Tag: Summer Heart

Comprised of core duo singer/songwriter Max Greenhalgh and multi-instrumentalist Bryce Outcault, along with a rotating cast of musicians and collaborators, the Los Angeles-based indie pop act Inspired & the Sleep first received attention across Southern California with the release of their debut album, 2014’s Eyelid Kid, an album comprised of dream pop-leaning material. Since then the act has developed a reputation for a sound that incorporates traditional indie rock instrumentation with electronics and vinyl sampling paired with lyrics that thematically touch upon intimacy, introspection and love both lost and found. And as a result, the duo have been featured on a number of sites across the blogosphere including Spin, Vice Noisey, Pigeons and Planes, Hilly Dilly, this site and others. Adding to a growing profile, Inspired & the Sleep has opened for a number of national touring acts including Switchfoot, Sure Sure, Colony House, Mating Ritual, The Dodos, SALES, Moon Taxi, Cymbals Eat Guitars and others.

It’s been a couple of years since I’ve written about them; but their latest single “Stay” like much of their previously released material over the past few years is centered around a glittering, dance floor groove, arpeggiated synths and a soaring hook. Sonically the song brings JOVM mainstays Summer Heart and Cut Copy to mind — with a swooning, vulnerable need. As the duo explain in press notes, “‘Stay’ is our piece about swooning in the throes of affection. It doesn’t seem to matter where a lover stands in your life, if the emotions are there you can be convinced to stay the night.”

 

 

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Throughout this site’s eight-plus year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Malmo, Sweden-born singer/songwriter, multi-instrumentalist, electronic producer and electronic music artist, best known for his solo electro pop/dream pop recording project Summer Heart. Over the past year, Alexander has released a single of the month series, 12 Songs of Summer, and according to the Swedish-born singer/songwriter, multi-instrumentalist, electronic music producer and electronic music artist the series allows him to “show people what I am currently working on instead do what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

The series last single “Touch” is a woozy bit of Teddy Riley and Timbaland-era R&B influenced synth pop centered around arpeggiated keys, wobbling bass, an infectious hook and Alexander’s tender falsetto — and reportedly influenced by Toro Y Moi and Animal Collective, the new single is swooning yet dance floor friendly bit of pop that feels and sounds mischievously anachronistic, as though it could have been released in 1989, 2009 or 2019. 

Alexander will be embarking on a 16 date Stateside tour with frequent tourmate Brothertiger that will begin with a February 21, 2019 stop at The Knitting Factory. Check out the rest of the tour dates below. 

 

Tour Dates

Feb 21 Brooklyn, NY – Knitting Factory
Feb 22 Washington DC – Songbyrd Vinyl Lounge
Feb 23 Norfolk, VA – TBA Productions
Feb 24 Greenville, SC – Radio Room
Feb 26 Atlanta, GA – 529 bar
Feb 27 New Orleans, LA – Gasa Gasa
Feb 28 Houston, TX – Continental Club
March 1 Austin, TX – Barracuda
March 2 Dallas, TX – RBC
March 3 Tulsa, OK – Chimera Lounge
March 5 Kansas City, MO – Riot Room
March 6, Chicago, IL – Beat Kitchen
March 7 Bloomington, IN – The Bishop
March 8 Columbus, OH – Spacebar
March 9 Pittsburgh, PA – Cattivo
March 10 Philadelphia, PA – PhilaMOCA

With Brothertiger

 

Throughout this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, best known for his solo electro pop/dream pop recording project Summer Heart. Now, as you may recall Alexander has received attention for being among the first wave of Sweden’s contemporary electro pop and dream pop movement with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park,as well as for a sound that has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others.
Over the past year, I’ve written about a handful of singles from Alexander’s 12 Songs of Summer, a single of the month series that according to the Swedish-born singer/songwriter, multi-instrumentalist and producer allows him to “show people what I am currently working on instead do what I was doing two years ago, which can be the case if you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!” Interestingly, 12 Songs of Summer‘s latest single “Ace of Pentacles” finds Alexander collaborating with Chicago-based electronic music artist and producer Elias Abid on a slow-burning and percussive production centered around ethereal vocals (which are chopped up at points), shimmering synths and a sinuous yet radio friendly hook — and while recalling Washed Out, the song manages to feel like the bitter come down of a love affair gone horribly wrong. While further cementing Alexander’s long-held reputation for crafting breezy synth pop, the song possesses an uncanny sober quality.
As the story goes, Abid and Alexander caught up in Abid’s new home of Chicago, the duo bonded over a mutual appreciation and admiration of each other’s work — and unsurprisingly, the duo quickly took the opportunity to bounce ideas off each other.  Speaking about their collaboration in press notes, Alexander said, “Both hanging out and working with Elias Abid was extremely inspiring. We shared the same work ethics and had similar ideas both when it came our craft but also in general. In a creative situation it’s worth a lot when you can comfortably put everything aside and focus on what’s important; the music. To me ‘Ace Of Pentacles’ ended up being about being open-minded and confident in yourself. About daring taking opportunities that are right in front of you.”
Abid adds “Besides creating some amazing ideas, what I appreciated the most out of hosting Summer Heart for his week in Chicago were the conversations we had between sessions. There was something that felt really familiar about the way he looked at life, relationships, music, art, etc.. His energy and approach as a creative person was inspiring and instilled a lot of confidence in my own process as a new artist. Not only did we create something we’re both proud of, we started a new friendship that I’m very grateful for!”

Comprised of Dexy Valentine (vocals, guitar), Coleman Moore (bass) and Phil Galloni (synths, programming), the Los Angeles, CA-based dream pop trio My Ultra Violet can trace their origins to when the trio met at a gig and exchanged numbers — and since their formation, they’ve received some attention for crafting elegant yet moody dream pop. Interestingly, the trio’s latest single, “Wilde As Me” finds the act collaborating with producer Adam Greenspan, who has worked with Nick Cave, Supergrass and Band of Skulls and drummer Malcolm Cross on a decidedly 80s-inspired synth pop jam centered around shimmering and arpeggiated synths, Valentine’s ethereal vocals and rousing, radio friendly hooks within a hypnotic song that nods at Washed Out, Summer Heart and others.

Valentine takes up the space of a two-dimensional character within the track to highlight the internal irony of the lyrics of pop songs in general, noting that they generally can be shallower and more blatant — and as she admits in press notes, it’s a nod towards Oscar Wilde, one of her famous poets, who once quipped that “only the shallow know themselves.”

 

 

Now, throughout this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, best known for his solo electro pop/dream pop recording project Summer Heart. And as you may recall, Alexander has received attention both nationally and internationally for being among the first wave of Sweden’s contemporary electro pop and dream pop movement along with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park, as well as for a sound that has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others.

With 12 Songs of Summer, Alexander adds his name to an increasing number of artists, who have adopted a single of the month series over the past couple of years. In the blogosphere age, single of the month series manage to make much quite a bit of sense creatively, financially and marketing-wise. Creatively, the artist isn’t constrained by the pressure of writing material within a cohesive style or theme in mind, as they (potentially) would have to do if they were working on an EP or a full-length album. Financially speaking, independent artists, who are most likely struggling to find ways to fund their efforts to record, tour and promote their work can put out material quickly, ensuring that the artist can receive some sort of attention outside of the album cycle. As Alexander explained in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

“Subside,” the 7th and latest single in the 12 Songs of Summer series finds Alexander collaborating with Toronto-based artist KYLO, who contributes ethereal yet soulful vocals drenched in copious reverb to a lush and shimmering production centered around finger snap-led percussion, stuttering synth arpeggios, shuffling beats and an infectious hook to create a radio friendly, club banger that evokes balmy summer nights, of evening faces, dance floors and strobe lights — and interestingly enough the song brings Within and Without and Paracosm-era Washed Out.

As Alexander recalls, I met K¥LO in Toronto a couple of years ago. We played a show together and since then we’ve stayed in touch and also vaguely talked about making something together at some point.

Back in April, I was sitting on the floor in my friend Alex’s apartment in the East Village playing around with Logic X on my laptop. I was feeling super inspired; I got this song going and quickly decided I wanted to collaborate with someone on it. K¥LO was the first person I had in mind and so I sent the roughest demo ever to her.

To me this song is about someone’s bad habits, and about not being able to concentrate and focus and taking the easy way out.”

KYLO adds, “The lyrics to ‘Subside’ were inspired by a time in my life when I was going through a lot of changes. I was getting used to living without someone I had been with for a long time and battling the loneliness that came with that change. Summer Heart is someone I’ve wanted to collaborate with for a long time; I think that as a producer he’s managed to reflect the message within the lyrics on the track.”

Throughout the bulk of this site’s 8 year history, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned Swedish-born singer/songwriter, multi-instrumentalist and producer, and as you know with his solo electro pop/dream pop recording project Summer Heart has received attention across the blogosphere for a sound that at points has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others. Additionally, Alexander has been considered among the first wave of Sweden’s contemporary electro pop and dream pop movement along with the likes of MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park.
With his 12 Songs ofSummer, Alexander adds his name to an increasing number of artists, who have adopted a single of the month series over the past couple of years, and as you can imagine doing so manages to make a helluva lot of sense creatively, financially, and marketing-wise in the blogosphere age. Creatively speaking, the artist isn’t constrained by having the pressure of writing material with a  cohesive style or theme in mind, as they would if they were writing for an EP or a full-length album; however, in order for the concept to work, they are required to come up with material within relatively strict and regularly occurring deadlines. Financially, independent artists, who may be struggling to find ways to fund their efforts to record and tour, can put out material quickly — and in the blogosphere age, it can ensure that the artist can receive some sort of attention over the course of year, outside of the album cycle. As Alexander explained in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”
“Aftershock,” the latest single in the 12 Songs of Summer project is a swaggering and flirty single centered around Alexander’s falsetto which for this song takes on a smooth jazz-like quality paired with shuffling drum programming and twinkling synths to create a song that evokes silk sheets on naked skin, of making love on an early summer morning with the windows open to let in a soft breeze. Arguably, it’s one of Alexander’s sultriest songs to date.

Now, over the past few years, I’ve written a quite a bit about  JOVM mainstay David Alexander, an internationally renowned, Swedish singer/songwriter, multi-instrumentalist and producer, and as you may recall, his solo electro pop recording project  Summer Heart has received attention both here and across the blogosphere for a sound that at points has been compared to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others. Along with that, Alexander has long been  considered among the first wave of Sweden’s contemporary electro pop/dream pop/pop movement, which also includes MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park.

With his 12 Songs of Summer, Alexander adds his name to an increasing number of artists, who have adopted a single of the month series over the past couple of years, and as you can imagine doing so manages to make a helluva lot of sense creatively, financially, and marketing-wise in the blogosphere age. Creatively speaking, the artist isn’t constrained by having the pressure of writing material with a  cohesive style or theme in mind, as they would if they were writing for an EP or a full-length album; however, in order for the concept to work, they are required to come up with material within relatively strict and regularly occurring deadlines. Financially, independent artists, who may be struggling to find ways to fund their efforts to record and tour, can put out material quickly — and in the blogosphere age, it can ensure that the artist can receive some sort of attention over the course of year, outside of the album cycle. As Alexander explained in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

“I Got This Thing For You” is the latest single in Alexander’s 12 Songs of Summer project and the single meshes slickly produced thumping house music with arpeggiated synths and anthemic hooks, bursts of Nile Rodgers-like funk guitar and swooning dream pop. Interestingly, both lyrically and sonically, the track is the sort of track that manages to simultaneously be an early blast of summer while reminding the listener of the first, uncertain pangs of a summer fling. As Alexander says of the song ” It is a track that during a short period of time has changed a lot! It started as a small loop and the lyrics ‘I got this thing for you.’ I wasn’t sure where to take the track so I showed it to my friend Joakim Buddee, who asked if he could play around with it. I gave him a carte blanche, and he came back to me with a version of the track that we both really liked. Big ups to Joakim Buddee for all his work on this one!”

Over the past few years, I’ve written quite a bit about JOVM mainstay David Alexander, an internationally renowned, Swedish singer/songwriter, multi-instrumentalist and producer, whose solo dream pop/electro pop project Summer Heart has received attention for a sound that draws from 80s synth pop in a way that’s been compared favorably to CaribouWashed OutIn Ghost Colours-era Cut CopyPainted Palms and others, and for being considered among the first wave of Sweden’s renowned contemporary electro pop and dream pop movement, which also includes MoonbabiesThe Land BelowHey ElbowBlind Lake and Emerald Park.

Alexander with his 12 Songs of Summer has added his name to an increasing list of artists, who have adopted a single of the month series, and as you can imagine doing so, manages to make a helluva lot of sense creatively, financially and marketing-wise in the blogosphere age. Creatively, the artist isn’t constrained by having to write material with a cohesive style or theme in mind, as they would be required to do in terms of writing for a full-length album; however, in order for the concept to work, they are required to come up with songs within strict and regularly occurring deadlines. Interestingly enough, the monthly song series manages to capture the emotional highs and lows of a year of the artist’s life in a way that can feel like an audio journal. Financially, artists who are struggling to find ways to fund their efforts recording and touring can split their costs over the course of a year, while stretching the recording process to a few days over the course of a year. And in the fickle blogosphere age, releasing a single every month can assure in some fashion that the blogosphere will pay attention to you and your work over the course of a year. As Alexander explains in press notes, “The idea behind this project is to show people what I am currently working on instead of what I was doing two years ago, which can be the case when you release an album. It’s definitely a way of challenging myself, thinking less and having more fun creating music!”

“Yeah You” is the second single of the 12 Songs of Summer series, and it finds Alexander leaning towards a thumping house meets In Ghost Colours-era Cut Copy-like production featuring arpeggiated synths, woofer and tweeter rocking beats and anthemic hook — and while being a rousing, crowd pleasing track that features Alexander’s ethereal vocals floating over the mix; but while being a club banger, the song possesses a plaintive ache over a dysfunctional and somewhat unrequited love affair while accepting it as an unchangeable part of the past that the song’s narrator will eventually move forward from. As Alexander says of the song, it’s “about feeling alive and having no regrets! It’s about trying to ignore the past since you can’t change. But most of all, it’s about having fun, living in the present.”

 

New Video: Up-and-Coming, Swedish-born Producer SQRD Releases Swooning and Nostalgic Visuals for New Single “Would Run Wild”

With the release of his critically acclaimed 2016 EP Gold, the up-and-coming Swedish-born, electronic music producer and electronic music artist SQRD, who splits his time between Berlin and Stockholm received attention across Scandinavia and elsewhere for a sound that effortlessly blended lo-fi, analog electronics within textured and nuanced compositions. Interestingly, over the past few years, the up-and-coming producer has spent his time honing and refining his sound, and his latest single “Would Run Wild” finds the Swedish-born producer leaning towards an industrial-leaning production as layers of propulsive, arpeggiated synths, thumping beats and metallic clang and clatter and razor sharp yet infectious hook are paired with heavily vocodered vocals. While simultaneously nodding at classic, 80s synth pop (i.e., Depeche Mode), early hip-hop, and contemporary electro pop (i.e., Summer Heart, Washed Out and others), the song swoons with a nostalgic yearning for a past just out of reach. 

Directed by Kevin Vinh Doan, the trippy and gorgeously shot,recently released video for “Would Run Wild” follows a young woman, who’s longing for an urgent and passionate love, which ends with the presumed overdose of her lover. And throughout the video, she encounters lingering ghosts and memories within every single step. 

New Video: JOVM Mainstay Summer Heart Returns with a Gorgeous and Symbolic Meditation on Time and Wisdom

JOVM mainstay David Alexander is an internationally renowned, Swedish singer/songwriter, multi-instrumentalist and producer, whose solo, electro pop/dream pop recording project Summer Heart has received attention for a wistful and nostalgic sound that draws from  60s psych pop, 80s synth pop and lo-fi rock and has been compared favorably to the likes of  Caribou, Washed Out, In Ghost Colours-era Cut Copy, Painted Palms and others, and for being considered among the first wave of Sweden’s equally renowned electro pop and dream pop movement, which also includes Moonbabies, The Land Below, Hey Elbow, Blind Lake and Emerald Park.  

Alexander’s latest Summer Heart album, 101 was released last month, and as you may recall I’ve previously written about album single  “Hotel Beds,” a swooning yet buoyant production featuring shimmering synths, stuttering house music-like drum programming, boozy blasts of guitar, Alexander’s dreamy falsetto and a rousing hook within a dance floor friendly song. However, underneath the buoyant and summery vibes of the song is a bittersweet and weary rumination on the life of a touring musician. 

101’s latest single “Follow” continues on a similar path as its predecessor as the song features a house music-inspired production consisting of arpeggiated and shimmering synths, chiming, Afro-pop-like percussion, tweeter and woofer rocking beats and Alexander’s dreamy falsetto with a soaring hook. And much like its immediate predecessor, underneath the buoyant and summery vibe there’s more than meets the eye — in this case, the song’s narrator expresses a plaintive, desperately unresolved frustration. As Alexander explains in press notes. “To follow your dreams, you must figure out what they are. ‘Follow’ is about that  moment when you think you have it all figured to, only to realise you’re not one bit wiser. Those things you do, which you imagine will change everything . . . when all is said and done, afterwards you feel exactly the same.”

Directed by Kyle Macfadzean, the recently released video features expressive, contemporary choreography by Amy Kent and Laura Ava-Scott, and stars Grace Macfadzean and Angela Downs. Shot in an lushly cinematic fashion, the video makes a connection between the young woman and her older, seemingly wiser doppleganger, emphasizing the song’s central theme with a powerfully emotional yet surreal wallop