Tag: Y La Bamba

New Video: Seattle’s Moon Palace Releases a Contemplative Visual for Shimmering and Dance Floor Friendly “Bold”

Last month, I wrote about the Seattle-based indie rock act Moon Palace. The act which is led by twin sisters Cat (guitar, vocals) and Carrie Biell (bass, vocals) and joined by Jude Miqueli (drums) and Darcey Zoller (cello, synth) can trace some of their origins back to the unique musical bond the Biell Sisters cultivated as the children of deaf parents. And with the release of 2017’s self-titled full-length debut, the band drew comparisons to JOVM mainstays to Beach House and Warpaint, as they crafted hook-driven material centered around sometimes discordant guitars and gorgeous dual harmonies. Along with receiving praise from the likes of City Arts Magazine and KEXP, Moon Palace has shared stages with Thunderpussy, Y La Bamba and Sera Cahoone among others.

Thematically, the Seattle-based quartet’s recently released sophomore album Shadowcast finds a balance between light and dark. “Shadow self and trying to be positive through interactions with people you love,” the members of the band elaborate in press notes. “Outer world to the innermost personal world. Balancing the sun sign and moon sign. Knowing your inner personal self within the context of the universe.” Throughout the recording sessions, band members would text each other songs by Sonic Youth, Talking Heads, Duran Duran and Big Thief, all of which inspired and shaped the album’s sound and overall aesthetic.

Now, as you may recall I wrote about the shimmering, Beach House-like “Who You Are,” a track found the band effortlessly balancing intimate emotions within an atmospheric and cinematic song. At its core, the song focused on navigating difficult and uneasy relationships and questioning whether the other is showing their true self or not. Interestingly, the album’s latest single “Bold” is a dance-floor friendly take on shoegaze, centered around a propulsive, disco-like bass line, shimmering guitars, atmospheric synths ethereal vocals and a soaring hook — but as the band’s Cat Biell explains the song harkens back to that “nostalgic feeling to a time when you felt more care free.” And as a result, the song is imbued with a bittersweet air. 

The recently released video by Elope Productions stars Loren Othón  and Georgia Maxine, who contribute expressive and contemplative dance movements in a variety of different settings including a verdant field, urban rooftops and parking lots, which also helps to emphasize the nostalgia within the song.

Led by twin sisters Cat (guitar, vocals) and  Carrie Biell (bass, vocals) and joined by Jude Miqueli (drums) and Darcey Zoller (cello, synth), the Seattle-based indie rock act Moon Palace can trace some of its origins back to the unique musical bond the Biell Sisters cultivated as the children of Deaf parents. Interestingly, with release of 2017’s self-titled, full-length debut, the members of the Seattle-based band drew comparisons to Beach House and Warpaint, as they crafted hook-driven material centered around sometimes discordant guitars and gorgeous dual harmonies. Along with receiving praise from the likes of City Arts Magazine and KEXP, Moon Palace has shared stages with Thunderpussy, Y La Bamba and Sera Cahoone among others.

Slated for an August 23, 2019 release, the band’s soon-to-be released album Shadowcast thematically finds a balance between light and dark. “Shadow self and trying to be positive through interactions with people you love,” the members of the band elaborate in press notes. “Outer world to the innermost personal world. Balancing the sun sign and moon sign. Knowing your inner personal self within the context of the universe.” Throughout the recording sessions, band members would text each other songs by Sonic Youth, Talking Heads, Duran Duran and Big Thief, all of which inspired and shaped the album’s sound and overall aesthetic.

Interestingly, Shadowcast‘s second and latest single “Who You Are” is a shimmering and contemplative song that finds the band effortlessly balancing intimate emotions within an atmospheric and cinematic sound featuring shimmering and slashing guitars, gorgeously ethereal vocals, a soaring hook and driving rhythm section. And while bearing a resemblance to Beach House, the song possesses an uncertain and uneasy air, as it focuses on navigating difficult relationships and questioning whether the other person is showing their true self or not.

 

 

 

New Video: The Lush and Boldly Colored, Primal Visuals for Y La Bamba’s “Libre”

Over the course of the band’s three albums and several lineup changes of collaborators, friends and musicians, the band’s material has gone through a variety of changes — but it’s the the band’s forth full-length effort Ojos Del Sol that may be arguably be the most radical turn in sonic direction, while returning to familiar themes of searching and personal discovery — themes that have come up a number of times in Mendoza’s own life, whether as the daughter of Mexican immigrants connecting with her ancestry and searching for spiritual meaning that goes much further than organized religion. In fact, as Mendoza explains in press notes, the material on the album thematically is a “cerebration of family and community” — but a community of shared humanity.

Interestingly, the album’s first single “Libre” finds Mendoza and company at their most self-assured but in one of the breeziest and pop-leaning songs as they pair an infectious and anthemic hook with an arrangement that includes what sounds like xylophone, a mischievous and sinuous bass line, a steady backbeat, Mendoza’s gorgeous vocals along three part harmonies in English and Spanish, a rolling, African folk music-like guitar line in a song that evokes a sense of almost childlike wonder and joy, while making a connection both to Mendoza’s ancestral homeland and Africa in a way that subtly channels Paul Simon’s Graceland.

The recently released video accompanying the song is a lush, cinematically shot video using impossibly verdant greens, bright reds, and a seemingly primal and ecstatic dance routine in the fields just featuring women wearing ancient-inspired costumes, masks and the like. And while being swoon worthy, the video manages to make a vital connection between the primal and ancient and the modern, between celebrating spring and summer and fertility, and a celebrating a community of strong like-minded women simultaneously.