Tag: Zara Larsson

Arron Davey is British multi-instrumentalist, electronic music producer, electronic music artist and DJ, best known for his acclaimed and attention-grabbing solo recording project Astronomyy. Interestingly, Davey first made a name for himself with one of his earliest singles “Don’t Need U,” which quickly established his sound — guitars fused to R&B styled beats. With the track going viral, the British multi-instrumentalist, electronic music producer, electronic music artist and DJ landed a major label deal. And although, it wasn’t the right fit for him, signing to a major label allowed him to build a home studio, where he recorded his first two EPs, There For U and When I’m With You. His own original material has received praise from Noisey, The Line of Best Fit, IndieShuffle, Earmilk and countless others while amassing over 40 million streams. Simultaneously, Davey developed a reputation as a highly sought-after collaborator. He co-wrote the triple-platinum, international smash hit “Never Forget You” for Zara Larsson and MNEK. He also released a remix of Billie Eilish‘s “Ocean Eyes,” which eventually amassed over 100 million streams.

After the release of 2017’s “Rest in Paradise” 12 inch, Davey decided to take a sabbatical. “I was overwhelmed by the industry,” he admits. “I never got into this for money; I just love creating. I decided to put my head down and lock myself away in the studio for as long as it took to re-ignite the fire. I had to ignore other people and really feel it for myself. My life was imbalanced, and I needed to focus my headspace.  I started physically working out. I feel like a much more balanced person now. I’m finally I’m ready.”

“I’m focusing on moods now,” Davey continues. ““Before, I was trying to paint a perfect picture. I wasn’t allowing the chaos to exist in my songs, but I’ve welcomed the contrast. There’s a yin and yang. The new music has duality. There are a lot of raw and natural performances. There’s variety in tone. It’s wavy and it has more depth. It just comes with trusting my instinct and my ears. If you strip something of its flaws and fix every blemish, you take away the character, so I backed off from the polished sound.”

“Flamingo” is the first bit of new material from Davey in over two years. Centered around layers of shimmering and arpeggiated synths, a sinuous bass line, stuttering beats, Davey’s plaintive falsetto, stuttering beats, and an infectious hook, the new single is one part 80s synth R&B and one part Teddy Riley New Jack Swing-like jam. And while the brooding track manages to possess a breezy and nostalgic quality that’s befitting for a late summer, club banger the song is underpinned by several layers of irony. “I had the side somebody can be like a flamingo,” Davey explains. “A flamingo is very pretty, but if you try to cage it, you realize it’s a live animal and shouldn’t be contained. It’s also tough-in-cheek and pokes fun at people in Britain, because ‘bird’ is a slang word for ‘girlfriend.’ It’s the first song I wanted to share with the world in a couple of years, because it’s got so many elements that represent me. It’s moody, it’s broody, it’s weird, it’s funky, it’s textured and it’s also quite pretty.”

As for an August 30 release Davey says, “I’ve always been obsessed with space and as I’ve spent the last two years rebalancing myself and my sound, it seemed only right to release the first single under a new moon. Which also happens to be a super black new moon.”


New Video: The Vibrant Visuals for Up-and-Coming Danish Pop Artist Ea Kaya’s Latest Single “Remedy”

Born Christine Kiberg, Ea Kaya is an up-and-coming Copenhagen, Denmark pop artist, who amassed 1 million YouTube views by the time she turned 15. Kiberg continued to hone her craft with stints in a soul and funk band and an electro pop project before deciding to go solo. And with the release of her debut single “Don’t Complicate It,” the up-and-coming Danish pop artist garnered praise and attention from the likes of Red Bull, Scandipop, Soundvenue, The Line of Best Fit, as well as comparisons to internationally recognized Scandinavian pop artists such as Tove Lo, MØ, Zara Larsson and others. 

Kiberg’s latest single “Remedy” is a slickly produced, radio friendly pop confection that features stuttering drum programming, boom bap beats, sharp, arpeggiated synths and an infectious ear worm of a hook paired with Kiberg’s self-assured and sultry vocals in a woozy, lovesick song that focuses on a toxic and co-dependent love — but with a startlingly unadulterated honesty, as the song’s narrator openly admits that she’s tied into a dysfunctional and fucked up relationship. As Kilberg explains in press notes, “‘Remedy’ is a song about toxic love. In a relationship, it’s rare that both parties want each other equally. As soon as you start catching feelings for someone, you can’t help but get a little addicted. If you’re down, he’s able to make you forget your problems for a little while and he becomes a remedy to your dark sides. It’s risky though, because if he finds out, he might take advantage of the power he has over you…”

The recently released video employs the use of vibrant colors in several different settings — a track and field course, a commuter train, the woods, a sunlit studio, a brightly colored mural as a juxtaposition to the aching nature of the song’s lyrics.