shorted to Sav Killz. Interestingly, Hampton got his professional part as part of the Wu-Tang Clan cypher, honing his skills at 36 Chambers Studio and Restoration Plaza, and he was part of the Sunz of Man and Brooklyn Zu cyphers.

Since the early 00s, Hampton has released a number of mixtapes that have received attention both across the city’s indie hip-hop scene and the blogosphere. And building upon a growing profile, he has opened for the likes of Kool Keith, Jadakiss, Slick Rick, Saigon, AZ, The Beatnuts, Rakim and Foxy Brown. Earlier this year, Sav Killz released his Bangers and B-Sides 2 mixtape, “hosted” by his longtime producer and collaborator DJ J-Ronin — and the mixtape’s latest single is the Camouflage Monk-produced “Brooklyn Summer,” which is centered around a looped, slow-burning, Roy Ayers-like jazz-fusion sample featuring twinkling Rhodes electric piano, big horns and a sinuous bass line over which Sav Killz rhymes about how Brooklyn always keeps it 100 every single day; but underneath that there’s a nostalgia about hanging out in the park on a glorious summer day with your homies, listening to your favorite tunes, while someone barbecues.

Directed by R.Hendrix, the recently released video was shot at Brooklyn Bridge Park during the Team Magnificent Get Low photo shoot and evokes summer days hanging out in the park with the homies.

Preview: SummerStage 2017

Back in 1986, the City Parks Foundation created SummerStage in the spirt of Central Park’s original purpose — to serve as a free, public resource to help culturally enrich the lives of New Yorkers through live concerts, dance performances, and other cultural events.  And the festival’s first few years revealed relatively humble beginnings as its first few years of live programming were at Central Park’s Naumberg Bandshell; however, with artists such as Sun Ra Arkestra and legendary South African vocal act Ladysmith Black Mambazo and an impressive list of others playing those first few years, Summerstage, SummerStage quickly developed a reputation for presenting one of the most diverse array of artists across a variety of cultures, genres and styles — and they’ve continued to do so throughout its 30 plus year history. Over the past handful of years, SummerStage’s organizers have expanded the festival beyond Manhattan with shows hosted in parks, bandshells and and makeshift stages across the city’s other five boroughs, and from covering the festival throughout most of the history of site, it’s a wonderful afternoon or evening with your friends and neighbors; plus, there’s nothing like catching acts that keep you in touch with your inner child.

2017’s SummerStage season will begin in earnest on June 3rd with the legendary and imitable Mavis Staples, a national fucking treasure if you ask me, with contemporary blues artist Toshi Reagon and BIGLovely Good Music to round out a night of soul, gospel and blues at Central Park’s Rumsey Playfield. And the rest of the lineup for his year continues an incredible run of must-see acts. Some other highlights will include:

And of course, there are a handful of benefit shows presented by The Bowery Presents at Central Park’s Rumsey Playfield to help support City Parks Foundation’s continuing efforts to present free arts programming to New Yorkers and that lineup is equally impressive.

SummerStage will also be expanding its family-friendly pre-show workshop offerings this year to include dance classes, beatboxing lessons and introductions to DJing and Latin percussion. These interactive workshops will take place prior to elect SummerStage shows throughout the summer and all ages are encouraged to come out to your local park to participate. This year, the pre-show workshops will being with a DJ lesson from Scratch DJ Academy and a beatboxing tutorial with beatboxer Exacto before Digable Planets’ Coffey Park show — and other workshops will include salsa dance lessons in St. Mary’s Park and a poetry class in Marcus Garvey Park.

For more information and schedules check out SummerStage here: http://www.cityparksfoundation.org/summerstage/

F.Y.I,’s musical career began in the middle part of this past decade as the co-founder of Los Angeles-based rap act Those Chosen, with whom he recorded over 100 songs, a number of mixtapes and a critically praised EP, 5IVE, which was produced by Grammy winner IZ Avila best known for his work with Usher, Janet Jackson, and Gwen Stefani. And with the release of his debut solo effort, Yo! The Places You’ll Go, which featured a collaboration with Rass Kass and Ab-Soul, the Los Angeles-based emcee’s album landed at #1 on WPTS, which won an MTVu Woodie Award for Best College Radio Station. And as a result of sharing stages with renowned artists including The Game, B.O.B., Big Sean, Curren$y, Slick Rick, De La Soul, Pac Div, Dead Prez, Little Brother, Black Milk, Pete Rock and CL Smooth and Boot Camp Clik and playing at music festivals such as CMJ, A3C and the Brooklyn Hip-Hop Festival, F.Y.I. has quietly developed a national reputation as an emcee to pay attention to.

The Los Angeles-based emcee’s debut sophomore effort, Age/Sex/Location was released earlier today and the EP’s latest single, EP opening track “One Thang” pairs F.Y.I.’s confident and dexterous flow, rhyming lyrics about looking bravely forward and striving and accomplishing your goals without fear and without doubt. And he does so over
over a glitchy and soulful production consisting of boom bap beats, distorted vocal samples, whirring electronics. It’s swaggering yet upbeat hip-hop which shows how influential Kanye West, Outkast and Common have been to contemporary hip-hop.