Tag: Tyler The Creator

Elijah Estrada is an emerging, 21 year-old Houston-based emcee, who writes and records with the monoynm Eli. Inspired by the likes by Tyler the Creator, A$AP Rocky, Isaiah Rashad and Young Thug, the young emcee spent the past two years focusing on honing his craft and sound — a sound that sets him apart from his Houston area counterparts.

Like countless other young artists around the world, Estrada has balanced his passion and desire to make a name for himself as a recording artists while working a legitimate day job at a factory to support himself and his family — sometimes doing backbreaking, soul-sucking work to survive. Many us — yours truly, including — have been on that relentless grind mode while trying to achieve our dreams.

The young Houston-based emcee’s latest single, the BMTJ produced single “Hit Me” is centered around a slick and soulful production featuring shimmering a sinuous bass line, shimmering Rhodes and tweeter and woofer rocking 808s and the young emcee’s easy-going delivery. Interestingly, the track reveals a remarkably self-assured and hungry young artist, having faith in himself and his abilities and taking a momentous risk to achieve his dreams, followed by him picturing a bright future, as one of his hometown’s hottest emcees.

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New Audio: Acclaimed Canadian Act BADBADNOTGOOD Releases a Cover of a Slow-Burning 80s Soul Classic

BADBADNOTGOOD, the Toronto-based jazz-inspired act, currently comprised of founding members Chester Hansen (bass), and Alexander Sowinski (drums) with Leland Whitty has received attention for a sound and compositional approach that draws from hip-hop, electronica, jazz and prog rock — and for jazz based interpretations of hip-hop tracks, which have allowed the act to collaborate with the likes of Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others. (It shouldn’t be surprising that the act can trace its origins to the band’s founding members bonding over a mutual love of hip-hop — in particular MF Doom and Odd Future.)

As the story goes, the band’s founding members, which also included Matt Tavares played a piece based on Odd Future’s music for a panel of their jazz performance instructors, who  sadly didn’t believe it had much musical value. But after they released the composition as “The Odd Future Sessions, Part 1,” the track caught the attention of Tyler the Creator, who helped the video go viral. 

The Canadian act followed that up with the 2011 release of their full-length debut BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.

2012’s sophomore effort BBNG2 was recorded over the course of a ten-hour studio session and featured Leland Whitty (saxophone) and Luan Phung (electric guitar) and featured their own original material, as well as renditions of songs by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.

2013 saw the release of III, which featured “Hedron,” a track that was also featured on the compilation album Late Night Tales: Bonobo; “CS60” and “Can’t Leave the Night,” which was released with the B-side “Sustain,” and they were involved on the soundtrack for The Man with the Iron Fists, assisting with the production and composition.

2015 saw the release of the band’s fourth, full-length album Sour Soul, and the album which is more of a hip-hop album that nods at jazz found the Canadian act collaborating with Ghostface Killah. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!

Leland Whitty joined the band as a full-time member in early 2016, and the band quickly went to work producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). By the middle of that year, BADBADNOTGOOD released their fifth full-length album IV, an album that featured guest spots from Future Islands’ Sam Herring, Colin Stetson, Kaytranada, Mick Jenkins and JOVM mainstay Charlotte Day Wilson, and was named BBC Radio 6’s #1 album of the year.

Light In The Attic  Records has started a an exclusive vinyl and digital cover series — and the latest installment of the series features the acclaimed Toronto act collaborating with vocalist Jonah Yano on a cover of Majestics’ 1982 slow jam “Key To Love (Is Understanding).” Interestingly, while Jonah Yano and BADBADNOTGOOD finds the acclaimed Canadian act crafting a lovingly straightforward and soulful cover but with a subtle personal twist and a slick production. The BADBADNOTGOOD and Jonah Yano cover along with the Majestics original are available now for streaming through your favorite digital producer and will be released on “Majestic Pink” 7″ vinyl on February 21, 2020 release.

“As lovers of old soul, funk and rare recordings, ‘Key to Love’ has always been a song that has had an impact on our heart and ears,” the acclaimed Canadian act said in a statement. “We hope our version relays how special this song is and gives it some new listeners and a second life […] It’s an incredibly beautiful song that deserves to be heard, and we hope to play a small part in that.” They add, “We had met Jonah Yano about a year ago and we started to jam and make demos. After some really fun recording sessions we asked him if he would help us with the cover and we smashed the whole song out in a week.”

“It is a pleasant surprise,” Donald Cooper of Majestics said upon hearing BADBADNOTGOOD’s version of the song. “They did a good job and it was well done with their own slight personal twist […] [it’s] an honor to be recognized.”

New Video: Tei Shi and Blood Orange Team Up on a Shimmering and Slow Burning 80s Synth Funk-Inspired Ballad

With the release of her critically applauded full-length debut, Crawl Space, the Vancouver, British Columbia, Canada-born, Los Angeles-based singer/songwriter, electronic music artist and electronic music producer Valerie Teicher, a.k.a Tei Shi quickly established her sound — slow-burning and shimmering, ethereal pop.

Since the release of her debut, Teicher has been rather busy — she’s collaborated with Blood Orange and Diddy on the viral hit song “Hope,” which has amassed over 10 million stream and appears in the accompanying video along with Diddy, A$AP Rocky, Tyler the Creator and Empress Of. And early this year, she joined Blood Orange in a performance of the song at this year’s Coachella Festival. She’s also been busy working on her highly-anticipated and long-awaited sophomore album La Linda, which is slated for a November 15, 2019 release through Downtown Records.

After spending several years in New York, Teicher relocated to Los Angeles last year, and as a result she quickly shifted course on her path as an artist. “I felt like I was closing a chapter in my life that was tied up in a lot of negativity, and reconnecting with open space and my own creativity in a way that I hadn’t in a very long time,” she says. “I wanted this whole project to reflect the feeling of stepping into another world that’s almost surreal or fantastical in its beauty.”

The album’s material reflects that change in artistic path with the album thematically and tone-wise is a purposeful departure. While her full-length debut was centered around emotional claustrophobia and confusion, the material off La Linda was written in the yard outside of her Elysian Park home — a sun-drenched space with roes bushes and berry patches, a herb garden and apple tree. Unsurprisingly, the album, which is Spanish for “the beautiful” also finds Teicher connecting to her Latin roots and cultural identity, with the acclaimed singer/songwriter writing and singing lyrics in her native Spanish. “Moving to L.A. made me feel much more connected to my Latin roots and my cultural identity, in a way that feels really loving,” says Tei Shi, who grew up between Colombia and Vancouver.

While creating La Linda, Teicher took on the role one executive producer and assembled an all-star team of producers that included Blood Orange, who has also worked with Sky Ferreira, Solange Knowles and FKA Twigs; Stint, who has worked with Santigold, HEALTH and Gallant; TV on the Radio’s Dave Sitek; Noah Breakfast, who has worked with Christine and the Queens, Carly Rae Jepsen and Ty Dolla $ign, among a list of others. For Teicher, working with such an eclectic array of musicians and producers helped to shake her free from creative stagnation. “Part of the motivation to move to L.A. was wanting to be a part of a community of people who were excited to collaborate,” Teicher says in press notes. “I felt like I’d gotten to the point where I wasn’t learning as much or picking up new things, so I wanted to work with lots of different people and take in as much as I could from their processes.”

Sonically, the album was also influenced by a disparate array of artists including German choreographer Pina Bausch and acclaimed Japanese filmmaker Akira Kurosawa. “With Kurosawa, I was so inspired by how each frame is so well-composed that it almost looks like a painting, and how he used these very simple things like rain or a gust of wind to create emotion,” the acclaimed Los Angeles-based singer/songwriter explains in press notes. Interestingly, she also found nature inspiring the album’s material as well. I think I took nature for granted for a long time, but making this album I was so drawn to the mountains and trees and water—I realized how much nature is another form of art,” Teicher says. ““For me this album is about letting go of the past and moving willingly into the future,” Teicher continues. “I hope it can give people a glimpse of something beautiful, and help them look out into the world in a more loving and intuitive way.”

La Linda’s latest single is the slow-burning, 80s synth soul-inspired, Noah Breakfast-produced single “Even If It Hurts.” Continuing Teicher’s ongoing collaboration with acclaimed synth pop artist and producer Blood Orange, the track is centered around thumping 808-like beats, shimmering and arpeggiated synths and Teicher’s and Hynes plaintive vocals trading verses on love — particularly how pain in some way or another is always part of love.  And while being a soulful synthesis of Teicher’s and Hynes work, the song also manages to sound as though it were drew from the likes of Cherelle’s “Saturday Love” and Mtume’s “Juicy Fruit”

“I made this song with two of my closest collaborators — Dev Hynes (Blood Orange) and Noah Breakfast,” Teicher shares in press notes. ” It came together in pieces between LA and New York but sprouted from the lyrics Dev and I kept on singing – ‘even if it hurts…I just don’t mind’. The concept is really the realization and acceptance that pain is a natural consequence of love. It’s a duet about the ways in which we make ourselves vulnerable to those we love, sometimes at a high cost. The video was directed by Cara Stricker and with an incredible and almost exclusively female creative crew. It features a multitude of amazing designers like Collina Strada, Vaquera, Christopher John Rogers, Mugler, Maryam Nassir Zadeh . I wanted to capture the romantic and melancholic elements of the song but put them in a world that feels removed from the every day, its own little odd paradise where Dev and I existed parallel to one another but never really together.”

The video’s director Cara Stricker adds, “I wanted to explore the iconography of love in art history through a modern yet romantic lens. Creating stillness and emotive movement to reflect the physical or emotional space in love… vulnerability, numbing immersion, knowing the truth, becoming closer, fighting for it, letting them in…even if it hurts. It’s a conversation between opposing perspectives in a relationship.”

Lyric Video: Acclaimed Indie Electro Pop Artist Tei Shi Releases a Slow-Burning and Ethereal New Single

With the release of a critically applauded batch of material — 2013’s Saudade EP, 2015’s Verde EP, 2017’s full-lenght debut, Crawl Space, a cover of Beyonce’s “No Angel” and a guest spot on Glass Animals’ “Holiest,” the Vancouver, British Columbia, Canada-born, Los Angeles-based singer/songwriter, electronic music artist and electronic music producer Valerie Teicher, best known as the creative mastermind behind Tei Shi has developed a reputation for crafting slow-burning, shimmering, ethereal pop. 

Teicher has spent the past couple of years working on her forthcoming sophomore album — but she’s also managed to find some time to collaborate with Blood Orange and Diddy on the viral hit song “Hope,” which has amassed over 10 million streams. Also, she appeared in the video for the song alongside Diddy, A$AP Rocky, Tyler the Creator and Empress Of — and she joined Blood Orange in a performance of the song at this year’s Coachella Festival. Interestingly, the album’s slow-burning and gorgeous first single “A Kiss Goodbye” is reportedly a tonal departure from her moodier, darker debut as it finds Teicher, who’s a Colombian-Canadian reconnecting with her Latin roots and influences with the material also reflecting her relocation from New York to Los Angeles. Interestingly enough, while superficially recalling Sade, the song has a subtle Brazilian tropicalia lilt — until the trap beat driven bridge, which gives the song an unexpected, urgency. 

“This song is about intuition—following my gut and my body more than my head,” Teicher explains press notes. “It’s about learning from love and from giving so much of myself to other people, and coming out of it with a more selfish mindset, to save my love and my nurturing for myself. It’s about figuring out who you are on your own and without someone else defining that for you, through trusting yourself and allowing for the universe, the supernatural, the unexpected to take hold.”

 

Throughout the course of this site’s eight-plus year history, I’ve written quite a bit about the Los Angeles-based singer/songwriter, bassist and JOVM mainstay Stephen “Thundercat” Bruner, and as you may recall Thundercat has developed a reputation as a highly-desired collaborator and a critically applauded solo artist; in fact, he has collaborated with Kendrick Lamar  on Lamar’s Grammy Award-winning album, To Pimp A Butterfly and  Brainfeeder Records labelmate, Kamasi Washington’s The Epic, which he promptly followed up with one of my favorite releases of 2015, the mini-album The Beyond/Where the Giants Roam. 2017’s Drunk, Bruner’s critically applauded third full-length album was written as an epic journey into the bizarre, hilarious and sometimes dark mind of the singer/songwriter and bassist, and it featured an All-Star list of collaborators including some of his go-to collaborators Kamasi Washington, Kendrick Lamar, Wiz Khalifa and Pharrell Williams, along with Michael McDonald and Kenny Loggins.

Currently comprised of founding members Matthew Tavares (keys), Chester Hansen (bass), and Alexander Sowinski (drums) with newest member Leland Whitty (saxophone), the Toronto, Ontario, Canada instrumental act BADBADNOTGOOD derive their name from an abandoned comedy TV project that Tavares was working on before the band formed – and whether as trio or a quartet, the band has developed a reputation for a sound and compositional approach that draws from hip-hop, electronica, jazz, prog rock; but they’re perhaps best known for their jazz-based interpretation of hip-hop tracks, which have allowed them to collaborate with Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others. Interestingly, the band can trace its origins to when the band’s founding trio bonding over a mutual love of hip-hop – in particular MF Doom and Odd Future.

As the story goes, the then-trio played a piece based on Odd Future’s music for a panel of their jazz performance instructors, who didn’t believe it had much musical value – but interestingly enough, after they released the track as “The Odd Future Sessions, Part 1,” the track caught the attention of Tyler The Creator, who helped the video go viral. The Canadian act followed that up with the 2011 release of their full-length debut BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.

2012’s sophomore effort BBNG2 was recorded over the course of a ten-hour studio session and featured Leland Whitty (saxophone) and Luan Phung (electric guitar) and featured their own original material, as well as renditions of songs by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.

2013 saw the release of III, which featured “Hedron,” a track that was also featured on the compilation album Late Night Tales: Bonobo; “CS60” and “Can’t Leave the Night,” which was released with the B-side “Sustain,” and they were involved on the soundtrack for The Man with the Iron Fists, assisting with the production and composition.

2015’s fourth, full-length album Sour Soul, found them collaborating with Ghostface Killah – and interestingly, the album is more of a hip-hop album that nods at (and is largely influenced by) jazz. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!

Leland Whitty joined the band as a full-time member in early 2016, and they followed that up with producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). By the middle of that year, BADBADNOTGOOD released their fifth full-length album IV, an album that featured guest spots from Future Islands’ Sam Herring, Colin Stetson, Kaytranada,Mick Jenkins and Charlotte Day Wilson, and was named BBC Radio 6’s #1 album of the year.

Interestingly, Thundercat and BADBADNOTGOOD have collaborated on what may arguably be one of the most hotly-anticipated collaborations in recent memory, “King of the Hill,” a track that’s a seamless meshing of Bruner’s soulful and dreamy falsetto with his dexterous bass work, a swaggering, boom-bap like backbeat from BADBADNOTGOOD and an atmospheric and shimmering production from Flying Lotus — and as a result, the track manages to be a soulful yet psychedelic take on jazz fusion that’s retro-futuristic yet incredibly contemporary.

Look for the track to be featured on Brainfeeder Records’ forthcoming 36 track Brainfeeder X compilation, and the compilation which is is slated for a November 16, 2018 release will celebrate the label’s decade of releasing the work of fearless and uncompromisingly forward-looking artists that will be split into volumes — a retrospective of their critically applauded releases and the other featuring even more forward-thinking work and collaborations.

 

OctFest 2018 Preview

Last year, Pitchfork, one of the premier music websites; October, a beer culture-centric website that aims to capture the spirit, ambition, making and drinking of the precious and beloved stuff through essays, travelogues and events; and Bon Appetit, the award-winning food lifestyle brand teamed up for what may arguably be one of the most unique festivals I’ve come across in some time: OctFest, a beer, music and food festival.  2018’s edition of OctFest, which will take place on Governor’s Island on September 8, 2018 and September 9, 2018 will feature a food lineup curated by Bon Appetit , a music lineup curated by Pitchfork that will include Vince Staples, The Flaming Lips and dozens of other music acts, 90+ craft breweries from all around the world – and with arguably some of the most gorgeous views of Manhattan you’ll see in your life.

So let’s talk a bit about each aspect of the festival, huh?

Food

The food program is centered around a Food Village that will offer a number of New York-based quick-serve staples including the Mission Chinese Food, Roberta’s Pizza, Oddfellows Ice Cream Co, Sweet Chick, the STUF’D Truck, Cervo’s, Best Pizza, Oakland, CA-based KronnerBurger and many others preparing specialties to compliment the domestic and international craft beer being sampled.  (Check out the full lineup below.)

FOOD LINEUP

Curated by Bon Appétit

Best Pizza

Cervo’s

Hank’s Juicy Beef

Island Oyster

KronnerBurger

Los Viajeros Food Truck

Mission Chinese Food

Oddfellows Ice Cream Co.

Sweet Chick

STUF’D Truck

Roberta’s Pizza

 

Beer

 OctFest will be hosting 90 breweries from 20 different countries, pouring more than 250 varieties of award-winning craft beer. Several breweries will be making their New York City debut, including Wicked Weed Brewing, DC Brau, Wedge Brewing Co, Four Peaks Brewing Co, Wild Beer Co., and Karbach Brewing, Co. (Check out the full lineup below.)

BREWERY LINEUP

North America – West

10 Barrel Brewing Co. (Bend, OR)
Austin Eastciders (Austin, TX)
Breckenridge Brewery (Littleton, CO)
Elysian Brewing Company (Seattle, WA)
FiftyFifty Brewing Company (Truckee, CA)
Firestone Walker Brewing Company (Paso Robles, CA)
Founders Brewing Co. (Grand Rapids, MI)
Four Peaks Brewing Co. (Tempe, AZ)
Golden Road Brewing (Los Angeles, CA)
Goose Island Beer Co. (Chicago, IL)
Jolly Pumpkin Artisan Ales (Dexter, MI)
Karbach Brewing Co. (Houston, TX)
Kona Brewing Company (Kailua-Kona, HI)
Live Oak (Austin, TX)
Monkless Belgian Ales (Bend, OR)
On Tour Brewing Company (Chicago, IL)
Rogue Ales (Newport, OR)
The Shop Beer Co. (Tempe, AZ)
Virtue Cider (Fennville, MI)
North America – East

Blue Point Brewing Company (Patchogue, NY)
Brasserie Archibald (Canada)
Braven Brewing Company (Brooklyn, NY)
Brewery Ommegang (Cooperstown, NY)
Brickworks Cider (Canada)
Circa Brewing Co. (Brooklyn, NY)
Cisco Brewers (Nantucket, MA)
Collective Arts Brewing (Canada)
DC Brau (Washington, D.C.)
Devils Backbone Brewing Company (Roseland, VA)
Flying Dog Brewery (Frederick, MD)
Hanging Hills Brewing Company (Hartford, CT)
Jack’s Abby Craft Lagers (Framingham, MA)
Keegan Ales (Kingston, NY)
Lamplighter Brewing Co. (Cambridge, MA)
LIC Beer Project (Long Island City, NY)
Lord Hobo Brewing Company (Woburn, MA)
M.I.A. Beer Company (Doral, FL)
Microbrasserie Gainsbourg (Canada)
Mill Street Brewery (Canada)
Narragansett Brewing Company (Pawtucket, RI)
Sand City Brewing Co. (Northport, New York)

Springdale (Framingham, MA)
Stanley Park Brewing (Canada)

Sunday Beer Co. (Brooklyn, NY)
The Bronx Brewery (Bronx, NY)
Veza Sur Brewing Co. (Miami, FL)
Wicked Weed Brewing (Asheville, NC)
Zero Gravity Craft Brewery (Burlington, VT)
Europe
Aktien Brewery of Kaufbeuren (Germany)
Birra del Borgo (Italy)
Brasserie La Binchoise (Belgium)
Brouwerij Bosteels (Belgium)
Brouwerij DeKroon (Belgium)
Camden Town Brewery (UK)
Ginette (Belgium)
Hertog Jan (Netherlands)
Jopen (Netherlands)
La Virgen (Spain)
Laugar Brewery (Spain)
Radeberger (Germany)
Wild Beer Co (UK)
Latin America
Barfuss (Argentina)
Bocanegra (Mexico)
Bogota Beer Co (Colombia)
Cervecería Urbana (Mexico)
Cervecería Wendlandt (Mexico)
Cerveza Patagonia (Argentina)
Colorado (Brazil)
Cucapá (Mexico)
Lohn Bier (Brazil)
Melas Beer (Colombia)
Nicaragua Craft Beer Co. (Nicaragua)
Pratinha (Brazil)
Wals (Brazil)
Asia, Africa, Oceania
Bira 91 (India)
4 Pines Brewing Company (Australia)
Balter Brewing Co (Australia)
Boxing Cat Brewery (China)
Cape Brewing Co. (South Africa)
Good George (New Zealand)
Newlands Spring Brewing Company (South Africa)
Pirate Life Brewing (Australia)
Playground Brewery (South Korea)
Taihu Brewery (Taiwan)
The Hand & Malt Brewery (South Korea)

Music

 While I’ll definitely have interest in the food and beer, my primary interest is the music and I’m looking most forward to catching sets from the following:

Saturday, September 8

 Vince Staples: Staples is a 25 year-old, North Long Beach, CA-born and-based emcee and actor, who first rose to prominence as member of hip-hop collective Odd Future, which also featured Mike G, Earl Sweatshirt and Tyler The Creator – and the collaborative Mac Miller-produced Stolen Youth mixtape. October 2014 saw the release of his solo debut EP, Hell Can Wait, which included attention grabbing singles “Hands Up” and “Blue Suede.”

Building upon a growing profile, Staples’ full-length debut 2015’s Summertime ’06 was released to critical applause – with Staples being featured as part of XXL’s 2015 Freshman Class. Staples’ critically acclaimed sophomore album, 2017’s Big Fish Theory found the acclaimed, young emcee expanding upon his sound as the album’s production incorporated avant-garde, dance and electronic influences. Additionally, Staples’ made a guest appearance on Gorillaz’s latest effort Humanz.

Staples is headlining Saturday night and I’m looking forward to hearing material off both Summertime ’06 and Big Fish Theory live.

BADBADNOTGOOD: Currently comprised of founding members Matthew Tavares (keys), Chester Hansen (bass), and Alexander Sowinski (drums) with newest member Leland Whitty (saxophone), the Toronto, Ontario, Canada instrumental act BADBADNOTGOOD derive their name from an abandoned comedy TV project that Tavares was working on before the band formed – and whether as trio or a quartet, the band has developed a reputation for a sound and compositional approach that draws from hip-hop, electronica, jazz, prog rock; but they’re perhaps best known for their jazz-based interpretation of hip-hop tracks, which have allowed them to collaborate with Kendrick Lamar, Tyler The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, Ghostface Killah and others. Interestingly, the band can trace its origins to when the band’s founding trio bonding over a mutual love of hip-hop – in particular MF Doom and Odd Future.

As the story goes, the then-trio played a piece based on Odd Future’s music for a panel of their jazz performance instructors, who didn’t believe it had much musical value – but interestingly enough, after they released the track as “The Odd Future Sessions, Part 1,” the track caught the attention of Tyler The Creator, who helped the video go viral. The Canadian act followed that up with the 2011 release of their full-length debut BBNG, which featured interpretations of A Tribe Called Quest, Waka Flocka Flame and Odd Future. Building upon a growing profile, the members of BADBADNOTGOOD recorded a live jam session with Tyler The Creator in Sowinski’s basement, with videos from the session amassing more than a million views each.

2012’s sophomore effort BBNG2 was recorded over the course of a ten-hour studio session and featured Leland Whitty (saxophone) and Luan Phung (electric guitar) and featured their own original material, as well as renditions of sons by Kanye West, My Bloody Valentine, James Blake, Earl Sweatshirt and Feist. That year, the band was the official Coachella Festival house band, backing Frank Ocean and Odd Future over the course of its two weekends.

2013 saw the release of III, which featured “Hedron,” a track that was also featured on the compilation album Late Night Tales: Bonobo; “CS60” and “Can’t Leave the Night,” which was released with the B-side “Sustain,” and they were involved on the soundtrack for The Man with the Iron Fists, assisting with the production and composition.

2015 saw the release of the band’s fourth, full-length album Sour Soul, and the album found them collaborating with Ghostface Killah – and interestingly, the album is more of a hip-hop album that nods at jazz. They ended the year with covers of a handful of holiday standards, including “Christmas Time Is Here” with Choir! Choir! Choir!

Leland Whitty joined the band as a full-time member in early 2016, and followed that up with producing “Hoarse” off Earl Sweatshirt’s full-length debut Doris and “GUV’NOR,” a remix, which appeared on JJ DOOM’s Keys to the Kuffs (Butter Edition). By the middle of that year, BADBADNOTGOOD released their fifth full-length album IV, an album that featured guest spots from Future Islands’ Sam Herring, Colin Stetson, Kaytranada, Mick Jenkins and Charlotte Day Wilson, and was named BBC Radio 6’s #1 album of the year.

Live the act, which also includes keyboardist James Hill can easily shift between jazz, acid jazz, jazz fusion, hip-hop, prog rock, advant-garde jazz, funk and rock with an effortless and seamless fashion – and seemingly at will. I saw them earlier this summer at BRIC Celebrate Brooklyn! Festival at the Prospect Park Bandshell  and they are a must see.

Preoccupations: Now throughout the past handful of years of this site’s history, I’ve written quite a bit about Canadian post-punk act and JOVM mainstays Preoccupations, and as you may recall, the band which is comprised of Matt Flegel (bass, vocals), Mike Wallace (drums), Scott Munro (guitar) and Daniel Christiansen (guitar) initially formed under the highly controversial name Viet Cong – and as a result of their original name, the members of the band found themselves in the middle of a furious and frenzied debate around cultural appropriation and the usage of terms, names and symbols closely associated with historical groups and actions that evoke the horrors and brutality of despotism, fascism, war, genocide and so on. Ultimately, the band decided it was best to change their name before the release of their sophomore album, an effort that found each of the individual members of the band in unsteady and uncertain positions – at the time, each of the individual members of the band had relocated to different cities across North America, which forced the band to change their long-established creative process.

Unlike their previously recoded material, the band went into the writing sessions without having a central idea or theme to consider or help guide them along, essentially making the recording sessions a collective, blind leap of faith. Interestingly, the band’s sophomore, self-titled album wound up drawing from that mix of anxiety, despair and regret that creates sleepless nights. New Material, the band’s third full-length album was released earlier this year, and the album builds upon the Canadian post-punk act’s growing reputation for crafting dark and moody post-punk centered around themes of anxiety, uncertainty, futility, frustration, creation and destruction but as the band’s Matt Flegel says of the self-recorded album, the album is “an ode to depression. To depression and self-sabotage, and looking inward at yourself with extreme hatred.”  And while the material is dark, murky and deeply introspective, the members of Preoccupations have developed a reputation for having an intense and energetic live show, which reveals the material’s anthemic nature.

Sunday, September 9

 

The Flaming Lips: Currently comprised of founding members Wayne Coyne (guitar, vocals) and Michael Ivins (bass), with Steven Drozd, Derek Brown, Jake Ingalls, Matt Duckworth and Nicholas Ley, the Norman, OK-based psych rock/psych pop/indie rock act The Flaming Lips formed back in 1983 with Coyne (guitar), Coyne’s brother Mark (vocals), Ivins (bass) and Dave Kotska (drums). Interestingly, after Kotska joined the band, Richard English joined the band – and that year, they recorded the only full-length album with Mark Coyne, the band’s self-titled effort.

After Mark Coyne left the band, Wayne assumed vocal duties and the and released their 1986 full-length debut Hear It Is on Pink Dust Records, a psych rock imprint of Engima Records. With that initial lineup, the band released two more albums, 1987’s Oh My Gawd!!! and 1989’s Telepathic Surgery, which was originally planned to be a 30-minute sound collage. From that point on, the band has gone through a series of lineup changes – 1989’s Dave Fridmann-produced In a Priest Driven Ambulance featured Nathan Roberts (drums) and Mercury Rev’s Johnathan Donahue (guitar), and saw the band expanding upon their sound with further experimentation with tape loops and effects, as well as Coyne making a transition to vocal style inspired by Neil Young.

Back in 1990, the members of The Flaming Lips caught the attention of Warner Brothers Records and were promptly signed when an AR rep witnessed a show in which the band almost burned down the American Legion Hall in their hometown with the use of pyrotechnics. In 1991, the members of the band started recording their major label debut Hit to Death in the Future Head, which was delayed for nearly a year because of their use of a sample from Michael Kamen’s score from the major motion picture Brazil, which had a lengthy clearance process. After the recoding of the album, Donahue left the band to focus on his work with Mercury Rev and Roberts leaving the band, citing creative differences.

Ronald Jones and Steven Drozd joined the band and with that lineup they released Transmissions from the Satellite Heart, their only full-length album in which their longtime producer and collaborator Fridmann wasn’t involved; however, because of the success of album single “She Don’t Use Jelly,” the band was featured on Beverly Hills 90210, Late Show with David Letterman, Charmed and Beavis and Butthead. Building upon a growing profile, the band went on a lengthy stint of touring opening for Red Hot Chili Peppers and Candlebox.

1995’s Clouds Taste Metallic was released to critical fanfare in 1995 although it didn’t achieve the same commercial success of its predecessor. In 1996, the band went through another lineup chance with the depature of Ronald Jones. The three remaining members of the band felt a growing dissatisfaction with stand rock music, led to the extremely experimental Zaireeka, a four CD album intended to be heard by playing all four CDs in four separate CD players simultaneously. Sonically, the material incorporated traditional musical elements, found sounds often manipulated by contemporary recording studio techniques and electronics.

And while their experimental efforts received, the band received mainstream success with 1999’s The Soft Bulletin, which meshed catchy melodies with synthetic strings, hypnotic and carefully manipulated beats, booming cymbals and weird but deeply philosophical lyrics. Critically, the album has been compared to The Beach Boys’ Pet Soundsas it featured the entire studio as an instrument to be manipulated. The Soft Bulletin’s critically applauded follow-up, 2002’s Yoshimi Battles the Pink Robots featured guest musician Yoshimi P-We and found the band incorporating the increasing use of electronics and computer manipulation – and the album is generally considered their first critical and commercially successful album after 20 years as a band; in fact, “Approaching Pavonis Mons by Balloon (Utopia Planitia)” won a Grammy for Best Rock Instrumental Performance, and the album was certified Gold in 2006. Since then the band has been considered one of those must-see acts, thanks in part to a show that has largely been described as a pure spectacle.  

Nile Rodgers & Chic: Nile Rodgers is a New York-born and-based songwriter, guitarist, composer, arranger and producer, who is best known as a co-founding member of smash-hit disco act Chic and for his work as a producer and collaborator with the likes of Sister Sledge, Diana Ross, Philip Bailey, Thompson Twins, Sheena Easton, David Bowie, Bryan Ferry, Duran Duran, Madonna, INXS, Britney Spears, Spoons, Daft Punk, Pharrell Williams, Avicii, Disclosure, Sam Smith, Pitbull, Lady Gaga, Kylie Minogue, Max Pezzali, Nervo, Laura Mvula, Sigala, Keith Urban, Christina Aguilera and George Michael among a growing list of artists.

Rodgers is arguably one of the more influential and important figures of pop music and dance music of the past 40+ years, and he’s had a role on some of the most beloved albums and singles, and I gotta admit I’m looking forward to hearing all of those old Chic songs live.

 Yo La Tengo: Yo La Tengo is Spanish for “I have it” — referring to a female-gendered object or person, in which it would be “I’ve got her,” but the Hoboken, NJ-based indie rock band actually derive their name from an old baseball anecdote. During the New York Mets‘ inaugural season in 1962, centerfielder Richie Ashbury and Venezuelan-born shortstop Elio Chacon found themselves colliding in the outfield. As the story goes, whenever Ashbury went for a catch, he wold scream “I’ve got it! I’ve got it!” but Chacon spoke Spanish and had a limited understanding of English. During a game later that year, Ashbury yelled “Yo la tengo! Yo la tengo!” instead and saw Chacon backing off on the play, avoiding further collisions; however, left fielder Frank Thomas, who didn’t understand Spanish and missed the team meeting that proposed using “Yo la tengo!” to avoid outfield collisions, collided into Ashburn. After getting up from their collision Thomas reportedly asked Ashburn, “What the hell is a Yellow Tango?”

As far as the band, the New Jersey-based indie rock band, which is currently comprised of founding members Ira Kaplan (guitar, piano, vocals), and Georgia Hubley (drums, piano, vocals), along with James McNew (bass, vocals) can trace their origins back to 1984. When Kaplan and Hubley formed the band, they played an advertisement to recruit other musicians, who shared their mutual love of The Soft BoysMission of Burma and Arthur Lee and his band Love, and as a result, the band’s first lineup featured Kaplan, Hubley, Dave Schramm (lead guitar) and Dave Rick (bass) with whom they released their debut 7 inch “The River of Water,” which featured a cover of Arthur Lee’s “A House Is Not a Motel.” After the band recorded “Private Doberman” for the Coyote Records compilation Luxury Condos Coming to Your Neighborhood Soon, the band went through a number of lineup changes before settling on their current lineup in 1992 — although the band’s original guitarist Dave Schramm joined the band during the sessions for their 14th record, Stuff Like That There.

Despite achieving limited mainstream success, Yo La Tengo have developed a reputation for being a critically applauded act while maintaining a devoted cult following, thanks in part to their live shows, which reveal an almost encyclopedic repertoire of covers — their SummerStage set last year began with a cover of Ace Frehely‘s “Back in the New York Groove“– and for their annual Hanukkah residency at Maxwell’s that featured a shit ton of covers and special guests, including their parents. Live, they manage to walk a tightrope between power and lush beauty, irony and sincerity within the turn of a phrase.

 

No Age: Comprised of Randy Randall (guitar) and Dean Allen Spunt (vocals, drums), the Los Angeles, CA-based noise rock duo No Age can trace their origins to the breakup of their previous band Wives, in which Spunt played bass and sang while Randall played guitar. The duo’s first official release was an extremely limited release collection of 5 vinyl singles  and Eps that they released on 5 different labels on or around the same day – March 26, 2007. Designed by Brian Roettinger and the members of No Age, the back of each record’s sleeve was a different color and had a different letter that when put together spelled out the band’s name. Half of the songs on the singles and EPs wound up comprising their full-length debut Weirdo Rippers.

Since the release of Weirdo Rippers, Randall and Spunt have developed a reptaution for relentless touring, frequently playing shows at unusual locations – they once played a show at the Los Angeles River and they famously accompanied video artist Doug Aitken and Chloe Sevigny to Athens, Greece and Hydra Island, Greece to perform a multimedia piece “Black Mirror.” The performances took place on an old Greek barge at the Port of Piraeus, off the Island of Hydra and a final performance with the barge driven to the middle of the ocean. Additionally, they’ve found new and interesting ways to pair art around the release of their music – 2009’s Losing Feeling EP was released with a limited edition “Losing Feeling” companion zine; 2012’s “Collage Culture” 12 inch was a soundtrack to readings of excerpts of Aaron Rose, Mandy Kahn and Brian Roettinger’s Collage Culture, split in two channels – one side with readings from the book, the other side with No Age music written specifically for the release.

The acclaimed noise rock act is currently touring to support their latest effort Snares Like a Haircut, which was released earlier this year through Drag City Records.

 

Check out the full musical lineup below.

MUSICAL LINEUP

Saturday, September 8

Vince Staples

BADBADNOTGOOD

NAO

Saba

Preoccupations

Vagabon

Standing on the Corner

Hatchie

Flasher

Madison McFerrin

 

Sunday, September 9

The Flaming Lips

Nile Rodgers & CHIC

Yo La Tengo

Girlpool

Hop Along

No Age

Kamaiyah

Shopping

Julie Byrne

The Courtneys

Tickets are still available, please check out OctFest.co for information.

You can check out information and updates on the festival at Oct.co, and on Twitter by following @Pitchfork and @ReadOctober.

 

I’ll be covering the festival through my various social accounts, so feel free to check me out through the following:

Twitter: @yankee32879

Twitter: @williamhelms3rd

Instagram: @william_ruben_helms