Tag: The Amazing Snakeheads

New Video: Introducing the Swaggering Badassery of Worcester UK’s HVMM

Comprised of Any Teece (vocals, guitar), Ebony Clay (lead guitar), Jack Timmis (bass) and Samuel Jenkins (drums), the Worcester, UK-based indie rock quartet HVMM have developed a reputation across the UK’s West Midlands for an overall aesthetic that draws from several disparate sources simultaneously — on stage and in press photos, members of the band dress in an anachronistic, Victorian era-like clothing while playing brawny yet off-time, power chord-based riffs reminiscent of Led Zeppelin 1 and Led Zeppelin IV paired with angular bass chords and darkly seductive and menacing lyrics and anthemic hooks reminiscent of The Doors’ “Alabama Song (Whiskey Bar),” Nick Cave, and The Amazing Snakeheads as you’ll hear on the band’s latest single “Lacerate.” And as a result, the song possess a decadently sleazy, swaggering strut perfect for late night misadventures, shenanigans and shit-starting. 

The recently released video for the song further emphasizes the song’s brooding nature while nodding at the work of O. Henry, Edgar Allan Poe and others, but with a hyper modern flare. 

If you’ve been frequenting this site over the past three or four years, you’d probably be familiar with  JOVM mainstay act Bambara. Comprised of twin brothers Reid and Blaze Bateh and their childhood friend, William Brookshire, the band formed back in 2008 when all three members were living in Athens, GA. After relocating to Brooklyn and recording their debut effort DREAMVIOLENCE, the trio exploded into the national scene for a punishing sound that compared favorably to the likes of A Place to Bury StrangersWeekend, and others. Since the release of DREAMVIOLENCE the Brooklyn-based trio’s sound has increasingly incorporated elements of punk rock and thrash punk — and as a result, their sound has generally become much more abrasive and forceful as you’d hear on “All The Ugly Things,” the first single off the band’s long-awaited and recently released sophomore effort Swarm.

According to the band, the material’s — and in turn, the album’s first single — abrasive quality was largely inspired by the trio’s immediate surroundings; in fact, Reid Bateh’s lyrics describe a New York that’s stark, grimy, mercilessly bleak and full of unhinged, unstable characters desperately trying to survive with whatever dignity, decency and shred of sanity they have remaining. Interestingly though, the album’s latest single “An Ill Son” manages to possess the same bleak sound of the album’s previous single; however, the band sound as though they were drawing equally from thrash punk, surfer rock, garage rock and post-punk as angular, slashing guitar chords are played through gentle amounts of reverb and are paired with propulsive drumming and Reid Bateh’s unhinged crooning. Sonically, the song reminds me quite a bit of The Amazing Snakeheads‘ incredible Amphetamine Ballads, as “An Ill Son” focuses on the grim and seedy underworld that most people are largely ignorant about — and with a tense, bristling anxiousness.

 

 

 

Okay, so I think that the Glasgow, Scotland, UK-based trio, the Amazing Snakeheads may well be one the best new bands this year in my opinion as the band’s forthcoming album Amphetamine Ballads is the soundtrack to the […]